Cette thèse explore la Première Guerre mondiale comme modèle historique de stress psychologique subi dans l'enfance. L'Hypothèse d'Origine Développementale des Maladies (DOHaD) prévoit une susceptibilité accrue aux maladies chroniques à l'âge adulte des individus exposés à des événements traumatiques aux premiers stades du développement. Nous avons constitué une cohorte d'orphelins nés en 1914-1916, et ce grâce au statut de "pupilles de la Nation", créé par une loi de 1917 et accordé sur requête à tous les orphelins, quel que soit le statut socioéconomique de la famille. L'attribution du statut de pupille était inscrite en marge de l'acte de naissance. Les registres de naissance ont donc permis un recensement exhaustif de tous les pupilles nés dans les villes incluses ainsi qu'un suivi de la mortalité à l'âge adulte. Les actes de naissance de 7,250 pupilles ont été transcrits à ce jour. L'appel à la Base des Morts pour la France a fourni la date de décès du père, et donc sa position dans le calendrier de développement de l'enfant. Des matched non-orphans (MNOs) ont été sélectionnés dans les mêmes registres. Le critère d'intérêt était la longévité de ceux ayant atteint l'âge de 31 ans. Un écart orphelin - MNO de ~ 2.5 années a été trouvé en cas de perte prénatale du père, mais aucune différence n'a été mise en évidence dans le cas d'une perte postnatale. La conjonction de ces deux résultats suggère qu'un traumatisme in utero a un effet de programmation de la susceptibilité biologique à l'âge adulte assez fort pour altérer la longévité. / This thesis explores the First World War as a historical model in early life psychological stress. The Developmental Origins of Health and Disease (DOHaD) hypothesis predicts increased susceptibility to chronic diseases in adulthood for those exposed to an extreme psychological trauma in very early life. We collected vital information on French orphans born 1914-1916 thanks to the “pupille de la Nation” distinction, a legal status created in 1917 and granted upon request to all orphans. Notification of “adoption by the Nation” was by law inscribed on the birth certificate of a newly adopted child. Birth registers thus provided a census of all pupilles born in the included cities during the inclusion period as well as long-term mortality follow-up. The birth certificates of 7,250 pupilles have been digitized. Call to the Died for France Database enabled us to retrieve the paternal date of death. Matched non-orphans (MNOs) were drawn from the same birth registers. For each orphan, his MNO was therefore chosen born in the same district at the same time. The outcome of interest was longevity of those who survived to 31 y. An orphan-MNO difference in adult longevity of ~2.5 years was found for orphans who had lost their father before) birth (prenatal orphans), but no difference in adult longevity could be measured between postnatal orphans and their MNOs. These two results suggest early trauma in utero has programming effects on biological susceptibility in adulthood strong enough to alter longevity. The fact that no loss of lifespan was found in the case of a postnatal loss of father further suggests efficient buffers to early postnatal stress existed in French society.

English abstract The master's thesis compares aspects of British, French, and Austro-Hungarian pictorial propaganda at the beginning of the Great War and its argumentation and influence. By comparing 100 propaganda pictures (ex. various posters, newspaper illustrations, postcards, etc.) made by each of the countries, the thesis describes various image distinctions in three areas of research: concerning the dominant motives of the posters, concerning the human values and emotions, which the posters influenced, and concerning the usage of national signs in these media. Keywords: First world war, propaganda, posters, Great Britain, France, Austro-Hungary, comparative study

Transformation of Austrian and Hungarian law during the First World War (1914 - 1918) Abstract The diploma thesis deals with the analysis of changes in Austrian and Hungarian law during the First World War with a focus on the Cisleithanian part of the monarchy. At the same time, it seeks to answer the question of whether the measures taken were proportionate to the circumstances of the war. Specifically, it examines changes in constitutional, administrative, criminal and civil law. Other branches of law are also mentioned in passing. The method is a comparison of the pre-war state with important legal norms adopted in case of war or in response to war developments. All this is complemented by a contemporary context with an emphasis on the history of the Czech lands. The thesis uses both primary sources, in the form of norms of Austro-Hungarian law, and secondary literature. In general, it can be stated that the changes adopted were pervasive, in all areas examined. However, the intensity and proportionality varied according to the specific legal sector. At the level of constitutional law, there was a de facto change in the form of the state from a constitutional monarchy to a military-administrative dictatorship, and some civil rights were suspended. The change in criminal and administrative law is...

