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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

ResÃduos medievais do grotesco no cordel de metamorfose contemporÃneo / Residues of the grotesque in the metamorphosisâ drawstring contemporary

CÃssia Alves da Silva 16 August 2010 (has links)
CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior / Esta pesquisa, vinculada a linha Literatura e HistÃria, analisa o grotesco residual no cordel de metamorfose contemporÃneo. Utiliza-se a Teoria da Residualidade, que se ocupa dos resÃduos remanescentes de uma cultura em outra, atravÃs dos processos de hibridaÃÃo cultural, endoculturaÃÃo e cristalizaÃÃo. Os cordÃis de metamorfose contemporÃneos trazem o grotesco nos seus dois tipos: o terrificante e o cÃmico. A partir da leitura de oito cordÃis, verificam-se resÃduos do grotesco provocado pela forte atuaÃÃo da mentalidade cristà medieval na cultura do Nordeste do Brasil. / This research, linked to line Literature and History, analyzes the grotesque residual in the metamorphosisâ drawstring contemporary. Use the Theory of Residuality, which deals with waste remaining from one culture into another, through processes of cultural hybridity, endoculturation and crystallization. The metamorphosisâ drawstring contemporary bring the grotesque in their two types: the terrificante and the comical. After the reading of eight drawstrings, we could see residues of the grotesque caused by the strong performance of the medieval Christian mentality in the culture of the Brazilâs Northeastern.
2

Resíduos Medievais do Grotesco no Cordel de Metamorfose Contemporâneo / Residues of the Grotesque in the Metamorphosis’ Drawstring Contemporary

Silva, Cássia Alves da January 2010 (has links)
SILVA, Cássia Alves. Resíduos medievais do grotesco no cordel de metamorfose contemporâneo. 2010. 171f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2010. / Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-06-25T14:21:37Z No. of bitstreams: 1 2010_DIS_CASILVA.pdf: 2629413 bytes, checksum: 0038475f5077fad69e0db9e2222a9cdd (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-23T12:04:57Z (GMT) No. of bitstreams: 1 2010_DIS_CASILVA.pdf: 2629413 bytes, checksum: 0038475f5077fad69e0db9e2222a9cdd (MD5) / Made available in DSpace on 2012-07-23T12:04:57Z (GMT). No. of bitstreams: 1 2010_DIS_CASILVA.pdf: 2629413 bytes, checksum: 0038475f5077fad69e0db9e2222a9cdd (MD5) Previous issue date: 2010 / This research, linked to line Literature and History, analyzes the grotesque residual in the metamorphosis’ drawstring contemporary. Use the Theory of Residuality, which deals with waste remaining from one culture into another, through processes of cultural hybridity, endoculturation and crystallization. The metamorphosis’ drawstring contemporary bring the grotesque in their two types: the terrificante and the comical. After the reading of eight drawstrings, we could see residues of the grotesque caused by the strong performance of the medieval Christian mentality in the culture of the Brazil’s Northeastern. / Esta pesquisa, vinculada a linha Literatura e História, analisa o grotesco residual no cordel de metamorfose contemporâneo. Utiliza-se a Teoria da Residualidade, que se ocupa dos resíduos remanescentes de uma cultura em outra, através dos processos de hibridação cultural, endoculturação e cristalização. Os cordéis de metamorfose contemporâneos trazem o grotesco nos seus dois tipos: o terrificante e o cômico. A partir da leitura de oito cordéis, verificam-se resíduos do grotesco provocado pela forte atuação da mentalidade cristã medieval na cultura do Nordeste do Brasil.
3

Endogenic Production : subjective matter and bodily involvement

Ställborn, Nils January 2022 (has links)
The word endogenic means growing or proceeding from within, it is commonly used to describe the process of tectonic movement and earth crust formation caused by the extrusion of magmatic material. My project is a metaphorical exploration of the geological term “endogenic process” as well as an exploration of a design approach based on the term.The work explores soft form-bearing structures and textile bodies that contrast in relation to the hard framework of the rectangular room. It touches on material hierarchies in the living environment and the field of spatial design. The research explores the relationship between interior bodies and spatial frameworks. It aims to highlight the importance of the subject within the framework of the rectangular space that divides the interior of most buildings. My work involves exploring the endogenic process as a way of relating to the creative process and through the use of soft structures and drapery creating furniture that engages people with the spatial framework of the rectangular room. It is an exploration of spatial furniture that constitutes a connection and physical involvement between bodies and space, a kind of furniture providing a multiplicity of possibilities.

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