Several types of reactors are encountered in industry where reagents in a gas and a liquid phase need to be catalysed by a solid catalyst. Common reactors that are used to this end, are trickle-bed reactors, where gas and liquid flow cocurrently down a packed bed of catalyst. Apart from the catalytic process itself, several mass transfer steps can influence the rate and/or selectivity of a solid catalysed gas-liquid reaction. In trickle-bed reactors, flow morphology can have a major effect on these mass transfer steps. This study investigates the interaction between liquid flow morphology and mass transfer in trickle-bed reactors from three different angles. The primary focus is on liquid-solid mass transfer and internal diffusion as affected by the contacting between the liquid and the catalyst. First, the contacting between the liquid and the solid in trickleflow, or wetting efficiency, is characterised using colorimetry. Though this investigation is limited to the flow of nitrogen and water over a packed bed at ambient conditions, it provides useful information regarding liquid flow multiplicity behaviour and its influence on the distribution of fractional wetting on a particle scale. The colorimetric study also provides descriptions of the geometry of the liquid-solid contacting on partially wetted particles. These are used in a second investigation, for the numerical simulation of reaction and diffusion in partially wetted catalysts. This second investigation uses numerical simulations to evaluate and develop simple theoretical descriptions of liquid-solid contacting effects on catalyst particle efficiency. Special attention is given to the case where external and intraparticle mass transfer rates of both a volatile and non-volatile reagent affect the overall rate of reaction. Also, since these are not often considered in theoretical studies, some suggestions are made for the evaluation of the particle efficiency of eggshell catalyst. Finally, liquid-solid contacting is investigated in a high-pressure pilot reactor. Wetting efficiency is measured with a useful technique that does not rely on descriptions of particle kinetics or liquid-solid mass transfer rates. Liquid-solid mass transfer coefficients are also measured and results agree well with the colorimetric investigation, suggesting the existence of different types of flow within in the hydrodynamic multiplicity envelope of trickle-flow. Since it consists of different investigations of liquid-solid contacting from different angles, the study highlights several aspects of liquid-solid contacting and how it can be expected to influence trickle-bed reactor performance. / Thesis (PhD)--University of Pretoria, 2009. / Chemical Engineering / unrestricted

No description available.

Les travaux présentés dans cette thèse s’intéressent à l’immobilisation de biomolécules pour le développement d’outils d’analyse multiparamétrique pour la caractérisation d’échantillons biologiques et le diagnostic, sur un support de type biopuce couplé à une détection colorimétrique.Un premier axe de recherche concerne le développement de tests d’hybridation d’acides nucléiques et d’immunotests à haut-débit automatisés sur plaque de filtration. Cette méthode a permis la mise au point d’un test de génotypage automatisé pour le dépistage transfusionnel haut-débit (génotypage érythrocytaire étendu) en collaboration avec l’Établissement Français du Sang Rhône-Alpes (EFS-RA). Il permet d’analyser 96 échantillons en quatre heures, et de caractériser six génotypes par échantillon. Cet outil a fait l’objet d’une validation sur un panel de 293 donneurs.La seconde partie des travaux présentés s’intéresse au développement d’un procédé d’immobilisation d’oligonucléotides sur un polymère particulier (PolyshrinkTM) pour l’élaboration d’un système d’analyse miniaturisé. Plusieurs stratégies d’activation ont été envisagées et ont abouti à la mise au point d’une technique d’immobilisation d’oligonucleotides in situ dans des plots d’hydrogel. La méthode de fabrication permet d’obtenir une matrice de plots d’hydrogel de 60 µm de diamètre et d’une hauteur de 6 µm en moyenne. En outre, il a été démontré que les oligonucléotides immobilisés dans les plots pouvaient détecter de façon quantitative et sélective les cibles complémentaires présentes dans l’échantillon analysé en utilisant une détection par colorimétrie ou par chimiluminescence. / The work reported in this thesis focuses on biomolecules immobilization for the development of multiparametric analysis tools on a biochip coupled with a colorimetric detection, applied to the characterization of biological samples and to diagnosis.The first concern was the development of high-throughput automated hybridization tests and immunotests on a filtration plate. This method led to the elaboration of an automated platform for extended blood group genotyping in collaboration with the Etablissement Français du Sang Rhône-Alpes (EFS-RA). It enables to analyze 96 samples in four hours and to characterize six genotypes per sample. Its analytical performances were validated on a panel of 293 blood donors.The second part of this work aimed to elaborate a new strategy for oligonucleotide immobilization on an innovative polymer (PolyshrinkTM) for the development of miniaturized analysis systems. Several approaches were evaluated and led to an in-situ immobilization of oligonucleotides in hydrogel dots technique. This method leads to 6 µm hydrogel dots with a diameter of 60 µm. Moreover it was demonstrated that such immobilized oligonucleotides were able to detect targets specifically and quantitatively using either a chemiluminescent or a colorimetric detection.

