The main focus of this thesis is to describe the life of Karel Husa and his work. Special attention is payed to works for reed instruments. The thesis is seperated into 4 chapters. At the beginning I characterize the development of the music of 20th century and I present summary of the czech music composers, which have composed and some of them still work in USA. In the 3rd chapter I focuse on the life of Karel Husa and in the final chapter I deal with his work for reed instruments. In this part I analyse chosen pieces from the structural and compositional point of view and I've tried to find its main link components and major differences.

(in English): The diploma thesis deals with the specific conception of body and corporeality in fairy tales, especially with morbid elements which are often reflected as non-fairy tale. The fairy tales of Karel Jaromír Erben, Hans Christian Andersen and Oscar Wilde are the main focus. The thesis also introduces the theory of the Swiss scholar Max Lüthi formulated in The European Folktale: Form and Nature into the Czech context. The thesis is divided into a theoretical and a practical part. The theoretical section provides a complex explication of Max Lüthi's theory of the fairy tale. It examines the main terms that Luthi defined for the fairy tale: One-dimensionality, Depthlessness, Abstract Style, Isolation and Universal Interconnection, Sublimation and All-Inclusiveness. Then the frame of this theory is extended into the field of the authorial fairy tale. The diploma thesis then sums up the differences and the points of contact between those two subgenres using The Story of the Eldest Princess as an example. The practical part focuses on relevant strategies of handling the body and corporeality in fairy tales. The last chapter deals with techniques of breaking the surface of the fairy tale characters' bodies, with internal destruction of the body and with the elements in between. All is...

The main topic of this thesis is the work of Karel Čapek in actual historical, political and social context with focus on the dramas The White Disease and The Mother. The aim of this paper is to decode the ethical aspects and the heritage to the moral values connected to the deterioration of the whole situation in democratic Europe in between the world wars inside Čapek's work. Keywords Karel Čapek, The Mother, The White Disease, apocryphas, stories, pragmatism, relativism, ethics, philosophy

This Master's thesis is depicting the development of the National Liberal Party, from the earliest stage in the 1860s, up to the year 1914. This depiction is based on expert texts as well as historical and political science literature. The thesis is focused on the political background in Austria and subsequently also Austria-Hungary. The historical part of the thesis is primarily focused on the absolute regime, as well as the national efforts to liberalize the constitutional and political demands. A standalone part of the thesis is dedicated to the division between the Old Czech Party and the Young Czech Party, primarily focusing on their political differences and shared nationalism. The establishment of the National Liberal Party in 1874 was followed by its political and agenda development. The political development is depicted in its election results, as well as its functioning in the parliament of Cisleithania. Since 1879, both the Old Czech Party and the Young Czech Party participated in defending the human rights in Vienna's Czechen-Club. The year 1891 brought about a large change when the National Liberal Party won in the election against the National Party and so became the hegemon of Czech politics. This thesis pays special attention to the work of the Young Czech Party in the Národní listy...

The presented diploma thesis on the topic Direct election of the President in the Czech media environment aims to clarify how the selected internet news portals (iDnes.cz, iRozhlas.cz, Novinky.cz, Blesk.cz) reported on the second rounds of the direct election of the head of state in years 2013 and 2018. The theoretical part of this work focuses on the definition of theoretical concepts, such as media image, media product or representation. It also deals with the factors of the enactment of the direct election of the president and the resulting impact on society. In the analytical part, articles from selected servers in a specific period will be examined with the help of quantitative content analysis, which should, among other things, clarify how the media decided to approach this new institution.

This thesis deals with the media image of Karel Gott after his death. Selected newspapers are Lidové noviny, Blesk, Frankfurter Allgemeine Zeitung and Bild and analysed are 24 days after the announcement of the death of Karel Gott. The aim of the selection of newspapers in both languages was to include one periodical which is considered as quality press and one tabloid. The thesis consist of three parts. The theoretical part explains crucial terms for the analysis and introduces chosen newspapers. The methodological part clarifies the concept of qualitative research and grounded theory. The main part is comprised of the analytical part which describes outcome of the analysis and in four periods presents constructed images of Karel Gott. In conclusion, images created in Czech and German press are compared and subsequently, a comparison between the Czech media is drawn.

