The main purpose of this thesis is to explore the oscillation between different identities and nationalist discourses during Hafez Al Assad era in Syria. Syrian Arab Republic has been facing with an identity crisis ever since its independence due to several dynamics. Throughout the decades, there emerged several different self-images of Syrians. The major clash subsists between loyalty to Arabness and Syrianness. In order to find out the perceptions of politically relevant elites concerning this clash and the roots of identity crisis, a fieldwork was conducted during the spring 2006 in Damascus. An exploration of the nationalist ideologies &ndash / Arab nationalism, Greater Syrian nationalism, Pan-Islamic nationalism and liberal nationalism &ndash / during the Hafez Al Assad&rsquo / s era in Syria gives us the clues of the identity crisis. Moreover, the insights of Syrian politically relevant intellectuals exemplify and explain the current debate on the identity crisis in Syria.

Children's literature often does not hold the same weight in the studies of a culture as its big brother, the novel. However, as children's literature is written by adults, to convey information which is important for a child to learn in order to be a functioning member of that society, it can be analyzed in the same way novels are, to provide insight into the broad sweeping issues that concerned the adults of that era. Nineteenth-century British children's literature in particular reveals the deep-seated preoccupation the British Empire had with its eastern colonies, and shows how England's relationship to those colonies, particularly India, changed throughout the period. Beginning with the writing of Christina Rossetti's The Goblin Market in 1859, touching upon the Alice stories of Lewis Carroll in 1865 and 1871, and finishing with Frances Hodgson Burnett's The Secret Garden published in 1911, I show how these three works of children's fiction mirror the changing attitudes of Britain in regard to her eastern colonies. The orientalism found in these stories is a nuanced orientalism that reflects the pressures of the moment and the changing tide of public opinion.

This paper is interdisciplinary in the approach to the stories found in Str8 Up and Gangs: The Untold Stories. Drawing from the knowledge of Indigenous Studies and the study of English Literature, this paper connects discourses of health and sickness, crime and punishment, and Canada's colonial legacy to Indigenous gangs in Canada. Finally, this paper demonstrates how narrative techniques have been applied in an attempt to help intervene and prevent the growth of Indigenous gangs in Canada.

The French colonizer from 1912–1956 brought not only the French language to Morocco but also a colonial administration that reinforced divisions between various indigenous social groups. European, Jewish, Muslim, and Berber communities were segregated into separate schools providing different levels of French-language education. As a result, French linguistic dominance and economic opportunity were assured among some groups more thoroughly than others. Acquisition of the French language for European and Jewish communities through advanced educational opportunities at the European lycées and Jewish Alliance Israélite Universelle granted certain higher educational, economic, and administrative privileges within the colonial administration and workforce. Meanwhile, those attending schools created for Muslim and Berber Moroccans where curricula insisted on rudimentary French skills were unable to seek advanced educational or economic opportunity. This research describes the different types of access to the French language that were intended for the diverse European, Jewish, Berber, and Arab speech communities through the various educational institutions created by the French government during the French protectorate in Morocco. Through the application of Bourdieu’s language market theory, this dissertation examines the ways that access became linked to the job market and the attainment of symbolic, economic, and cultural capital. This research offers explanations of how language shift occurred among European and Jews in Morocco and how French continued to confer socioeconomic value long after independence, despite efforts to oust the “colonizer’s language” for all Moroccans. Furthermore, in contradiction to Bourdieu’s language market theory, this research exposes how multiple language markets in Morocco emerged for Muslim and Berber communities as a result of access to different kinds of instruction and how both French and Arabic became legitimate languages with very different social functions. / text

This dissertation concerns the epic poem Caramuru (1781) by José de Santa Rita Durão. I propose both a post-nationalist or postcolonial reading of Caramuru, as well as a pre-nationalist or historical analysis. The first part of this dissertation focuses on the form itself, particularly the genre of epic poetry to which Caramuru belongs. The title of this dissertation references Virgil’s Aeneid, while the comparisons between this and other epics focus on the conventions of epic poetry, placing Caramuru within the context of other epic poems. Traditionally, and even recently, Caramuru has consistently been compared to Luis de Camões’ Os Lusíadas. I have tried to establish a closer connection with Virgil’s Aeneid, rather than Os Lusíadas, as the model epic for Caramuru. Chapter One focuses on the topic of imitation, specifically the many similarities with the plot of Virgil’s Aeneid. Chapter Two offers a historiographical approach to how the readings of colonial texts changed over time, including a historical background of Caramuru, which was written soon after the fall of the so-called enlightened despotism of Portugal under the Marques de Pombal. The second part of this dissertation is a close reading of the text itself, and focuses on the colonial discourse present in the poem. Chapter Three is an analysis of the religious discourse in Caramuru, which reflects the preoccupations of an Augustinian monk living in the Age of Enlightenment. Chapter Four concerns the representations of Amerindian resistance in the poem, particularly of two characters who belong to the insubordinate Caeté tribe. The last chapter focuses on the issue of gender and how women are represented in Caramuru. The main woman protagonist is a Tupinambá woman who becomes a prototype for Iracema, a well-known fictional character from nineteenth-century Brazil. Santa Rita Durão was born in Brazil but lived most of his adult life in Portugal, plus 15 years in Italy. He wrote that the motivation to write this poem was his ‘love of homeland’ or nationalist sentiment, even though the nation of Brazil was yet to exist at the time he wrote Caramuru. / text

