The main aim of my thesis was to re-establish their former individual creation. When rendering images, I came from my heart that emotionally involved in deciding the final constellation of colors. The resulting series of images is processed oil painting technique using mainly medium formats. The composition of paintings based on geometric abstraction and draw on previous work by increasing the details of their own earlier paintings. The operational objective was to search for color variations that inherently express different emotional states. The work focuses primarily on finding harmonious interplay of color tones.

This thesis deals with the analysis of the color parameters for their subsequent use in the design of the device, which will be used to measure their stability in continuous production. The theoretical part defines the basic concepts and knowledge needed to understand the problems. In addition, there are described individual components and sensors suitable for color measurement. The practical part deals mainly with the descrip- tion of the construction of the colorimeter, its individual parts and the creation of the control program. At the end, there are results of the testing of the product and their overall assessment

This master thesis The magic and power of red lipsticks represents theoretical-empirical analysis that argues how red lipsticks influence our perception and how we communicate through them with our surrounding. The thesis stems from the basic assumption that red lipstick is truly important and bold communication mean that is able to talk to our surrounding in a completely different ways than other colors or color shades. The aim of the thesis was to find out whether the aforementioned assumption matches the reality. Key questions for this master thesis were as follows: How do women communicate with their surrounding through red color (red lipstick)? What do they expect from these communication means? How do they feel when they communicate through these means (when they wear red lipstick)? How to they perceive reactions for this mean of communication? What are these reactions like (men- and women- wise)? The master thesis is based on researches from the field of beauty, human attractiveness or perception of red color that have already been done and it presents several different theories about human beautification as well as cosmetics evolution and evolution of perception of beauty itself. Except these, the thesis focuses on media content and the ways in which media, mainly social media and other...

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Den snabba tillväxten av uppkopplade enheter som samlar in och delar data leder till att användare kommer behöva läsa och godkänna alltmer sekretessmeddelanden för att kunna använda enheter och tjänster. Sekretessmeddelanden är de avtal som definierar villkoren för användning av en produkt eller tjänst och är avsedda att informera användare om insamlingen och användningen av deras data och personuppgifter innan valet att acceptera eller neka fattas. Sekretessmeddelanden tenderar vara långa samt innehålla mycket text med ett komplicerat språk. Texten i sekretessmeddelanden är ofta statisk utan användarinteraktion, vilket leder till att användare möts av en lång text att läsa utan någon form av stöd i form av designelement, exempelvis färg, ikoner, överblick eller interaktioner. Avsaknaden av designelement är en av orsakerna till att användare idag antingen förbiser eller accepterar sekretessmeddelanden utan att förstå innebörden, vilket får konsekvenser för användarens integritet. På grund av detta är det av stor vikt att användarna har en klar förståelse för hur deras integritet påverkas vid godkännande av ett sekretessmeddelande. Syftet med studien är att öka kunskapen inom området, och erbjuda och stötta designers i deras tillvägagångssätt kring hur sekretessmeddelanden kan designas för att främja användarens förståelse. Studien genomfördes genom en kvalitativ designstudie där ett befintligt ramverk skapat för design av sekretessmeddelanden kombinerades med identifierade designelement från litteraturstudien. Designelementen och ramverket användes vid framtagningen av fyra designförslag, vilka implementerades i en prototyp för att undersöka hur förståelse kan främjas i sekretessmeddelanden. Resultatet av studien är fyra designförslag som stöttar användaren att uppnå förståelse. / The rapid growth of connected devices that collect and share data leads to users needing to read and approve an increasing number of privacy notices to use devices and services. Privacy notices are agreements that define the terms of use for a product or service and are intended to inform users about the collection and use of their data and personal information before deciding to accept or decline. Privacy notices tend to be lengthy and contain a lot of text with complicated language. The text in privacy notices is often static without user interaction, which leads to users being faced with a long text to read without any form of support in terms of design elements, such as color, icons, overview, or interactions. The lack of design elements is one of the reasons why users today either overlook or accept privacy notices without understanding the implications, which has consequences for the user's privacy. Because of this, it is of great importance that users have a clear understanding of how their privacy is affected by accepting a privacy notice. The purpose of the study is to increase knowledge in the field and offer and support designers in their approach to how privacy notices can be designed to promote user understanding. The study was conducted through a qualitative design study where an existing framework created for the design of privacy notices was combined with identified design elements from the literature study. The design elements and framework were used in the development of four design proposals, which were implemented in a prototype to investigate how understanding can be promoted in privacy notices. The result of the study is four design proposals that support users in achieving understanding.

