Uppsatsen undersöker Vera Nilssons liv och konstnärskaputifrån hennes sociala position som kvinna och ensamstående mor. Nilsson föddes 1888 och debuterade som konstnär 1917. 1921 föder hon dottern Catharina, även kallad Ginga. Under en fjortonårsperiod avporträtteras dottern frekvent och Nilssons barnporträtt får stor uppmärksamhet. Studien har en historigrafisk ansats och undersöker kvinnors villkor inom det konstnärliga fältet. / The thesis examines Vera Nilsson's life and artistry from her social position as a woman and single mother. Nilsson was born 1888 and debutated as an artist 1917. 1924 she gives bearth to her daughter Catharina, also called Ginga. During a period of fourteen years the daughter is often seen in her work and Nilsson's portraits of children gets a lot of attention.The study has an historiographical approach and investigates women's condition within the artistic field.

This study analyses the presence of feminism in Jan Guillou's Blue Star. The study is also looking for similarities between the main character Johanne Lauritzen and Guillou's male character in the series about Coq Rouge, Carl Hamilton. Answers are also sought for the question whether these two characters are heroes on the same terms.

This thesis explores both what feminism looks like in a digital age, as well as how the Internet and technology inform the ways in which feminists interact, build communities, and form identities. I found that online feminist spaces are built as communities of validation and support, education and empowerment, as well as spaces of radicalization and contention. Ultimately my thesis leads toward a new understanding of feminist activism that incorporates the unique characteristics and abilities of online feminism.

<p>Uppsatsen har till syfte att titta på hur verksamma inom stödorganisationer ser på sina klienter, samt vad de har för attityder till prostitution. Genom en diskursanalys lyfts diskursen om prostitution utifrån det nederländska och svenska samhället fram. Frågeställningar i uppsatsen är: Vilket syfte har organisationerna i arbetet med prostitution? Vilken syn på prostitution har de anställda på stödorganisationerna? Vad har organisationerna att erbjuda och hur arbetar de? Går det att finna skillnader eller likheter mellan synen på prostitution i de olika länderna? Uppsatsen har en beskrivande och tolkande design med ett kvalitativt diskursanalytiskt förhållningssätt. Frågeställningar rörande de anställdas värdegrund och förhållningssätt till sina klienter utgjorde grunden i uppsatsen. Intervjuer med sammanlagt tolv personer utfördes, sex stycken i Sverige och sex stycken i Nederländerna varav samtliga arbetar inom stödorganisationer för prostituerade. Textmaterial från organisationerna samlades även in vid intervjuerna. De två ländernas intervjuer och textmaterial bearbetades separat och jämfördes sedan. Resultatet visade på en rad olika subjektpositioner som karaktäriserar diskursen om prostitution. Den svenska diskursen präglas av radikalfeministiska värderingar, och den nederländska diskursen av liberalfeministiska värderingar. Mikroperspektivet, eller individperspektivet finns hos den svenska diskursen om prostitution, då det fokuseras mycket på den prostituerade individen. I det nederländska samhället ligger fokuset på makro eller samhällsnivå, där prostitutionsfrågan är en samhällsfråga och har mindre att göra med individen som prostituerar sig.</p> / <p>The<strong> </strong>aim of the essay<strong> </strong>is to look at how support organizations are working and dealing with prostitution clients and the attitude the employees of these organizations have toward their clients. Discourse analysis is used in the interpretation of the data collected.</p><p>The questions of the study were: What is the purpose of the organizations, which work with prostitution? What are the views of the employees of these organizations towards prostitution? What do the organizations have to offer their clients? Are there differences or similarities in the Swedish and Dutch discourse on prostitution?</p><p>Interviews with a total of twelve respondents were performed, six in Sweden and six in the. Text material from the organizations was also collected and used in the study.</p><p>The interview results and the text material collected from the two countries were analyzed separately and then compared. The result showed<strong> </strong>different<strong> </strong>subject positions. The Swedish discourse showed influences from radical feministic values, and the Dutch discourse from liberal feministic values. A micro- or individual understanding of the question is reflected in the Swedish discourse of prostitution. In the Dutch material, the focus is on the macro- or the society understanding, where prostitution is a question of society and has less to do with the prostitutes as individuals.</p>

This study explores how urban planning can adjust to goals about gender equality by assessing the ongoing project to reconstruct the center of Husby in northern Stockholm. The state-owned housing company in the area has decided to incorporate feminist perspectives in the planning and has named the project feminist urban planning. Through interviews and analysis of news- and debate articles, the study investigates how involved actors view feminist urban planning and identifies advantages and challenges within the project. Drawing on feminist urban planning theories and theories about the just city, it is concluded that feminist urban planning is about the distribution of power and to make inhabitants part of the decision-making. Additionally, the study argues that disagreement and conflict can be interpreted as part of the struggle that necessarily goes on in any process that strive to challenge and change injustices in society. However, for this struggle to go on and have a real effect on the development of the city, practices that make people’s experiences of oppression and injustices part of the decision-making in the city must be developed.

Shelby Hearon's eight novels--Armadillo in the Grass, The Second Dune, Hannah's House, Now and Another Time, A Prince of a Fellow, Painted Dresses, Afternoon of a Faun, and Group Therapy- -are unified by the theme of the fairy-tale princess and her quest to assert her autonomy and gain self-fulfillment while struggling with marriage, family, and the mother-daughter relationship. This study traces the development of Hearon' s feminist convictions in each of her novels by focusing on the changing quests of her heroines. This analysis of Hearon's novels attests to their lasting literary significance.

Poems contains fifty-two poems and an afterword that explains some of the ideas that prompted the poems as well as some information about the poetic techniques and allusions. Their primary purpose is to communicate the experiences of a woman living in a patriarchal society, which contemporary American society certainly is. The poems expose how a young woman fits into such a society as a human being and an artist . They stress the need for women writers to play ever-increasing roles in society.

The #MeToo movement is related to new forms of feminism, taking advantage of the online space for mobilisation. There are currently debates on the effect of feminist universalisation, post-colonial feminism and global movement’s on a local level. This study aims to understand how a globalmovement like the #MeToo integrates into already existing feminist efforts. While using India as a caste study, 10 urban Indian feminists have been interviewed to share their experiences on contemporary feminist mobilisation and the #MeToo movement. The study finds that the #MeToo movement have had an impact on Indian feminism, but at the same time is limited in its reach. Indian feminism is identified as ever diverse, with an increased incentive to learn and exchange experiences over identities to make feminist efforts more inclusive.

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This feminist study examines women's use of improvisation in discovering, creating, and articulating various self-identities. To create a theory of identity formation, two feminist theoretical position, essentialism and poststructuralism, are analyzed and merged. This hybrid theory addresses the interplay between the self and society that women must recognize in order to form satisfying identities. Improvisational practices, involving bodily awareness and movement, are demonstrated to have the potential for helping women to actualize themselves in these various identities. For this study, the writer uses her experience as an improviser and interviews three women who use improvisation in their choreographic processes. She also discusses performers whom she has seen and performers about whom feminist performance critics have written. This study examines improvisation in dance and performance art from a feminist perspective. I clarify what improvisation entails and, by doing so, illustrate how improvisational movement in dance and performance art can enhance the lives of women as viewers and performers. Through exploring improvisation from this feminist perspective, I demonstrate the psychological insights I have gained from practicing improvisation and document performances that have been improvisationally inspired by women who feel dissatisfied with the manner in which this society shapes and limits their identities.