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Down to earth : changing attitudes towards nature as reflected in the work of Jenny Cullinan, Lynne Hull and the candidate.Miller, Diana Mary. January 2001 (has links)
The central purpose of this dissertation is to discuss different ways in which
land and the broader natural environment has been used as a vehicle or
medium in art-making, with a specific focus on the works of Jenny Cullinan
and Lynne Hull and the candidate. The work centres on artworks that are in
the landscape, of the landscape, in the earth, of the earth or predominantly
concerned with ecological issues and the inter-relatedness of all living
systems. It is argued that artworks included under the general appellation
land or environmental art may be widely divergent in character,
notwithstanding threads of commonality and convergence. In addition, the
often fluid or ambiguous nature of the terminology associated with this area
of investigation has necessitated some definition of key terms. / Thesis (M.A.)-University of Natal, Pietermaritzburg, 2001.
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Sanningens väg i det sjätte massutdöendets tidsålder : Heidegger och Parmenides i naturrättens tjänst / The Way of Truth in the Age of the Sixth Mass Extinction : Heidegger and Parmenides in the Service of the Rights of NatureLarsson, Linus January 2024 (has links)
The Rights of Nature movement is a quickly growing global phenomenon. However, it is not always obvious what the movement really means. What is its underlying experience? How can its transformative depth be formulated? What is the meaning of this depth? Starting from the ‘Universal Declaration of the Rights of Mother Earth’ this essay seeks to elucidate the ontological meaning of these questions through attending to the possible relation of the Rights of Nature movement to Heidegger’s turning toward Parmenides, in the sense of ‘primordial thinker’, or ‘essential thinker’, that is, a thinker who in an essential way thinks the origin as such. This ‘origin’ will be dealt with in relation to the oikos of ecology. In other words ‘essential thinking’ will be brought forward as a thinking that essentially makes possible the mindful awareness of this oikos, this ‘home’, ‘house’, ‘abode’, or ‘place of dwelling’. A chief point of the essay is that an essential experience of this oikos is necessary if the ontological implications of the Rights of Nature movement is to be disclosed.
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