Spelling suggestions: "subject:"fim analyses""
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Vampyrer : En studie av den europeiska vampyren och dess samtida funktioner. / Vampires : A study of the European Vampire through history and it´s function in modern society.Stenholm, Catharina January 2013 (has links)
Abstract ”The Vampire from past to present”. This essay studies and compares the early historical Vampire as it is presented in some of the Western Europe countries, primarily Greece, but also Romania and how their descriptions of the Vampire have inspired the portrait of vampires in modern films and literature. The essay aims to answer the questions: How has the historical, traditional, European Vampire developed through the centuries into the modern Vampire of today? Which original facts and perceptions about the Vampire from a Christian and pre-Christian point of view can be observed in the modern Vampire, as it is presented in the chosen films and furthermore, can any new ideas be observed in the films? By studying Vampire literature and poems throughout the centuries, a very interesting picture appears. Therefore lots of stories, poems and historical individuals, both real and fictional, are presented in a part of this essay. Another important fact for this essay, is that the Vampire is historically related to the Werewolf, and therefore this creature is also presented here. The conclusion is that the Vampire seem to fit in every historical context, and has managed to thrive over time. It is still presented as a mean, blood-sucking creature, even though we don´t seem to fear it any longer. It has become more of an ideal for many people; representing our longing for youth, beauty and a never-ending life, than a frightening, dangerous creature as it was presented in the early history.
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Filmsprache und Filmanalyse in der MedienpädagogikSchäfer, Horst 03 February 2016 (has links) (PDF)
In der Praxis der Filmseminare mit Studentinnen und Studenten hat sich gezeigt, dass diese meist nicht über hinreichendes Vorwissen für Filmanalysen verfügen und ihnen auch die Fachbegriffe im Bereich der filmischen Gestaltungsmittel fehlen. Da die Filmanalyse-Seminare allein schon wegen der jedes Universitäts-Zeitraster sprengenden Filmlänge sinnvollerweise als Blockveranstaltungen durchgeführt werden, bekommen die Studenten zur Vorbereitung und als Hilfmittel für eigene Filmanalysen eine grundständige Einführung. Dieses Basiswissen über „Filmsprache und Filmanalyse in der Medienpädagogik“ ist in den letzten zwanzig Jahren immer wieder optimiert worden und wird in der vorliegenden Fassung an der TU Dresden und der Universität Duisburg/Essen eingesetzt. / The experience with film seminars for students has shown that these mostly do not dispose of enough foreknowledge for film analyses and they also lack the technical terms of the cinematic means. Since the length of films blows up each university time slot pattern, and therefore the seminars are conducted as block events, the students get an introduction from scratch in an orientation session as basic knowledge and tools for their own film analysis. This basic knowledge of \"film language and film analysis in the media education\" has been optimized again and again in the last twenty years and is used in the present version at the TU Dresden and the University of Duisburg/Essen.
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Filmsprache und Filmanalyse in der MedienpädagogikSchäfer, Horst 03 February 2016 (has links)
In der Praxis der Filmseminare mit Studentinnen und Studenten hat sich gezeigt, dass diese meist nicht über hinreichendes Vorwissen für Filmanalysen verfügen und ihnen auch die Fachbegriffe im Bereich der filmischen Gestaltungsmittel fehlen. Da die Filmanalyse-Seminare allein schon wegen der jedes Universitäts-Zeitraster sprengenden Filmlänge sinnvollerweise als Blockveranstaltungen durchgeführt werden, bekommen die Studenten zur Vorbereitung und als Hilfmittel für eigene Filmanalysen eine grundständige Einführung. Dieses Basiswissen über „Filmsprache und Filmanalyse in der Medienpädagogik“ ist in den letzten zwanzig Jahren immer wieder optimiert worden und wird in der vorliegenden Fassung an der TU Dresden und der Universität Duisburg/Essen eingesetzt. / The experience with film seminars for students has shown that these mostly do not dispose of enough foreknowledge for film analyses and they also lack the technical terms of the cinematic means. Since the length of films blows up each university time slot pattern, and therefore the seminars are conducted as block events, the students get an introduction from scratch in an orientation session as basic knowledge and tools for their own film analysis. This basic knowledge of \'film language and film analysis in the media education\' has been optimized again and again in the last twenty years and is used in the present version at the TU Dresden and the University of Duisburg/Essen.
