Master's thesis Photographs of Presidential Candidates in Czech Newspapers ahead of Elections of 2013 compares the visual coverage of nine presidential candidates in the photographs published in three national broadsheet newspapers Lidové noviny, Právo and Hospodářské noviny during the period of four weeks before the first Czech direct presidential elections in January 2013. The theoretical part of the thesis summarizes literature probing the visual framing of politics and the influence of photographic images in media on audiences and their decisions in elections. The quantitative content analysis compares the number of each candidate's pictures in the Czech press in order to determine whether the visual coverage was balanced or not and whether this could have affected the election results. It also verifies the hypothesis that newspapers tend to publish more pictures of the candidates with similar political orientation. Besides that, the thesis also compares how each of the journals uses photography illustration by examining the size, placement, type, caption length and authorship of the pictures.

Theatre "Minor" From The Year 1989 Up To Present (Changes In a Staging Style) This thesis concerns itself with the Minor Theatre after the year 1989, namely with changes in a staging style of this prague platform that focuses mainly on a production for the child audience. In the production of the theatres principal directors (Karel Makonj, Jan Jirků, David Drábek, Jiří Adámek) we can observe distinctive courses of staging methods, that shape the Minor's character. The primary aim of this thesis is to attempt to reflect these staging courses and demonstrate them using profile plays. An excursus into the history of the Minor Theatre precedes these analyses to define its character. Biographies of the said directors are also included in the thesis, as well as the list of theatre's plays form 1990 (with the dates of premieres) and photographic material ilustrating the theatricals analysed here.

Aim of this work is to make a comparison of three generations (1918 - 1989) of discourse art theorists and to point to their similarity. Specifically, the main personalities and spokespersons of Czech avant-garde art and underground, who are Karel Teige, Vladimír Boudník, Egon Bondy, Milan Knížák and Ivan Martin Jirous. This work analyses the content the interpretive models which are contained in the manifestos and manifestations text (Chapter 2) and reconstruction experience and feeling of historical avant-gards based on work with ego-documents (Chapter 3). The result of this analysis is a description of the differences (and dynamics) of development of avant-garde, but especially characteristic of avant-garde and underground mental world. The analysis shows that the artistic avant-garde (Teige) and underground (Jirous, Knížák), as well as the second generation standing on the edge of the avant-garde and underground (Boudník, Bondy) show great similarity with many common features. Individual features common to the avant-garde and underground are summarized in the conclusion. Key words avant-garde, underground, czech art, manifest, feeling, Karel Teige, Vladimír Boudník, Egon Bondy, Milan Knížák, Ivan Martin Jirous

This thesis analyzes the Czech translations of Karel Havlíček's German family correspondence. The translations are from the turn of the 20th century, from the 1940s, and from the present day. In the introduction, the present-day situation concerning the publication of Havlíček's correspondence is outlined. After that, the thesis focuses on the skopos theory as the main theoretical base for the analysis. Then the thesis turns to the life of Karel Havlíček with a focus on his student years. In the analytical section, the individual translators and the origination of the translations are introduced. Selected translations are then analyzed. The primary objective of the thesis is the evaluation of translation strategies and methods used by the translators of Karel Havlíček's family correspondence with regard to translation conventions and social and historical changes.

The master diploma thesis "Media response of literary work with the prison theme by Jiri Stransky and Karel Pecka" maps the beletric works of Jiri Stransky and Karel Pecka which are influenced by their time in Communist prisons. The work deals with critical reviews of these literary works and it is based on contemporary reviews published in literary and other periodicals. Qualitative and quantitative analysis of reviews is included in a practical part of the master diploma. It is preceded by a theoretical part. In the theoretical part we shortly think about the importance of literary criticism but mostly important we clarify the conditions which led to the creation of Stransky's and Pecka's works. Thanks to the preserved documents from The National Archive and from The Archive of Security Forces we can now read about Stransky's and Pecka's arrest, interrogation and imprisonment in Communist prisons in the 1950s. Jiri Stransky was imprisoned in the years 1951-1960 and Karel Pecka between 1949 and 1959. The preserved documents outline also other repressions of Karel Pecka towards the State security, which occurred after his repase from prison in the sixties. In the theoretical part of master diploma we think about literary critism and we draw from works of Ansgar Nünning, Winfried Schulz, Hans-Gregor...

