Orientador: Márcia Regina Capelari Naxara / Resumo: O objetivo deste trabalho consiste em interpretar um conjunto de fotografias, fotorreportagens e enunciados sobre o interior baiano, perscrutando as construções de paisagens associadas ao sertão e, em especial, à caatinga. Com foco específico na produção geográfica e no fotojornalismo desenvolvidos entre os anos 1946 e 1960, sustento a tese de que tais práticas estavam ligadas, de um lado, aos novos valores estéticos estabelecidos pela fotografia documental, e, de outro lado, à conjuntura política nacionalista e desenvolvimentista do pós-Guerra. Os sertões baianos, enquanto espaço e paisagem, configuraram-se a partir de conceitos e convenções visuais que atravessavam a linguagem de geógrafos e fotógrafos. Tendo isso em perspectiva, minhas análises centram-se sobre recortes espaciais, como o rio São Francisco e Canudos, e sobre olhares fotográficos, como os de Tibor Jablonsky, Stivan Faludi, Pierre Verger e Marcel Gautherot. Esses fotógrafos contribuíram significativamente para a construção de uma visualidade dos sertões baianos associada à dimensão nacional que, por sua vez, circunscrevia o Brasil como unidade territorial resultada de diversidades regionais. Na base dessas interpretações encontra-se um quadro teórico que concebe fotografia e paisagem como artefatos da cultura, que ganham sentidos conforme determinados suportes, contextos e circuitos sociais. / Abstract: The point of this work consists on reading a set of photographs, photoreports and statements about the Bahia’s backland, peering the constructions of landscapes associated to sertão, especially the caatinga. With a specific focus on the geographic production and photojournalism developed between 1946 and 1960, I sustain the thesis that such processes were connected, on one side, to the new aesthetics values stablished by the documentar photography, and on the other side, to the post-war nationalist and developmentalist political conjucture. The sertões baianos, while space and landscape, set up from visual concepts and conventions that went through the language of geographers and photographers. Having this in perspective, my analysis focused on spatial cutting, like São Francisco River and Canudos, and on photographic looks like the ones of Tibor Jablonsky, Stivan Faludi, Pierre Verger and Marcel Gautherot. These photographers had contributed significantly to the construction of a visuality of the sertões baianos associated to the national dimension that, on the other hand, circumscribed Brazil as territorial unit resulted from regional diversity. On the basis of these interpretations, a theoretical board that conceives photography and landscape as cultural artifacts, that have meaning according to certain supports, contexts and social circuits is found. / Resumen: La finalidad de este trabajo consiste en interpretar un conjunto de fotografias, fotoreportajes y enunciados sobre el interior de Bahia, examinando prolijamente, la construcción de paisajes relacionadas al sertão, en particular la caatinga. Enfocado especificamente en la producción geográfica y en el fotoperiodismo desarrollado entre los años 1946 y 1960, sustento la tesis de que tales prácticas estaban enlazadas; por un lado, a los nuevos valores estéticos establecidos por la fotografia documental, y por otro lado, a la coyuntura política nacionalista y desarrollista de la Posguerra. La región agreste de Bahia se configura, tanto en espacio como en paisaje, a partir de conceptos y visiones de la realidad, que atraviesan el lenguaje de geógrafos y fotógrafos. Considerando esto, mi análisis se basa en recortes de espacios geográficos como el rio São Francisco y Canudos, y también toma em cuenta la mirada fotográfica de grandes nombres como los de Tibor Jablonsky, Stivan Faludi, Pierre Verger y Marcel Gautherot. Estos fotógrafos contribuyeron significativamente en la construcción de una imagen representativa para los sertões baianos, asociada a la dimensión nacional; que a su vez, definía el Brasil como una unidad territorial resultante de las diversas regiones. Tomando como base estas interpretaciones nos encontramos con un cuadro teórico que comprende a la fotografia y al paisaje como mecanismos de cultura, y toman sentido con determinados soportes, contextos y circuitos soci... (Resumen completo clicar acceso eletrônico abajo) / Doutor