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La protection des documents fiduciaires et identitaires contre la fraude exige le développement d’outils de contrôle fondés sur des effets visuels sans cesse renouvelés, difficiles à contrefaire (même pour un expert ... de la contrefaçon !). Ce projet de recherche s’inscrit dans cette problématique et vise à apporter des solutions originales via l’impression de supports diffusants d’une part, et le développement de modèles de rendu visuel d’autre part. Les effets visuels recherchés sont des ajustements de couleurs entre les deux faces d’un imprimé lorsque celui-ci est observé par transparence devant une source lumineuse. Pour obtenir facilement des ajustements de couleurs quelles que soient les couleurs visées, il est capital d’avoir un modèle à disposition, permettant de calculer les quantités d’encre à déposer. Un modèle doit être capable de prédire les facteurs spectraux de réflexion et de transmission du support imprimé en décrivant les phénomènes de diffusion optique présents en pratique dans les couches d’encre et le support. Nous nous intéressons plus particulièrement aux imprimés translucides contenant des couleurs en demi-ton des deux côtés de la surface avec pour objectif de prédire le rendu visuel pour diverses configurations d’observation. Pour cela, nous proposons une nouvelle approche basée sur l’utilisation de matrices de transfert de flux pour prédire les facteurs spectraux de réflexion et de transmission des imprimés lorsqu’ils sont éclairés simultanément des deux côtés. En représentant le comportement optique des différents composants d’un imprimé par des matrices de transfert, la description des transferts de flux entre ces composantes s’en trouve simplifiée. Ce cadre mathématique mène à la construction de modèles de prédiction de couleurs imprimées en demi-ton sur des supports diffusants. Nous montrons par ailleurs que certains modèles existants, comme le modèle de Kubelka-Munk ou encore le modèle de Clapper-Yule, peuvent également être formulés en termes de matrices de transfert. Les résultats obtenus avec les modèles proposés dans ce travail mettent en évidence des qualités de prédiction équivalentes, voire supérieures, à celles qu’on retrouve dans l’état de l’art, tout en proposant une simplification de la formulation mathématique et de la description physique des échanges de flux. Cette simplification fait de ces modèles des outils de calcul qui s’utilisent très facilement, notamment pour la détermination des quantités d’encre à déposer sur les deux faces de l’imprimé afin d’obtenir des ajustements de couleurs / The protection of banknotes or identity documents against counterfeiting demands the development of control tools based on visual effects that are continuously renewed. These visual effects become thus difficult to counterfeit even by an expert forger ! This research tries to deal with that issue. Its objective is to bring new solutions using on the one side, the printing of diffusing materials, and on the other side the development of visual rendering models that can be observed. The visual effects that are sought-after are the color matching on both sides of a printed document when observed against thelight. To easily obtain a color matching, whatever the colors that are aimed for, it is essential to have a model that helps in calculating the quantity of ink to be left on the document. A model must be used to predict the spectral reflectance and the transmittance factors of the printed document by describing the phenomena of optical diffusion really present in the ink layers and in the document. We shall focus our interest especially on translucent printed documents that have halftone colors on both sides. Our goal here is to predict the visual rendering in different configurations of observation. To that end, we are offering a new approach based on the use of flux transfer matrices to predict the spectral reflectance and transmittance factors of prints when they are simultaneously lit up on both sides. By representing with transfer matrices the optical behavior of the different components present in a printed document, we see that the description of flux transfer between these elements is thus simplified. This mathematical framework leads to the construction of prediction models of halftone printed colors on diffusing materials. We also show that some existing models, such as the Kubelka-Munk or the Clapper-Yule models, can also be formulated in transfer matrices terms. The results that we get with the models used in this work make apparent identical prediction quality and in some cases even better ones to the ones found in the state of the art, while offering a simplification of the mathematical formulation and the physical description of the flux transfer. This simplification thus transforms these models into calculation tools that can easily be used especially for the choice of quantities of ink that must be left on both sides of the document in order to obtain color matching