The dissertation called The Life and Work of Professor Otto Rutrle deals with the fate and work of a practical theologian from the second generation of The Czechoslovak Church (Hussite). Introductory chapter is dedicated to Karel Farský, the first patriarch of The Czechoslovak Church (Hussite). It also describes the circumstances of the birth of The Czechoslovak Church (Hussite) and its first years of existence. The second chapter follows Gustav Adolf Procházka, the second patriarch of The Czechoslovak Church (Hussite). The chapter also deals with a fight of The Czechoslovak Church (Hussite) to obtain its own university. The education of theology students is the topic for the third chapter. It describes the education of theology students from the foundation of the church to the year 1990. The main part of the dissertation deals with the life and work of Professor Otto Rutrle, his activity in the church and also on theology faculties. His work on a practical theology is divided to subchapters accordingly to respective subjects.

Univerzita Karlova v Praze Filozofická fakulta Ústav české literatury a literární vědy Diplomová práce Petra Bílková KONEC KARNEVALU poetismus na přelomu 20. a 30. let THE END OF THE CARNIVAL Poetism on the verge of the 1930s Praha 2012 Vedoucí práce: doc. PhDr. Jan Wiendl, Ph.D. Abstract In the first half of the 1920's, in the Czech avant-garde, a new art began to form - Poetism. On the basis of individual manifests and programmatic articles it was defined as modus vivendi. In the 1920's many principles and ideas were shaping the future, not only for the society, but also for the artistic movements. Poetism featured mainly an original concept of art and life; the authors of theoretical articles were mainly Karel Teige and Vítězslav Nezval. Within a few years the concept of life as a careless game and a source of joy faded and bitter- sweet topics began to penetrate Poetism. At this time, the poetics of Poetism changed from the original cheerfulness and everyday beauty to serious existential topics - the evidence is provided by many works of art. This transformation affected poetry the most. In poems made by authors, who came out of Poetism, inspiration thereby gathered is still evident; however, more serious issues are coming to the fore. Each of those poems expresses a distinct reconciliation with the...

ŠUMAVA - NATURE AND PEOPLE - THROUGH THE EYES OF KAREL KLOSTERMANN (with special attention to the frequency,ways and possibilities of individual colours' usage) The aim of this thesis is to designate and describe qualities of the residents of the central Bohemian Forest and the attributes of local nature in the way they were depicted by the writer Karel Klostermann (1848-1923). The results of individual analyses performed in this thesis present the inhabitants of the Bohemian Forest as a society that is conservative, religion-based, maybe even superstitious and bearing a certain distrust to the surrounding world. The Bohemian Forest's landscape is very demanding, the impact of which is visible in the inhabitants' character traits - the increased directness and, in certain aspects, vulgarity of people living under these conditions. Nature is often approached as a literary image that is further developed in accordance with the spirit of impressionism. This is concluded, among other sources, from the specific use of colours that is further analyzed. The emphasis of sense perception pervades almost every descriptive passage.

Master thesis Zlatý máj - Magazine about Children's Literature and Art and the Personality of Z. K. Slabý follows foundation and history of Czechoslovak literary journal Zlatý máj. It has been published from September 1956 till December 1997, when 391 issues came out in forty one volumes. The magazine experienced its golden era in 1960s, when it participated not only in domestic, but also in international discussions about children and youth literature. But it also endured through the time of so called normalization (1969 - 1989), when most of literary or cultural magazines perished, and its final end was brought by lack of finance after formation of democratic Czech Republic. The name of writer and literary critic Zdeněk Karel Slabý has been tied to Zlatý máj for the most of its existence. He acted at first as the redactor, in two periods as editor in chief (1968 - 1971, 1990 - 1992) and at last as a member of board of editors. As a part of his job, but also because of his active and creative nature he shaped or co-shaped the image of Zlatý máj. His authorial signature is visible in his texts, his opinions and preferences formed the sections and content of the magazine. Master thesis analyses the work of Z. K. Slabý and defines its place and importance in context of the literary theory and critique.

The diploma thesis consists of three parts. The first one describes the historical role of psalms during masses from their origin until presence. It illuminates the new role of psalms in the Cathlolic liturgy after the second Vatican council and outlines how these liturgical changes projected into Czech Catholic enviroments. The second part introduces significant Czech psalters and their authors. The psalters were created for liturgical needs and in reaction to the conclusions of the 2VC for liturgical needs. The third, main part of the thesis consists of detailed analysis of 1992 Karel Sklenička's psalter Responsoriální žalmy pro neděle a významné dny liturgického roku. The analysis of harmonic and melodic procedures of individual tones serves as a basis for the practival part of the thesis which is an extension of existing Sklenička's psalter to all days of liturgical year. The new psalter preserves the music component composed by Karel Sklenička and also preserves the way of work with the liturgical text in new psalms following the pattern of Karel Sklenička. The new psalter keeps strictly to the liturgically prescribed texts for individual liturgical occasions like the psalter from 1992.