Orientadores : Elisio Caetano Filho , Antonio Carlos Bannwart / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia de Campinas / Made available in DSpace on 2018-07-14T02:59:45Z (GMT). No. of bitstreams: 1 AlvesNeto_SalvadorJose_M.pdf: 4014117 bytes, checksum: 2567ee0d7af1dc328e87700e10e9d3a3 (MD5) Previous issue date: 1989 / Resumo: Modelos baseados em princípios físicos e fenomenológicos foram desenvolvidos para os principais arranjos de fases observados durante o escoamento bifásico gás-condensado em tubulações horizontais ou levemente inclinadas. Tais modelos permitem explicitar grandezas do escoamento, tais como: frações volumétricas das fases, gradientes de pressão e temperatura, espessuras de líquido destes arranjos, taxas de atomização e deposição de gotículas líquidas e tensões de cisalhamento na interface gás-líquido destas configurações. Para avaliar o desempenho destes modelos, foi desenvolvido o Simulador Computacional SIMPIPE, cuja a estrutura de programação permite o acesso a outras Bibliotecas Computacionais para a previsão das propriedades físicas dos fluidos, arranjos de fases e gradiente de pressão através de um conjunto de correlações específicas. Tal simulador resolve simultaneamente as equações de conservação da massa, momentum e energia empregando, a metodologia composicional para a caracterização das propriedades físicas e comportamento das fases. Foi feita uma análise de sensibilidade de parâmetros que permitiu explicitar a importância de alguns destes no desempenho dos modelos. A confrontação dos resultados de simulação com dados experimentais de diferenciais de pressão evidencia uma concordância satisfatória para as modelagens propostas. O desempenho de tais modelagens fenomenológicas ainda superaram o das correlações empíricas, fornecendo assim informações mais precisas e mais abrangentes quanto as características do escoamento / Abstract: Mechanistics models were developed for most common flow patterns in two-phase flow in horizontal or near horizontal gas pipelines. With such models relevants flow parameters may be predicted, namely gas and liquid volume fractions, total pressure drop for both gas and liquid phases, temperature gradient, liquid films for stratified and annular flow, atomization and dispersion rates in the gas core and frictions stresses in the gas-liquid interface. A numerical computer simulator called SIMPIPE was developed to evaluate these models. Such simulator uses a compositional method to predict the fluids properties and phase behavior and finds to simultaneous solution of mass, linear momentum and energy conservation equations to calculate the flow parameters. A sensibility analysis of some intervenient parameters allowed to explicit the importance of some of those ones in the behavior of the proposed models for stratified and anular two-phase flow. In terms of pressure drop, the comparison of the simulation results with the experimental datas showed good results for the proposed models. Statistically the behavior of such models still presented better results compared with the empirical correlations, besides giving informations about the microscopics parameters of the two-phase flow / Mestrado / Mestre em Engenharia de Petróleo

Since the achievement of independence, Mexican officials looked for ways to bring together a country of many disparate parts into a single modern nation. Indeed, like their neighbors to the north, many officials supported programs to forge disciplined, productive, and selfless citizens capable of guiding the country in the future through cutting-edge educational programs. When a nearly fifty-year period of civil war and instability came to an end with the rise of dictator-president Porfirio Diaz (1876-1911), the general promoted the first sports programs to toughen up and straighten out a citizenry his cabinet believed had weakened in the country's many refurbished cities. These programs were, nevertheless, exclusionary in practice. The "Indian Problem," as many public officials called it, remained a primary concern as the supposed natural backwardness of the masses was interpreted as a societal disease that, for many, had no known cure. Diaz's presidency, which directed money and attention to wealthy urban centers to the detriment of the countryside, came to end when the masses rose with workers and women to take the government. This social revolution, which began in 1910, was the first in the world and brought to power a generation of idealistic leaders from all walks of life. These leaders took on the country's most desperate problems with creative cultural programs that were often guided by science. For revolutionaries, sports became a primary means of transforming the disparate masses into ideal athlete-citizens under a mestizo-aesthetic that were enlightened by science and willing to sacrifice personal ambition for the greater good. Officials from the military, public health, and education sectors crafted plans to mold citizens based on their visions of the revolution, but women and indigenous people did as well. In some ways these programs failed to meet the lofty expectations of the most idealistic leaders. In others, the revolutionary sports programs were among the most successful government programs created. The work completed between 1920 and 1946 in sports culture and physical education set the stage for some of the country’s greatest sports accomplishments that followed, including winning the right to host the Pan-American Games in 1955 and the Olympics in 1968. Scholars have debated the importance of sports in politics and society for decades, but even though Mexican historians have extensively analyzed revolutionary cultural programs, study on sports has been relegated to a footnote. This dissertation argued that sports were, in fact, considered a primary means of transforming the supposedly backwards masses into ideal citizens for officials in nearly all official departments.

