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The Study of Mo Yan's Clan NovelsChuang, Yen-Yu 28 August 2012 (has links)
Abstract
The family can be viewed as a reflector of culture, which becomes increasingly rich and varied as time goes by. It is like a person who undergoes all the vicissitudes of human beings' experiences, so it is not only a valuable specimen for us to have a better understanding of the course of human history but also an important basis for us to know ourselves. For this reason, the family novels have always been a extremely flexible and rich narrative genre, which represent complex social performance and the culture world in both eastern and western literature.
This thesis is focused on Mo Yan's four novels related to the family. They were "Red Sorghum Family", " herbivorous Family", " Big Breasts & Wide Hips", and " Life and Death Are Wearing Me Out". For one thing, we deconstructed the survival ethics masked in these novels, analyzed the heroic image described in these novels, and discussed the issue of "degradation of species ". In what follows, we explored the underlying love ethic in these novels from the two perspectives: the suspension of moral and the reversion of tradition. Previous studies have demonstrated that in Mo Yan's family novels, making the flesh public is used as a method of unfolding primitive vitality. Third, we delved into the connotation after the pleasure of making love (body of pleasure) through an analysis of Mo Yan's praising body and preference over the land and lower body. Mo Yan's family novels are also filled with the plots about hunger and violence. Finally, we attempted to investigate the narrative skills and moral of Mo Yan's family novels. With the fact that Mo Yan elaborated the plots, his works about the family are one of the most brilliant novels. These novels describe the lifeblood of both paternal and maternal family system; they also revealed the implications about Mo Yan's viewpoints on the relationship between nation and country in the society intertwined with war, hunger, and violence.
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Функции фотографического изображения в романе Джонатана Коу «Пока не выпал дождь» : магистерская диссертация / Photographic images and their functions in the novel by Jonathan Coe “The Rain Before it Falls”Рычкова, М. А., Rychkova, M. A. January 2016 (has links)
The dissertation is devoted to the study of photographic images and their functions in the novel by Jonathan Coe “The Rain Before it Falls.” The paper describes the milestones of Coe’s formation as a writer and the main features of his style. Adhering to the English family novel genre helps to identify the impact of this tradition on the novel in question. Other objects of study include the history of creation of the novel, and the background for the use of visual means. Photographic image is analyzed from the point of ecphrasis theory. It describes the differences of structure, semantics, and functions of the pictural and photographic ecphrasis present in the novel. Understanding the nature and the functions of photographic ecphrasis proves important for delivering a reasoned interpretation of the novel “The Rain Before it Falls.” Investigation of the role of images opens up prospects for further study J.Coe’s creative work. / Диссертация посвящена исследованию функций фотографических изображений в романе Дж. Коу "Пока не выпал дождь". В работе описан творческий путь писателя и особенности его творчества. Прослеживается его связь с традициями английского семейного романа, оказавшая влияние на исследуемое произведение. Рассматривается история создания романа и предпосылки к использованию визуальных образов. Фотография анализируется с позиций теории экфрасиса. Описываются различия структуры, семантики и функций живописного и фотографического экфрасисов, присутствующих в романе. Фотографический экфрасис оказывается функционально важным для понимания романа "Пока не выпал дождь". Исследование роли изображений открывает перспективы для дальнейшего изучения творчества Дж. Коу.
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Das bedingte Selbst / Familie, Identität und Geschichte im zeitgenössischen Generationenroman / The Conditioned Self / Family, Identity and History in Contemporary Generationel NovelsNeuschäfer, Markus 23 May 2012 (has links)
No description available.
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