This master thesis researches the homiletic activities of ThDr. Karel Farský, the founder of the Czechoslovak Hussite Church. It subjects a total of 17 sermons by Karel Farský to qualitative analysis, focusing on ecclesial, sacramental and ethical motifs. The first part first puts ThDr. Karel Farský in a historical and ecclesiastical context, the second part deals with his fundamental preaching motives and then presents a qualitative analysis of his preaching activites. As part of the summary of these analyses based on the topic, I summarize the main features of the preaching activities of ThDr. Karel Farský.

102 17 Abstract The presented work deals with the strong personality of Czech folk music - Karel Kryl. It investigates the differences in the poetry of his lyrics and poems, and its development in the years 1968 - 1989. The first chapters outlines the situation since the sixties of the 20th century around the sung poetry and songsters to the present. Karel Kryl is compared with the Czech singer, he differed from them not only his work, but also his live, beliefs and appearance. His poetics is developed over twenty years, both in songs and in poems. This period is divided into four stages at the songs, according to which they are assigned to each of poetry collections. By 1971, one can speak only about the songs, because Karel Kryl has not paid poems in this period. At this time, the young author wrote a texts, in which disagreed with the occupation troops of the Warsaw Pact, the texts are uncompromising. Due to emigration in 1969, he began the songs express longing for home. Kryl speaks for all and all. The second stage of Kryl's production is between 1972 - 1975 - "happy period", especially the theme of love appears, the song (more than in poetry) the Bible theme here together in poems and songs. Primal screams took turns telling silence. After 1975, the author resorted for humor to in all his work, but it...

The thesis deals with intertextuality in Karel Čapek's drama R.U.R. and Dan Wells' trilogy Partials Sequence. The aim of the thesis is the interpretation and subsequent comparison of the above-mentioned works and finding mutual resemblances mostly in the main motives, but also in genre characteristics, environment, story sequence and other topics reflected in both works. Since the topic of the thesis already assumes the existence of intertextual relationship between the two works, therefore the aim of the work is not proving its existence but we are trying to determine how far these similarities goes and whether they are just random intertextual similarities or whether Dan Wells, although he does not admit it publicly, necessarily had to be inspired directly by Čapek's drama. Keywords: intertextuality, Gerard Genette, Roland Barthes, Karel Čapek, R.U.R., Dan Wells, Partials Sequence, robot.

a zkoumá vliv tohoto myšlení na jejich stěžejní díla následující dekádě. V let, ve kterém se formovaly osobnosti a myšlenky obou autorů. tehdejším Č Kosíkovo a Machovcovo myšlení. V závěrečné části práce jsou nastíněny také filozof podněty přicház které autoři postupně včlenili do

In the thesis "Karel Stádník and Sacred Art" we start by a general rendering of the role, changes and development of sacred art not only in Bohemia. This introduction creates an overall context for the following description of the personality and work of the academic sculptor, restorer and permanent deacon Karel Stádník. As the author remains largely unnoticed in art history research and publications, in the thesis we provide new facts revealed during interviews with the artist's family. Thus - inter alia - we were able to extend the chapter dedicated to the artist's life and to elaborate the list of sacred works of the author. Close attention is paid to the general development and characteristic features of the author's work focusing mainly on the most important projects implemented in churches, including examples of conservation work. The next parts of the text are dedicated to selected artists with a major impact on Czech sacred art. These include architect Jan Sokol, painter Mikuláš Medek and all-round artist Ludvík Kolek. For each artist, details are provided regarding their life, personality and artistic development - again focusing mainly on the most important works for churches. The individual chapters result in comparing their sacred art with work of Karel Stádník, searching for...