[pt] A avaliação e a caracterização da cor constituem fatores críticos do processo de controle de qualidade de produtos, que também devem atender exigências dos clientes e consumidores finais. A cor de um objeto depende fortemente das características da iluminação. Nesse contexto, a presente pesquisa analisou e comparou os diferentes métodos especificados em normas internacionais, que qualificam o desempenho dos simuladores de luz do dia utilizados em avaliações visuais (cabines de luz) e instrumentais (espectrofotômetros). Para alcançar tais objetivos, foram verificadas as condições de medição estabelecidas pela CIE (intervalo de medição e largura de banda espectral) e elaborados e validados procedimentos de medição de diferentes fontes luminosas. Com base nestes procedimentos, foram realizadas medições de simuladores de luz do dia para adquirir as suas distribuições espectrais de potência, as quais foram utilizadas para avaliá-los e para comparar os métodos especificados em normas. Como principais resultados da pesquisa destacam-se: (i) a constatação de que, de fato, as recomendações da CIE para medição de fontes luminosas devem ser incorporadas ao processo de medição; (ii) o aumento da confiabilidade metrológica através da validação dos procedimentos espectroradiométricos com base em análises de repetitividade das medições; e (iii) a comparação realizada entre os diferentes métodos de avaliação de simuladores de luz do dia, o que permitiu documentar para os casos estudados a presença ou a falta de correlação entre os mesmos. O trabalho contribuiu também ao introduzir uma sistemática normalizada de rotinas para se expressar a incerteza associada à medição espectroradiométrica. / [en] The evaluation and the characterization of the colour constitute critical factors of the process of quality control of products, that also must take care of requirements imposed by customers and final consumers. The colour of an object depends greatly on the characteristics of the illumination. In this context, this research is aimed at discussing the different international standards that characterize the performance of the daylight simulators used in instrumental (spectrophotometers) and visual (light booths) evaluations and also at analysing the differences between the various methods specified in these standards. To reach these objectives the measurement conditions established by the CIE (interval and spectral band-width) were verified and elaborated and validated procedures for the measurement of different luminous sources. Based on these procedures, measurements of daylight simulators were carried out to acquire their spectral power distributions. The measurement results were then used to analyze the evaluations methods specified in standards. The following main results have been accomplished: (i) the CIE recommendations for the measurement of luminous sources must, in fact, be incorporated into the measurement process; (ii) the increase in the metrological reliability through the validation of the spectroradiometric procedures based on the analyses of the repeatability of the measurements; and (iii) the comparison established among the different evaluation methods of daylight simulators, leading to the distinction between the presence or the lack of correlation present in the different methods investigated. The work also contributed by the introduction of standard routines to express the uncertainty associated with spectroradiometric measurements.

Alfredo Volpi (1896 - 1988) é um dos mais importantes pintores brasileiros contemporâneos. Sua extensa obra foi marcada, principalmente, por composições cromáticas e abstrações geométricas. Foi um artista que dava importância muito grande à técnica e aos materiais, tendo desenvolvido uma maneira própria e sistemática de trabalhar: confeccionava suas próprias telas, tintas e até pigmentos, com terras naturais. Analisou-se ao todo 11 pinturas a têmpera em diversos suportes (tela, aglomerado de madeira e mural), 10 delas realizadas na década de 1950, período em que a obra do artista passou por uma grande transformação, do figurativismo ao abstracionismo e do uso de tintas industriais à base de óleo para a técnica medieval da têmpera. As características de opacidade, saturação cromática e presença material do pigmento sobre a superfície da tela, inerentes a esta técnica pictórica, tornam-se elementos tão importantes em sua obra, quanto o uso da cor na formação do espaço. Foram realizados estudos de cor e composição química dos materiais e levantamentos de informações sobre seus procedimentos técnico-artísticos a partir de métodos analíticos complementares não destrutivos e pesquisa em diversas fontes, pois entende-se que estes elementos são chaves importantes para o entendimento mais profundo de sua obra. O espectrofotômetro foi utilizado para medição da cor com base em curvas espectrais e coordenadas numéricas de referência dentro de um espaço de cor uniforme. Técnicas de imageamento por luz visível, fluorescência visível por radiação ultravioleta e reflectografia de infravermelho próximo foram utilizadas para levantar informações sobre o processo criativo do artista, detectar locais de intervenções de restauro e observar o grau de fluorescência de cada área cromática das pinturas como auxiliar na identificação de pigmentos. A técnica de EDXRF (Espectroscopia de Fluorescência de Raios X por Energia Dispersiva) foi importante para caracterização química dos materiais. O MEV-EDS (Microscópio Eletrônico de Varredura com Espectroscopia por Dispersão de Energia de Raios X) forneceu informações sobre composição química e imagens da superfície dos materiais presentes nas pinturas murais. A partir da integração destas informações pôde-se identificar uma parte da rica paleta deste pintor, documentar as cores das pinturas no presente, identificar ou dar indicações da composição dos pigmentos e da base de preparação das pinturas e iluminar partes da história de cada uma das obras, como presença de esboços feitos à grafite, pinturas anteriores encobertas, pinceladas e maneiras de misturar a tinta e documentar seu estado atual de conservação. As ferramentas utilizadas se mostraram úteis na caracterização das pinturas, revelaram informações inéditas sobre a obra deste artista e levantaram novas indagações. As informações obtidas podem ser o início de um banco de dados sobre sua obra. / Painter Alfredo Volpi (1896 - 1988) is one of the most important contemporary Brazilian artists. His extensive work, mostly characterised by chromatic compositions and geometric abstractions, is technically unique. The artist attributed great importance to craft and materials, developing his own systematic way of working. Among the paintings analysed were 11 temperasin various supports (canvas, hardboard panel and mortar). Of the selection, 10 paintings were made around 1950, when the artist\'s work underwent a major transformation, from figuration to abstraction, from the use of industrial oil-based paints to the medieval technique of tempera. This technique, known for its opacity, colour saturation and material presence of pigments on the canvas,became as important as the colour itself in the shaping of the artist\'s new spatial relation. It is understood that these elements are important keys to a deeper understanding of his work, both technically and artistically. The present investigation was carried out making use of non-destructive complementary analytical techniques. The aim was to study the chromatic and chemical composition characteristics of his paintings and gather information on the technical procedures the artist may have used. The spectrophotometer was used to measure the colour based on the spectral curves and numerical reference coordinates within a uniform colour space. Techniques of visual examination with visible light, visible fluorescence by ultraviolet radiation and near-infrared reflectography were used to gather information about the artist\'s creative process. These techniques also helped detect restoration patches and identify pigments. The EDXRF (Energy Dispersive X-Ray Fluorescence) technique was important for chemical characterization of materials, while the SEM-EDS (Scanning Electron Microscope with Energy Dispersive X-Ray Spectroscopy) provided surface images and information on the chemical composition of the material present in the murals. From the integration of these techniques it was possible to identify a part of the rich palette of Volpi´s paintings; to document the present aspects of the colours; to recognize or give indications of pigment and ground compositions and to shed light on parts of each of the works background, such as the presence of graphite sketches, covered earlier paintings and brushstrokes as well as to document the current condition of the works under study. The tools used have proven useful in characterizing the paintings, revealing new information about the work of the artist and raising new questions. The information obtained may be the beginning of a database on his oeuvre.