[pt] A atuação do artista Joaquim José da Natividade, na Comarca do Rio das Mortes entre a segunda metade do século XVIII e as primeiras décadas do século XIX, permitiram a reflexão acerca das possíveis relações entre os processos de construção e decoração de capelas e igrejas com as representações de distinção e hierarquia(s) entre moradores. Ao disponibilizar recursos para a ornamentação dos templos, os financiadores das obras – proprietários de terras e escravos ligados à produção e comercialização de gêneros alimentícios – esperavam que a qualidade artística fosse compatível aos valores mobilizados. Dessa maneira, os fatores prestígio para o artista e fortuna para o contratante se mostraram pertinentes para a análise de parcela das obras atribuídas ao artista, por carregarem o significado do privilégio social expressos nos processos artísticos e sociais inerentes à sua execução. / [en] References to the significant role of the artist Joaquim José Nativity - in the County of Rio das Mortes between the second half of the eighteenth century and the first decades of the nineteenth century - allowed the reflection on the possible relationships between the processes of construction and decoration of chapels and churches with the distinction of representantions and hierarchy(s) between dwellers. To provide resources for the ornamentation of the temples, the funders of the work - Landowners and slaves related to production and marketing of foodstuffs - expected that the artistic quality was compatible with raised values. Thus, the prestige and fortune for the artist to the contractor factors were relevant to the examination of a portion of the works attributed to the artist, because they carry the meaning of social privilege expressed in artistic and social processes involved in their implementation.

[pt] A análise de Dinossauro Excelentíssimo, de José Cardoso Pires, narrativa onde se processa a retomada de um gênero clássico - a fábula - em que a escrita é convertida em signo ambivalente, capaz de entrelaçar novos sentidos a conteúdos fixados pela tradição. Esse mecanismo possibilitou ao escritor interrogar as memórias do cotidiano da ditadura salazarista, incorporando, na ficção, acontecimentos que marcaram a história política recente da sociedade portuguesa. A presente dissertação analisa a construção dessa narrativa, colocando em tensão o caráter alegórico da fábula, a inscrição do gênero no contexto histórico português, as representações do poder e da censura no Estado Novo e a atuação do escritor como intelectual. Por força de sistematização, o estudo se divide em: A poética, O poder e O olhar, eixos temáticos que norteiam os aspectos relevantes da obra. / [en] A study of Dinossauro Excelentíssimo, by José Cardoso Pires, in which a classic genre - the fable - comes back and where the writing turns itself in a signal of many senses, being able to interlace new meanings to the ones traditionally established. This scheme gave the author the chance to inquire the quotidian memories of the Salazar s dictatorship, merging in the fiction outstanding events of the recent Portuguese s political history. This master thesis analyses how the narrative is build, stressing the allegoric character of the fable, the way the genre is contextualized in the Portuguese History, the power and censure exhibition during the New State regime and the performance of the author as an intellectual. By systematization, the text is divided in tree thematic items: The Poetics, The Power end The Look, that drive the relevant aspects of this masterpiece.

[pt] Esta dissertação tem como objetivo proceder a uma análise do livro O evangelho segundo Jesus Cristo, de José Saramago, romancista português contemporâneo, destacando a trajetória trágica e edípica da personagem central. Entendendo a obra de Saramago como um bildungsroman, que traz como principal tema o conflito de Jesus com a figura paterna, estabelece-se a comparação da trajetória deste herói mítico contemporâneo com o percurso de mítico de Édipo, o herói da tragédia sofocliana. Além disso, o trabalho procura destacar algumas características representativas do romance saramaguiano, como a utilização da paródia, da ironia e do intertexto para elaboração da dessacralização do discurso religioso. / [en] This work aims at analyzing the book The Gospel According to Jesus Christ, written by José Saramago, a Portuguese contemporary novelist. It emphasizes the tragic path of the central character and its similarity to the Oedipus trajectory. The novel is understood like a bildungsroman that brings as its principal theme Jesus conflict with his Father. The path of this contemporary mythical hero is then compared with Oedipus course, Sophocles tragedy hero. The essay also attempts to stress some representative features of Saramago´s novel, such as the use of parody, irony and inner text to desconstruct religious speech.