The form of Karlstejn Castle at the time of Charles IV. Diploma thesis "The form of Karlstejn Castle at the time of Charles IV." deals at first with historical reports not only about the foundation of the castle itself but also about additional events during the life of Charles IV. These events are put in context of the construction form of the castle. The main part of this text is focused on the comprehensive description of the building taking into account previous research and construction plans. Then its construction form is compared with other castles founded by Charles IV. In particular castles Kasperk, Radyne, Karlshaus and Lauf an der Pegnitz are studied in detail. Since in general, castles in the 14th century served primarily residential purposes, this thesis also mentions Karlstejn's indoor arrangements and such building components as heating systems, windows, etc.

Although Philippe de Mézières (ca 1327-1405) was born into a not very influential gentry family from northern France, his steep career brought him to the Holy Land. As a diplomat and an ardent supporter of the idea of the Crusades, he got to visit the most important European royal courts, thus securing the attention of historians. He consciously reflects the political and social climate in Europe at the time, he explores religious issues and even own experiences - in short, de Mézières vast literary work is one of the most remarkable images of Europe during the late Middle Ages and the thinking of a medieval man of a high social status. Thanks to Philippe de Mézières' presence at the Royal Court of Charles IV in Prague and their likely meeting in Paris in 1378, we can trace evident links to Luxembourg politics in his work, to the Czech Kingdom and even to Charles IV himself, including his son Wenceslas. As a Crusades theoretician, de Mézières got himself involved in the highest levels of European politics, yet he constantly emphasized the need for morality, peace and cohesiveness in the courts. The thesis uses an example of one of de Mézières' later works, his Letter to Richard II (Epistre au roi Richarti, 1395), to explore diplomatic ties in Western Europe in the fourteenth century and pursues...

This dissertation attempts a Bakhtinian analysis of the polyphonic dialogue between Joseph Conrad's Heart of Darkness, Francis Ford Coppola's Apocalypse Now, Karel Schoeman's Na die Geliefde Land and Jason Xenopoulos' Promised Land. Specific Bakthinian concepts are employed to determine whether the films are "apt" adaptations of the literary texts; how the stylistically hybrid texts engage in conversation with different movements, genres and trends; how the polyphonic conversations between different texts and discourses, such as literature and film, or colonialism and postcolonialism, can provide insight into the variety of discourses, textual and ideological, of a postcolonial, post-apartheid South Africa; and how identity crises experienced by key characters can be explained using the notions of hybridity, "The Marginal Man" and liminality. All four texts have key characters that experience identity crises that spring from cultural hybridity; their cultural hybridity has the potential to either render them marginally stagnant or lead them to liminally active participation within their imagined communities. This dissertation argues that even though there are major differences between the films and the literary texts they are based upon, they are relevant to a specific target audience and therefore enrich the ur-texts. Salient characteristics of realism, symbolism, impressionism, modernism, postmodernism, postcolonialism and the apocalyptic dialogise one another within the four texts, thereby liberating the texts from one authorial reading. The dialogue between the discourses of literature and film supplement an understanding of the dialogue between war, imperialism, colonialism, postcolonialism and the Will to Power. / Thesis (M.A. (Applied Language and Literary Studies))--North-West University, Potchefstroom Campus, 2006

- The thesis is focused on Swedish foreign policy during the period 1660 - 1675, the early years of Charles XI's reign. Although Sweden is considered as an empire practically all over the 17th century, from the economic point of view it was a weak country. Sweden was totally depending on financial help from its allies, especially during periods of peace, as it was the case between 1660 and 1675. This fact belongs to the main aspects influencing the Swedish foreign policy at this time. Main part of the thesis is dedicated to relations between Sweden and other European states. The most significant were the relations with France and Denmark, since France was the ally which provided Sweden the needed finance. The role of Denmark was also essential because of its geographical position as neighbouring country to Sweden. The thesis indeed discusses relations to some other states that played an important role as well - England, the Netherlands, Brandenburg, other German states, Poland and Russia. The aim of the thesis is not just to analyse the Swedish foreign policy, but even to answer questions if there was any alternative or if the way this policy was conducted was the only possible one and also, if such policy can be considered as success or failure. These questions are answered at the final part of...