Alfredo Volpi (1896 - 1988) é um dos mais importantes pintores brasileiros contemporâneos. Sua extensa obra foi marcada, principalmente, por composições cromáticas e abstrações geométricas. Foi um artista que dava importância muito grande à técnica e aos materiais, tendo desenvolvido uma maneira própria e sistemática de trabalhar: confeccionava suas próprias telas, tintas e até pigmentos, com terras naturais. Analisou-se ao todo 11 pinturas a têmpera em diversos suportes (tela, aglomerado de madeira e mural), 10 delas realizadas na década de 1950, período em que a obra do artista passou por uma grande transformação, do figurativismo ao abstracionismo e do uso de tintas industriais à base de óleo para a técnica medieval da têmpera. As características de opacidade, saturação cromática e presença material do pigmento sobre a superfície da tela, inerentes a esta técnica pictórica, tornam-se elementos tão importantes em sua obra, quanto o uso da cor na formação do espaço. Foram realizados estudos de cor e composição química dos materiais e levantamentos de informações sobre seus procedimentos técnico-artísticos a partir de métodos analíticos complementares não destrutivos e pesquisa em diversas fontes, pois entende-se que estes elementos são chaves importantes para o entendimento mais profundo de sua obra. O espectrofotômetro foi utilizado para medição da cor com base em curvas espectrais e coordenadas numéricas de referência dentro de um espaço de cor uniforme. Técnicas de imageamento por luz visível, fluorescência visível por radiação ultravioleta e reflectografia de infravermelho próximo foram utilizadas para levantar informações sobre o processo criativo do artista, detectar locais de intervenções de restauro e observar o grau de fluorescência de cada área cromática das pinturas como auxiliar na identificação de pigmentos. A técnica de EDXRF (Espectroscopia de Fluorescência de Raios X por Energia Dispersiva) foi importante para caracterização química dos materiais. O MEV-EDS (Microscópio Eletrônico de Varredura com Espectroscopia por Dispersão de Energia de Raios X) forneceu informações sobre composição química e imagens da superfície dos materiais presentes nas pinturas murais. A partir da integração destas informações pôde-se identificar uma parte da rica paleta deste pintor, documentar as cores das pinturas no presente, identificar ou dar indicações da composição dos pigmentos e da base de preparação das pinturas e iluminar partes da história de cada uma das obras, como presença de esboços feitos à grafite, pinturas anteriores encobertas, pinceladas e maneiras de misturar a tinta e documentar seu estado atual de conservação. As ferramentas utilizadas se mostraram úteis na caracterização das pinturas, revelaram informações inéditas sobre a obra deste artista e levantaram novas indagações. As informações obtidas podem ser o início de um banco de dados sobre sua obra. / Painter Alfredo Volpi (1896 - 1988) is one of the most important contemporary Brazilian artists. His extensive work, mostly characterised by chromatic compositions and geometric abstractions, is technically unique. The artist attributed great importance to craft and materials, developing his own systematic way of working. Among the paintings analysed were 11 temperasin various supports (canvas, hardboard panel and mortar). Of the selection, 10 paintings were made around 1950, when the artist\'s work underwent a major transformation, from figuration to abstraction, from the use of industrial oil-based paints to the medieval technique of tempera. This technique, known for its opacity, colour saturation and material presence of pigments on the canvas,became as important as the colour itself in the shaping of the artist\'s new spatial relation. It is understood that these elements are important keys to a deeper understanding of his work, both technically and artistically. The present investigation was carried out making use of non-destructive complementary analytical techniques. The aim was to study the chromatic and chemical composition characteristics of his paintings and gather information on the technical procedures the artist may have used. The spectrophotometer was used to measure the colour based on the spectral curves and numerical reference coordinates within a uniform colour space. Techniques of visual examination with visible light, visible fluorescence by ultraviolet radiation and near-infrared reflectography were used to gather information about the artist\'s creative process. These techniques also helped detect restoration patches and identify pigments. The EDXRF (Energy Dispersive X-Ray Fluorescence) technique was important for chemical characterization of materials, while the SEM-EDS (Scanning Electron Microscope with Energy Dispersive X-Ray Spectroscopy) provided surface images and information on the chemical composition of the material present in the murals. From the integration of these techniques it was possible to identify a part of the rich palette of Volpi´s paintings; to document the present aspects of the colours; to recognize or give indications of pigment and ground compositions and to shed light on parts of each of the works background, such as the presence of graphite sketches, covered earlier paintings and brushstrokes as well as to document the current condition of the works under study. The tools used have proven useful in characterizing the paintings, revealing new information about the work of the artist and raising new questions. The information obtained may be the beginning of a database on his oeuvre.

