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Diss. Göteborg : Göteborgs universitet, 2004. / Härtill 4 uppsatser.

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In spite of the well-known importance of written norms and administrative structures in the Society of Jesus, there are only a few specialized studies of these subjects. A very general concept of a monolithic and centralized religious order is prevalent. But when administrative practices and internal communication are analyzed thoroughly, it becomes clear that Jesuit structures were based on consultative guilds which took part in decision-making processes. Among the least investigated administrative topics, the freedom of action of provincial congregations is most surprising. / A pesar de la importancia notoria de las normas escritas y de las estructuras administrativas en la Compañía de Jesús, hay muy pocos estudios específicos sobre estos aspectos. Predomina una visión muy general de una Orden monolítica y centralizada. Sin  embargo, al analizar la práctica administrativa y las comunicaciones internas, se puede ver que la estructura de la Compañía de Jesús se basa en gremios consultivos que participan en los procesos de toma de decisiones. Entre los temas administrativos menos trabajados, sobresalen lasfranjas de libertad de las congregaciones provinciales.

Made available in DSpace on 2014-07-29T15:13:49Z (GMT). No. of bitstreams: 1 tese gil cesar.pdf: 6230483 bytes, checksum: fb3bc3aeb28fc7910ed9ed4737d363cc (MD5) Previous issue date: 2009-09-24 / This work follows the research method of The State and Educational Policies of the after-graduation program in Education of Federal University of Goiás. It addresses the importance of the participation of the university students in Brazil, from 1960 to 2009. The base is the hypothesis is that The Advent of the Social State , characterized by the constitutional inclusion of the fundamental personal guarantees and rights in the twentieth and twenty-first centuries, opened space to mediations that brought new light to the social question and does not denote either repression of social movements, especially the Student Movement and student representative institutions, or the perspective of violent transformation of the society, however it amounts to the negotiation of interests in conflict and to the establishment of commitments. Therefore, we believe the role of the União Nacional dos Estudantes UNE (National Student Union) leaders, evolved or metamorphosed from confront to commitment, producing a policy of submission to the State in Brazil from 1960 to 2009. The main idea which was developed is that the student movement acts as one of the most important elements or resistance against the totalitarianism in the period of the military dictatorship, evolving in the democratization period, into a posture of collaboration with the denominated democratic governments. The methodology utilized in order to demonstrate our hypothesis is based on the analysis of declarations issued by the principal university leadership and authorities from 1960 to 2009, focusing the historical reconstruction anchored on the aforementioned people s reports, as opposed to the existing sociological literature and the examination of papers which have been assembled by the student unions. The interpretation built by the historical subjects were contrasted with their political practices, illustrating the pendulum in the student action, which vary from dissent to submission to the State in the period previously mentioned, causing the desmobilization of the student unions / Este trabalho vincula-se à linha de pesquisa Estado e Políticas Educacionais , do Programa de Pós-Graduação em Educação da Universidade Federal de Goiás e analisa o significado da participação dos estudantes universitários no Brasil, no período de 1960 a 2009. Parte-se da hipótese de que o advento do Estado Social, que é caracterizado pela constitucionalização dos direitos e garantias fundamentais da pessoa, no século XIX e sua continuidade do século XX, abriu espaço para mediações, que deram novo sentido à questão social, que não passa, na contemporaneidade, pela repressão aos movimentos sociais, especialmente ao Movimento Estudantil e às entidades representativas dos estudantes, nem pela perspectiva de transformação violenta da sociedade, mas pela negociação dos interesses em conflito e pelo estabelecimento de compromissos. Nesse sentido, entende-se que a atuação dos dirigentes da União Nacional dos Estudantes UNE evoluiu ou metamorfoseou-se do confronto para a negociação, construindo uma política de submissão ao Estado no Brasil, tendo como recorte cronológico o período de 1960 a 2009. A idéia central é a de que a UNE atuou durante o período da ditadura militar como um dos principais elementos de resistência ao autoritarismo, criando, no entanto, no período de redemocratização uma postura de colaboração com os governos denominados democráticos. A metodologia utilizada para demonstrar esta hipótese foi a análise dos depoimentos das principais lideranças e autoridades universitárias no período de 1960 a 2009, tendo como foco a reconstituição histórica apoiada nos discursos dessas pessoas, confrontados entre si, com a literatura sociológica existente e a análise de documentos produzidos pelas entidades estudantis. As imagens construídas pelos sujeitos históricos foram cotejadas com as suas práticas políticas, evidenciando o pêndulo na atuação estudantil que vai do inconformismo à submissão ao Estado no período acima mencionado, resultando na desmobilização das entidades estudantis