The purpose of the thesis is to look at the reality of an Italian-speaking refugee during the First World War, when people were forced to evacuate the Trentino region and were moved within the Austro-Hungarian Empire. The thesis will look closely at the diary of an Italian-speaking refugee, starting with his evacuation from Trentino and continuing to his arrival and permanence in the northern Bohemian city of Jablonné v Podještědí. The paper will also explore the internal migration movements and efforts made by the Habsburg Empire, with special regard to the experiences of Italian- speaking refugees. The diary of the man known as Sannicoló will be used to give a microhistorical study and perspective of his move from Rovereto, Italy to the city of Jablonné v Podještědí. His reality as an Italian-speaking refugee and citizen of the Habsburg Empire will be briefly compared with what is generally known of the refugee situation within the Austro-Hungarian Empire and that of other Italian- speaking refugees, to determine the degree of success of his integration into the local population's community. Key Words: internal migration; Italian-speaking refugees; Austro-Hungarian Empire; First World War; microhistory; diary.

Ce mémoire porte sur les représentations de la masculinité traumatisée dans le cinéma expressionniste allemand. Le traumatisme de la Première Guerre mondiale occasionne, en Allemagne, l’ébranlement des identités genrées individuelles et de l’identité masculine nationale. Par le biais de l’analyse de cinq films expressionnistes (Das Cabinet des Dr Caligari, Robert Wiene, 1920 ; Nosferatu, Wilhelm Murnau, 1922; Die Nibelungen, Fritz Lang, 1924 ; Orlacs Hände, Robert Wiene, 1924 ; Metropolis, Fritz Lang, 1927), le présent mémoire étudie à la fois l’expression du genre, du traumatisme et de l’Histoire nationale. Nous y envisagerons l’image filmique comme un lieu de conflits et de compromis. C’est particulièrement par le biais des enjeux de contrôle, des corps et de leur économie et des dynamiques d’agentivité dans les rapports hommes-femmes que se manifeste l’ébranlement de la masculinité allemande d’après-guerre. Si certaines œuvres confrontent les anxiétés masculines de l’époque en traitant frontalement des traumatismes liés à la guerre et au bouleversement de la place de l’homme dans la société d’après-guerre, d’autres s’appliquent plutôt à rétablir une masculinité d’avant-guerre par l’expression de fantasmes nationaux et individuels de pouvoir et de virilité. En privilégiant une approche psychanalytique du cinéma, ce mémoire s’intéresse notamment aux mécanismes de défense qui transparaissent dans les œuvres. Il s’agit, tout compte fait, de comprendre comment le cinéma négocie avec le genre suite au traumatisme, et comment la temporalité peut influencer cette négociation. / This thesis focuses on representations of traumatized masculinity in German Expressionism. In Germany, trauma caused by the First World War unsettled individual gender identities and upset national conceptions of male identity. The thesis examines issues of gender, trauma and national history in five Expressionist films (Das Cabinet des Dr Caligari, Robert Wiene, 1920; Nosferatu, Wilhelm Murnau, 1922; Die Nibelungen, Fritz Lang, 1924; Orlacs Hände, Robert Wiene, 1924; Metropolis, Fritz Lang, 1927). These films comprise notable embodiments of conflict and compromise. It is argued that the disruption of German masculinity after the war registers in them by way of issues related to control, corporeality and gender relations. Contemporary anxieties about masculinity are tackled differently in the films, with some directly addressing themes of war trauma, emasculation and the postwar disruption to men’s traditional social roles and others seek to re-establish pre-war notions of manhood through expressing national and individual fantasies of power and virility. Drawing on a psychoanalytic approach to cinema, this thesis examines how defence mechanisms operate in the films. Key aims are to understand how Expressionist cinema addresses the impact of trauma on masculine identity and also how its approach to articulating trauma shifts through time.

No description available.