High performance multifunctional epoxy resin systems are becoming increasingly important as matrix materials for the advanced composites used in aerospace, electronics, automotive and other industries. In a composite based on epoxy resin systems, a three-dimensional network of the matrix is formed around the reinforcing fibre as a result of the chemical reaction between the resin and the curing agent. This chemical process, known as curing, is an important event to he considered in the production of composite components made up of these resin systems. Two process parameters namely viscosity and chemical conversion are of paramount significance in the production of composite materials Curing studies of the resin systems based on these two parameters, would therefore assume great importance in deciding the performance reliability of the end product. The objectives of the present investigation are 1. to study the cure kinetics of three thermoset resin systems, viz., i) epoxy novolac (EPIT)/ diamino diphenyl methane{DDM), ii) trigylcidyl para- ammo phenol (TGPAP)/toluene diamine (TDA) and iii) tetraglycidyl diamino diphenyl methane (TGDDM)/pyridine diamine(PDA) using the cure kinetic models based on chemical conversion (α), Theological conversion (β) and viscosity. 2.to develop a correlation between a and viscosity (η) and modify an existing autocatalytic model based on α, to the viscosity domain and 3.to investigate the cure behaviour of these systems in terms of the TTT cure diagram and its associated models. EPN/DDM, TGPAP/PDA and TGDDM/PDA resin systems were chosen for the studies to represent a range of functionalities, The cure was monitored using differential scanning calorimetry (DSC), fourier transform infrared (FTIR) and dynamic mechanical analysis (DMA) techniques by following the changes in enthalpy, functional groups and rheology, respectively. The kinetic parameters namely, order of reaction and activation energy were estimated from dynamic DSC data using the methods of Freeman-Carroll and Ellerstein using nth rate expression. Barton, Kissinger and Osawa methods were employed to find out the activation energy from the peak/equal conversion at different heating rates. Isothermal DSC data were also analyzed using nth order model and it was observed that the data could be fitted satisfactorily only for higher temperatures The results obtained from the analysis of both dynamic and isothermal DSC data using nth order model clearly indicate that this model is inadequate for describing the cure behavior. The isothermal DSC data was analyzed by the autocatalytic models of Hone and Kamal Good correlation was observed with Hum and Kamal models up to 60-70%, 25% and 45% conversions for EPN/DDM, TGPAP/TDA and TCDDM/PDA systems respectively. However, the parameters m and n in Kamal model were found to be temperature dependent for EPN/DDM and TCPAP/TDA systems. The limited applicability of the autocatalytic models IK attributed to the counter-effect offered by the intra-molecular bonding taking place. The primary amine and epoxy groups conversions obtained from FTIR were analyzed using autocatalytic model and the kinetic parameters were calculated. The reactivity ratio of the primary amine and the secondary amine with epoxy was found to be dependent on temperature in agreement with the recent findings reported m the literature. The existing models that relate the cure kinetics and the rheological changes, are dual Arrhenius nth order model and autocatalytic model The nth order kinetic model was used to evaluate the kinetic parameters using the viscosity data at different cure temperatures under isothermal conditions As the storage modulus, G' is proportional to the chemical cross links and becomes significant only after the g<4 point, it was used to follow the changes in conversion known as rheoconversion after the gel point The rheoconversion was found by normalizing the G' data with G1^, the storage modulus of the fully cured resin It was used to study the cuie kinetics using an autocatalytic model The kinetic parameters such as rate constant, acceptation and retardation parameters were evaluated and that temperature dependence was established. While the existing models relate viscosity and conversion only up to gel point the new proposed model, termed VISCON model takes into account the changes up to vitrification. The relation so developed is used to modify the autocatalytic cure model based on chemical conversion. The parameters appearing in this model were evaluated using Levenberg-Marquardt error minimization algorithm. The kinetic parameters obtained are comparable with the values estimated using the DSC data. All the models cited above represent the microkinetic aspects. The models based on the information of TTT cure diagrams, however, represent the macrokinetic aspects of the cure, as they are based on the cure stages such as gelation and vitrification TTT diagram relates the cure characteristics like cure temperature, cure time, Ta and, indirectly, chemical conversion Hence the ultimate properties of the composite could he predicted and established with the help of the models based on TTT cure diagrams The changes in the storage modulus, G1 and loss modulus, G", were followed to identify the gel and vitrification points of the resin systems at different cure temperatures Gel point and vitrification point were used to generate gelation and vitrification hues in the construction of TTT cure diagrams for EPN/DDM, TGPAP/TDA and TGDDM/PDA resin systems Theoretical TTT diagrams were generated and IBO-T, contours were established using the TTT diagram-based models The cure schedule for the resin systems investigated could be determined from the TTT diagram and the respective rheological data.

