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Perspective vol. 35 no. 5 (Dec 2001) / Perspective (Institute for Christian Studies)Fernhout, Harry, Kuipers, Ronald Alexander 26 March 2013 (has links)
No description available.
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Perspective vol. 7 no. 2 (Apr 1973) / Perspective: Newsletter of the Association for the Advancement of Christian ScholarshipHollingsworth, Marcia, Wilson, Carol, Hollingsworth, Kerry 26 March 2013 (has links)
No description available.
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Perspective vol. 5 no. 4 (Aug 1971) / Perspective: Newsletter of the Association for the Advancement of Christian ScholarshipCarvill, Robert Lee, Van Til, Karen 26 March 2013 (has links)
No description available.
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Perspective vol. 5 no. 1 (Jan 1971) / Perspective: Newsletter of the Association for the Advancement of Christian ScholarshipCarvill, Robert Lee 26 March 2013 (has links)
No description available.
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Perspective vol. 27 no. 3 (Oct 1993) / Perspective (Institute for Christian Studies)VanderVennen, Robert E., Fernhout, Harry 26 March 2013 (has links)
No description available.
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Theatrical transvestism in the United States and the performance of American identities, 1870-1935Pasternack, Leslie Joyce 28 August 2008 (has links)
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Structural and Magnetic Properties of the Glass-Forming Alloy Nd60Fe30Al10 / Mikrostrukturelle und magnetische Eigenschaften der glasbildenden Legierung Nd60Fe30Al10Bracchi, Alberto 18 November 2004 (has links)
No description available.
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At the center of American modernism: Lola Ridge's politics, poetics, and publishingWheeler, Belinda 23 September 2008 (has links)
Indiana University-Purdue University Indianapolis (IUPUI) / Although many of Lola Ridge's poems champion the causes of minorities and the disenfranchised, it is too easy to state that politics were the sole reason for her neglect. A simple look at well-known female poets who often wrote about social or political issues during Ridge's lifetime, such as Edna St. Vincent Millay and Muriel Rukeyser, weakens such a claim. Furthermore, Ridge's five books of poetry illustrate that many of her poems focused on themes beyond the political or social. The decisions by critics to focus on selections of Ridge's poems that do not display her ability to employ multiple aesthetics in her poetry have caused them to present her work one-dimensionally. Likewise, politically motivated critics often overlook aesthetic experiments that poets like Ridge employ in their poetry. Few poets during Ridge's time made use of such drastically varied styles, and because her work resists easy categorization (as either traditional or avant-garde), her poetry has largely gone unnoticed by modern scholars. Chapter two of my thesis focuses on a selection Ridge's social and political poems and highlights how Ridge's social poetry coupled with the multiple aesthetics she employed has played a part in her critical neglect. My findings will open up the discussion of Ridge's poetry and situate her work both politically and aesthetically, something no critic has yet attempted. Chapter three examines Ridge’s role as editor of Modern School, Others and Broom. Ridge's work for these magazines, particularly Others and Broom, places her at the center of American modernism. My examination of Ridge's social poetry and her role as editor for two leading literary magazines, in conjunction with her use of multiple aesthetics, will build a strong case for why her work deserves to be recovered.
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Noble Venery: Hunting and the Aristocratic Imagination in Late Medieval English LiteratureJudkins, Ryan R. 25 June 2012 (has links)
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Perspective vol. 20 no. 5 (Oct 1986)VanderVennen, Robert E., Pitt, Clifford C., Terpstra, Nicholas, Smidstra, Henry, VanderVennen, Robert E. 31 October 1986 (has links)
No description available.
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