This study explores the connections between childhood and children's literature. In this connection there is an inherent tension between writing and reading "real" childhood, as it is being lived by children now, and interacting with an adult-normative, adult-reconstructed childhood that may or may not have existed in the past. The purpose of this study was to address this tension by analyzing fifteen recently published award-winning children's novels, from the United States, The United Kingdom, and Australia, in order to ferret out how present-day childhood is constructed within this text set. Using a hybrid methodology called critical discourse analysis, buttressed by the frameworks of postmodern childhood studies and critical children's literature studies, the novels were analyzed in a hermeneutic, reader-response oriented approach in order to excavate themes that addressed childhood in the narratives. Findings are presented as a meta-plot, wherein the child protagonists leave a failed home, set out on a journey of knowledge and experience gaining a sense of agency, and, at the end of the novel, construct a new home replete with the child protagonists' personal meaning. This meta-plot includes instances of the child protagonist performing parrhesiatic acts (Foucault) as well as developing non-hierarchical relationships as conceptualized by an I/You relationship (Buber). Other findings include the construction of childhood as a time of "becoming" and a time of "is-ness," childhood as a time of resilience, and childhood as a time of difficult decisions. Conclusions of the analysis speak to the idea of the child serving as a Modern bringer of hope, who manages to create moral order from within an adult-created postmodern milieu. Implications relate to the fields of literacy education, replications of the study with an interpretative community of children, and continuing to define the burgeoning methodology of critical content analysis.

This thesis explores the participation of children within legal discourse by looking at how laws and policies engage or disengage children. The basic premise is that to understand children’s participation is to confront the discourse of children and childhood where we uncover underlying assumptions, interests and agendas that inform our conception of who the child is and what the experience of childhood entails. Specifically, the thesis examines child participation within the Philippine legal framework by looking at the status, conditions and circumstances of children in four contexts: family, educational system, work environment and youth justice system. It argues that our conceptions of children and childhood are not only produced from a particular discourse but in turn are productive of a particular construction and practices reflected in the legal system. In its examination, the thesis reveals a complex Philippine legal framework shaped by competing paradigms of children and childhood that both give meaning to and respond to children’s engagements. On the one hand, there is a dominant discourse based on universal patterns of development and socialization that views children as objects of adult control and influence. But at the same time, there is some concrete attraction to an emerging paradigm influenced by childhood studies and the child rights movement that opens up opportunities for children’s participation. In advocating for broader acceptance of the emerging paradigm, the thesis identifies distinctive understandings of this paradigm in the Philippine context. A central argument is that in reconstructing the legal discourse of children and childhood, children’s participation grounded on the emerging paradigm does not necessarily introduce “new” understandings of children and childhood in the Philippines but, in fact, confirms existing beliefs and practices that articulate deeply held indigenous relational values. Within this contextualized understanding of the emerging paradigm, the thesis articulates children’s participation as: recognition of children as rights-bearers; acknowledgment of children’s realities as lived and experienced by them; and respect for the meaningful and constitutive relationships that children establish. Consequently, the intrinsic quality and meaning of actions of the child and towards the child take on a significant legal, social and moral value.

This thesis explores the participation of children within legal discourse by looking at how laws and policies engage or disengage children. The basic premise is that to understand children’s participation is to confront the discourse of children and childhood where we uncover underlying assumptions, interests and agendas that inform our conception of who the child is and what the experience of childhood entails. Specifically, the thesis examines child participation within the Philippine legal framework by looking at the status, conditions and circumstances of children in four contexts: family, educational system, work environment and youth justice system. It argues that our conceptions of children and childhood are not only produced from a particular discourse but in turn are productive of a particular construction and practices reflected in the legal system. In its examination, the thesis reveals a complex Philippine legal framework shaped by competing paradigms of children and childhood that both give meaning to and respond to children’s engagements. On the one hand, there is a dominant discourse based on universal patterns of development and socialization that views children as objects of adult control and influence. But at the same time, there is some concrete attraction to an emerging paradigm influenced by childhood studies and the child rights movement that opens up opportunities for children’s participation. In advocating for broader acceptance of the emerging paradigm, the thesis identifies distinctive understandings of this paradigm in the Philippine context. A central argument is that in reconstructing the legal discourse of children and childhood, children’s participation grounded on the emerging paradigm does not necessarily introduce “new” understandings of children and childhood in the Philippines but, in fact, confirms existing beliefs and practices that articulate deeply held indigenous relational values. Within this contextualized understanding of the emerging paradigm, the thesis articulates children’s participation as: recognition of children as rights-bearers; acknowledgment of children’s realities as lived and experienced by them; and respect for the meaningful and constitutive relationships that children establish. Consequently, the intrinsic quality and meaning of actions of the child and towards the child take on a significant legal, social and moral value.