L’Organisation Mondiale de la Santé (OMS) a fixé en 1998 la concentration maximale en arsenic dans l’eau de consommation à 10 ppb (μg/L). Dans le monde, plus de 100 millions de personnes sont exposées à des concentrations supérieures à 50 ppb. La toxicité, l’omniprésence et la mobilité de l’arsenic entraînent la nécessité de pouvoir le doser immédiatement sur le terrain. Il existe actuellement deux méthodes de dosage de terrain commercialisées. La première, onéreuse, est basée sur la voltammétrie (> 7000 €). La seconde à environ 2 €/analyse se présente sous le format de bandelette. Elle permet la mesure de teneurs en arsenic avoisinant les 10 ppb, mais nécessite la génération d’arsine (forme la plus toxique), l’utilisation de bromure de mercure et donne jusqu’à 33% de faux positifs. L’entreprise Novassay souhaite développer une nouvelle méthode de dosage de l’arsenic simple, rapide et efficace pouvant être utilisée directement sur le terrain. Ce travail présente dans un premier temps, un nouveau protocole issu d’une optimisation de la méthode dite au bleu de molybdène et de l’utilisation d’une membrane filtrante permettant une lecture colorimétrique sur support solide. Dans un deuxième temps, seront présentés les résultats obtenus sur le développement d’une méthode de dosage inédite de l’arsenic par l’intermédiaire de nanoparticules d’or. Dans cette partie, une molécule imaginée à partir de la structure d'un complexant naturel de l’arsenic sera synthétisée. Les tests de dosage de l’arsenic avec cette molécule seront réalisés sur deux types de nanoparticules d’or, les premières stabilisées au citrate, les secondes stabilisées au xylane. / In 1998, the World Health Organization (WHO) set the maximum concentration of arsenic in drinking water at 10 ppb (μg/L). In the world, more than 100 million people are exposed to concentrations upper than 50 ppb. The toxicity, ubiquity and mobility of arsenic imply the need to be able to dose it immediately on the field. There are currently two commercially available field dosing methods. The first, expensive, is based on voltammetry (> €7000). The second at about €2/analysis is available in the strip format. It allows the measurement of arsenic concentrations close to 10 ppb but requires the generation of arsine (the most toxic form of arsenic), the use of mercury bromide and gives up to 33% false positives. Novassay wants to develop a new simple, fast and efficient arsenic method that can be used directly in the field. Firstly, this work shows a new protocol resulting from an optimization of the molybdenum blue method and the use of a filtering membrane allowing a colorimetric reading on a solid support. In the second part of this work, the results obtained on the development of a novel method of dosing arsenic by the utilisation of gold nanoparticles will be presented. In this part, an imagined molecule from the structure of a natural complexant of arsenic will be synthesized. The arsenic assay with this molecule will be performed on two types of gold nanoparticles, the first stabilized with citrate, the second stabilized with xylan.

<p>Predmet&nbsp; istraživanja ove&nbsp; doktorske&nbsp; disertacije&nbsp; su srednje&nbsp; i&nbsp; gornje&nbsp; pleistocene&nbsp; lesno-paleozemlji&scaron;ne sekvence&nbsp; (LPS)&nbsp; u&nbsp; dolini&nbsp; Južne Morave&nbsp; na&nbsp; profilima&nbsp; ciglana&nbsp; u&nbsp; Stalaću i Belotincu.&nbsp; Ove&nbsp; LPC&nbsp; predstavljaju jedinstven&nbsp; kontinentalni&nbsp; arhiv&nbsp; paleoklimatskih&nbsp; i paleoekolo&scaron;kih promena&nbsp; tokom&nbsp; pleistocena&nbsp; u&nbsp; ovom&nbsp; delu&nbsp; Balkanskog&nbsp; poluostrva.&nbsp; Nakon detalʁnihterenskih istraživanjai uzorkovanja na pomenutim lesnim profilima, razmatrano je vi&scaron;e istraživačkihproblema.&nbsp; Izvr&scaron;eno&nbsp; jepedo- i lito-stratigrafsko opisivanje&nbsp; naoba profila.&nbsp; Na njima je&nbsp; zapaženo nekoliko&nbsp; metara&nbsp; moćnih glacijalnih&nbsp; lesnih&nbsp; horizonata&nbsp; i nekoliko&nbsp; interglacijalnih<br />pedokomleksa,&nbsp; koji&nbsp; se vizuelno&nbsp; jasno&nbsp; razlikuju.&nbsp; Izvr&scaron;ena&nbsp; je rekonstrukcija&nbsp; relʁefa na&nbsp; osnovu prostornih odnosa LPS. Ukupna deblʁinaanalizirananih LPS iznosi:&nbsp; u&nbsp; Stalaću&nbsp; približno20,5 m, gde&nbsp; je&nbsp; zapaženo po&nbsp; sedam&nbsp; pedokompleksa&nbsp; i&nbsp; lesnih&nbsp; horizonata,&nbsp; dok&nbsp; je&nbsp; deblʁina u&nbsp; Belotincu analiziranih LPS 8 m. Vrednosti magnetnog susceptibiliteta (MS)&nbsp; u&nbsp; Stalaćuukazuje da poreklo pra&scaron;kastog fluvijalnog materijala&nbsp; potiče&nbsp; izdva nezavisna izvora.&nbsp; Veće vrednosti&nbsp; MS prisutne&nbsp; su u materijalu koji&nbsp; potiče&nbsp; iz sliva Zapadne Morave. Dok manje vrednosti ukazuju da&nbsp; je poreklo materijala iz JužneMorave. U Belotincu manje vrednosti MS ukazuju da je poreklo materijala iz<br />sliva&nbsp; Južne Morave.&nbsp; Tumačenjem rezultata apsolutnog luminescentnog datiranja&nbsp; na oba profila ukazuju da&nbsp; su LPS nastajale tokom poslednjih ~ 350.000 godina u&nbsp; Stalaću i ~ 35.500 godina u Belotincu. Granulometrijski sastav LPS u Stalaću&nbsp; je&nbsp; sačinjen od pet različitih frakcija&nbsp; &lt; 2,0 &mu;m, 2,0-6,2&nbsp; &mu;m,&nbsp; 6,2-20,0&nbsp; &mu;m,&nbsp; 20,0-63,0&nbsp; &mu;mi&nbsp; &gt;63,0&nbsp; &mu;m.&nbsp; Dok,&nbsp; su u&nbsp; Belotincu&nbsp; najvi&scaron;e&nbsp; zastupljene krupne&nbsp; čestice od&nbsp; 51&nbsp; %&nbsp; do&nbsp; 66&nbsp; %&nbsp; i&nbsp; grube&nbsp; frakcije,&nbsp; koje&nbsp; ukazuju&nbsp; na&nbsp; neposrednu&nbsp; blizinu&nbsp; izvora porekla&nbsp; materijala.