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11	The Cycling and Recycling of the Arthurian Myth in Alfred Lord Tennyson's Idylls of the King Walker, Alison L. 05 August 2010 (has links) No description available. English literature Folklore History Literature cycles Alfred Tennyson Arthurian Myth Idylls of the King contemporary recursive King Arthur Victorian Poetry
12	A Paradise Fading : Perceptions of Wild Nature in Alfred, Lord Tennyson's Idylls of the King and Howard Pyle's Story of King Arthur and His Knights Hedenmalm, Li January 2018 (has links) This thesis explores representations of wild nature in two Arthurian texts – one British and one American – produced in an age characterised by rapid social transformation: Alfred, Lord Tennyson’s Idylls of the King (1859-1885) and Howard Pyle’s Story of King Arthur and His Knights (1903). By investigation of the textual descriptions of wilderness and the portrayals of characters living there, the study aims to investigate what attitudes towards unkempt nature are displayed in the two texts. While both narratives give evidence of a powerful nostalgia for a vanishing paradise, the yearning for Eden is expressed quite differently. Pyle’s text fuses the concepts of wilderness and paradise together by depicting the unkempt landscape as a place of splendour and spiritual enjoyment. Such a celebration of nature might well be seen a reaction against the rapid loss of wild spaces across America (and Britain) during the life-time of the author. In the Idylls, paradise is represented in the domesticated yet green landscape of the faraway fairy island of Avilion. Wilderness, on the other hand, is depicted as a harmful disease progressively spreading across the realm, arguably bringing about a moral degeneration among the human characters. In the end, however, it is not wilderness, but the corruption of the supposedly civilised characters that causes the collapse of Arthur’s empire. On closer inspection, the real danger thus seems to come from culture and material conditions rather than from nature. Alfred Lord Tennyson Idylls of the King Howard Pyle The Story of King Arthur and His Knights Victorian literature ecocriticism nature wilderness industrialism animalisation nostalgia paradise Languages and Literature Språk och litteratur
13	GIVE HER SOME SPACE: QUEST MAIDENS, SPATIALITY, AND MOBILITY IN MEDIEVAL ARTHURIAN LITERATURE Maggie R Myers (15354700) 11 August 2023 (has links) <p> </p> <p>My dissertation proves that movement for both women and men is tantamount to power. The choice for a quest maiden (that is, a woman who takes part in a quest) to move between places and spaces is a choice for them to be able to change both their social and spatial positionalities. Focusing on high- and late medieval English chronicles and romance, I divide medieval Arthurian quest maidens into one of four categories based upon their movement: the static “in” and “out” groups that either remain inside a court or outside in the forest, and the mobile “inwards” and “outwards” groups that either enter into a court from outside it or who leave a court for the outside world. This diversity of categories is a novel contribution to spatial studies within Arthurian literature, as quest maidens are found everywhere across the Arthurian landscape. Such women dwell in the most intimate castle chambers as well as within the most remote forest copse. These placements are significant, as I argue that spaces are defined by the people who exist within them. As communal space is shaped and created by the multiple identities that inhabit that space, the ability to exist and shape that space becomes itself a demonstration of power. This power is expressed both by individuals, such as a knight in the woods or a queen in her castle, and by collectives, such as the Knights of the Round Table. A space gains its reputation by the deeds of its inhabitants, and those inhabitants either benefit or suffer by their space(s)’s reputation. This extends to the movement that occurs between such spaces. A maiden who enters Camelot to ask for help changes the identity of the court: it becomes a place that succors maidens. A maiden who conversely stops a knight in the Forest of Adventure helps shape that forest into a space for quests. As the Arthurian world is founded upon the questing process that these quest maidens both support and enable, their very existence shapes the form of the world. The space of the quest cannot be unlinked from the maidens who occupy and enable it.</p> Feminist and queer theory British and Irish literature medieval medieval literature king arthur arthurian literature quest maidens malory sir thomas malory le morte darthur
14	King Arthur as Transcendent Rhetoric of Anxiety: Examining Arthurian Legends as Sociopolitical Paratexts Ancona, Alexis Faith 05 June 2018 (has links) No description available. Medieval Literature Medieval History British and Irish Literature Folklore Gender Literature Middle Ages Rhetoric medieval literature geoffrey chaucer king arthur arthurian literature geoffrey of monmouth marie de france thomas malory le morte darthur paratextual analysis rhetorical analysis social anxieties self-actualization
15	A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature Gabriel, Schenk January 2014 (has links) This thesis analyses the figure of Arthur, in a period spanning the mid-nineteenth to mid-twentieth centuries, when that figure became increasingly protean and multifaceted, and the audience for the Arthurian legend grew in both size and variety. It argues that many authors wrote through Arthur, as well as about Arthur, using the figure to understand and test their own ideas about ideals (e.g. of manliness, kingship, or heroism) as well as problems (such as war, despotism, or ungodliness). This thesis analyses Arthur by considering him as a 'type', using a definition of the term that highlights a paradox: a type, in a scientific sense, is both perfect (an exemplary model) and normal (common enough to be representative). When applied to Arthur, it means that he is both a perfect, or near perfect, example, but is also to some extent a 'normal' human being. Different authors analysed in this thesis emphasise different aspects of the figure, according to whether they focus on Arthur's perfection or his normality. Other meanings of the word 'type' are also applied when relevant: the idea is not to force all versions of Arthur into a single or definitive category, but to retain the complexity of how Arthur is characterised and written about in texts. The ultimate aim of this thesis is to put the figure of Arthur into critical focus, and explain why he has been returned to so often in history. 820.9
16	Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801) Post, Andy 30 April 2014 (has links) In 'Political Atheism vs. The Divine Right of Kings,' I build on Thompson and Scrivener’s work analysing John Thelwall’s play 'The Fairy of the Lake' as a political allegory, arguing all religious symbolism in 'FL' to advance the traditionally Revolutionary thesis that “the King is not a God.” My first chapter contextualises Thelwall’s revival of 17th century radicalism during the French Revolution and its failure. My second chapter examines how Thelwall’s use of fire as a symbol discrediting the Saxons’ pagan notion of divine monarchy, also emphasises the idolatrous apotheosis of King Arthur. My third chapter deconstructs the Fairy of the Lake’s water and characterisation, and concludes her sole purpose to be to justify a Revolution beyond moral reproach. My fourth chapter traces how beer satirises Communion wine, among both pagans and Christians, in order to undermine any religion that could reinforce either divinity or the Divine Right of Kings. / A close reading of an all-but-forgotten Arthurian play as an allegory against the Divine Right of Kings. John Thelwall (1764-1834) Romanticism Romantic literature Romantic poetry Romantic nationalism Romantic medievalism Romantic antequarianism Saxon antequarianism Norse/Viking antequarianism Celtic antequarianism Whig history Jacobinism political allegory closet drama Early Modern Christianity Church of England Anglicanism Loyalism Germanic paganism Anglo-Saxon England Britain Wales French Revolution Glorious Revolution English Civil War King James I &VI John Milton Algernon Sidney Samuel Taylor Coleridge William Wordsworth Robert Southey Edmund Burke Simon Cottle Torquato Tasso Edda Northern Antiquities King Arthur Arthurian Sir Walter Scott Classical republicanism republicanism radicalism anti-monarchism fire water beer cwrw wassail Eucharist Communion Gothic Divine Right of Kings Political atheism Judith Thompson Michael Scrivener

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