Inaug.-diss.--Berne. / Bibliography: p. 74-76.

Thesis (doctoral) -- Vereinigte Friedrichs-Universität Halle-Wittenberg. / Vita. Bibliography: p. [9]-11.

Thesis (doctoral)--Universität Zürich. / "Literaturverzeichnis": p. 121-122.

Thesis (Ph.D.)--University of Iowa, 2006. / Supervisor: David Klemm. Includes bibliographical references (leaves 3441-344).

Texte remanié de: Habili.-schr.--Fachbereich I - Philosophie--Universität Trier, 1993. / Bibliogr. p. 400-424. Index.

Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, 2014. / Submitted by Ana Cristina Barbosa da Silva (annabds@hotmail.com) on 2015-02-05T18:44:57Z No. of bitstreams: 1 2014_ItamarRodriguesPaulino.pdf: 1398357 bytes, checksum: 3f7df74925a5e37f4cb27dcfc1bef950 (MD5) / Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2015-03-06T20:23:45Z (GMT) No. of bitstreams: 1 2014_ItamarRodriguesPaulino.pdf: 1398357 bytes, checksum: 3f7df74925a5e37f4cb27dcfc1bef950 (MD5) / Made available in DSpace on 2015-03-06T20:23:45Z (GMT). No. of bitstreams: 1 2014_ItamarRodriguesPaulino.pdf: 1398357 bytes, checksum: 3f7df74925a5e37f4cb27dcfc1bef950 (MD5) / Filosofia e Literatura têm diferenças e semelhanças em seus discursos. Contudo, um ponto torna o encontro e o debate inevitáveis: ambas são porta-vozes do esforço humano de provocar olhares e falas sobre o que parece escapar a uma captação imediata da realidade. Ambas têm procurado um diálogo cada vez mais próximo entre elas, apresentando questões, proposições e transgressões sobre a existência humana, ainda que tenham sistemáticas diferentes. Esta tese é resultado de investigações literárias e filosóficas sobre um importante tema da atualidade: os valores humanos. Com o objetivo de verificar se a trilogia Os Sonâmbulos, de Hermann Broch, é um super-romance (Überroman), cuja temática, a degradação dos valores humanos, perpassa toda a sua estrutura, servindo de eixo epistemológico e elucidando a condição sonâmbula de uma época, investigamos a vida do escritor, sua época, o contexto que o influenciou na escrita de Os Sonâmbulos e a estrutura da obra a partir da epistemologia e da estética. Na primeira parte, apresentamos fundamentos filosófico-literários para servirem de referência na leitura sistemática da trilogia e aportes sobre a engenharia de Broch na estruturação do romance. Na segunda parte, expressamos olhares epistemológicos e estéticos sobre a obra, por meio de resumo dos episódios, tendo a degradação de Valores como episteme. Na terceira parte, tomamos a Epistemologia do Romance e a Estética na constituição da obra, expondo a questão do método Serio Ludere e sua aplicação e, finalmente, a questão do narrador-sujeito na configuração da trilogia. A intenção desta tese é especular sobre o que parece ser plausível, a possibilidade de usarmos um romance para cognitivamente nos ajudar na aproximação o mais próximo possível da realidade. ____________________________________________________________________________________ ABSTRACT / Philosophy and Literature have differences and similarities in their discourses. However, a master point makes the meeting e the debate something inevitable: both are voices of human effort to provoke views and speeches about what seems to escape the immediate capture of the reality. Both have sought for an increasingly close dialogue, presenting issues, propositions and transgressions on human existence despite of their different systematics. This thesis is the result of literary and philosophical research on an important topic for the present but not exclusive of it: the human values. In order to verify if the trilogy The Sleepwalkers, by Hermann Broch, is a super-romance (Überroman), which the theme of degradation of human values pervades the whole structure, serves as an epistemological axis and elucidates the condition of a sleepwalking time, we investigate the writer's life, the times of his, the context that influenced the writing of The Sleepwalkers, the structure of the trilogy in a epistemological and aesthetics way. In the first part we present some approaches on the philosophical and literary fundaments to be taken as references in a systematic reading of the trilogy as well as some contributions on Broch’s engineering of the novel structure. In the second part we express some epistemological and aesthetic perspectives on the trilogy through a résumé of the episodes considering the degradation of values as its episteme. In the third part we take the Epistemology of Romance and Aesthetics in the constitution of The Sleepwalkers, exposing the issue of Serio Ludere method and its application and, finally, the question of the narrator-subject in the setting of the trilogy. The intention of this thesis is to speculate on what appears to be plausible: the possibility of using a novel to help us cognitively in the closest possibility of approximation to the reality.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Pscologia, Departamento de Psicologia Clinica, Pós-Graduação em Psicologia Clínica e Cultura, 2011. / Submitted by Gabriela Ribeiro (gaby_ribeiro87@hotmail.com) on 2011-09-13T17:35:04Z No. of bitstreams: 1 2011_ElisaWalleskaKrugerAlvesdaCosta.pdf: 2492492 bytes, checksum: 452c2cbbe1fe545513a89973ab2354c6 (MD5) / Approved for entry into archive by Repositorio Gerência(repositorio@bce.unb.br) on 2011-09-27T15:25:34Z (GMT) No. of bitstreams: 1 2011_ElisaWalleskaKrugerAlvesdaCosta.pdf: 2492492 bytes, checksum: 452c2cbbe1fe545513a89973ab2354c6 (MD5) / Made available in DSpace on 2011-09-27T15:25:34Z (GMT). No. of bitstreams: 1 2011_ElisaWalleskaKrugerAlvesdaCosta.pdf: 2492492 bytes, checksum: 452c2cbbe1fe545513a89973ab2354c6 (MD5) / Objetivamos verificar a existência de um padrão de variáveis em sujeitos com sofrimento psíquico grave, por meio de avaliação com o Método de Rorschach. Os sujeitos haviam sido previamente diagnosticados como possíveis psicóticos e foram encaminhados ao Grupo de Intervenção Precoce nas Primeiras Crises do Tipo Psicótica - GIPSI / CAEP / IP / UnB. As variáveis encontradas foram comparadas aos dados normativos mais recentes do Método de Rorschach (Sistema Compreensivo, Exner - dados nacionais e internacionais); e com o questionário de pródromos utilizado pelo grupo. Foi observado um conjunto de variáveis que compuseram uma constelação prodrômica - ou seja, preditiva de sofrimento psíquico grave. Também foi observada a discrepância entre os dados individuais dos Sumários Estruturais com os dados de comparação, que indicaram que os sujeitos analisados não apresentavam quadros psicóticos e sim de sofrimento psíquico grave. Foi possível, ainda, traçar um perfil específico dos sujeitos do GIPSI. _________________________________________________________________________________ ABSTRACT / We aim to search about the possibility of a “standard variables” in subjects with severe psychic suffering through psychological assessment with Rorschach Method. Such subjects had been diagnosed as being probably psychotic patients who were undergoing psychotherapy within the Group for Early Intervention in First Crisis of Psychotic Type – GIPSI / CAEP / IP / UNB. Variables were compared to recent normative data of Rorschach Method (in Exner´s Comprehensive System, national and international data); with the prodrome questionnaire used by the Group. A group of variables that might have predictive features for psychotic-type crisis have been identified. Such variables compose a prodromal constellation for Rorschach Method. Discrepancies between individual data of Structural Summaries and normative data have been found, what seems to indicate that the analyzed subjects had not presented psychotic features, but severe psychic suffering. A specific profile about GIPSI’s clients has been developed.