&nbsp; Boja&nbsp; LPS&nbsp; na&nbsp; profilima&nbsp; u&nbsp; Stalaću i&nbsp; Belotincu&nbsp; menja&nbsp; se i&nbsp; kovarira&nbsp; sa&nbsp; MS. Kolorimetrijski rezultati ukazuju, slično MS rezultatima, da lesni sedimenti potiču jednim delom iz&nbsp; Južne Morave,&nbsp; a&nbsp; drugim&nbsp; delom&nbsp; iz Zapadne&nbsp; Morave.&nbsp; Geohemijske&nbsp; analize&nbsp; ukazuju&nbsp; na dominantno&nbsp; silikatno&nbsp; raspadanje&nbsp; čestica,&nbsp; slično dunavskom&nbsp; lesu.&nbsp; Geohemijski&nbsp; sastav&nbsp; LPS Belotinc&nbsp; pokazuje&nbsp; da&nbsp; pedokompleks&nbsp; je&nbsp; obogaćen organskog&nbsp; ugljenika,&nbsp; dok&nbsp; su u&nbsp; lesnim slojevima&nbsp; primećene&nbsp; niže vrednosti&nbsp; organskog&nbsp; ugljenika.&nbsp; Generalno&nbsp; tumačenje svih&nbsp; rezultata ukazuje na dominantan mediteranski klimatski uticaj na LPS u srednjem pleistocenu, dok&nbsp; je u gornjem i mlađem pleistocenu bio dominantan uticaj kontinentalne klime.</p> / <p>The&nbsp; research&nbsp; subject&nbsp; of&nbsp; this&nbsp; dissertation&nbsp; are&nbsp; Middle&nbsp; and&nbsp; Upper&nbsp; Pleistocene&nbsp; loesspaleosol&nbsp; sequences&nbsp; (LPS)&nbsp; in&nbsp; the&nbsp; South&nbsp; Morava&nbsp; valley,&nbsp; at&nbsp; brickyards&rsquo; profiles&nbsp; in&nbsp; Stalac&nbsp; and Belotinac. These LPS represent a unique continental record of paleoclimate and paleoecological changes during Pleistocene in this part of the Balkan Peninsula. After detailed terrain researches and&nbsp; samplings&nbsp; at&nbsp; the&nbsp; two&nbsp; loess&nbsp; profiles,&nbsp; several&nbsp; research&nbsp; problems&nbsp; were&nbsp; discussed.&nbsp; Pedostratigraphic and litho-stratigraphic descriptions were done for both profiles. There were found several&nbsp; meters&nbsp; of&nbsp; powerful&nbsp; glacial&nbsp; loess&nbsp; horizons&nbsp; and&nbsp; several&nbsp; interglacial&nbsp; pedocomplexes&nbsp; that were visually distinctive. A relief reconstruction was carried out based on spatial LPS ratios. The total&nbsp; thickness&nbsp; of&nbsp; the&nbsp; analyzed&nbsp; LPS&nbsp; is:&nbsp; approximately&nbsp; 20.5&nbsp; m&nbsp; in&nbsp; Stalac,&nbsp; where&nbsp; seven pedocomplexes&nbsp; and&nbsp; seven&nbsp; horizons&nbsp; were&nbsp; observed,&nbsp; whereas&nbsp; thickness&nbsp; of&nbsp; analyzed&nbsp; LPS&nbsp; in Belotinac was 8 &nbsp; m. The magnetic susceptibility (MS) values in Stalacpoint at two independent sources of dusty fluvial materials. The higher MS values are observed in materials originating from the West Morava basin, while lower MS values indicate that materials originate from the South&nbsp; Morava&nbsp; basin.&nbsp; Interpretations&nbsp; of&nbsp; absolute&nbsp; luminescent&nbsp; dating&nbsp; results&nbsp; at&nbsp; both&nbsp; profiles indicate&nbsp; that&nbsp; the&nbsp; LPS&nbsp; were&nbsp; formed&nbsp; during&nbsp; last&nbsp; ~&nbsp; 350.000&nbsp; years&nbsp; in&nbsp; Stalac&nbsp; and&nbsp; ~&nbsp; 35.500&nbsp; in Belotinac. The LPS in Stalac is granulometrically consisted of five different fractions: &lt; 2.0 &mu;m, 2.0-6.2 &mu;m, 6.2-20.0&nbsp; &mu;m, 20.0-63.0&nbsp; &mu;mand &gt;63.0&nbsp; &mu;m. In Belotinac the most frequent particles are&nbsp; the&nbsp; large&nbsp; ones&nbsp; varying&nbsp; from&nbsp; 51%&nbsp; to&nbsp; 66%&nbsp; and&nbsp; rough&nbsp; fractions,&nbsp; which&nbsp; indicates&nbsp; that&nbsp; the material source was in its immediate proximity. The LPS colours both in Stalac and Belotinac covariate with the MS. Similarly to the MS results, the colorimetric results indicate that a part of the loess sediments originates from the South Morava, and the other part from the West Morava. Geochemical analyses point at a dominant silicate particle decomposition, which is similar to the Danube&nbsp; loess.&nbsp; Geochemical&nbsp; composition&nbsp; of&nbsp; BelotinacLPS&nbsp; shows&nbsp; an&nbsp; organic-carbon-enriched pedocomplex,&nbsp; while&nbsp; lower&nbsp; values&nbsp; of&nbsp; the&nbsp; organic&nbsp; carbon&nbsp; are&nbsp; observed&nbsp; in&nbsp; the&nbsp; loess&nbsp; layers.&nbsp; The general interpretation of the results points at dominant Mediterranean climate influence on the LPS&nbsp; in&nbsp; the&nbsp; Middle&nbsp; Pleistocene,&nbsp; while&nbsp; in&nbsp; the&nbsp; Upper&nbsp; and&nbsp; Younger&nbsp; Pleistocene&nbsp; a&nbsp; continental climate influence was dominant.</p>

Tesis por compendio / [ES] Las labores de documentación de arte rupestre son arduas y delicadas, donde el color desempeña un papel fundamental, proporcionando información vital a nivel descriptivo, técnico y cuantitativo . Tradicionalmente los métodos de documentación en arqueología quedaban restringidos a procedimientos estrictamente subjetivos. Sin embargo, esta metodología conlleva limitaciones prácticas y técnicas, afectando a los resultados obtenidos en la determinación del color. El empleo combinado de técnicas geomáticas, como la fotogrametría o el láser escáner, junto con técnicas de procesamiento de imágenes digitales, ha supuesto un notable avance. El problema es que, aunque las imágenes digitales permiten capturar el color de forma rápida, sencilla, y no invasiva, los datos RGB registrados por la cámara no tienen un sentido colorimétrico riguroso. Se requiere la aplicación de un proceso riguroso de tranformación que permita obtener datos fidedignos del color a través de imágenes