As crianças são as verdadeiras anarquistas”? Que peso tem uma “verdade” sobre as crianças? Para ilustrar essa dissertação, questionamos uma “verdade” pichada em um muro. Porque as verdades sobre as crianças estão em todos os lugares, nós, adultos, as escrevemos, as pichamos, as pintamos em todos os lugares. Essas “verdades” estão em livros, em manuais de científicos, em enciclopédias pediátricas, nos currículos e até nas representações artísticas sobre as crianças e sobre as infâncias. Fundamentada nas concepções decolonialistas sobre a infância e as crianças, esta dissertação faz um resgate teórico do pós-colonialismo e da decolonialidade latino-americana, em especial, das produções acerca dos Estudos da Infância e educação das crianças pequenas. Problematizando também uma discussão metodológica a partir das contribuições anarquistas. Apresento possibilidades e limites para discutir (outras) infâncias pelo anarquismo, pela América Latina, pelos territórios (de)colonizados, pela desescolarização, em consonância com os estudos pós-coloniais e decoloniais. / “Are children the real anarchists?” What weight has a "truth" on children? To illustrate this dissertation, we question a "truth" graffitied in a wall. Because truths about children are everywhere, we, adults, write them, graffiti them, paint them everywhere. These "truths" are in books, in scientific manuals, in pediatric encyclopedias, in curriculum, and even in artistic representations about children and childhood. Based on decolonialist conceptions about childhood and children, this dissertation makes a theoretical rescue from postcolonialism and Latin American decoloniality, especially from the contributions on Childhood Studies and early childhood education. Also problematizing a methodological discussion from the anarchist contributions. I present possibilities and limits to discuss (other) childhoods through anarchism, Latin America, colonized territories, unschooling, in line with postcolonial and decolonial studies.

abstract: The construction of the contemporary Taiwanese child and childhood has been under-researched. It is often understood solely in contrast to a Western context as a mysterious or even exotic existence. However, this understanding differs from what I discovered in my literary reviews, which reveal many similarities - not differences - with respect to the philosophical views of the child and childhood between the so-called "East" and "West." To gain a better understanding of the Taiwanese child and childhood, I chose the annual Taipei Children's Arts Festival (TCAF) as my main research subject and adopted grounded theory and dramatic analysis as my research methods to explore the following question: What are the representations of the Taiwanese child and childhood as reflected by the cultural artifacts of TCAF between 2000 and 2011? TCAF is the largest children's arts festival in Taiwan and theatre for young audiences (TYA) has been its main component. I therefore selected four award winning TCAF plays and their production videos as my main data. Additional data consists of forewords from the programs, which were written by mayors of Taipei City, commissioners of Taipei's Department of Cultural Affairs, and festival organizers. To provide context, I give a brief history of Taiwanese children's theatre before beginning the main analysis. My findings indicate a complex construction of the Taiwanese child and childhood. The central category states that Taiwanese children are constructed as adults' futures. This explains adults' desires to preserve children's positive qualities, and reflects adults' emphasis on learning and teaching, children's agency, and their happiness. Determining one central category/hypothesis proved to be difficult, due to the variety and complexity of my data. Missing categories include concepts of the unconscious child and children's relationships to religion, family, friendships, and gender issues. The distinctions between children and adults are both distinct and ambiguous. Although differences of the East/West binary exist, social constructions of the child and childhood become increasingly similar as the world becomes more fluid. My research highlights a variety of such elements. Future research is still needed, however, in order to broaden and deepen the understanding of the Taiwanese child and childhood. / Dissertation/Thesis / Ph.D. Theatre 2012

As crianças são as verdadeiras anarquistas”? Que peso tem uma “verdade” sobre as crianças? Para ilustrar essa dissertação, questionamos uma “verdade” pichada em um muro. Porque as verdades sobre as crianças estão em todos os lugares, nós, adultos, as escrevemos, as pichamos, as pintamos em todos os lugares. Essas “verdades” estão em livros, em manuais de científicos, em enciclopédias pediátricas, nos currículos e até nas representações artísticas sobre as crianças e sobre as infâncias. Fundamentada nas concepções decolonialistas sobre a infância e as crianças, esta dissertação faz um resgate teórico do pós-colonialismo e da decolonialidade latino-americana, em especial, das produções acerca dos Estudos da Infância e educação das crianças pequenas. Problematizando também uma discussão metodológica a partir das contribuições anarquistas. Apresento possibilidades e limites para discutir (outras) infâncias pelo anarquismo, pela América Latina, pelos territórios (de)colonizados, pela desescolarização, em consonância com os estudos pós-coloniais e decoloniais. / “Are children the real anarchists?” What weight has a "truth" on children? To illustrate this dissertation, we question a "truth" graffitied in a wall. Because truths about children are everywhere, we, adults, write them, graffiti them, paint them everywhere. These "truths" are in books, in scientific manuals, in pediatric encyclopedias, in curriculum, and even in artistic representations about children and childhood. Based on decolonialist conceptions about childhood and children, this dissertation makes a theoretical rescue from postcolonialism and Latin American decoloniality, especially from the contributions on Childhood Studies and early childhood education. Also problematizing a methodological discussion from the anarchist contributions. I present possibilities and limits to discuss (other) childhoods through anarchism, Latin America, colonized territories, unschooling, in line with postcolonial and decolonial studies.