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Thesis (MA)--Stellenbosch University, 2003. / ENGLISH ABSTRACT: This study examines the relationship between history and literature, with specific reference to the Afrikaans novels Verliesfontein (1998) by Karel Schoeman and Op soek na generaal Mannetjies Mentz (1998) by Christoffel Coetzee. Both novels are framed against the background of the Anglo Boer War and both take a postmodern approach to that history, amongst other things. First, Chapter 2 reviews the historical background to the relationship between history and literature through the ages (the classical era, and the eighteenth, nineteenth and twentieth centuries), with a view to indicating how this tradition adheres to the postmodern spirit of contemporary times. Thereafter, Chapter 3 presents a theoretical investigation into the postmodern view of historiography and historical fiction. Special reference is made to Hutcheon's theory of historiographic metafiction as an important theoretical point of departure in the discussion of historical fiction. Political and ideological meaning implicit in historiography is discussed. Chapter 4 explores the current trend in South Africa of rereading and reappraising the past, of questioning traditional historiography in a postapartheid South African context (both in Afrikaans fiction and in historical writing). The revisiting of the Anglo Boer War in contemporary South Africa and in Afrikaans fiction is investigated, and an attempt is made to establish the significance of its reappraisal. Against this background the two texts, Verliesfontein and Op soek na generaal Manntjies Mentz, are discussed in Chapter 5. The two novels amply illustrate the possibility for interaction between history and literature, fact and fiction. How may these texts be read in view of postmodern theory? What lessons for present-day South Africans did Schoeman and Coetzee have in mind with their postmodern questioning of traditional historiography and their unconventional reconstruction of the past? Reappraising conventional accounts of history and exploring personal histories as these texts do, Verliesfontein and Op soek na generaal Mannetjies Mentz are part of the dominant discourse that is taking form in the multicultural society of a postapartheid South Africa today. / AFRIKAANSE OPSOMMING: In hierdie studie is 'n ondersoek onderneem na die verhouding tussen geskiedenis en literatuur, met spesifieke verwysing na Karel Schoeman se roman Verliesfontein (1998) en Christoffel Coetzee se roman Op soek na generaal Mannetjies Mentz (1998). In hierdie twee tekste, wat die Anglo-Boereoorlog as hul raamwerk het, is onder andere 'n postmodernistiese benadering tot die geskiedenis benut. Eerstens word in hoofstuk 2 oorsigtelik gekyk na die historiese agtergrond van die verhouding tussen geskiedenis en literatuur met verloop van die tyd (die klassieke tyd, agtiende eeu, negentiende eeu en twintigste eeu), om aan te dui hoe dié tradisie by die heersende tydsgees van die postmodernisme aansluit. Hierna verskaf hoofstuk 3 'n teoretiese ondersoek na die postmodernistiese manier waarop geskiedskrywing en historiese fiksie gesien word. Die teorie van Hutcheon se historiografiese metafiksie word veral in die bespreking van historiese fiksie betrek as 'n belangrike teoretiese uitgangspunt. Vervolgens kom politieke en ideologiese implikasies in geskiedskrywing onder bespreking. Daarna (hoofstuk 4) word die Suid-Afrikaanse kontemporêre tendens om die verlede te herlees en te herwaardeer uiteengesit, en die ondermyning van die tradisionele geskiedskrywing in die post-apartheid Suid-Afrikaanse konteks (sowel in Afrikaanse fiksie as in geskiedskrywing) word ondersoek. Daar word gefokus op die her-bedenking van die Anglo-Boereoorlog in die hedendaagse Suid-Afrika en in Afrikaanse fiksie, en daar word ook probeer om die betekenis van dié herwaardering te soek. Teen bostaande agtergrond kom die twee tekste, Verliesfontein en Op soek na generaal Manntjies Mentz onder bespreking (hoofstuk 5). Die romans is goeie voorbeelde van die interaksie-moontlikhede tussen geskiedenis en literatuur, feit en fiksie, en daar word ondersoek hoe hierdie twee tekste aan die hand van postmodernistiese teorieë gelees kan word. Uiteindelik word daar besin oor watter lesse Schoeman en Coetzee met die postmodernistiese problematisering van geskiedskrywing en die onkonvensionele rekonstruksie van die verlede aan kontemporêre Suid-Afrikaners wou oordra. Met die herbesinning van die konvensionele weergawe van die geskiedenis en veral deur die verkenning van persoonlike geskiedenisse, vorm Verliesfontein en Op soek na generaal Mannetjies Mentz deel van die heersende diskoers wat vandag in 'n multikulturele samelewing van die post-apartheid Suid-Afrika aan die ontwikkel is.

The dissertation is dedicated to the under-researched subject of the official sculpture in the DDR and ČSR in the time-frame 1948-1968. By evaluating the material on a broad background of the art historical, historical, cultural and ideological determinants, the dissertation endeavour to provide an accurate insight into the internal processes of the cultural machinery of the Socialist states with regard to sculpture and sculptors. The comparative character of the dissertation contributes to the understanding of the critical questions of art historical research of the period - such as the (in)authenticity of the local varieties of Socialist Realism and relatedness to the SSSR Socrealism, dates of the Socrealism existence, engagement of modernist sculptors, principles of the state/artist relationship or the second life of the Socrealist sculpture.

The present Master's thesis handles the reception of the works of Karel Čapek in the Soviet Union and Russian Federation from the 1920s to present day. The focus of the thesis involves two existing Russian translations of Karel Čapek's fantastic novel War with the Newts, published nearly 80 years apart. The paper attempts to demonstrate how Čapek's works were received by the Russian speaking community and in what context they were understood. It shows a picture of the author created by Soviet and Russian journalism and commentaries accompanying his works published in the Russian language. Through the analysis of these texts the thesis demonstrates the influence of ideology on the interpretation of the author's literary work in general, and the novel in particular, and also on the interpretation of his political involvement and his life. Further focus is given to the translation of Czech cultural facts in a selected representative sample of the novel War with the Newts and a comparative analysis of both Russian translations of the sample are made. The Annex contains the interview with A. E. Bobrakov-Timoshkin who was the last translator of the novel. Key words: Karel Čapek, War with the Newts, A. S. Gurovich, A. E. Bobrakov- Timoshkin, the picture of the author, translatological analysis,...

Thesis (MPhil (Afrikaans and Dutch))--University of Stellenbosch, 2009. / In this descriptive study, recent translations into English of two highly-regarded Afrikaans novels are investigated. The purpose of this is to describe these translations in a comparative manner, in order to arrive at conclusions about the differing modi operandi of diverse literary translators. The texts studied are Agaat by Marlene van Niekerk (2004) and Hierdie lewe by Karel Schoeman (1993), titled Agaat (2006) and This Life (2005) in English, and translated by Michiel Heyns and Elsa Silke, respectively. The two translators differ in that one is a creative writer in own right, though not being a formally-trained translation scholar, and translated with input from the source text author. The other is not a creative writer, translated without input from the author and has a formal translation-theoretical qualification. In this study, the target texts produced by these two translators are compared with their respective source texts, in order to determine whether there are differences or similarities in their modi operandi. A theoretical framework is compiled using relevant translation theories in order to systematise the comparison of the source texts and their translations. The novels are then compared to their translations in turn, on various levels, in order to describe the modus operandi of each translator. This results in certain conclusions being drawn about the different ways in which diverse translators work. These conclusions are linked to norms apparent in the decisions the translators make, or the lack thereof, as well as the role of the translation skopos. A number of topics for further research are also mentioned.