John Milton, par son œuvre polémique en prose, a exercé une influence importante d’abord sur les colonies américaines, et ensuite aux Etats-Unis. C’est autour de l’interprétation de son statut de Dissenter que se met en place la construction d’une figure d’identification qui traverse les époques, pendant la Révolution et la campagne abolitionniste notamment. Cette thèse cherche à identifier les mécanismes et les moments fondamentaux de cette transmission culturelle, à travers le parcours de plusieurs auteurs américains : le Quaker John Woolman, l’abolitionniste William Garrison, et le Transcendantaliste Ralph Waldo Emerson. On analysera comment l’évolution de la définition du dissent a permis à l’œuvre de Milton d’accompagner différents mouvements intellectuels américains. On verra comment, à partir de racines anglaises, les problématiques soulevées par Milton dans les années 1640 à 1660, ont pu frapper ses lecteurs transatlantiques comme étant pertinentes pour leur époque, et comment l’œuvre en prose de Milton a pu participer à la définition de la désobéissance civile. / : John Milton in his prose works had a deep influence in North America, first in the colonies, and then in the United States. His status as a Dissenter, subject to many interpretations, enabled him to remain relevant throughout the different stages of American history, allowing actors from the American Revolution or the abolitionist campaign to identify with him and his works. This dissertation aims at identifying the mechanisms and stages of this form of cultural transmission, through the study of several American authors: the Quaker John Woolman, the abolitionist William Lloyd Garrison, and the Transcendentalist Ralph Waldo Emerson. Rooted in the English Civil War, the issues raised by Milton between 1640 and 1660 nonetheless strike a chord within his American readers as germane to their time. This work shall also investigate how Milton’s prose work, through the shifting definitions of Dissent, directly influenced the concept of civil disobedience.

The theme of the thesis is the fall of the totalitarian regime and the roots of anti-communist opposition. The thesis is focused on the rise of civil resistance, which was initiated by the main protagonists of this society - wide revolutionary expansion. The courage of these three heroes of their age will be shown.

This dissertation explores the political potential of dance and dance performances in public protests whereby dancing bodies are capable of performing politics through actions and movements within the boundaries established by existing power structures. Building upon the insights of political theorist Jacques Rancière, dance theorist André Lepecki, and affect theorist Brian Massumi, this study reveals the micro-political value of dancing in the form of dissensus and as an affective and aesthetic practice in politics. Dissensus, as articulated by Rancière, refers to the collision between the prevailing order and opposing viewpoints that disrupts "the distribution of the sensible" (or common sensual perception) in society. In this sense, this study suggests that the subversive affective intensities of dancing in the form of dissensus not only transgress politics as what is articulated in words, but also, transindividually, spread to other bodies and thus potentially compel them to act and think differently. Within this theoretical framework, this study argues that dissensual dancing not only expresses via the body political messages and alternative ways of living and becoming in motion, but also enables bodies to disrupt the predominant, normative, representational, and choreographic structures of power that control them in certain ways. Following the insights of critical theorists Gilles Deleuze, Brian Massumi, Judith Butler, François Debrix, and Nigel Thrift, this dissertation methodologically problematizes the idea of a singular mode of knowledge and the operation of normative frames that limit our apprehension of different worlds and lives. Thus, it adopts a more-than-representational mode of thinking, coupled with affect theory to work towards a pluralistic methodological perspective that avoids simplistic dichotomies stemming from established linguistic constructs and structures of meaning. In doing so, this study offers an alternative mode of intelligibility about precarious and resistant dancing bodies in the context of dissensual flamenco performances. Within the context of flo6x8's protests in Spain (between 2010 and 2019), this study explores how these dance performances affectively destabilized the ways people perceived and understood flamenco as an art form and challenged the physical embodiments and social norms associated with it. By putting the flamenco body at the center of this exploration, the dissertation argues that flo6x8's dissensual dance performances are not only dialectical or antagonistic, in other words, designed to be positioned against relations of economic oppression. Rather, choreographically and affectively, they also unsettle the very categories of historical, social, cultural, and normative understanding and representation of flamenco as an art and of flamenco bodies. / Doctor of Philosophy / This dissertation explores the political potential of dance and dance performances in public protests whereby dancing bodies are capable of performing politics through actions and movements within the boundaries established by existing power structures. Building upon the insights of political theorist Jacques Rancière, dance theorist André Lepecki, and affect theorist Brian Massumi, it reveals the micropolitical value of and subversive intensities in dance performances that are deployed as forms of political protest. This study further suggests that these subversive intensities extend beyond politics as articulated in words to affect non-linguistic modes of perception for the performers and the viewers. It argues that the protest dance performances not only enable dancing bodies to convey their political messages in motion or through movement, but that they also allow bodies to articulate their agency beyond dominant structures of power and authority that seek to represent and control them in certain ways. Drawing on the thought of critical theorists Gilles Deleuze, Brian Massumi, Judith Butler, François Debrix, and Nigel Thrift, this dissertation methodologically challenges the notion of a single, fixed way of understanding the social and political world. By adopting a pluralist methodological perspective, this study moves beyond oversimplified categories and binaries, which often result from established discourses and representations. In doing so, it offers an alternative mode of understanding about precarious and resistant dancing bodies in the context of politically resistant flamenco performances. Specifically, by looking at the protest performances of the flo6x8 flamenco protest collective in Spain (between 2010-2019), this study examines how this group's protest dance performances disrupt conventional perceptions of flamenco as an art form and challenge the social and normative expectations associated with flamenco and flamenco dancing bodies. By putting the body in flamenco at the center of this exploration, this dissertation suggests that flo6x8's performances not only protest current forms of economic oppression, but also affectively confront historical, cultural, and normative representations of flamenco and bodies, thus offering alternative expressions that can transcend the representational boundaries of the flamenco tradition.

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