digitales. En esta tesis se propone una solución científica novedosa y de vanguardia, en la que se persigue integrar el análisis espectrofotométrico y colorimétrico como complemento a técnicas fotogramétricas que permitan una mejora en la identificación del color y representación de pigmentos con máxima fiabilidad en levantamientos, modelos y reconstrucciones tridimensionales (3D). La metodología propuesta se basa en la caracterización colorimétrica de sensores digitales, que es de novel aplicación en pinturas rupestres. La caracterización pretende obtener las ecuaciones de transformación entre los datos de color registrados por la cámara, dependientes del dispositivo, y espacios de color independientes, de base física, como los establecidos por la Commission Internationale de l'Éclairage (CIE). Para el tratamiento de datos colorimétricos y espectrales se requiere disponer de un software de características técnicas muy específicas. Aunque existe software comercial, lo cierto es que realizan por separado el tratamiento digital de imágenes y las operaciones colorimétricas. No existe software que integre ambas, ni que además permita llevar a cabo la caracterización. Como aspecto fundamental, presentamos en esta tesis el software propio desarrollado, denominado pyColourimetry, siguiendo las recomendaciones publicadas por la CIE, de código abierto, y adaptado al flujo metodológico propuesto, de modo que facilite la independencia y el progreso científico sin ataduras comerciales, permitiendo el tratamiento de datos colorimétricos y espectrales, y confiriendo al usuario pleno control del proceso y la gestión de los datos obtenidos. Adicinalmente, en este estudio se expone el análisis de los principales factores que afectan a la caracterización tales como el sensor empleado, los parámetros de la cámara durante la toma, la iluminación, el modelo de regresión, y el conjunto de datos empleados como entrenamiento del modelo. Se ha aplicado un modelo de regresión basado en procesos Gaussianos, y se ha comparado con los resultados obtenidos mediante polinomios. También presentamos un nuevo esquema de trabajo que permite la selección automática de muestras de color, adaptado al rango cromático de la escena, que se ha denominado P-ASK, basado en el algoritmo de clasificación K-means. Los resultados obtenidos en esta tesis demuestran que el proceso metodológico de caracterización propuesto es altamente aplicable en tareas de documentación y preservación del patrimonio cultural en general, y en arte rupestre en particular. Se trata de una metodología de bajo coste, no invasiva, que permite obtener el registro colorimétrico de escenas completas. Una vez caracterizada, una cámara digital convencional puede emplearse para la determinación del color de forma rigurosa, simulando un colorímetro, lo que permitirá trabajar en un espacio de color de base física, independiente del dispositivo y comparable con / [CA] Les tasques de documentació gràfica d'art rupestre són àrdues i delicades, on el color compleix un paper fonamental, proporcionant informació vital a nivell descriptiu, t\`ecnic i quantitatiu.Tradicionalment els mètodes de documentació en arqueologia quedaven restringits a procediments estrictament subjectius, comportant limitacions pràctiques i tècniques, afectant els resultats obtinguts en la determinació de la color. L'ús combinat de tècniques geomàtiques, com la fotogrametria o el làser escàner, juntament amb tècniques de processament i realç d'imatges digitals, ha suposat un notable avanç. Tot i que les imatges digitals permeten capturar el color de forma ràpida, senzilla, i no invasiva, les dades RGB proporcionades per la càmera no tenen un sentit colorimètric rigorós. Es requereix l'aplicació d'un procés rigorós de transformació que permeti obtenir dades fidedignes de la color a través d'imatges digitals. En aquesta tesi es proposa una solució científica innovadora i d'avantguarda, en la qual es persegueix integrar l'anàlisi espectrofotomètric i colorimètric com a complement a tècniques fotogramètriques que permetin una millora en la identificació de la color i representació de pigments amb màxima fiabilitat en aixecaments, models i reconstruccions tridimensionals 3D. La metodologia proposada es basa en la caracterització colorimètrica de sensors digitals, que és de novell aplicació en pintures rupestres. La caracterització pretén obtenir les equacions de transformació entre les dades de color registrats per la càmera, dependents d'el dispositiu, i espais de color independents, de base física, com els establerts per la Commission Internationale de l'Éclairage (CIE). Per al tractament de dades colorimètriques i espectrals de forma rigorosa es requereix disposar d'un programari de característiques tècniques molt específiques. Encara que hi ha programari comercial, fan per separat el tractament digital d'imatges i les operacions colorimètriques. No hi ha programari que integri totes dues, ni que permeti dur a terme la caracterització. Com a aspecte addicional i fonamental, vam presentar el programari propi que s'ha desenvolupat, denominat pyColourimetry, segons les recomanacions publicades per la CIE, de codi obert, i adaptat al flux metodológic proposat, de manera que faciliti la independència i el progrés científic sense lligams comercials, permetent el tractament de dades colorimètriques i espectrals, i conferint a l'usuari ple control del procés i la gestió de les dades obtingudes. A més, s'exposa