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1	[Urban] Monastery Singh, Shruti 22 June 2020 (has links) Architecture that embodies contradiction has the opportunity to be a separation while creating new avenues. Separations help by distinguishing the two dualities. This thesis is an exploration on Architecture's response within complexity and contradiction. Within my project, the driving parameter is the program: A monastery for the Dominican order within an urban context of Washington DC. The architecture has two primary responsibilities, one is to preserve the sanctity of a restricted way of living and the other to engage with its profane surrounding. The two most important questions are: how does a monastery represent itself to a city; and how does a city represent itself from within a monastery. / Master of Architecture / Architecture that embodies contradiction has the opportunity to be a separation while creating new avenues. Separations help by distinguishing the two dualities. This thesis is an exploration on Architecture's response within complexity and contradiction. Within my project, the driving parameter is the program: A monastery for the Dominican order within an urban context of Washington DC. The architecture has two primary responsibilities, one is to preserve the sanctity of a restricted way of living and the other to engage with its profane surrounding. The two most important questions are: how does a monastery represent itself to a city; and how does a city represent itself from within a monastery. monastery urban contradiction threshold curate sacred profane
2	Basic Principles And Methods Of Dendrochronological Specimen Curation Creasman, Pearce Paul 07 1900 (has links) Dendrochronological collections include continuously expanding multi-taxon records of tree growth that encompass millennia and often offer irreplaceable sources of biological, environmental, and cultural information. Nevertheless, each departure of a scholar from the field—whether because of death, retirement, career change, shift in research priorities, or even move to a new institution—places collections in increased danger of being lost as viable resources. Without an organized and concerted effort to address outstanding and future issues of specimen curation, dendrochronology as a whole may become mired in the same trap that befalls many other scientific fields: collections apathy. Dendrochronological collections exist as a result of decades of effort and should function to support current and future scientific endeavors, education, and outreach, but cannot do so without adequate attention to their future. Intended as a ‘‘call to arms’’ this paper, focused on dendrochronology in the academic and public sector, aims to encourage discussion and, more importantly, to provide a foundation for and to instill a sense of urgency regarding long-term preservation of dendrochronological specimens. Dendrochronology Tree Rings Collections Archives Curation Curate Standards Procedures Samples
3	Curating Place: Using Interpretive Design to Metabolize Change in the Rural, Post-Industrial Landscape of Woronoco Massachusetts Piers-Gamble, Clark G 09 July 2018 (has links) (PDF) In this research, I aim to investigate the interrelationships between people, architecture and the landscape, by asking the question "what is the architect's role in curating place'. The goal of this body of work is to challenge the role of the ‘architect' when working within the context of place. This research, and the design intervention developed a process that challenges the profession by asking: “Should an architect be solely the creator of place, or is the architect a curator of place? The research analyzes existing theories related to the definition and concept of place approached from a wide spectrum of professional expertise overtime to attempt to grasp human being's passion related to the dynamic topic of place. The intent is to create a framework for design that can be adopted, implemented and layered upon any place, to unearth, distill, and better understand its essence. The rural post-industrial landscape of Western Massachusetts specifically focused around the former paper mill village of Woronoco is the stage for this inquiry. place is anchored equally in the qualitative and quantitative forces that shape it and thus requires an attentive observer, a trained observer, but most importantly a local, inspired observer who is fundamentally attached to that place. As both a landscape architect and architect, I offer a heightened awareness of the patterns and processes or ecology of place especially concerning the occupation and physical impact of humans on the landscape through the built environment. The proposed design interventions will attempt to treat place as a living organism, one that is continuously changing and whose dynamics are interconnected and responsive to a broad range of forces that shape it. A place curation design approach has led me to offer a series of design interventions, and not a proposal for a single building. These interventions will not fulfill a single program or fulfill one specific functional purpose; it will not focus on creating a design typology or use a consistent design language or material palette. Instead, the design will introduce multiple architectonic interventions that are derived almost organically in the landscape, in a manner that will stimulate the continued use and engagement with this place. Human interaction, engagement and interpretation is the essential component to ensuring the longterm sustainability of place, allowing it to continuously evolve and be relevant to future generations. Curate Place Interpretive Ecological Design Metabolize Change Cultural Heritage Post-Industrial Landscape Architecture Landscape Architecture
4	Stories in Stone: Interpreting history in the context of a museum exhibition Hamalainen, Bonnie 01 January 2005 (has links) This project examines opportunities for history exhibition design practices. Research into museum studies and creative work in typography, photography, graphic design and architecture result in curation and design of a prototypical exhibit about the granite quarrying industry of Stonington, Maine. artefact artifact audience curate curator curatorial design designer exhibit exhibition granite granite quarrying graphic design history interpretation interpretive exhibit design museum museum studies narrative narrative form precedent precedents prototype quarry quarrying industry stone cutting typography typographic form user-centered design visitor visual communication Architecture Art and Design Arts and Humanities
5	Development Innovator or Marital Educator? Transnational Home Scientists in India, 1947-1972 Sullivan, Renae 27 October 2022 (has links) No description available. History Higher Education Home Economics Education International Relations Womens Studies South Asian Studies Families and Family Life Women India Home Science Education Transnational Cold War Agriculture Domestic Modernization Development Ageism U.S. History Green Revolution Feminism Home Economics Gender Ohio State University Land Grant Ford Foundation Curate Extension Professionalization

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