Texte remanié de : Thèse doctorat : Lettres : Paris 4 : 2001. / Bibliogr. p. 417-438.

Diss. : New Brunswick NJ : 1995. / Bibliogr.: p. 161-167.

Criticism. Inspired by Hermann Broch's essay Creation litteraire et connaissance and Maurice Blanchot's L'Espace litteraire, $ underline {Cr 'eation, 'ethique et v 'erit 'e}$, Broch et Blanchot questions both the possibility and the necessity for a writer to maneuver within the realm of Fiction (i.e. inevitably the realm of Lies), while following an ethical code of Truth. / Fiction. $ underline {En trompe-l'oeil}$ is a novella about Mance Dussault who, after parting from her lover, is compelled to redefine her own identity, by herself and outside of the gaze of the Other. Her quest is complicated by the fact that she is torn between her passions from the past and her current dreams which are luring her into a state of being never experienced before. Furthermore, the veil of novelty could hide a side of reality darker than suspected.

Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, 2014. / Submitted by Ana Cristina Barbosa da Silva (annabds@hotmail.com) on 2015-02-05T18:44:57Z No. of bitstreams: 1 2014_ItamarRodriguesPaulino.pdf: 1398357 bytes, checksum: 3f7df74925a5e37f4cb27dcfc1bef950 (MD5) / Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2015-03-06T20:23:45Z (GMT) No. of bitstreams: 1 2014_ItamarRodriguesPaulino.pdf: 1398357 bytes, checksum: 3f7df74925a5e37f4cb27dcfc1bef950 (MD5) / Made available in DSpace on 2015-03-06T20:23:45Z (GMT). No. of bitstreams: 1 2014_ItamarRodriguesPaulino.pdf: 1398357 bytes, checksum: 3f7df74925a5e37f4cb27dcfc1bef950 (MD5) / Filosofia e Literatura têm diferenças e semelhanças em seus discursos. Contudo, um ponto torna o encontro e o debate inevitáveis: ambas são porta-vozes do esforço humano de provocar olhares e falas sobre o que parece escapar a uma captação imediata da realidade. Ambas têm procurado um diálogo cada vez mais próximo entre elas, apresentando questões, proposições e transgressões sobre a existência humana, ainda que tenham sistemáticas diferentes. Esta tese é resultado de investigações literárias e filosóficas sobre um importante tema da atualidade: os valores humanos. Com o objetivo de verificar se a trilogia Os Sonâmbulos, de Hermann Broch, é um super-romance (Überroman), cuja temática, a degradação dos valores humanos, perpassa toda a sua estrutura, servindo de eixo epistemológico e elucidando a condição sonâmbula de uma época, investigamos a vida do escritor, sua época, o contexto que o influenciou na escrita de Os Sonâmbulos e a estrutura da obra a partir da epistemologia e da estética. Na primeira parte, apresentamos fundamentos filosófico-literários para servirem de referência na leitura sistemática da trilogia e aportes sobre a engenharia de Broch na estruturação do romance. Na segunda parte, expressamos olhares epistemológicos e estéticos sobre a obra, por meio de resumo dos episódios, tendo a degradação de Valores como episteme. Na terceira parte, tomamos a Epistemologia do Romance e a Estética na constituição da obra, expondo a questão do método Serio Ludere e sua aplicação e, finalmente, a questão do narrador-sujeito na configuração da trilogia. A intenção desta tese é especular sobre o que parece ser plausível, a possibilidade de usarmos um romance para cognitivamente nos ajudar na aproximação o mais próximo possível da realidade. ____________________________________________________________________________________ ABSTRACT / Philosophy and Literature have differences and similarities in their discourses. However, a master point makes the meeting e the debate something inevitable: both are voices of human effort to provoke views and speeches about what seems to escape the immediate capture of the reality. Both have sought for an increasingly close dialogue, presenting issues, propositions and transgressions on human existence despite of their different systematics. This thesis is the result of literary and philosophical research on an important topic for the present but not exclusive of it: the human values. In order to verify if the trilogy The Sleepwalkers, by Hermann Broch, is a super-romance (Überroman), which the theme of degradation of human values pervades the whole structure, serves as an epistemological axis and elucidates the condition of a sleepwalking time, we investigate the writer's life, the times of his, the context that influenced the writing of The Sleepwalkers, the structure of the trilogy in a epistemological and aesthetics way. In the first part we present some approaches on the philosophical and literary fundaments to be taken as references in a systematic reading of the trilogy as well as some contributions on Broch’s engineering of the novel structure. In the second part we express some epistemological and aesthetic perspectives on the trilogy through a résumé of the episodes considering the degradation of values as its episteme. In the third part we take the Epistemology of Romance and Aesthetics in the constitution of The Sleepwalkers, exposing the issue of Serio Ludere method and its application and, finally, the question of the narrator-subject in the setting of the trilogy. The intention of this thesis is to speculate on what appears to be plausible: the possibility of using a novel to help us cognitively in the closest possibility of approximation to the reality.