abstract: My project maps assets of welcome in the built environment in youth performing arts spaces. What signifiers reveal how a physical space conceptualizes the child, reflects professed theological claims, and cues youth to practice ownership and experience belonging? I explore the cultural capital that emerges from the sites and I assert theological implications of the findings. Through mixed qualitative, quantitative, and arts-based methods, I employ asset-based and cultural mapping tools to collect data. I parse theories of space, race, and capital. Half of the ten sites are faith-based; others make room for practices that participants bring to the table. Therefore, I discuss theologies and theories about racialized, religious, public, and arts spaces. My research shows that one ethnographic task for the arts groups is unearthing and embedding neighborhood legacy. I source fifty-six written youth questionnaires, forty youth in focus groups, staff questionnaires, parent interviews, and observations across fourteen months at ten sites. Interpreting the data required that I reconceive multiple terms, including “youth dedicated,” “partnership,” and art itself. The research codes spatial, relational, economic, temporal, and comfort-level assets. Observed assets include strategies for physical safety, gender inclusivity, literary agility, entrepreneurship, advocacy, and healing. Analyzing data showed the sites as conceptualizing the child in three change-making areas: the Child as Hungry, the Child as Village, and the Child as Visible. The Child as Hungry emerged because participants self-report myriad “feeding” physically, spiritually, and artistically at each site. Youth participants at each site maintain a Village presence, and each site offers a manner of gathering space that signifies Village responsibility. Each site carves space to witness the child, contrastingly with other spheres—so much so that being a Visible Child becomes a craft itself, added alongside the fine art. Child theology is the primary theoretical lens that I use to contribute to and intersect with performance studies theory, critical race theory, child drama, and childhood studies. / Dissertation/Thesis / Doctoral Dissertation Theatre 2018

Abstract This research concentrates on the experiences of children and young people operating in the local participation groups in Oulu. Research focuses on the motives and procedures of joining in the groups and the essential activities and objectives of the groups. Co-operation between children, young people and adults is also discussed. The research perspective is pedagogical: what kind of a forum for democratic education do participation groups offer to children and young people? The research is a multi-method case study based on data from surveys, interviews and observation. The data is analyzed with the SPSS statistical analysis program and thematic content analysis. Childhood studies offer a theoretical starting point by recognizing children’s and young people’s agency and ability to participate. Participation is discussed in terms of central democratic theories. Participation groups as spaces for democratic education are viewed especially in terms of the didactic triangle of knowledge, values and skills introduced by Ove Korsgaard. Critical viewpoints on democratic education are discussed based on Gert Biesta’s formulations. Hannah Arendt’s insights into human interaction as a place where human subjectivity is born are also considered. Participation groups are spaces of social participation in which children, young people and adults reciprocally recognize each other as competent actors. An adult person with situational awareness and pedagogical tact is considered central to a participation group. Participation groups are understood as representative bodies whose functionality depends on the members’ ability to be active and committed participants. Age is thought to be a factor that both promotes and prevents group activities. Participation groups are also considered to be places where children and young people plan the activities based on their own interests, where they can express their own opinions and views and are also able to take part in decision-making. From the viewpoint of democratic education, participation groups are considered as pedagogical spaces that offer opportunities to acquire knowledge and skills for participatory action within their immediate surroundings and in society at large. These abilities are needed in groups’ activities on a constant basis, but children and young people also appreciate their value for their future life. At the core of participation seems to lie the idea of being able to live with others who are not exactly like me. / Tiivistelmä Tutkimuskohteena ovat lasten ja nuorten kokemukset alueellisten osallisuusryhmien toiminnasta Oulussa. Tutkimuksessa selvitetään ryhmään liittymisen tapoja ja motiiveja, toimintamuotoja ja vaikuttamiskohteita sekä osallisuusryhmää lasten, nuorten ja aikuisten keskinäisen toiminnan tilana. Näkökulma on pedagoginen: minkälaisen demokratiakasvatuksen tilan osallisuusryhmä tarjoaa lapsille ja nuorille? Tutkimus on monimenetelmäinen tapaustutkimus, jonka aineisto koostuu osallisuustoiminnan havainnoinnista sekä lasten ja nuorten kyselystä ja teemahaastatteluista. Aineistoa on analysoitu SPSS-tilasto-ohjelmalla sekä temaattisella sisällönanalyysillä. Tutkimus paikantuu lapsuudentutkimuksen paradigmaan, jonka ytimessä on lasten ja nuorten osallisuus ja toimijuus. Osallisuutta taustoitetaan keskeisten demokratiateorioiden kautta ja osallisuusryhmien toimintaa erityisesti Ove Korsgaardin luoman kansalaiskasvatuksen didaktisen kolmion kautta. Lisäksi analyysissa hyödynnetään Gert Biestan esittämiä kriittisiä näkökulmia demokratiakasvatukseen sekä Hannah Arendtin näkemyksiä ihmisten välisestä vuorovaikutuksesta subjektiviteetin synnyn tilana. Osallisuusryhmä näyttäytyy sosiaalisen osallisuuden tilana, jonka keskiössä on lasten, nuorten ja aikuisten vastavuoroinen tunnustaminen kompetentteina toimijoina. Tilannetaitoinen ja pedagogisen tahdikkuuden taitava aikuinen on toiminnan keskeinen voimavara. Osallisuusryhmä ymmärretään edustukselliseksi järjestelmäksi, jonka toimintakykyisyyteen nähdään keskeisesti vaikuttavan ryhmän jäsenten aktiivisuus ja sitoutuneisuus toimintaan. Ikä nähdään sekä ryhmän toimintaa edistävänä että hidastavana tekijänä. Osallisuusryhmä on myös vaikuttavan osallisuuden tila, jossa lapset ja nuoret suunnittelevat toimintaa omien intressiensä pohjalta, tuovat esiin omia mielipiteitään ja näkemyksiään sekä tekevät päätöksiä itselleen merkityksellisissä asioissa. Demokratiakasvatuksen näkökulmasta osallisuusryhmä määritellään pedagogiseksi tilaksi, jossa on mahdollista omaksua tiedollisia ja taidollisia valmiuksia osallistuvaan ja vaikuttavaan toimintaan omassa lähiyhteisössä ja yhteiskunnassa laajemminkin. Näitä valmiuksia tarvitaan osallisuusryhmien toiminnassa jatkuvasti, mutta lapset ja nuoret kokevat niiden oppimisen hyödylliseksi myös tulevaisuutta ajatellen. Osallisuuden ytimessä on ajatus kyvystä oppia elämään toisten kanssa, jotka eivät ole aivan kuten minä.

