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Från pre-human till post-human : Embryots reproduktiva status i skärningspunkten mellan stat och medicinOrrmalm Auran, Alex January 2013 (has links)
The aim of the thesis is twofold: the first aim is to identify a number of reproductive logics that are used to construct Swedish regulation of embryo donation for reproductive use as either ethical or unethical in the governmental – and medical discussions – and to examine how these logics are interconnected with notions of gender and parenthood. The second aim is to identify a number of tensions that arise in the application of the governmental ethical logic on the embryo and embryo donation and discuss how these tensions can be solved with a feminist material approach. I argue that the terminology used to distinguish between genetic, biological, social and legal parenthood in my material is insufficient for understanding the value of the embryo outside its pre-human status. I therefore argue for an embryonic feminist bioethics that is attentive to the embryos post-human status, and for a reformulation of the parenthood terminology in line with what I call „reproductive ties‟.
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(Re)Storying Dolls and Cars: Gender and Care with Young Children / Restorying Dolls and Cars: Gender and Care with Young ChildrenHodgins, B. Denise 03 December 2014 (has links)
Feminist theorising has been instrumental in efforts to challenge gender hierarchies and conceptualize care as an ethic of relationality and interdependence, and has influenced visions of pedagogy as a relational, ethical and political endeavour. While these pedagogies importantly challenge simplified, uncontextualized, apolitical notions of both gender and care, they do not necessarily attend to the increasing complexity of children’s heterogeneous commonworlds.
Following a theoretical and methodological framework aligned with material feminism and post qualitative research, in particular thinking with feminist scholars Barad and Haraway, this research questions what an engagement with human-and non-human relationality might do to complicate conversations about gender and care. Employing pedagogical narrations through a post-qualitative lens, this inquiry explores how children, educators and things become implicated in gendered caring practices. A diffractive analysis is put to work wherein gender and care are analyzed with/in several child-doll and child-car encounters, and are diffractively read through other doll and car stories near and far from the classroom. This analysis illuminates the political and ethical embeddedness of early childhood pedagogies, and the understanding that gendering and caring emerge with/in a complex web of many relations. Material feminism loosens ties that bind simplified constructions of gender as explanations for care and vice versa, and instead puts forward that gender and care per formatively emerge through intra-action. As such pedagogical and research practices need to pay careful attention to that which is always already on the verge of becoming. / Graduate
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Leaked Sex and Damaged Goods: News Media Framing of Illicit and Stolen Celebrity ImagesPatrick, Stephanie 03 July 2019 (has links)
New media technologies are changing the ways that we not only go about our day-to-day lives, but also the ways that we sell and exchange our labor within the capitalist economy. These technologies are shaping how we represent and perceive ourselves and others, as well as the ways in which, as we move about the world, our images are taken and circulated with neither our explicit permission, nor sometimes our knowledge (Dovey, 2000; Toffoletti, 2007). Despite the fact that we can no longer viably opt out of visual or technological culture, there remains a strong rhetoric of personal responsibility when such images are used in ways that are unexpected and sometimes extremely damaging (C. Hall, 2015). The growth in incidences of what Clare McGlynn (2017) calls “image-based sexual violence” cannot be divorced from the economic and cultural shifts that are both challenging and reifying dominant power relations in the early 21st century.
This doctoral thesis examines the economic and social discourses underpinning news reporting on sexual privacy violations in relation to new media technologies and shifting forms of female celebrity. Using empirical methods to collect and sort U.S. and Canadian news articles at a macro level as well as discourse analysis of news reporting at the micro level, I focus on two particular sites wherein new media celebrity, sexual violence/violation, and political economies converge: the celebrity sex tape scandal and the stolen celebrity nude photo. I examine sexuality and privacy violation in an exemplary economic context, looking at how the “leaked” sex tape or image functions in the gendered sexual economy to undermine claims to meritocratic capitalist success. I focus on two moments of crisis: firstly, the pop culture crisis of 2007-2008, coinciding with the global economic recession as well as the growth in new media technology and social media usage, wherein several high-profile female celebrities undergo dramatic and very public “breakdowns” in proper femininity, ranging from the fairly banal “scandal” surrounding a then-15-year-old Miley Cyrus posing semi-nude for Vanity Fair to the more severe and illegal acts of Lindsay Lohan and Paris Hilton (both of whom were arrested for driving under the influence across this time period). Secondly, I examine the moment of crisis signaled by the 2014 iCloud hacking incident wherein hundreds of female celebrities’ personal private nude photos were stolen and circulated online. I analyze the sex “scandals” that are both discursively constructed by, and circulating through, the news at these moments.
