<p>This dissertation theorizes the complex contemporary phenomenon of literature produced in French by writers of allophone origins, which is to say, writers born in non-Francophone countries. Vassilis Alexakis, Gao Xingjian, Andreï Makine, Nancy Huston, Dai Sijie, Brina Svit, Amin Maalouf, Shan Sa, Agota Kristof, Milan Kundera, Ya Ding, François Cheng, Eduardo Manet, Hector Bianciotti, Jorge Semprun or Jonathan Littell, are frequently classified as "Francophone singularities," even though their number has now surpassed a few hundred. By closely looking at cultural and geo-political realities underpinning these writers' literature, La République réinventée reconceptualizes notions of "exile," "migrant," "diaspora," and even certain areas of "postcolonial" literary praxis as a transcultural model of literary production that is emblematic for our globalized society. Intended to reframe the debate around the transcultural literature, this study uses a sociological paradigm of methodological or reflexive cosmopolitanism (Ulrich Beck) in order to define transcultural ideologies and networks, reinforced by unlimited axes of reworked local, transnational, and global focalization.</p> / Dissertation

In the eighteenth century, the art of violin performance in France was promoted. Until in the nineteenth century, France became the center of art in the Europe, including painting, literary, architecture, and they were developed vigorously. The Paris Conservatory had a key position in music and expanded outward, and the music of Belgium was influenced very much, therefore they are named ¡§Franco-Belgian Violin School.¡¨ And the music is abundant in beautiful melodies and brilliant skills. Henry Vieuxtemps was an important and representative violinist at that period. By the way, his works presented romantic emotion. First chapter in this study presents the development of violin school. The second chapter introduces Vieuxtemps¡¦ position of ¡§Franco-Belgian Violin School,¡¨ the background of his works. The third and fourth chapter, do a research of the form, the interpretation and the performance style of Violin Concerto No.2 in F# minor, op.19. Then a conclusion in the final chapter. Key words¡GFranco-Belgian Violin School¡BVieuxtemps¡BRomantic music¡Bviolin concerto¡Bperformance practice.

Univ., Diss.--Neuchâtel, 2005.

Diss.--Fach Neuere Geschichte--Berlin--Technische Universität, 1996. / Bibliogr. p. 276-297.

Diss.--Universität München, 1991. / Bibliogr. p. 578-672.

Inaug. - Diss.--Philosophie--München--Ludwig-Maximilians-Universität, 2002. / Bibliogr. p. 424-456.

Texte remanié de: Habilitationschrift--Philosophische Fakultät--Aachen--Technische Hochschule, 1998. / Bibliogr. p. 477-511.

Dissertation--Universität Tübingen, Wintersemester 2004/2005. / Bibliogr. p. 298-318.

Version abrégée de : Thèse doctorat : Histoire : Paris 8 : 1994. / En appendice, choix de documents. Titre provenant de l'écran d'accueil. Bibliogr. p. 271-284. Notes bibliogr. Index.

Thesis (Ph. D.)--University of Chicago, Dept. of Romance Languages and Literatures, 2002. / Includes bibliographical references (p. 285-297). Also available on the Internet.