This thesis disserts on problem of translation of dative relations in Karel Čapek's "Tales from two pockets" into Japanese. Goal of the thesis is to identify and describe means of expression of dative in Japanese translation and figure out if there are any differences in interpretaion and expressing dative in Czech and Japanese and what they are. Using method of excerption of example sentences and comparation of original with translated version, I organised the example sentences into six categories according to linguistic means of expressing equivalent of Czech dative used in Japanese translation. In these six categories, there are included both grammatical and semanthic expressions and idioms and phrases. The result is the detection of the main difference in degree of necessity to express a dative subject explicitly. There is a strong tendency of Japanese to implicit expression of dativ subject by means of special expressions of personal orientation, semanthics of predicate or context.

This thesis captures the development of a Czechoslovak political party National Unification from its foundation in 1934 until it was dissolved in 1938. It places the party in a political and historical context of the First Czechoslovak Republic, it analyses its program and ideological foundations. The thesis considers the concepts of nationalism and fascism which were and still are closely connected with the National Unification party. It describes the 1935 parliamentary elections from a viewpoint of the political party campaign and focuses on the contrast between the party expectations and the electoral results.

This master's thesis focuses on the concept of branding in politics. The main aim of this piece of work is comparison of perception of brand personality. In this case, the party leader Petr Fiala by ODS and Karel Schwarzenberg by TOP 09, have been chosen for this research. The brand value was assessed by procedures which were suggested by K. L. Keller. The OCEAN concept, created by Gerard Saucier, was used for brand personality research, which is the main pillar of this thesis. The sample of 212 students of political science and economics took part in the above mentioned research.

Dissertation Abstract Introduction to the conceptual basis of Vratislav Effenberger's thought (Dialectics of the genesis of the concept of idea models) Mgr. Šimon Svěrák The thesis introduces a reader to the basic aspects of the theoretical system of Vratislav Effenberger, the main theoretician of post-war Czech surrealism. It does so through the construction of a developmental dialectic of the main concepts of Effenberger's work of the 1960s, which culminates in the concept of so-called idea models. In this period, Effenberger primarily addresses the question of the nature of the existential forms of the concept of total meaning in the post-war social and psychological situation. He formulates his reflections as a critical reassessment of the theoretical legacy of Karl Teige and a question of the possibility of further continuity of the Surrealist worldview. The thesis demonstrates that Effenberger first rejects the notion of ultimate meaning, through which psychosocial reality can be grasped as a meaningful whole, and replaces it with a notion of conflict. However, the internal logic of his theoretical system gradually leads him to the conclusion that human consciousness cannot exist without the idea of ultimate meaning and that such meaning exists only in the form of the idea model. The idea model is...

This diploma thesis with the title The phenomenon of Karel Gott in Czech press during 1960s-1980s researches a media representation of Karel Gott. Media representation of the most popular singer of Czechoslovakia is in this thesis constructed based on the analysis of media contents of three contemporary printed serials during the years 1959-1989. The theoretical part of this thesis focuses on the area of cultural politics, it deals with specific attributes of popular music in Czechoslovakia and it also presents the identity of Karel Gott. This part of thesis also deals with the press production with focus on the censorship. The aim of this thesis is to compile the media representation of Karel Gott using the method of critical discourse analysis presented by Norman Fairclough. The analysis uses mentioned method to research contents regarding Karel Gott and published in contemporary printed media, such as the serial Mladý svět, Vlasta, Pionýrské noviny, Sedmička and also Sedmička pionýrů. The purpose of this research work is to find out if and in which ways was the media representation of Karel Gott helping to establish the dominant discourse. This thesis designates research questions, whereas the set of answers to three subordinate questions helps to construct the answer to the main question. The...

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Trying to overcome the traditional analytic nihilism of papers dealing with Czechoslovakia in 1968, which arises from the military occupation, the author puts the fact of freedom of speech into his work's central interest. In a comparative study this work studies the different interpretations of its role and meaning, including: the dogmatic point of view concerning the freedom of speech being a source of organized counterrevolution; the effort of the reformers to include the freedom of speech into their reform and meanwhile to make it an instrument of it and the way it instead became an autonomous control of their politics; the realistic criticism concentrated on the manifestations of irresponsibility in the press endangering the reform on the one side and not being able to exit the temporary system imagination on the other; it equally pays attention to the 'unnamed', non-members of the Party, who process their self- establishment as an opposing political current, who however rest being no less than a source of interesting subversion; and finally examines the radical democrat approach understanding the freedom of speech as an obligatory condition of their politics together projecting the reconstitution of the society as an autonomous political subject. The work uses contemporary documents and texts...

This paper describes nationalism as a phenomenon that has become an integral part of Czech society in the 19th century and its manifestations. It describes the main motives Czech nationalist ideology created by T. G. Masaryk. It also described the political situation during the First World War and the circumstances of the independent Czechoslovak state and its share in breaking the Austro - Hungarian monarchy. The work deals with the problem of modernism in the Catholic Church, whose adherents later became the founder of the Church of Czechoslovakia. Briefly describes the lives of the founders of the church and their relationship to nationalist political movements. The core of the work is the analysis of texts relating to the reform movement of the Czech Catholic clergy and the Czechoslovak church, from the period between 1906 - 1931, which is determined by the definition of nationalism seeks to assess its impact on the formation and other life Czechoslovak Church.

ÚDU FF UK, 2020 Bc. Barbora Dostálová Asemic Writing. Czech Art Experiment in the Sixties of the 20th Century Abstract (in English): This thesis deals with art development in the 1960s in the Czech Republic. The work focuses on the phenomena of asemic writing as a part of the art of Lettrism and visual poetry and seeks to reveal the history of this specific tendency. The history of Czech asemic writing is demonstrated in exhibits. The next part of the text tells about the sources and inspiration of an artistic creation which was influenced by asemic writing. Keywords (in English): Czech Art, 20th Century, Modern Art, Asemic Poetry, Visual Poetry, Experiment, Asemic Writing, Jiří Kolář, Karel Trinkewitz, Zdeněk Kirchner, Ladislav Novák, Jiří Balcar, Vladimír Boudník, Jan Kotík, Jiří Valoch

- The thesis is focused on relations between Sweden and Brandenburg in the years 1660 - 1701. Although Sweden is considered as an empire practically all over the 17th century, a new, important power rises in its neighbourhood, namely Brandenburg-Prussia, and this rise is finished by the Royal coronation of Fredrick I in 1701. Main part of the thesis is dedicated to the political and military relations, less to the cultural relations. Even other countries, following and protecting their interests in the Baltic region, are taken into account, especially Denmark and France. The aim of the thesis is to analyse relations between Sweden and Brandenburg and to try to find an answer on the question, if Sweden's focus on its internal problems and reforms contributed to the rise of Prussia or if there is no direct connection between these two tendencies. Key terms - Swedish Imperial Period, regency, Charles XI, Charles XII, Louis XIV, Elector Fredrick William, Elector Fredrick III, Scanian War, foreign policy, Baltic Sea hegemony