[pt] Este trabalho tem como objetivo analisar o romance O Delfim, de José Cardoso Pires, partindo do pressuposto de que ele seja constituído de duas histórias imbricadas: um romance policial e uma trama política. O livro foi escrito durante uma época de forte censura, por isso a análise será fundamentada na idéia de que a investigação do crime fica mais aparente para que se possa falar de política. Primeiro, analisaremos a trama policial; depois, a política, buscando evidenciar como, estruturalmente, elas se completam ou se existe algum traço de supremacia de uma sobre a outra. Será estudado, também, a proposta social do autor e seu objetivo como intelectual, de escrever sobre o Portugal do final da década de 1960, através de um romance inovador. / [en] This dissertation aims at analysing the novel O Delfim, by José Cardoso Pires, from the perspective that it is made of two intertwined stories: a detective novel and a political plot. The book was written in a time of strong censorship, and that`s why the analysis is done under the assuption that investigation of the crime is more apparent so that it would be possible for the author to discuss political issues. First, we analyse the detective plot; afterwards, we go over its political aspects to try to make it clear to what extent they complement each other or wether one overshadows the other. We will also considered the social intentions of the author, his intellectual motivations of writing about the Portugal of the late 1960`s, and his approach it with an inovative novel.

Orientador: Miriam Viviana Garate / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-06T17:42:19Z (GMT). No. of bitstreams: 1 PereiraJunior_AntonioDavis_M.pdf: 1329087 bytes, checksum: eae4136709d9f02fa95397681c8e8d82 (MD5) Previous issue date: 2006 / Resumo: A presente Dissertação tem como objetivo perscrutar uma série de recorrências características da obra do escritor argentino Juan José Saer ¿ que, em última instância, são reveladoras do sistema temático normativo a que ela se submete, descrito pelo próprio autor como ¿el eterno retorno de lo idéntico¿ ¿, para, a partir delas, analisar que papel têm as personagens para a delineação do perfil de um determinado sujeito discursivo a que o texto dá forma, responsável, em grande medida, por propiciar seu assentamento sob o domínio do idêntico e a égide da repetição. A análise, embora se volte para o delineamento dos diferentes momentos da trajetória da obra, bem como para outros textos do autor, centra-se no romance Glosa, publicado em 1986 / Abstract: The objective of the following Dissertation is to investigate a series of typical recurrences in the work of the Argentinian writer Juan José Saer ¿ which reveals its strong thematic regularity, described by the author himself as ¿el eterno retorno de lo idéntico¿ ¿ and to analyse the role played by the characters on the outline of the profile of a specific subject of discourse shaped by the text, responsible for its setting under the domains of the identical and its characteristic sense of repetition. The analisys, though aimed at the outline of the course of his work, as to author¿s other texts, focuses on the novel Glosa, published in 1986 / Mestrado / Literatura Geral e Comparada / Mestre em Teoria e História Literária

[pt] Esta dissertação abarca uma leitura analítica do romance A Jangada de Pedra, com o intuito de penetrar na estética de uma ficção que, valendo-se da tradição de navegadores dos povos ibéricos, cria uma viagem mágica, em que é a própria terra que erra por sobre os mares: navegante a terra, caminhantes os seus heróis. Neste espaço utópico, reverdece a esperança de um futuro imprevisível. Ao promover um diálogo entre a ficção e a história, o autor apresenta um projeto ideológico, contendo suas inquietações em relação à cultura ibérica e ao contexto sócio-político da época, relativas à aceitação ou rejeição do ingresso da Península na União Européia. Neste cantar épico, José Saramago busca premiar, numa ilha imaginária, heróis anônimos - personagens sensíveis que, vogando no Oceano Atlântico, encontram o amor, possível mediante o conhecimento do próprio corpo e do espaço ibérico. / [en] In the present thesis, an analytic reading of the novel A Jangada de Pedra is included so as to provide a deep study on the aesthetics of a fictional story which, regarding the tradition of Iberian navigators creates a magic voyage in which the land itself wanders on the seas: a land which floats with its walking heroes. In this utopian space, the hope on this unpredictable future is renewed. Promoting a dialogue between fiction and history, the author presents an ideological project, including the uneasiness the Iberian culture and the political and social context from that age bring him, according to the approval or the refusal of the Peninsula in the European Union. José Saramago threw himself into this epic mood in order to honour, in an imaginary island, anonymous heroes - sensitive characters who, drifting in the Atlantic Ocean, find love, just possible by means of acknowledgement of their own bodies and the Iberian environment.