Text in Afrikaans with t.p. and summaries in Afrikaans and English / Limited research concerning a child's association between emotion and color is available, both in terms of the amount of research studies done as well as the generalization of the results for the purposes of the five year-old. This study's aim was to explore the individual, unique, symbolic meaning between the experiencing of emotion and color of the five year-old. Color was used as an expedient to facilitate the identification of emotion. The test sample consisted out of five, five year-old Afrikaans speaking children. The researcher developed a technique and used it to explore the above. The results of this study showed that the associations that five year-olds draw between emotions and color can't be generalized. The study further showed that color can be very helpful in the identification process of emotions when working with the five year-old child. The results of this study were compared to relevant previous research results and at the end the researcher made certain recommendations for further research concerning the subject. / Bestaande navorsing oor die assosiasie wat die kind vorm tussen emosie en kleur is beperk, beide in terme van die aantal navorsingstudies en in die veralgemeenbaarheid van die resultate ten opsigte van die vyfjarige kind. Hierdie studie het gepoog om die individuele, unieke, simboliese betekenis te ondersoek tussen die belewing van emosie en kleur by die vyfjarige kind. Dit het behels dat kleur as 'n hulpmiddel aangewend is, ten einde die identifisering van emosie te vergemaklik. Die steekproef het bestaan uit vyf, vyfjarige Afrikaans-sprekende kinders. 'n Tegniek, deur die navorser ontwikkel, is gebruik om die bogenoemde te ondersoek. Die resultate van hierdie studie het getoon dat kinders van vyfjarige ouderdom se assosiasies tussen emosies en kleur nie veralgemeen kan word nie. Die studie het verder getoon dat kleur 'n bruikbare hulpmiddel is in die identifisering van emosies by die vyfjarige kind. Die resultate van die studie is met vorige relevante navorsingsbevindinge vergelyk en bepaalde aanbevelings is gemaak vir toekomstige navorsing rakende hierdie onderwerp. / Psychology / M.Diac. (Play Therapy)

Aesthetic criticism very often has been overlooked and considered a lesser form. However, many interpretations, applications and discernments can be obtained from this kind of art writing. Using Osvaldo Sánchez's work as a case study, this thesis examines how writerly art criticism offers an active reading framework of the work of art by using philosophical, literary and poetic constructions. In this regard, I will see how the "writerly" condition has contributed compelling insights to the History of Aesthetics, highlighting the connections and disconnections between Sánchez and other writerly critics, which demonstrates the significance of developing a flexible, available and aesthetic learning model of art appreciation. I will analyze as well various models of experience, subjective and objective, that release certain "openness" as a premise for their existences. Here are included the Kantian sublime, Heidegger's ontological Being, the surrealist cultivation of chance, Kaprow's happenings, and the attitude of disinterest developed by the vanishing poets as defended by the scholar Rafael Hernández Rodríguez. I will show that, by choosing an accommodating approach to discover forms of knowledge, an assortment of valuable empirical content can be found. Finally, I investigate the writerly work of Cuban critic Osvaldo Sánchez that does not adopt a fixed critical pattern. Instead, Sánchez's art writing passes through fields, providing us with a heuristic methodology in which the aesthetic emerges not as a preconditioned set of principles/procedures, but as a true lived experience.

Text in Afrikaans with t.p. and summaries in Afrikaans and English / Limited research concerning a child's association between emotion and color is available, both in terms of the amount of research studies done as well as the generalization of the results for the purposes of the five year-old. This study's aim was to explore the individual, unique, symbolic meaning between the experiencing of emotion and color of the five year-old. Color was used as an expedient to facilitate the identification of emotion. The test sample consisted out of five, five year-old Afrikaans speaking children. The researcher developed a technique and used it to explore the above. The results of this study showed that the associations that five year-olds draw between emotions and color can't be generalized. The study further showed that color can be very helpful in the identification process of emotions when working with the five year-old child. The results of this study were compared to relevant previous research results and at the end the researcher made certain recommendations for further research concerning the subject. / Bestaande navorsing oor die assosiasie wat die kind vorm tussen emosie en kleur is beperk, beide in terme van die aantal navorsingstudies en in die veralgemeenbaarheid van die resultate ten opsigte van die vyfjarige kind. Hierdie studie het gepoog om die individuele, unieke, simboliese betekenis te ondersoek tussen die belewing van emosie en kleur by die vyfjarige kind. Dit het behels dat kleur as 'n hulpmiddel aangewend is, ten einde die identifisering van emosie te vergemaklik. Die steekproef het bestaan uit vyf, vyfjarige Afrikaans-sprekende kinders. 'n Tegniek, deur die navorser ontwikkel, is gebruik om die bogenoemde te ondersoek. Die resultate van hierdie studie het getoon dat kinders van vyfjarige ouderdom se assosiasies tussen emosies en kleur nie veralgemeen kan word nie. Die studie het verder getoon dat kleur 'n bruikbare hulpmiddel is in die identifisering van emosies by die vyfjarige kind. Die resultate van die studie is met vorige relevante navorsingsbevindinge vergelyk en bepaalde aanbevelings is gemaak vir toekomstige navorsing rakende hierdie onderwerp. / Psychology / M.Diac. (Play Therapy)