This work argues that Cameroonian cinema is in the thick of cultural reclamation and human rights debates in the country. The crux of the problem is this: in a country colonized for over a century by three major western powers (Germany, France and Great-Britain), what is left of Cameroonians and their indigenous culture? Did colonialism demolish them into a mass of emasculated cultural bastards led by self-loathing elites locked into the country colonial archives, or did some withstand that colonial onslaught to reclaim their humanity, from within, consistent with a genuine, homegrown progressive indigenous culture? To answer these questions, this author argues that three propositions have to be considered: first, for any forms of cultural reclamation and human rights, denials of the past mixed with official thought control do not work in the case of Cameroon. Second, within, this logic, only grassroots democratic and marginal media communication theory can help the viewer to understand how Cameroonian cinema interrogates and critiques the naturalizations of a neo-colonial political order through the construction of counter hegemonic voices. Third, it is essential to show how these counter hegemonic cinematic narratives are building new forms of democratic archives out of the colonial ones. Consequently, this author claims that Cameroonian cinema, one of the few independent media of communication, that for decades has both managed to resist dictatorship and thrive, is keeping a steady drumbeat of freedom on behalf of ordinary Cameroonians by consistently targeting the state in order to demonstrate the dangers of an institution uninterested in the work of cultural reclamation by not allowing proper conditions for artists to create original work. These confrontations with the state give Cameroonian cinema a cachet to voice human rights questions as well. As a result, cinema blurs the line between art and social activism. It brings a new mystic to human rights' work because these filmmakers demonstrate that culture and human rights can no longer be consigned to the margin of Cameroonian society. What is at stake, it is the knowledge that the road ahead, Africa’s future, lies with those with the skills to take advantages of technologies and the contemporary global discourse of human rights, democracy and globalization not the same old beaten paths of neo-colonial clientelism and patronage, lower standards of governance, defining actual Cameroon’s neo-colonial state practices. With this background, both filmmakers and human rights activists are forcing the state to take notice. This work indicates that arguing against technologies and global flows in our contemporary world is akin to try carrying a cat by the tail. / text

Friar Francisco Pareja represented the pinnacle of the achievement for the Franciscans in Florida during the Spanish colonial period. But who were the Franciscans? Why were they, and Friar Pareja in particular, so successful as missionaries? The bulk of the writing done thus far on the mission system in Florida has concentrated on retelling the lost story of the native peoples who once inhabited the land. The impact of the missions and the Spanish colony weighed heavily on native cultures and the Franciscans role in this has been discussed. However, little has been said about the religious order itself, and the Order of Friars minor is the focus of this manuscript. Research for this manuscript was conducted at several sites, in particular at the St. Augustine Historical Society and the P. K. Yonge Library at the University of Florida. In both microfilm and in reprints there exists in these locations several of the letters and other documents that were copied from the Archivo General de los Indias in Seville. Also, other writings and documents have been collected in journals and other sources accessible through the internet. Friar Pareja's Confesionario in 1613 was the earliest example of a Native American language translated into a European one. This feat was accomplished by a member of a religious order of the Roman Catholic Church, one that was dedicated to a principle that did not always fall in line with that of the Spanish colonial government. While the Franciscans did aid in cultural destruction, their dedication to their Faith should not be overlooked. Friar Pareja's Confesionario was just one example of the Friars' trust in God aiding them in making a lasting impact on Florida's past.

The purpose of this research is to examine the socio-economic legacies of the French Protectorate in Morocco and the attitude of modern-day Moroccans to that legacy, through a series of in-depth interviews with a wide range of people who lived through colonialism and came after it. I use these interviews alongside documents of the time and the findings of contemporary commentators to chart the establishment of the Protectorate's social and economic policies in Morocco and how they destroyed the traditional infrastructure and cultural heritage of the country to replace them by a more 'modern and civilised' westernised system. I argue that, although some good did come from French colonialism in Morocco, these policies were not viable and so, when decolonisation came about, the country was unable to sustain itself and, therefore, had no choice but to continue to look to France both financially and educationally. Through highlighting how France transformed every aspect of Moroccan life to match that of la Métropole, this research shows why Moroccans find it so hard to shake off their colonial past, why they continue to use the French language in business, politics and education and why, unless Morocco steps out of the shadow of its former occupier, and make its own way in the world, they feel it will never be truly independent.

This doctoral project is an analytical study of South African writer, Nadine Gordimer's fiction produced from 1949 to 1994. She presents a theme similar to the post-colonial critic, Homi Bhabha's notion of borderland which he propounds as a place of creativity and cultural hybridity in his work The Location of Culture (1994). The "borderland" in Gordimer's fiction acts as a liminal space and becomes a connective tissue in her characters' lives. It emerges in the form of crossing physical frontiers and mental barriers which existed in South African society. Through moments of transition, Gordimer makes her characters aware of a liberal person's marginal position, between the reactionary colonial past and the "inbetween-ness" of the borderland in radical future of South Africa. Along with this introductory background, Chapter One establishes the dual working of physical and psychological processes through which Gordimer develops the theme of "borderland" in her fiction. The subsequent three chapters focus on the variety in the presentation of "borderland" encounters in her fiction written before and after Sharpeville (1960). The thesis concludes that the dual development of physical and psychological processes is a central narrative strategy which determines a link between chronology and the presentation of "borderland" in Gordimer's fiction.

How can politically and ecologically vulnerable groups come to productively govern the development process? The current environmental crisis is felt most intensely by marginalized groups whose livelihoods, food security, and health are threatened as development-driven environmental problems increase. This study looks at the intersection between the state, the economy, and the grassroots as key decision-makers shape the development trajectory: environmental factions of the rebels-turned-politicians in Aceh, Indonesia, the pro-autonomy indigenous movement in the Ecuadorian Amazon, and pro-democracy insurgents in the United States. The subsequent chapters track and analyze the varied fates of insurgents in each site as they attempt to democratize the state and acquire control over local ecologies. The conclusion explores these movements as the tip of a much deeper iceberg of conflict between extractive development and anti-colonialism.