Ce mémoire de maîtrise examine la création aux États-Unis du Committee on Public Information (CPI) et son implantation en Europe, et analyse la relation qui s’établit entre son directeur, George Creel, et le président Woodrow Wilson. Les archives mobilisées pour cette recherche sont des lettres et documents, datés de 1916 à 1920, issus des Woodrow Wilson Papers déposés à la Library of Congress de Washington. Au moment de l’entrée en guerre des États-Unis en avril 1917, le gouvernement — suivant un courant de pensée émergeant au XIXe siècle sur le pouvoir de l’opinion publique — prend conscience de l’importance de maintenir un engouement pour la guerre auprès de sa population, ce qui mène à la création du CPI. Ce comité de « propagande » n’a pas originellement vocation à déborder des frontières américaines. Ce n’est qu’après la révolution en Russie à l’automne 1917 et face à la peur de voir cet allié sortir de la guerre que prend forme l’idée d’exporter les valeurs démocratiques américaines et les idées wilsoniennes dans le monde afin de gardées mobilisées les populations alliées et préparer le terrain pour l’après-guerre. Loin de se restreindre à la Russie, le comité étend son travail aux autres pays de l’Entente et aux neutres, avec comme objectif d’atteindre éventuellement les populations des empires centraux. L’analyse des échangés entre le président et George Creel met en lumière la collaboration étroite entre les deux hommes et la relation d’interdépendance qui s’établit entre eux au cours de la guerre. Le CPI trouve dans le président un soutien précieux afin d’affirmer son autorité et ainsi atteindre un plus grand public, malgré les critiques acerbes provenant du personnel diplomatique en poste à l’étranger et méfiant quant aux objectifs et méthodes du comité. Inversement, le Président bénéficie d’une organisation dédiée à mettre en valeur ses idéaux en Amérique et dans le monde. Ce mémoire est la première recherche qui examine de façon globale l’œuvre du CPI sur le continent européen. / This master's thesis examines the creation in the United States of the Committee on Public Information (CPI) and its deployment in Europe, and analyzes the relationship that developed between its director, George Creel, and President Woodrow Wilson. The archives used for this research are letters and documents, dated from 1916 to 1920, from the Woodrow Wilson Papers in the Library of Congress in Washington. Upon the entry of the United States into the war in April 1917, the government - following a trend of thought emerging in the nineteenth century on the power of public opinion - became aware of the importance of maintaining enthusiasm for the war among its population, which led to the creation of the CPI. This "propaganda" committee was not originally intended to extend beyond American borders. It was only after the revolution in Russia in the fall of 1917 and the fear of seeing this ally leave the war that the idea of exporting American democratic values and Wilsonian ideas around the world took shape in order to keep the allied populations mobilized and prepare the ground for the post-war period. Far from restricting itself to Russia, the committee extended its work to other Entente countries and neutrals, with the aim of eventually reaching the populations of the central empires. An analysis of the exchanges between the President and George Creel highlights the close collaboration between the two men and the interdependence that developed between them during the war. The CPI found in the President a valuable support in order to assert its authority and thus reach a wider public, despite the sharp criticism coming from the diplomatic personnel posted abroad who was suspicious of the committee's objectives and methods. In return, the President benefits from an organization dedicated to showcasing his ideals in the United States and around the world. This dissertation is the first research to examine the work of the CPI on the European continent globally.

No description available.

This study examines the Allied notion of victory and how it was expressed in the depth of Allied strategic planning in 1918 for a campaign in 1919. Using the Supreme War Council (SWC) as a lens this study's arguments are threefold. The first is that, with the creation of the SWC, the Allies pursued a notion of victory that was focused on a decisive military defeat of the German army. Their timeline to victory over the enemy was affected by their perception of the enemy’s strength, their assessment of the difficulties inherent in overcoming the military advantage offered by the Central Powers' interior lines, their appraisal of the European members' morale to continue the war, and their ability to gather the necessary superiority in material and manpower resources. The second argument is that, through the SWC, the Allies were able to successfully coordinate strategy and resources. This study analyses the workings of the SWC as an international body and an early example of modern alliance warfare, comparing the perspectives of the British, French, American and Italian representatives in their willingness and unwillingness to coordinate national needs with alliance ones, arguing that the coalition did form a unified policy and strategy for the campaign in 1919. The abrupt ending of the war has obscured historians' understanding of coalition warfare in the First World War, as they have not sufficiently considered the serious planning that took place for 1919. Third, it argues that at the SWC level, the coalition members recognized the interdependent nature of the theatres, and thus the importance of all them for the conduct of the war.

This dissertation studies the First World War South African campaign in German South West Africa from 1914 until 1915. The campaign was characterised by the high mobility of the Union’s mounted soldiers which enabled swift advances and rapid envelopments. The German forces applied a defensive strategy relying on the lack of water and remoteness of the terrain to deter and prolong the Union’s invasion. The German force also relied on internal lines of communication to concentrate its forces on the Union’s advancing columns. The Union Defence Forces’s numbered approximately 50 000 compared to the German force of about 7 000. The campaign culminated on 9 July 1915 with the surrender of almost the entire German fighting force intact. This study analyses whether the victory can be attributed to the Union Defence Forces’s numerical superiority or the operational strategy and tactics which were applied during the campaign. It is argued that this operational strategy is congruent with the modern theory of manoeuvre warfare and that the campaign is therefore a textbook example of manoeuvre warfare theory / History / M.A. (History)