The findings point to several notable trends in the contemporary political climate. Firstly, they illuminate the tensions and contradictions in the media’s attempt to reconcile post-feminist sexual “empowerment” narratives with the broader imperatives of neoliberalism, surveillance, and self-commodification. Secondly, this thesis provides a timely analysis of the gendered pathways to success and the gatekeeping that is conducted both within and by the (news) media, which are themselves invested in narratives of meritocracy. Finally, the cynical, meta-commentary circulating in the news reporting on celebrity content – reporting that is increasingly beholden to corporate interests – contributes to the broader erosion of trust in mainstream media. In today’s media environment in particular, studies of heirs-turned-reality stars such as Paris Hilton (whose trajectory is eerily similar to that of U.S. President Donald Trump), are particularly urgent, as are studies that connect the seemingly disparate yet increasingly converging fields of celebrity, journalism, feminism (and sexual violence), and neoliberalism.
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Cuerpo y universo: acercamientos poshumanistas a la materialidad en la poesía de Cristina Peri Rossi y Cecilia VicuñaJanuary 2013 (has links)
abstract: Since the Enlightenment, humanist philosophy has understood materiality as an inert and determinate world categorically separate from the sphere of consciousness and language. However, after evolving significantly during the 20th century, the natural sciences now recognize the complexity, indeterminacy and agency of matter. A parallel transformation can be observed in contemporary Spanish and Latin American literature and is exemplified in the works of Cristina Peri Rossi and Cecilia Vicuña. Drawing on knowledge which emerges from the natural sciences, the humanities and personal experience, these poets explore multiple dimensions of materiality from the microscopic world of subatomic particles and DNA molecules to the macroscopic world of the body and the structure of the universe. The theoretical orientation of this study emerges from posthumanism, which critiques the epistemological foundations of humanist thought and reconfigures reductionist concepts of matter, discourse, the subject, and agency which are grounded in dualistic ontology. Material feminist theorists explore materiality through interdisciplinary approaches which establish a dialogue between posthumanism, feminist theory and the natural sciences. The material feminist Karen Barad proposes an agential realist ontology which constitutes the principal theoretical framework of this thesis. According to Barad, phenomena are not exclusively social or material but rather material-discursive practices, and the concept of agency is reconfigured as the product of the dynamics of intra-action rather than an as an attribute restricted to the human sphere. Furthermore, this thesis utilizes diverse materials from the areas of literary criticism and scientific research in order to achieve an authentically interdisciplinary interpretation of materiality in the poetry. Peri Rossi and Vicuña express a profound questioning of the fundamental assumptions of humanism and offer perspectives which take into account matter's agency and dynamism. Their poetry presents materiality as a constant process of creation and as an active participant in the unfolding of reality, thereby opening up new horizons of investigation. By interpreting the works of Peri Rossi and Vicuña through the lens of posthumanist theory, this study contributes to a growing body of interdisciplinary approaches to contemporary Spanish and Latin American literature. / Dissertation/Thesis / M.A. Spanish 2013
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Mediums and Their Material: The Female Body in Spiritual and Technological Mediation, 1880-1930Straight, Alyssa 29 July 2016 (has links)
No description available.
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Rytmen bor i mina steg : En rytmanalytisk studie om kropp, stad och kunskap / The rhythm lives in my steps : A rhythm-analytical study of body, city and knowledgeJohansson, Sara January 2013 (has links)
This thesis brings together a fascination with the city and a keen interest in the knowledge process. The point of departure is the bodily, sensory and emotional experience. That the author uses her own perceptions and experiences and is preoccupied with her own knowledge process means that she writes herself into an autoethnographic context. She also experiments with the writing and allows it to take on a more literary form as she writes about her own sensory impressions and feelings. The term rhythmanalysis is employed as a way of assessing, exploring, interpreting and understanding the world that embraces the embodied experience. Human beings are embodied beings, a claim we can make by referring to our own experiences as well as how we perceive, communicate and interact. The study delves into two aspects of rhythmanalysis, first as a way of describing the knowledge process as rhythm-analytical, which implies that bodily experiences are equally important as intellectual ones, and secondly as a way of talking about the city as polyrhythmic. It follows upon the latter that embodied rhythmanalysis of the city is possible. The rhythmanalysis may ultimately be seen as a project aimed at overthrowing the Cartesian dualism between body and mind. That we are embodied has a methodological consequence that is as simple as it is essential: the scholar exists in the world she studies. The researcher is not a neutral observer. She is a co-creator. She is a body, placed in time, space and history. She is situated, which means that her knowledge is also situated. Thus, the rhythmanalysis encompasses the body, the senses and feelings, and can be described with one key word: movement. It finds support in theories that acknowledge the fluid, the becoming, the situated, the performative, the relational, the dynamic, the material. It seeks methods that experiment, that focus on practices rather than discourses, that are preoccupied with a movable world rather than a static one.
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