[pt] Pessoas presas a olhar imagens projetadas e chamando-as de realidade. O discurso alegórico atravessa o tempo e é presença constante em diversos momentos da história cultural. Este trabalho tem como objetivo analisar os pontos de toque e de distância entre a alegoria da caverna de Platão e Ensaio sobre a cegueira de José Saramago. Neste trabalho analiso as possíveis relações entre as alegorias, sustentado pelas aproximações entre literatura, história e filosofia. Me interessa revelar de que forma os autores se apropriam do recurso alegórico e de referências próximas para construir o sentido de seus pensamentos. O trabalho faz uso de referenciais propostos por Wolfgang Iser, através de seus atos de fingir, as definições de alegoria propostas por João Adolfo Hansen e Flávio Kothe, e dialoga com a obra de Luiz Costa Lima. Em Platão, para além da alegoria, analisa a questão do simulacro proposto por Gilles Deleuze e de que forma admite-se o discurso alegórico em uma teoria que pretende neutralizar a dobra da palavra. Em Saramago, analisarei de que forma a visão marxista de ideologia aparece nas situações narradas pelo autor no romance. Por fim, demonstro em que pontos o exposto em Ensaio sobre a cegueira admite a possibilidade de uma alegoria hermenêutica da caverna platônica. / [en] Prisioners looking at projected images and calling them reality. The allegorical speech crosses the time and is a constant presence at different moments of the cultural history. This work aims to analyze the points of touch and distance between the Plato s cave and José Saramago Blindness. In this paper we analyze the possible relationship between allegories, supported by the similarities between literature, history and philosophy. I m interested in revealing how the authors appropriate the allegorical feature and nearby references to build the sense of their thoughts. The work makes use of reference proposed by Wolfgang Iser, through its pretending acts, the definitions of allegory proposed by João Adolfo Hansen and Flavius Kothe, and converses with the work of Luiz Costa Lima. In Plato, besides the allegory, it examines the question of the simulacrum proposed by Gilles Deleuze and how it is assumed the allegorical speech in a theory which aims to neutralize the words dubiety. In Saramago, analyze how the Marxist view of ideology appears in the situations narrated by the author. Finally, we show that the points set out in Blindness admits the possibility of a hermeneutic allegory of Plato s cave.

The scholarly tradition in urban policy analysis holds that a variety of economic, social and political background factors influence the nature and amount of output by the policymaking system. Here a number of these factors such as elections and parties, structure of the national economy and age and sex composition of the population are examined to determine their effect on public housing and local government revenue policy in two Central American urban centers. San Jose, Costa Rica and San Salvador, El Salvador were chosen for the study because they are in the same size range, both are capital (and primate) cities and both have been growing rapidly in recent years. Moreover, the cities exist in radically different sociopolitical milieux. With such characteristics as size and primacy held constant, it was felt that variations in policy output could be linked to and at least partially explained by the political, social and economic differences. For a variety of systemic and historical reasons, urban public housing is provided in both countries by autonomous agencies of the national governments. Their operational policies and programs are compared. Two major activities in the field of municipal revenue are traced through the policymaking process from their genesis: a successful effort to install parking meters in San Jose, and an unsuccessful attempt at overall tax reform in San Salvador. In neither policy area, public housing nor municipal revenue, was the original hypothesis sustained. No important differences in policy output between San Jose and San Salvador could be identified. Consequently, there were no variations to be explained by the diversity in social, economic and political background factors. Nonetheless, these factors are considered in detail, along with the nature of the policymaking process in the two cities. Finally, some suggestions are offered as to why San Jose and San Salvador exhibit these similarities in policy product in spite of their many social, political and economic dissimilarities.