People simultaneously hold a multitude of social identifications while at work, some of which are work-related and some of which transcend the workplace. To date, the vast majority of studies on social identities focus on these identities in isolation. Two important identities that transcend the work domain are those associated with gender and ethnicity. These attributes have been widely studied in the workplace, however, there is a lack of understanding in how the identities associated with these attributes (demographic-related identities) have implications for identification in the workplace and work-related outcomes. In this paper, I examine the relationship between perceived threats to these demographic-related identities and work-related attitudes and behavior, specifically turnover intentions, and extra-role behaviors. I also explore moderating (degree of demographic-related identity centrality) and mediating (organizational and workgroup identification) mechanisms in this relationship. Data were collected across two studies. The results demonstrate that perceived threats to demographic-related identities have severe ramifications for work-related identification. The supplemental analysis indicated a direct relationship between demographic-related identity centrality and turnover intentions. Furthermore, demographic-related identity centrality moderated the relationship between perceived threats to demographic-related identity by both the organization and the workgroup on work-related outcomes. / Doctor of Philosophy / This research examined the relationship between perceived threats to gender and ethnic identities in the workplace and the impact these threats have on work-related identification and outcomes. Results suggest that perceived threats to these identities have important implications for both extra-role behaviors and turnover intentions, regardless of how important these identities are to the individual.

Counselors and other mental health professionals lack training on healthy sexuality and sexual identity development (SID). To begin to construct a comprehensive model of SID that can be used in counseling and counselor education, I conducted an exploratory study utilizing a grounded theory approach to collect and analyze SID stories from a purposive sample of eight adults from the Dallas-Fort Worth, Texas area: four male and four female; seven White Caucasian-American and one Asian American; and self-identified as two gay, one lesbian, three heterosexual, and two sexually fluid. Participants elucidated a process model of the sexual-self that incorporated biological, psychological, social, cultural, and spiritual factors. Emergent themes included discovering, distinguishing, placing boundaries around, differentiating, and integrating the sexual-self. This preliminary model advanced a more holistic understanding of SID that counselors and other mental health professionals, educators, and researchers may find useful within their respective disciplines.

The 12th and 13th centuries were period of heightened anxiety about the male body, its sexuality, and the definition of "manhood." Based on widening knowledge of human anatomy and masculinity, philosophers posed the question whether a eunuch could still be considered "male" if he lacked the sexual organs that identified him as a man. This debate then spread within the confines of the religious thought, as clerics discussed how the Church should treat eunuchs (legally and spiritually). The following thesis investigates medieval views on "manhood" and focuses on the status of eunuchs within the ecclesiastical system. Peter Abelard (1079- 1142), a philosopher who was made eunuch, will be used as a window to the treatment of eunuchs by the Church. The thesis argues that although the Church did not approve of castration, there were no specific canon laws which ostracized or damned eunuchs. Furthermore, this thesis shows that because Abelard had successfully consummated his marriage, there was no mandate for Abelard to renounce his relationship with his wife Heloise after being castrated. Finally, this thesis charts Abelard's opinions on his own castration, beginning with his interpretation of the Mosaic Law as evidence for God's abhorrence of eunuchs and ending with his belief that his castration was a divinely granted remedy that allowed him to focus on excelling as a philosopher and theologian.

Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006. / This thesis considers radical and reactionary political strategies for questioning systems of gender/sexuality categorisation and finds both wanting in terms of the cultural insularity and mainstream assimilation each respectively engenders. An alternative is posited in the form of radical assimilation, a theory borrowing the best elements from both approaches. The remainder of the study is focussed on the search for personal and iconographic strategies to pursue a politic of radical assimilation in my creative production. These strategies are finally exemplified and manifested via discussions of the practical corpus of artworks that aided in the formation of this politic. The discursive framework in which this theorization occurs includes considerations of queer theory and photography (especially domestic photography and portraiture) and subjective contextualization (invoking the domestic uses of images), and all should be seen as constituting a personal discursive framework: an attempt to counter the reductive scope an uncontextualised analysis of my work allows. This study is accordingly an explication of the processes that turn the personal into the political; a critical affirmation of difference; and an attempt to narrow the distances between us.

This thesis focuses primarily on homophobia and how it plays a role in the construction of queer identities, specifically in graphic novels and comic books. The primary texts being analyzed are Alan Moore's Lost Girls, Frank Miller's Batman: The Dark Knight Returns, and Michael Chabon's prose novel The Amazing Adventures of Kavalier and Clay. Throughout these and many other comics, queer identities reflect homophobic stereotypes rather than resisting them. However, this thesis argues that, despite the homophobic tendencies of these texts, the very nature of comics (their visual aspects, panel structures, and blank gutters) allows for an alternative space for positive queer identities. / by Michael Buso. / Thesis (M.A.)--Florida Atlantic University, 2010. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2010. Mode of access: World Wide Web.

