No abstract / Mini Dissertation (MPhil)--University of Pretoria, 2019. / Public Law / MPhil / Unrestricted

Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2017-04-20T19:38:17Z No. of bitstreams: 1 2010 - Elizabeth Andrade Pereira Lima.doc: 2479104 bytes, checksum: fd41b7866056d97daf022b4eafceed83 (MD5) / Made available in DSpace on 2017-04-20T19:38:17Z (GMT). No. of bitstreams: 1 2010 - Elizabeth Andrade Pereira Lima.doc: 2479104 bytes, checksum: fd41b7866056d97daf022b4eafceed83 (MD5) Previous issue date: 2010-04-29 / The study aims to examine the legal aspects and market effects involved in the granting of well known marks held by the National Institute of Industrial Property. A famous mark is one that has a fame, a prestige, a high knowledge in the market, associated with good reputation and an attractive force among the general public. Since the famous marks are strong brands and great value, they were developed through effective marketing strategies and branding. Since these marks are recognized and have a attraction power for the consumer, they are exposed to certain risks. Thus the legal protection provided to famous marks aims to save these signs from others that want to take advantage. This research was conducted through a case study, where each unit examined was related to a process associated a trademarks which requested this title. The study investigates the interrelationship between the disciplines of marketing and law in relation to famous marks protection. Based on the considerations of this research we observed the monopoly given to the signal it receives the mark and the concern that the legal norms of granting must have a most way restrictive of protection. Moreover, it was possible to dismember the marketing aspects provided by the companies, through the evidences inserted in processes of brands and check out some marketing elements used in common by the marks that received protection. The study noted the fact that although the famous marks be analyzed based on aspects of marketing, the approach is specifically geared for a view legal. The aspects of marketing that could be exploited by the brand that received the status of famous marks are not used by the companies directly and not perceived by the market and consumers. About the research, we believe that the mark of famous mark is conferred by the National Institute of Industrial Property, built by the companies and validated by the consumer / O estudo visa analisar os aspectos legais e mercadol?gicos envolvidos na concess?o de marcas de alto renome (AR) realizada pelo Instituto Nacional de Propriedade Industrial (INPI). Uma marca de AR ? aquela que det?m uma fama, um prest?gio, um alto conhecimento no mercado, associados ? boa reputa??o e a uma for?a atrativa junto ao p?blico em geral. Uma vez que as marcas de AR s?o marcas fortes e de grande valor, elas foram desenvolvidas atrav?s de eficientes estrat?gias de marketing e branding. E por serem marcas reconhecidas e possu?rem um poder de atra??o grande diante do consumidor, elas est?o expostas a certos riscos. Assim, a prote??o jur?dica conferida ?s marcas de AR visa resguardar estes sinais do aproveitamento de terceiros. Esta pesquisa foi realizada atrav?s de um estudo de caso, onde cada unidade examinada correspondeu a um processo relativo a marcas que solicitaram este t?tulo. O trabalho procurou analisar a inter-rela??o entre as disciplinas de marketing e de direito no que diz respeito ? prote??o de marcas de AR. Diante das considera??es sobre esta pesquisa observou-se o monop?lio concedido ao sinal que recebe o AR e a preocupa??o em que as normas legais atuem de forma mais restritiva na concess?o da prote??o. Al?m disso, foi poss?vel desmembrar os aspectos mercadol?gicos apresentados pelas empresas, atrav?s das provas inseridas nos processos de AR, e verificar alguns elementos de marketing utilizados em comum pelas marcas que receberam a prote??o. O estudo observou o fato de que, apesar da marca de AR ser analisada com base em aspectos mercadol?gicos, a abordagem ? mais especificamente voltada para um olhar jur?dico. Os aspectos de marketing que poderiam ser explorados pela marca que recebeu o status de AR n?o s?o utilizados pelas empresas de forma direta e nem percebidos pelo mercado e pelos consumidores. Diante desta pesquisa, acreditamos que a marca de AR ? conferida pelo INPI, constru?da pelas empresas e validada pelo consumidor.

