abstract: Every act of communication, and therefore, reading, are in themselves acts of translation and interpretation, as the reader creates a mental representation or reconstruction of the text, extrapolating meaning from it. Interlinguistic translation adds another dimension to these hermeneutic processes, and in the movement through space and time, constant re-interpretation, new translations, and, often, modern theories and perspectives, can interfere with or bring clarity to the meaning of the original text, as well as add to the myth-creation of the writers themselves. This study centers on some of the great literary figures in poetic and essayistic production in the world of Spanish-speaking letters: Sor Juana Inés de la Cruz, José Martí, and Octavio Paz. These figures represent not only important literary movements going from the baroque to modernismo, to the vanguardia and to the creation of the self-conscious “modern” poet, but also are among the most well known Spanish-language writers in the English-speaking world. They are all self-aware creators, who, in distinct ways, join poetry, critical essays and theory that are at once an extension of and revolve around their personal poetics, projected toward the currents of their respective epochs. Finding problematic moments in translation theory and practice, and studying them in the context of the analysis of these great literary figures, at the same time contributes to a new understanding of translation theory itself. These ‘case studies’ expose certain key moments of existing translations, moments that later contribute to critical and interpretive dialogue in a type of hermeneutic spiral of influence. They also show the importance of translation as a contribution to cultural changes and literary movements. This ultimately aids in the understanding of the important points of contact between the many worlds occupied by these great writers and the ways in which they, and in turn, their translators, recreate the contexts in which they were produced. / Dissertation/Thesis / Doctoral Dissertation Spanish 2016

abstract: This study weighs the connection of environmental crisis with race and gender in different cases of environmental crisis and conflicts. The study documents how Indigenous cosmologies and cosmopolitics, and scientific arguments converge in unexpected alliances in the advent of environmental crises. This research focuses on specific instances, or situations related to environmental justice movements addressing the environmental crisis in Mexico (and its convergences to other similar cases). I examine and present a discussion of the research methodologies and methods used to study the ‘environment’ as well as indigenous cosmologies and cosmopolitics. With this, I embark on a research that includes feminist decolonial theory, eco-feminism and material feminisms into a larger project for autonomy and decoloniality. In particular, I discuss one of the concepts that have caught the attention of those studying race and ethnicity in the Americas: mestizaje as an ordinal principle in the context of Mexico. Also, I discuss the inscriptions of the mestiza body in relation to the materiality of race and gender in the context of Latin America. It is shown how the discourse of mestizaje is tangled with the idea of a modern civilization, such as in the Mexican state. Overall, this research analyzes different responses to environmental crises; from environmental activists, community organizers to plastic artists and scientific experts. Also, it includes a literary analysis of contemporary indigenous literatures to show how state sponsored violence and settler colonialism have an incidence in gender violence by placing the female body close to nature. As global environmental problems have risen, this research contributes to the understanding of the underlying factors in environmental crises and conflict that have been overlooked. Herein lies an important possibility to reach a broader audience in different disciplines, ranging from indigenous studies to the global politics of human rights. Furthermore, this research aims to contribute to the work of environmental activists, scholars and scientists with regard to the understanding of how different arguments are used in research and advocacy work, and how they can integrate an interdisciplinary and intercultural approach when addressing environmental justice cases. / Dissertation/Thesis / Doctoral Dissertation Justice Studies 2016

abstract: Globalization has brought a renewed interest in the discourses of the past and national/ethnic identities that has been reflected in the cultural production and the social sciences around the globe. Historical novel (and their sequel telenovelas), a literary field closely linked to historiography, reflects, and has contributed to (re)shape the discourses of the past and identity in Latin America. Since the first decades of the 19th century until nowadays, Colombian novelists have explored Colombian identity through historical novels. Their plots and characters are highly influenced by new historiographical trends. During the19th and the first half of the 20th century, Romantic and Realist novels were generally constructed over historicist assumption of the past: the belief that it is possible to acquire a completely “objective” knowledge of the past. However, some outstanding Colombian historical novels, such as La Marquesa de Yolombó (1928), challenged this notion of the past. Since the last decades of the 20th century, Colombian historical novels share an attitude toward the past that Linda Hutcheon has defined as Historiographical Metafiction. This approach to history challenges the idea of an objective total history, and emphasizes the importance of the personal experiences, the subjectivity, of their characters and of the narrative voices. Donde no te Conozcan (2007), Trí¬ptico de la Infamia (2016), and Mancha de la Tierra (2014) are three Colombian historical novels written in the 21st century that share this attitude towards history. They question the nineteenth-century interpretations of Colombian history, especially those related to the role of Jews, Moors, Indigenous, Africans, and mestizos in the colonial social dynamics, and, therefore, in Colombian culture. / Dissertation/Thesis / Doctoral Dissertation International Letters and Cultures 2018