No description available.

vii, 56 p. This thesis is written in German. / My thesis focuses on the question of how intertextuality can operate as a form of cultural memory. Drawing on the cultural-semiological model of intertextuality developed by Renate Lachmann, my analysis of Hermann Broch's novel <italic>Die Schlafwandler</italic> examines how the incorporation of intertexts enriches and changes the interpretation of a manifest text. I am focusing in particular on Broch's references to Johann Wolfgang von Goethe and Immanuel Kant in the chapters "Zerfall der Werte" to exemplify how intertextuality operates in this novel. The focus on two specific sources of intertextual references allows me a thorough analysis of the new interpretive dimensions that are created through intertextuality and at the same time the delineation of new perspectives for the further study of intertextuality in relation to Broch's work. / Committee in charge: Prof. Martin Klebes, Chairperson; Prof. Kenneth Calhoon, Member; Prof. Alexander Mathäs, Member

This dissertation examines modes of citations in Hermann Broch's work Die Schuldlosen. Focusing on the topoi of romanticism and myth, I discuss tensions between Hermann Broch's theoretical arguments and his last literary work. These tensions are an expression and formal manifestation of an auctorial attempt to implement his self-declared principles of literature, such as the creation of epistemological value, the depiction of world totality, and the creation of a new form of expression, a new language, and a new myth. In each chapter, I focus on a different topos relevant to Broch's work Die Schuldlosen. With the help of close readings and a genetic analysis of the work, I demonstrate how Broch creates the unreliable citations that serve his goals. The first chapter illuminates the tension between Broch's theoretical works and Die Schuldlosen concerning the topos of romanticism. In a case study on stone imagery, I ask whether Broch's modes of citing romanticism can be considered a productive intermediate step to creating a new form. I show that Broch's citations can be qualified as unreliable citations, and how structural correspondences intensify their effect on the reader’s experience. The chapter ends with a discussion of the political function of Broch's citations. The second chapter deals with Broch's concept of myth and discusses the tension between Broch's declared intention to develop a new myth and his actual use of existing myths in his works. In two case studies, I trace Broch's citations of the Faust myth and the Don Juan myth. I show that one can understand Broch's specific citations of myth as an experiment to explore how the interruption of a recurring cultural cycle would allow for a new form to develop.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Humanidades, Departamento de Filosofia, Programa de Pós-Gradução, 2006. / Submitted by Érika Rayanne Carvalho (carvalho.erika@ymail.com) on 2009-11-02T16:59:38Z No. of bitstreams: 1 itamar rodrigues paulino.pdf: 801908 bytes, checksum: bd0ffa621683458b819f029e7e191205 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2010-05-18T11:25:46Z (GMT) No. of bitstreams: 1 itamar rodrigues paulino.pdf: 801908 bytes, checksum: bd0ffa621683458b819f029e7e191205 (MD5) / Made available in DSpace on 2010-05-18T11:25:46Z (GMT). No. of bitstreams: 1 itamar rodrigues paulino.pdf: 801908 bytes, checksum: bd0ffa621683458b819f029e7e191205 (MD5) Previous issue date: 2006-09-29 / É de longa data que os discursos filosófico e literário buscam estabelecer um intenso diálogo, envolvendo um inesgotável repertório de questões, proposições e transgressões. Embora os discursos filosófico e literário caminhem por vielas sistemáticas diferenciadas, ambos comungam do mesmo desejo de provocar nosso olhar a respeito do real. O presente trabalho se propõe a uma atividade investigativa, com o intuito de problematizar a atual sociedade acerca de um importante tema presente em seu dia a dia, mas não exclusiva do seu tempo: os valores humanos. Este trabalho busca encontrar uma coerente estrutura filosófica de pensamento, no caso a Epistemologia do Romance, que permita fazer uso da Literatura, utilizando de maneira específica um romance, para demonstrar a possibilidade de se provocar o filosofar sobre a existência humana, considerando o tema da degradação dos valores humanos. Para tanto, os pensares de Immanuel Kant, Friedrich Hegel e Friedrich Nietzsche tornaram-se a fundamentação acerca dos valores humanos. Hermman Broch, e sua obra Os Sonâmbulos, contribui com uma percepção estético-literária acerca do tema. Hans-Georg Gadamer, Michel Maffesoli e outros, ajudam na proposta de uma estrutura de leitura caracterizada por uma razão sensível e pela possibilidade de se interpretar possíveis conteúdos epistemológicos imergidos da obra Os Sonâmbulos. Este trabalho, porém, não se pretende acabado, mas intenta especular sobre o que parece ser plausível, a possibilidade de usarmos um romance para enveredarmos em certos problemas caros à existência humana. ___________________________________________________________________________________________________ ABSTRACT / It is a long ago that the philosophical and literary debate searches for the establishment of an intensive dialogue, involving an innumerable repertory of questions, propositions and transgressions. Although the speeches of Philosophy and Literature walk through differentiated systematic ways both speeches share the desire to provoke our sight towards the real. The purpose of the present paperwork is to investigate, as well as to problematize, the society with regards to an important subject of its daily life but not only of its own: the human values. This paper also aims to find out a philosophical structure of thought, in this case the Epistemology of Romance, that allows someone to make use of Literature, but specifically a romance, to show that it is possible to provoke philosophical thoughts about human existence, taking into consideration the subject disintegration of human values. In that sense, the thought of Immanuel Kant, Friedrich Hegel and Friedrich Nietzsche became the fundaments about human values. Hermann Broch, through his novel The Sleepwalkers, contributes to the investigation of the theme with an esthetical-literary perception. Hans-Georg Gadamer, Michel Maffesoli among others are the basis for a proposal of a reading structure characterised by the sensitive reason and by the possibility to interpret possible epistemological contents withdrawn from The Sleepwalkers. Nevertheless, this paper does not intend to be a finished work but to speculate about what seems to be far plausible, the possibility of making use of a novel in order to look into some fundamental problems of human existence.