Wei and Chin Dynasties had been viewed as the most chaotic period characterized by changeable political situations, continuous wars, and difficult lives. In this period, the decline of classical studies and popularity of Daoism and Buddhism studies contributed to a very active world of ideas. Living in such a special time, scholars in Wei and Chin Dynasties could thus liberated their spirits, owned freedom of thoughts and beliefs, acted freely, and created arts with enthusiasm. In addition, they concretely built up a kind of distinguished and unique beauty of arts. This kind of special craze for the beauty of countenance and deportment as well as the beauty of inner verve not only shows certain historical characteristics and aesthetic perspectives during those periods, but also serves as a very important part of Chinese cultural history, and is therefore worth further investigations. This thesis looks deeply into Shih-Shuo Hsin-Yu, which vividly portrayed behaviors and appearances of famous scholars in Wei and Chin Dynasties. Based on literary documents talking about the real significance of ¡§famous scholars¡¨ in Wei and Chin Dynasties, this thesis concludes certain primary elements of being a famous scholar, which are ¡§superior knowledge,¡¨ ¡§unique personality,¡¨ ¡§ strict morality and magnanimity,¡¨ ¡§affections with wisdom,¡¨ ¡§free spirits,¡¨ and ¡§delicate appearance and behavior.¡¨ Also, famous scholars in Wei and Chin Dynasties can be divided into several types, which are ¡§free-spirit,¡¨ ¡§talkative,¡¨ ¡§physical and mental beauty,¡¨ ¡§encyclopedic,¡¨ and ¡§virtuous.¡¨ What¡¦s more, there are four attributes that can present the beauty of outward semblance, namely ¡§tall and slim,¡¨ ¡§beautiful face,¡¨ ¡§elegant expressions and delicate behaviors,¡¨ and ¡§fashionable clothes.¡¨ Last, in order to highlight the inner verve and noble spirits of those famous scholars in Wei and Chin Dynasties, they put emphasis on the aesthetic of ¡§portraying the inner verve from the semblance,¡¨ and ¡§observing the semblance to grasp the inner verve.¡¨ Even though famous scholars pursued physical beauty, they did not judge people from their appearance. Instead, they stressed the inner beauty of spirits which reflected from delicate semblance and behaviors. Therefore, anyone who ¡§acted without vulgarity,¡¨ ¡§owned handsome appearance and good shape,¡¨ ¡§ stood out above the rest,¡¨ ¡§possessed wisdom and generosity,¡¨ ¡§maintained cleanness and brightness,¡¨ and ¡§made resolute decisions¡¨ could be categorized as a famous scholar. Even a person who had ¡§ugly appearance but fine verve¡¨ could also be a famous scholar. As a result, throughout the study on the physical beauty and spiritual beauty of the famous scholars in Wei and Chin Dynasties, this thesis not only displays the countenance, inner spirits as well as the true significance behind the seemingly superficial quest for beauty of the famous scholars in Wei and Chin Dynasties, but also clearly represents the historical characteristics and aesthetic trends by examining the way how the famous scholars in Wei and Chin Dynasties established the beauty of outer appearance and inner verve.

The goal of this thesis is to examine the way in which economics shape suburban Famous Players megaplexes in Montreal and how they abet a destruction of urban community. I use Jameson and the critique of the Situationiste International to demonstrate the value, in this case, of examining the relationship between the economic and community. Jameson aptly describes an economic disorientation and identity crisis created by postmodern capitalism. The SI brings to light a loss of enchantment resulting from mass produced products and spaces. I describe the way in which the symbolism, architecture, and aesthetics of the megaplex are a direct result of the space's capitalist needs and form a place that is alienated, in every sense, to locality. Sorkin and Auge serve to further illustrate the way in which postmodern spaces are rootless non-places and risk destroying vital aspects of locality. I will also explore, using Buck-Morss and Eagleton, how the bonds of the megaplex non-place community are maintained through the sensual pleasure of virtual entertainment. I will argue that this entertainment and space, dislocated from community, abets a slow deterioration of identity with relation to place.

Made available in DSpace on 2013-01-07T15:55:06Z (GMT). No. of bitstreams: 2 license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) 48.pdf: 18227527 bytes, checksum: 13d75b4fc40518cdcd44668c43d69004 (MD5) Previous issue date: 2003 / Analisa o caráter científico das expedições governamentais montadas entre os anos de 1909 e 1912 para estudar as consequências dos efeitos da seca na região nordeste do Brasil. Tem por objetivo enfocar a produçäo científica da Inspetoria de Obras Contra as Secas tendo como base alguns dos relatórios publicados na gestão de Arrojado Lisboa, além dos relatórios das expedições de Arthur Neiva e Belisário Penna e de Adolfo Lutz e Astrogildo Machado, resultado de uma parceria entre a IOCS e o Instituto Oswaldo Cruz.