abstract: The purpose of this dissertation is to study not only relations between Latin America and the United States, but also Latin American states with each other. It specifically aims to examine the extent to which the United States, the principal hegemonic power in the Americas, can play a constructive role by providing regional public goods. These goods include conflict resolution and economic progress. Although the United States has the potential to create such goods, it also has the potential to create public bads in the form of regional instability, political terror, and economic stagnation. This raises two fundamental research questions: Under what conditions can Washington play a positive role and if these conditions cannot be met, under what conditions can Latin American nations bypass the United States and create their own economic progress and conflict resolution strategies? Drawing upon qualitative research methods and case studies that have attracted scant academic attention, this dissertation finds that through regional multilateral diplomatic negotiations, the United States can play a positive role. However, due to U.S. parochial economic interests and the marginalization of diplomacy as a foreign policy tool, these conditions rarely occur. This research further finds, however, that through flexible regionalization Latin American nations can bypass the United States and create their own goods. Supported by an alternative regional power, flexible regionalization relies upon supranational institutions that exclude the United States, emphasize permanent political and economic integration, and avoid inflexible monetary unions. Through this type of regionalization, Latin America can decrease U.S. interference, sustain political and economic autonomy, and open space for alternative conflict resolution strategies and economic policies that Washington would otherwise oppose. This dissertation is academically significant and policy relevant. First, it reconsiders diplomacy as an instrumental variable for peace and offers generalizable results that can be applied to additional cases. Moreover, finding that Latin American countries can address their own regional issues, this study recognizes the positive agency of Latin America and counters the negative essentialization commonly found in U.S. academic and policy research. Finally, this research offers policy advice for both the United States and Latin America. / Dissertation/Thesis / Ph.D. Political Science 2013

abstract: Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future. / Dissertation/Thesis / D.M.A. Music 2013

abstract: The Legacy of the Filibuster War: National Identity, Collective Memory, and Cultural Anti-Imperialism is a dissertation project analyzing how the Filibuster War becomes a staple for Costa Rican national identity. This work presents several challenges to traditional theories of modernization in the creation of nationalism. By focusing on the development of cultural features defined by the transformation of collective memory, this project argues that national identity is a dynamic process defined according to local, national, and international contexts. Modernization theories connect the development of nationalism to the period of consolidation of the nation-state, usually during the late nineteenth century and early twentieth century. The Costa Rican case demonstrates that, while modernization coincides with the creation of symbols of official nationalism, the Filibuster War became a symbol of national identity beginning in the 1850s, and it has been changing throughout the twentieth century. Threats to sovereignty and imperialist advances served to promote the memory of the Filibuster War, while local social transformations, as the abolition of the army and internal political conflict forced drastic changes on the interpretation of the war and the establishment of a national narrative that adjusts to social transformation. / Dissertation/Thesis / Ph.D. History 2013

abstract: In the last years of the twentieth century, while the narrative of women in other Latin American countries has received critical attention, Bolivian women's narrative has been widely ignored. The fact that the voice of Bolivian women in Latin American feminist discourse is rarely discussed in Latin American criticism is enough to justify the present study. This work focuses on three prominent Bolivian writers: Gaby Vallejos, Giovanna Rivero Santa Cruz, and Erika Bruzonic. The short stories of these three authors are characterized by accentuating certain telluric features revealed in the background of their feminine/feminist narratives. At the same time, based on the American and European feminist literary critique, this work analyzes the feminine/feminist themes mounted in the narrative of these authors. Gaby Vallejos, with a cinematic style, chronicles the life and customs of the "valluno" context, building a mosaic of different voices in dialogue. Her topics revolve around binaries: life-death, and pain and pleasure, voicing condemnation for a patriarchal society. Ericka Bruzonic deals with women and identity, memory and the breaking of lineage as an imposing structure. Her themes are built around the cosmopolitism of "paceña" urban life, and her voice transgresses the binomials established by a patriarchal society. Finally Giovanna Rivero Santa Cruz takes the life and customs of the Santa Cruz and the Guarani culture and her plots weave these elements reaching for myths and taboos, involving the reader into her stories. In this manner, her narrative makes an incursion into the conscious and unconscious realm of the readers questioning their wealth of moral and social values, their notions of heterosexuality, and sexual taboos. The three writers, with different narrative styles yet dialogical, narrate various experiences of women from different regions, social classes, ages, education, and sexual orientations. Our authors give high value to the word and the body embedded in the culture, thereby affirming their woman's voice as Bolivians and their literary presence in the context of Latin American literature. / Dissertation/Thesis / M.A. Spanish 2013