No description available.

L'écrivain doit « "[c]réer la valeur" », puis « reconstruire un édifice de valeurs ». Cet impératif formulé par Broch dans son essai « Le Mal dans les valeurs de l'art » constitue aussi le programme narratif de son roman Les Somnambules, œuvre polyhistorique - pour recourir à l'appellation générique qu'emploie le romancier - qui mime, et peut-être même accomplit, le processus à l'issue duquel les forces de l'Irrationnel sont canalisées pour faire l'objet d'une rationalisation. La nouvelle rationalité que s'efforce de créer Broch au moyen du polyhistoricisme, genre associé par l'auteur au « roman nouveau dans sa polyphonie à la fois rationnelle et irrationnelle », doit selon lui fournir un socle aux nouvelles croyances religieuses appelées à supplanter celles véhiculées par le christianisme, ce système axiologique totalisant qu'il convient, estime-t-il, de remplacer par un nouveau, dont la création est d'ailleurs anticipée dans l'ensemble de sa production littéraire. Roman polyphonique au sens où le discours scientifique s'y présente comme le contrepoint du discours irrationnel, Les Somnambules se propose, plus précisément, de fonder la nouvelle rationalité à partir de la prise en considération des motions psychiques inconscientes qui structurent la pensée. Le rapprochement entre la raison et ce qui excède les frontières imparties à l'entendement n'étonne guère lorsqu'à la lecture de Broch, on constate que toute grande religion permet de convertir de nouveaux fidèles, c'est-à-dire de susciter chez eux une illumination mystique ne pouvant être décrite autrement qu'irrationnellement, même si les membres de cette religion poursuivent, en contrepartie, des objectifs définis, le plus souvent, rationnellement. Ainsi, les dévots luttent, dans le meilleur des cas, contre le paganisme et sont appelés, toujours selon Broch, à faire de même en ce qui concerne les avatars de cette religion - fascisme, totalitarisme - cela en vue de prévenir l'apparition des symptômes se manifestant lors du déclenchement de délires collectifs. L'œuvre romanesque de Broch, envisagée ici à l'aune des Somnambules, est travaillée de fond en comble par les antinomies (rationnel/irrationnel, proche/lointain, souvenir/oubli, familiarité/étrangeté); il en va de même en ce qui a trait aux publications « scientifiques » de Broch, commentées en ces pages dans le cadre d'une analyse portant sur la doctrine axiologique incorporée à l'intrigue romanesque des Somnambules et sur la Théorie de la folie des masses, du même auteur. La stratégie de lecture adoptée dans le présent mémoire consiste à déplacer les frontières, voire à remettre en question leur légitimité, tracées - parfois arbitrairement par les critiques fréquentant l'œuvre de Broch - entre le roman de la connaissance irrationnelle et son indispensable complément, la philosophie scientifique, dont l'apport est susceptible de contribuer, croit le romancier, à éveiller (au sens métaphorique du terme) ses contemporains; notre auteur incite ceux-ci à re-découvrir les fondements de la Réalité, lesquels résident dans l'amitié, le sentiment amoureux et l'expérience de la mort, comme il l'écrit dans La Mort de Virgile. Les trois composantes du Réel sont également appréhendées lors de l'acquisition de la connaissance irrationnelle : le noyau de la science est le pré-savoir acquis intuitivement par le somnambule ou le rêveur. Ce noyau ainsi que ce qui l'enveloppe constituent le cœur de notre propos. Nous nous intéresserons donc, dans les pages à venir, à la dialectique du Rationnel et de l'Irrationnel. Les théories de la connaissance de Platon, Descartes, Kant, Cassirer, Jung, susciteront aussi un engouement chez nous. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : polyhistoricisme, littérature religieuse, roman gnoséologique, philosophie du roman, langage de l'immédiateté, position de valeurs, éthique, esthétique.