Submitted by Maria Dulce (mdulce@ndc.uff.br) on 2014-07-01T17:14:28Z No. of bitstreams: 1 Lopes, Marcos-Tese-2014.pdf: 6603472 bytes, checksum: 9e8313f43a0e7522a9525cbf008489ee (MD5) / Made available in DSpace on 2014-07-01T17:14:28Z (GMT). No. of bitstreams: 1 Lopes, Marcos-Tese-2014.pdf: 6603472 bytes, checksum: 9e8313f43a0e7522a9525cbf008489ee (MD5) Previous issue date: 2014 / Esta Tese de Doutorado em História Social tem como objeto de estudo a obra do fotógrafo Mario Baldi, austríaco radicado no Brasil a partir de 1921. A trajetória profissional de Baldi foi marcada pela fotografia etnográfica e jornalística, com ênfase nos povos indígenas brasileiros. O objetivo do estudo é abordar as representações da alteridade cultural presentes na produção do fotógrafo, desde sua imigração até os anos 1950. A pesquisa apresenta também o círculo de sociabilidades do fotógrafo e o circuito das suas imagens, com o objetivo de delinear suas práticas fotográficas e como elas compuseram a experiência fotográfica brasileira na primeira metade do século XX. / This doctoral thesis hás the work of the photographer Mario Baldi as its object of study. Baldi, an Austrian who immigrated to Brazil in 1921, dedicated his career as a photographer to ethnography and journalism, especially among Brazilian indigenous peoples. The aim of this study is to address the representations of cultural otherness in the photographer’s work, since his immigration until the 1950s. The research stresses as well the social relations of Baldi and the circuits of his images, so that one can grasp the Brazilian photographic experience in the twentieth century through his photographic practices.

Submitted by Felipe Cavalcanti de Araujo (felipegeouff2008@gmail.com) on 2016-09-13T23:04:17Z No. of bitstreams: 1 versão_final_Felipe_Cavalcanti_de_Araujo_Dissertação_Geografias_Modernistas_-_a_imaginação_geográfica_no_projeto_poético-político_de_Oswald_de_Andrade.PDF: 1018340 bytes, checksum: 08d49b0c23dfc8335f297877f61715d3 (MD5) / Approved for entry into archive by Rafael Aguiar (rafael.aguiar@fgv.br) on 2016-09-21T14:16:26Z (GMT) No. of bitstreams: 1 versão_final_Felipe_Cavalcanti_de_Araujo_Dissertação_Geografias_Modernistas_-_a_imaginação_geográfica_no_projeto_poético-político_de_Oswald_de_Andrade.PDF: 1018340 bytes, checksum: 08d49b0c23dfc8335f297877f61715d3 (MD5) / Approved for entry into archive by Marcia Bacha (marcia.bacha@fgv.br) on 2016-09-22T17:33:42Z (GMT) No. of bitstreams: 1 versão_final_Felipe_Cavalcanti_de_Araujo_Dissertação_Geografias_Modernistas_-_a_imaginação_geográfica_no_projeto_poético-político_de_Oswald_de_Andrade.PDF: 1018340 bytes, checksum: 08d49b0c23dfc8335f297877f61715d3 (MD5) / Made available in DSpace on 2016-09-22T18:43:34Z (GMT). No. of bitstreams: 1 versão_final_Felipe_Cavalcanti_de_Araujo_Dissertação_Geografias_Modernistas_-_a_imaginação_geográfica_no_projeto_poético-político_de_Oswald_de_Andrade.PDF: 1018340 bytes, checksum: 08d49b0c23dfc8335f297877f61715d3 (MD5) Previous issue date: 2016-07-01 / In order to analyze the Oswald de Andrade‘s literature from its geographical imagination, this work suggests the potential of telluric themes in author‘s poetry and thought, in the totality of his work. For this, we contemplate both his best-known writings widely studied, as those which have received less attention. We make extensive use of Owald‘s geographical allusions, prevailing metaphors, but also the prospect of further development, which its modernity is impregnated. To carry out this dialogue, we draw on the Hayden Withe‘s historiographical proposal, the John Wright‗s concept of geographical imagination, and Edward Said and Yu-Fi Tuan‘s contributions. We propose to approach the Gilberto Freyre‘s concept of ―rurbanização‖ as the synthesis of double spaceport: the antipodes forest and school / Com o propósito de analisar a literatura de Oswald de Andrade a partir de sua imaginação geográfica, esta dissertação propõe a potencialidade dos temas telúricos na poética e pensamento do autor, na totalidade de sua obra. Para isso, contemplamos tanto seus escritos mais conhecidos, fartamente estudados, quanto os que receberam menor atenção. Valemo-nos de extensas alusões de Oswald à geografia, predominando as metáforas, mas também a perspectiva de maior desenvolvimento, da qual sua modernidade está impregnada. Para realizar esse diálogo, nos utilizamos da proposta historiográfica de Hayden Withe, a concepção de imaginação geográfica de John Wright, além de Edward Said e Yu-Fi Tuan. Propomos a aproximação do conceito de rurbanização de Gilberto Freyre como a síntese da base espacial dupla: as antípodas floresta e escola.