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Die herskryf van die roman Die swye van Mario Salviati van Etienne van Heerden as 'n draaiboek, met spesifieke fokus op identiteit, hibriditeit en liminaliteit / C.A. BreedBreed, Catharina Adriana January 2007 (has links)
Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2007.
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Die herskryf van die roman Die swye van Mario Salviati van Etienne van Heerden as 'n draaiboek, met spesifieke fokus op identiteit, hibriditeit en liminaliteit / Catharina Adriana BreedBreed, Catharina Adriana January 2007 (has links)
This study explores the possibilities of rewriting the text of a complex novel as a film
script. Film is an important contemporary artform but the actuality of the thematic
content of contemporary Afrikaans novels is not well represented in current films. In
this study an adaptation of the novel, The long silence of Mario Salviati by Etienne
van Heerden (2000) ,t o a script is made in an attempt to provide the Afrikaans
scriptwriter with a workable method. The theme which features prominently in the
adaptation is the experience of identity in the post-colonial and/or post-apartheid era
in South Africa.
Theoretical reflection on the problem of adaptation is essential before the chosen
novel can be turned into a script, since the scriptwriter has to make certain
adjustments during the process of adaptation. The adaptation of a novel to a script
implies the translation of a written, descriptive text into a visual text. When a
complex novel such as The long silence of Mario Salviati is rewritten as a script, a
detailed analysis of the novel must be undertaken in order to identify the relevant
ideological content, the important themes and underlying meanings which should be
retained in the film script. In order to find appropriate visual images for the thematic
content of the novel, contributions of semiotics to film studies are studied and
implemented in the process of visualisation.
The chosen theme for the script of The long silence of Mario Salviati is "Identity,
hybridity and liminality in the Tallejare community". This theme features
prominently in many narratives about post-colonial and post-apartheid issues;
therefore theoretical reflections on the concepts of liminality and hibridity are
included in the study.
There are two main sections in the dissertation. In the first section aspects of
scriptwriting are analysed and discussed in order to develop a workable method for
scriptwriters. The study entertains the hope that more contemporary Afrikaans novels
will be adapted for the big screen or television by the film industry. This is necessary
to ensure that the experience of South African identity is represented adequately in
the Afrikaans film industry.
The second section of the dissertation contains the film script, which is an adaptation
of the novel The long silence of Mario Salviati by Etienne van Heerden. The script
forms an integral part of the study as well as of the dissertation. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2007.
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Die herskryf van die roman Die swye van Mario Salviati van Etienne van Heerden as 'n draaiboek, met spesifieke fokus op identiteit, hibriditeit en liminaliteit / Catharina Adriana BreedBreed, Catharina Adriana January 2007 (has links)
This study explores the possibilities of rewriting the text of a complex novel as a film
script. Film is an important contemporary artform but the actuality of the thematic
content of contemporary Afrikaans novels is not well represented in current films. In
this study an adaptation of the novel, The long silence of Mario Salviati by Etienne
van Heerden (2000) ,t o a script is made in an attempt to provide the Afrikaans
scriptwriter with a workable method. The theme which features prominently in the
adaptation is the experience of identity in the post-colonial and/or post-apartheid era
in South Africa.
Theoretical reflection on the problem of adaptation is essential before the chosen
novel can be turned into a script, since the scriptwriter has to make certain
adjustments during the process of adaptation. The adaptation of a novel to a script
implies the translation of a written, descriptive text into a visual text. When a
complex novel such as The long silence of Mario Salviati is rewritten as a script, a
detailed analysis of the novel must be undertaken in order to identify the relevant
ideological content, the important themes and underlying meanings which should be
retained in the film script. In order to find appropriate visual images for the thematic
content of the novel, contributions of semiotics to film studies are studied and
implemented in the process of visualisation.
The chosen theme for the script of The long silence of Mario Salviati is "Identity,
hybridity and liminality in the Tallejare community". This theme features
prominently in many narratives about post-colonial and post-apartheid issues;
therefore theoretical reflections on the concepts of liminality and hibridity are
included in the study.
There are two main sections in the dissertation. In the first section aspects of
scriptwriting are analysed and discussed in order to develop a workable method for
scriptwriters. The study entertains the hope that more contemporary Afrikaans novels
will be adapted for the big screen or television by the film industry. This is necessary
to ensure that the experience of South African identity is represented adequately in
the Afrikaans film industry.
The second section of the dissertation contains the film script, which is an adaptation
of the novel The long silence of Mario Salviati by Etienne van Heerden. The script
forms an integral part of the study as well as of the dissertation. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2007.
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