Swedish children's film has established an outstanding reputation all around the world, especially since the 1940s when many quality films for young audiences came into production. In this context, Swedish children's film scholars often set its beginning in the mid-1940s. However, some films were already referred to as such in the 1920s and even before that. Nevertheless, little research on the very first Swedish children's films has conducted yet. This project, built primarily on archival research, aims to reveal how the contemporaries conceptualised the generic identity of children’s film from 1914 to 1923 – that is, from the recurring appearance of the term in daily papers to the first children’s film cluster – and thereby to offer a new perspective to Swedish children’s film history.

In this dissertation I think-with figures of #AnthropoceneChild in speculative texts that story the end of the world through some form of climate catastrophe. In these post-apocalyptic tales, the child-figures do different things. Firstly, child-figures reflect problematics of the contemporary world without interrupting dominant patterns of thought, materiality, and governance. In these stories, the child is the future and the future is the child. Secondly, some child-figures are tasked with protecting a world in which they have been made disposable. This incites critical questions about distributions of racialized harm and also exposes the limits of survivalist logics. Thirdly, a few child-figures refuse current arrangements of existence and set in motion new worlds, even if the contours, forces, and politics cannot yet be fully described. These are speculative worlds of not this, what if, and not yet. Different aspects of this assemblage are centred at different moments in this dissertation. The looseness of the framework allows me to move between the unsettled complexities of bionormative childhoods, anthropogenic climate change, reproductive futurism, and structures of anti-blackness, settler colonialism, and white supremacy in relation to (1) child-figures at the end of a world, (2) child-figures who save their world, and (3) child-figures who destroy the world. This dissertation is organized into two main sections: Part I provides the theoretical background for the speculative arguments developed over Part II. In Part I, I unpack my proposal that #AnthropoceneChild bookends the Anthropocene. By this I mean that the language of birth, origin, and innocence finds repetitious form in scholarly discussions of Anthropocene beginnings, and that child-figures are pivotal to playing out the end of the world in pop culture performances of Anthropocene pedagogy. Part II consists of three chapters that engage with speculative child-figures that inherit and inhabit a damaged planet. This includes grappling with racialized technologies of care and abandonment, folding parent-child relations into environmental discourses of stewardship, and gesturing towards imaginaries of what might be possible after the end of the (white) world. The conclusion pulls the ideas and figures of previous chapters together in a queer-kin consideration of geos-futurities for #AnthropoceneChild wherein the end of the world might not be a cause for mourning but a possibility for an otherwise. / Graduate