<p>This study charts the real-world impact of Superman and how embedded the superhero is within American culture. Since debuting in 1938 as the first superhero, kids embraced Superman as a heroic symbol to emulate while adults mainly used him as comedic fodder to discuss race and ethnicity, gender, and sexuality. Although Superman is a fictional character, he maintains traceable documentary footprints and should be treated as a historical figure. Through sincere and satirical play, the public brought the Man of Steel and his make-believe world to life as an immersive realm and metatopography. This project studies the reception and adaptation of Superman by the populace and the geography of Comicland, a surreal realm mirroring our own modern reality that exists both within the imagination and the material world through pageant, masquerade, and multimedia. The beauty of this fictive universe is its mutability, being a permanent yet intangible place that imprinted itself in the real world. Comics fans do not have to travel to a theme park, even though it is now part of that type of entertainment, to participate in the fantasy. Comicland is, thus, a mental and physical landscape that audiences can inhabit as their own regardless of location and serves as a portal between fantasy and reality. From Superman’s inception, critics dismissed the superhero as a fad and its culture as marginal. However, multigenerational and multidecade engagement with Superman shows that the genre is mainstream and an unfading facet of Americana.</p>

Pourquoi la fiction utopique française des XVIIe et XVIIIe siècles s’est-elle incarnée sous la forme d’un récit de voyage imaginaire à la première personne ? Pour la plupart des commentateurs du genre, l’utopie se pense d’abord et surtout sur le plan des idées, des mentalités et des idéologies ; la forme qu’elle adopte, les figures qu’elle déploie, les représentations dont elle est porteuse seraient, au mieux, des accidents de parcours. Notre hypothèse de lecture est tout autre : ces textes intéressent l’historien de la littérature précisément parce qu’ils s’articulent sous la forme d’un récit, mettant en tension la subjectivité trouble du voyageur témoin. Par leur construction mêlant le factuel et le fictionnel, ils se situent dans la double perspective du « monde comme fable » et de la « fable comme monde ». Cette dualité définitoire, nous l’étudierons à partir de la notion d’imaginaire géographique : les textes sur lesquels nous nous penchons problématisent en effet les liens entre voyage et langage, territoire et société, mobilité et individu. L’imaginaire géographique que nous analyserons est un processus, une dynamique qui informe la perception du monde et la possibilité de sa représentation : la présente étude s’intéressera, en deux parties, aux figurations de l’espace et aux pratiques spatiales, qui sont autant de médiations entre le voyageur utopique et les lieux qu’il traverse. / Why were utopian fictions in the seventeenth and eighteenth centuries written in the form of a first person imaginary travel ? Most commentators study utopian literature as being a concept ; the form it adopts and the representations it deploys are considered, at best, incidental. Our hypothesis is quite different : these texts should interest the historian of literature precisely because they present themselves in the form of a narrative in which the subjectivity of the narrator is problematic. By their construction mixing factual and fictional elements, these texts can be read in the double perspective of the “world as fable” and the “fable as world”. We will study this duality through the notion of geographical imagination : the texts we analyze are addressing the links between travel and language, territory and society, mobility and subjectivity. The geographical imagination that we will interpret is a process that informs the perception of the world and the possibility of its representation. This doctoral thesis is divided in two parts : we will investigate depictions of space and spatial practices which are both mediations between the utopian traveler and the places he crosses.

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