This dissertation explores how female-born or female-bodied gender variants perform and represent their masculinities in American performance art and drag king shows. A drag king refers to a woman or female-born person who performs their gender as fluid, usually wearing masculine costumes and make-up. I focus on how race, ethnicity, and class are involved in performing female masculinities on stage, and how the intersections of other social vectors produce myriad differences in terms of stakes, styles, and forms of masculinity. I examine how female-born queer performers foreground the constructed nature of masculinity, and how they redefine established categories of gender and sexuality through performance. I argue that queer performances of female masculinities deconstruct the heteronormative gender binary and embody alternative configurations of sex, gender, class, race, and sexuality. In my first chapter, I address Peggy Shaw's Menopausal Gentleman (1997) and To My Chagrin (2003). I examine how she portrays aging white butch masculinity, sexuality, and emotion, through the reinterpretation of menopause and musings on her own whiteness. My second chapter provides a critical reading of kt shorb's [sic] of chicks, dicks, and chinks (2005) and D'Lo's Ramble-Ations (2006). Investigating the effeminization of Asian masculinity and multicultural racial performativity, I illuminate how Asian-American female masculinities are differently constituted in the interplay between class, ethnicity, diaspora, and cultural identities. In my third chapter, I analyze the 6th (Chicago, 2004) and 8th (Austin, 2006) International Drag King Extravaganza showcase performances. I describe how they reveal the theatrical nature of masculinity, and how they mark race, class, and ethnicity. In addition, I discuss how they valorize gender fluidity and multiplicity, staging queer desire and pleasure. Throughout this dissertation, by offering complex illustrations of masculine genders of the female body or the gender-ambiguous body, I contend that female-born gender variants disrupt the equation of masculinity to maleness through their theatrical performances of masculinities. I conclude that performing female masculinities can foster the critical artfulness of gender by engaging in social criticism of gender, class, race, ethnicity, and sexuality.

This thesis provides a sociological understanding of how conventional knowledge of sexuality negates the identity formation of black gay men in contemporary South Africa. It investigates the coming out experiences of six black gay men in order to reveal the disjunctures between being black and being gay. The theoretical formation of disjuncture is pursued through examining a number of sociological, historical, psychoanalytical, and feminist approaches to identity, sexuality, and society; featuring specifically the theories of George Herbert Mead, Michel Foucault, and Judith Butler. The chosen research paradigm is symbolic interactionism, postulating both „pragmatist‟ and „empiricist‟ trends that lead to both interactionist and structuralist forms of argumentation. The interactionist approach to sexuality is central to the deconstruction of sexual conventions. It involves conceptualising modern sexuality in the landscapes of African colonial history and the global gay and lesbian movement. The prescribed literature on homosexuality is thus reviewed in conjunction with the South African gay and lesbian struggle, so as to spawn themes and perspectives for conducting life story interviews. The use of the life story interview favours the participants‟ own view of the studied phenomenon, yet aims to depict the structural influence on homosexual identification. Following the qualitative research tradition, the data analysis is based on the interpretation of narratives. It illustrates interpersonal relationships and microscopic experiences that lead to the self-acceptance and self-actualisation of homosexuality. Within these processes, various disjunctures that exist between the cultural sanction of lifestyle and individual choice, between parents and children, between religious belief and personal desires, and between gender identity and sexual orientation are disclosed. The findings are associated with the historical transformation of masculinity in South Africa, sex role performance, and the heterosexualisation of desire. The solution to the proposed research problem is discussed through concepts of socialisation and gender conformity.

The DSM-IV-TR diagnosis Gender Identity Disorder Not Otherwise Specified (GID NOS) is used to describe individuals who have gender issues but do not meet the current criteria for GID. As part of a consensus process conducted by the World Professional Association for Transgender Health, the authors make the following recommendations for DSM 5: removal from the chapter on sexual disorders, more specific diagnostic criteria, retention of clinical significance criteria, and removal of exclusionary criteria of Intersex/Disorders of Sex Development. Changes to the existing clinical examples were also recommended, suggesting additional clinical examples that encompass a broader range of gender-variance and more commonly found transgender presentations. The diagnosis must reflect the severity of the clinical issues that represent legitimate identity experiences and possible need for gender-confirming treatments.

No description available.

Please consult the full text version of the thesis for the abstract. / (M.A. (English))