l'anàlisi dels principals factors que afecten la caracterització tals com el sensor emprat, els paràmetres de la càmera durant la presa, il¿luminació, el model de regressió, i el conjunt de dades emprades com a entrenament d'el model. S'ha aplicat un model de regressió basat en processos Gaussians, i s'han comparat els resultats obtinguts mitjançant polinomis. També vam presentar un nou esquema de treball que permet la selecció automàtica de mostres de color, adaptat a la franja cromàtica de l'escena, que s'ha anomenat P-ASK, basat en l'algoritme de classificació K-means. Els resultats obtinguts en aquesta tesi demostren que el procés metodològic de caracterització proposat és altament aplicable en tasques de documentació i preservació de el patrimoni cultural en general, i en art rupestre en particular. Es tracta d'una metodologia de baix cost, no invasiva, que permet obtenir el registre colorimètric d'escenes completes. Un cop caracteritzada, una càmera digital convencional pot emprar-se per a la determinació de la color de forma rigorosa, simulant un colorímetre, el que permetrà treballar en un espai de color de base física, independent d'el dispositiu i comparable amb dades obtingudes mitjançant altres càmeres que tambè estiguin caracteritzades. / [EN] Cultural heritage documentation and preservation is an arduous and delicate task in which color plays a fundamental role. The correct determination of color provides vital information on a descriptive, technical and quantitative level. Classical color documentation methods in archaeology were usually restricted to strictly subjective procedures. However, this methodology has practical and technical limitations, affecting the results obtained in the determination of color. Nowadays, it is frequent to support classical methods with geomatics techniques, such as photogrammetry or laser scanning, together with digital image processing. Although digital images allow color to be captured quickly, easily, and in a non-invasive way, the RGB data provided by the camera does not itself have a rigorous colorimetric sense. Therefore, a rigorous transformation process to obtain reliable color data from digital images is required. This thesis proposes a novel technical solution, in which the integration of spectrophotometric and colorimetric analysis is intended as a complement to photogrammetric techniques that allow an improvement in color identification and representation of pigments with maximum reliability in 3D surveys, models and reconstructions. The proposed methodology is based on the colorimetric characterization of digital sensors, which is of novel application in cave paintings. The characterization aims to obtain the transformation equations between the device-dependent color data recorded by the camera and the independent, physically-based color spaces, such as those established by the Commission Internationale de l'Éclairage (CIE). The rigorous processing of color and spectral data requires software packages with specific colorimetric functionalities. Although there are different commercial software options, they do not integrate the digital image processing and colorimetric computations together. And more importantly, they do not allow the camera characterization to be carried out. Therefore, as a key aspect in this thesis is our in-house pyColourimetry software that was developed and tested taking into account the recommendations published by the CIE. pyColourimetry is an open-source code, independent without commercial ties; it allows the treatment of colorimetric and spectral data and the digital image processing, and gives full control of the characterization process and the management of the obtained data to the user. On the other hand, this study presents a further analysis of the main factors affecting the characterization, such as the camera built-in sensor, the camera parameters, the illuminant, the regression model, and the data set used for model training. For computing the transformation equations, the literature recommends the use of polynomial equations as a regression model. Thus, polynomial models are considered as a starting point in this thesis. Additionally, a regression model based on Gaussian processes has been applied, and the results obtained by means of polynomials have been compared. Also, a new working scheme was reported which allows the automatic selection of color samples, adapted to the chromatic range of the scene. This scheme is called P-ASK, based on the K-means classification algorithm. The results achieved in this thesis show that the proposed framework for camera characterization is highly applicable in documentation and conservation tasks in general cultural heritage applications, and particularly in rock art painting. It is a low-cost and non-invasive methodology that allows for the colorimetric recording from complete image scenes. Once characterized, a conventional digital camera can be used for rigorous color determination, simulating a colorimeter. Thus, it is possible to work in a physical color space, independent of the device used, and comparable with data obtained from other cameras that are also characterized. / Thanks to the Universitat Politècnica de València for the FPI scholarship / Molada Tebar, A. (2020). Colorimetric and spectral analysis of rock art by means of the characterization of digital sensors [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/160386 / Compendio