Presented in the session “Boundary Bodies: Critically Thinking the Body in Contemporary Osteoarchaeology.” The last 10 years have seen an increase in high-profile historical forensic cases in the popular press, an area of investigation called forensic biohistory. This area typically involves effort to positively identify the famous dead (such as the case Richard III), of to characterize matters of facts surrounding famous historical remains (Mozart’s cause of death) or historical events (such as the Donner party and the Mountain Meadows Massacre in the Western United States), forensic biohistory remains undertheorized and under-considered as a locus of investigation in its own right. Such consideration is worthwhile however because forensic biohistory offers a unique opportunity for anthropologists to engage the public. Bodies of the famous dead serve as boundary objects through which various interested parties (including scientists) intersect. This potential is, however, coupled with a unique set of ethical challenges that researches must face because frequently we are asked to serve as arbiters and judges of the validity of narratives surrounding the bodies in question. In the presentation we discuss forensic biohistory as a district area of research and highlight some of the potential opportunities and challenges that define it as a whole.

No description available.

No description available.

The aim of this essay is to identify and discuss possible solutions to problems regarding the translation of certain cultural references in blog columns by the American author Jeff Klima. More specifically, these cultural references are general cultural aspects, swear words and references to people. General cultural aspects include references to historical events, religious festivities, publications, cultural stereotypes and culturally based idioms. I use Vinay and Darbelnet’s strategies of direct and oblique translation, as well as Nida’s concepts of formal and dynamic equivalence. I also use Newmark’s strategies of semantic versus communicative translation, and Ingo’s adaption strategy. I find that there is no universal solution applicable to all types of culturally related issues in translation, but that every case is unique and requires a unique solution. What can be said, however, is that semantic translations and word-for-word translations are rarely applicable when it comes to cultural issues. True for all issues, however, is that the translator needs to be perfectly clear on what the author is saying and who the receiver, or target reader, is in order to begin to explore which strategy is best to use.

Darbe nagrinėjami muzikavimo bosine gitara specifiniai bruožai. Bosinė gitara pastaruoju metu yra populiarus muzikos instrumentas, kuriuo gali būti atliekama įvairių stilių ir žanrų muzika. Šis instrumentas padeda palaikyti visą ansamblio ritmą, gyvybingumą, pulsą. Visgi pažymėtina tai, kad bosinės gitaros mokytojams Lietuvoje nepakanka metodinės informacijos šaltinių lietuvių kalba. Tai yra didelė neformaliojo ugdymo įstaigų problema, kurią bandant spręsti buvo rengiamas šis darbas. Tyrimo tikslas: išanalizuoti esminius grojimo bosine gitara bruožus. Tyrimo uždaviniai: apžvelgti bosinės gitaros istorinę raidą; aptarti svarbiausias šio instrumento rūšis; panagrinėti žymiausių bosinės gitaros atlikėjų nuopelnus bei jų indėlį į bosinės gitaros raidą; išanalizuoti grojimo bosine gitara stilius bei mokymo metodikas. Bakalauro darbe apžvelgta istorinė bosinės gitaros vystymosi raida, aptartos bosinių gitarų rūšys, supažindinama su žymiausiais pasaulio bosinės gitaros atlikėjais. Antrojoje darbo dalyje analizuojami muzikavimo bosine gitara specifikos bruožai. Darbe didelis dėmesys skiriamas muzikos stilių, kuriuose dominuoja bosinė gitara, apžvalgai. Taip pat siekiama panagrinėti grojimo bosine gitara technikas bei kiekvienos jų ypatumus, specifinius bruožus. / Paper analyzes the specifics of playing bass guitar. The bass guitar is a very popular musical instrument nowadays. It is the core of music groups of different styles. The given instrument helps to keep the overall rhythm, pulse and vitality of the company. It was hence really interesting and useful for me to get insight into the path “taken” by this musical instrument. Aim: To analyse the essential characteristics of playing the bass guitar. Goals: to review the historical development of the bass guitar; to discuss the most important types of the instrument; to explore the merits of the most famous bass guitar players and their contribution to the evolution of the bass guitar; to investigate the styles and teaching methodologies of playing the bass guitar. The bachelor thesis presents a review of the historical development of the bass guitar, discusses the types of the bass guitar, and introduces the world famous bass guitarists. Section Two analyses the specifics of playing the bass guitar. Much attention is paid to the overview of music styles dominated by the bass guitar. The thesis also aims to explore the techniques of playing the bass guitar, and their individual specific characteristics and features.