abstract: Since the Enlightenment, humanist philosophy has understood materiality as an inert and determinate world categorically separate from the sphere of consciousness and language. However, after evolving significantly during the 20th century, the natural sciences now recognize the complexity, indeterminacy and agency of matter. A parallel transformation can be observed in contemporary Spanish and Latin American literature and is exemplified in the works of Cristina Peri Rossi and Cecilia Vicuña. Drawing on knowledge which emerges from the natural sciences, the humanities and personal experience, these poets explore multiple dimensions of materiality from the microscopic world of subatomic particles and DNA molecules to the macroscopic world of the body and the structure of the universe. The theoretical orientation of this study emerges from posthumanism, which critiques the epistemological foundations of humanist thought and reconfigures reductionist concepts of matter, discourse, the subject, and agency which are grounded in dualistic ontology. Material feminist theorists explore materiality through interdisciplinary approaches which establish a dialogue between posthumanism, feminist theory and the natural sciences. The material feminist Karen Barad proposes an agential realist ontology which constitutes the principal theoretical framework of this thesis. According to Barad, phenomena are not exclusively social or material but rather material-discursive practices, and the concept of agency is reconfigured as the product of the dynamics of intra-action rather than an as an attribute restricted to the human sphere. Furthermore, this thesis utilizes diverse materials from the areas of literary criticism and scientific research in order to achieve an authentically interdisciplinary interpretation of materiality in the poetry. Peri Rossi and Vicuña express a profound questioning of the fundamental assumptions of humanism and offer perspectives which take into account matter's agency and dynamism. Their poetry presents materiality as a constant process of creation and as an active participant in the unfolding of reality, thereby opening up new horizons of investigation. By interpreting the works of Peri Rossi and Vicuña through the lens of posthumanist theory, this study contributes to a growing body of interdisciplinary approaches to contemporary Spanish and Latin American literature. / Dissertation/Thesis / M.A. Spanish 2013

Until the 1970s, small black fishing communities primarily populated Bahia’s north coast. A recent demand for luxury coastal real estate has radically altered the region’s social and environmental landscape. While Bahia’s population is roughly 80% poor and black, the coast is now a space of exclusivity and whiteness. Sewage infrastructure does not meet the needs of the growing population. Domestic sewage flows directly into urban rivers. Poor black fishers, whose food security and livelihoods depend on access to healthy water resources, suffer most in this context. This dissertation explores two interlinking forms of environmental racism – water pollution and racial profiling – that fishers in Praia de Buraquinho, Bahia, Brazil, experience daily. Based on fourteen months of ethnographic research, this project follows the lives of 75 fishers enmeshed in a struggle for environmental and racial justice. I uncover how coastal development has polluted the community's primary river fishery while private gated communities physically restrict fishers' access and subject them to racial profiling practices by private security guards. Ultimately, I argue that regional coastal development in Bahia represents a new model of capital accumulation through what I call “racialized environmental dispossession” that, as one Praia de Buraquinho fishers suggests, is "like watching a brother die."

Afro-Descendants suffer sustained discrimination and invisibility that is proliferated with policies that were once blatantly racist, but are now furtive. This study argues that structural racism is alive and well in liberal institutions such as publicly funded colleges and universities. Thus, structural racism is subtly replicated and reproduced within these institutions and by institutional agents who are Racist without Racism. This study builds on theories from Pierre Bourdieu, Frantz Fanon, Glen Loury and Eduardo Bonilla-Silva. The juxtaposition of their theoretical arguments provides a deeper insight into how structural racism becomes a de facto reflexive phenomenon in liberal and progressive institutions such as universities, which are heralded as the epitome of racism-free spaces in colorblind states. Inspired by Lieberman’s nested mixed methods approach, the study examines Afro-Descendants’ sustained discrimination and invisibility in publicly funded universities in New York City and the city of São Paulo. The success of race-based affirmative action is examined quantitatively in New York City and São Paulo. Semi-structured interviews are conducted with Afro-Descendant professors, students and administrators in New York City and São Paulo’s publicly funded liberal university systems. These interviews are conducted to (1) understand the respondents’ experiences in their respective liberal spaces as racial minorities; and (2) determine whether they have benefited or been harmed by a public policy designed to ameliorate their inferior positions. Overall, findings from this study suggest that structural racism exists and persists in New York City and São Paulo. Moreover, Afro-Descendant participants in both cities acknowledge and experience structural racism within their respective liberal university systems.