In commencing the study of the style of Moby Dick, the student is confronted with several questions. Most important, perhaps, is the question of how much the style has contributed to the importance of the book, to the great adulation accorded it by many critics during the last quarter century. Did Melville’s peculiar ways of expressing his ideas have some particularly timely appeal to the post-WWI Generation? It is a highly mannered style, unique as that of Tristram Shandy. Yet while Sterne’s book was greatly enjoyed by the author’s contemporaries, Moby-Dick aroused very little contemporary interest. Was the style of the book a barrier to its appreciation by earlier readers? A great deal of Moby-Dick criticism is highly subjective. It is often difficult to find a basis for it in the text, which frequently seems merely to have afforded a spring-board for creative thinking on the part of the critic. The imagery and the symbolism are stretched to include concepts that appear remote from the author’s words. How much is the style responsible for this accretion of mystical thinking upon the text? Opinions are extreme as to the ultimate position of Moby-Dick among the landmarks of literature. Some critics rate it with Shakespeare and the Bible; some view it as a monstrosity. While this happens to some degree to most works which are finally accepted as literary masterpieces, how much is the divergence among Moby-Dick critics intensified because the style of the book has caused difficulties of interpretation? To answer such questions demands first a definition of style as it is to be applied to Moby-Dick. What is style? What constitutes “good” style? How far can an individual author be judged by such set canons? Based upon this there should follow an objective description of the style of the book, its form, its language, its imagery. How does Melville use words? How does he put together his sentences? What over-all design does he employ, and how does he relate the parts to the whole? Such an analysis can be better understood if the source of certain stylistic peculiarities is considered. Melville, like many English-speaking authors, owes a great debt to the Bible and to Shakespeare. How was his use of these sources peculiar to himself? What other important sources are apparent in his work? Finally, a review should be presented of various critical opinions of Melville’s style. Upon what are these evaluations based? How far is the critic interpreting Melville, and how far is he riding a hobby horse of his own?

Over the course of this thesis, three of Hermann Hesse’s novels will be examined – Demian (1919), Der Steppenwolf (1927), and Siddhartha (1922) – as performative texts in order to demonstrate how Hesse presents a blueprint of ideal paths to personal enlightenment through common themes that flow through his works, such as breaking out, creation and destruction, and Jungian archetypes. These themes will be compared to Nietzsche’s work on the transformation of the soul. Each of these performative texts by Hesse present a unique opportunity, not only to enjoy a masterful tale of such vivid characters, but also a chance for readers to discover for themselves a new access to peace of mind.

No description available.