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THE BYZANTINE CHURCH AT LABRAUNDABlid, Jesper January 2006 (has links)
This thesis examines the Christian context of the former pagan sanctuary of Zeus Labrandeusin Caria during the Early Byzantine period, ca. 325-730 A.D. The focus is on the church, positioned outside the pagan sanctuary’s temenos area. The architecture of the church has been empirically analysed. It is argued that the church shows strong Syrian influences. The Syrian features are a tripartite sanctuary enclosed by a straight back wall, an interior supported by pilasters and a west part with two towers. The study of the architecture has also been used in an attempt to discuss the liturgy at Labraunda.The finds from the excavations of 1951-2005 have been categorized and examined in order to establish a terminus post quem for the Christian presence at the site of the church. This has been crucial for the dating of the church. Furthermore, the finds illustrate the social and economic conditions that prevailed at Labraunda during the Early Byzantine period. Finally, this study tries to enlighten the process of transition from a pagan sanctuary into a Christian place of worship.
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The liturgical planning of Byzantine churches in CappadociaTeteriatnikov, Natalia. January 1996 (has links)
Originally presented as the author's Thesis (Ph. D.)--New York University, 1987. / Includes bibliographical references (p. [9]-16) and indexes.
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The liturgical planning of Byzantine churches in Cappadocia /Teteriatnikov, Natalia. January 1996 (has links)
Originally presented as the author's thesis (Ph. D.)--New York University, 1987. / Includes bibliographical references (p. [9]-16) and indexes. Also issued online.
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By virtue of the senses Ignatian aestheticism and the origins of sense application in the first decades of the Gesù in Rome /Clines, Robert John. January 2009 (has links)
Title from first page of PDF document. Includes bibliographical references (p. 69-73).
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The liturgical planning of Byzantine churches in CappadociaTeteriatnikov, Natalia. January 1996 (has links)
Originally presented as the author's thesis (Ph. D.)--New York University, 1987. / Includes bibliographical references (p. [9]-16) and indexes.
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Der räumliche Gott : was sind Kirchengebäude theologisch? /Woydack, Tobias. January 2005 (has links)
Thesis (doctoral)--Universität, Hamburg, 2005. / Includes bibliographical references (p. [229]-247).
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The music and liturgy of Kloster Preetz: Anna von Buchwald's Buch im Chor in its fifteenth-century context / Anna von Buchwald's Buch im Chor in its fifteenth-century contextAltstatt, Alison Noel, 1970- 06 1900 (has links)
xxviii, 592 p. : ill., music / This dissertation investigates the music and liturgy of the German Benedictine convent of Kloster Preetz as reflected in three fifteenth-century manuscripts: the Buch im Chor of prioress Anna von Buchwald, an antiphoner and a gradual.
Chapter II describes the convent's music and liturgy and the cantrix's responsibilities, showing that the cloister practiced an unusually elaborate liturgy. It examines Anna's account of an episcopal visitation and explains resulting reforms.
Chapter III examines the musical and liturgical roles of the cloister's children. I also present evidence of a group of female "professional" singers who contributed to the music on important occasions and examine Anna's descriptions of rules governing children's lives, the training of young cantrices, and cloister entrance rites.
Chapter IV presents a physical description of the convent's gradual and antiphoner and an analysis of their scripts and notation, arguing for the presence of a convent scriptorium that fostered a unique notational lineage.
Chapter V discusses music for the mass in the gradual, focusing on the genres of introit trope, alleluia, and sequence. A comparative analysis suggests an early and melodically conservative transmission of tropes. An analysis of alleluia assignments suggests a likeness to the manuscript I-Rvat 181 (Erfurt) and to the liturgical predecessor of a repertoire eventually promulgated by the Bursfeld reform. I furthermore describe six previously undocumented alleluias. A comparison of the sequence repertoires of Preetz and Lübeck shows that the cloister maintained a rich and unique selection. A case study of the melody OCCIDENTANA/REX OMNIPOTENS confirms a Rhenish origin for the earliest repertoire. Four unusual late sequences are analyzed for their textual and theological complexity. The cloister's unique version of the sequence Letabundus exultet reflects the convent's Marian devotion, hints at its imperial origins, and serves as self-depiction of the nuns' devotional practices.
Chapter VI describes music for the office preserved in the antiphoner. An analysis of a previously unknown office for St. Blaise suggests that it may be a lost composition of tenth-century composer Reginold of Eichstätt. An added proper office for St. Matthias bespeaks a liturgical connection to Trier, likely transmitted through the Bursfeld movement. / Committee in charge: Dr. Lori Kruckenberg, Chairperson;
Dr. Anne Dhu McLucas, Member;
Dr. Marc Vanscheeuwijck, Member;
Dr. Lisa Wolverton, Outside Member
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Die verband tussen ideaal en werklikheid ten opsigte van die funksionering van die pneumatika in der erediens van die AGS van Suid-AfrikaVan Den Berg, Jan Christoffel 11 1900 (has links)
Text in Afrikaans / Summaries in English and Afrikaans / 'n Onderskeidende kenmerk van die Pinksterbeweging (waarvan die AGS deel is) wat aan die begin van hierdie eeu tot stand gekom het, was die funksionering van die pneumatika (die geestelike gawes in 1 Korintiers 12:7-11 genoem) in die lewens van lidmate en in die liturgie van die erediens. Die opkoms van die Charismatiese beweging vanaf die sestigerjare het hierdie fenomeen opnuut onder die aandag van die kerk gebring. Histories blyk dit dat die funksionering van die pneumatika 'n integrale deel van die bemoeienis van God met die mens was. Sommige van die pneumatika was reeds in die Ou Testament teenwoordig, is prominent in die bediening van Jesus gesien tydens sy vleeslike bestaan, en was kenmerkend van die kerklike lewe in apostoliese tye. In die na-apostoliese tye was daar 'n merkbare afuame hiervan, maar het selfs in die middeleeue nooit heeltemal van die toneel verdwyn het nie. Vanaf die twaalfde eeu was daar weer 'n gestadigde toename in die voorkoms van die pneumatika wat sy klimaks bereik in die wereldwye Pinksterherlewing aan die begin van die twintigste eeu. Die teoretiese teologiese teorie binne die AGS hou die ideaal voor dat die pneumatika steeds op Nuwe Testamentiese wyse (soos deur die AGS geinterpreteer) in die erediens sal funksioneer. 'n Empiriese ondersoek met behulp van 'n situasie-analise (Wallace se model van deduktiewe en induktiewe redenering) toon aan dat daar 'n beduidende verskil tussen ideaal en praktyk is - die pneumatika funksioneer slegs sporadies in die eredienste, terwyl lidmate se betrokkenheid daarby en kennis daarvan dienooreenkomstig van beperkte aard is. n V erstelde praktykteorie word voorgestel. Dit behels 'n model wat die interathanklikheid en relasie aandui tussen Christus as Hoof van die gemeente en Bron van die pneumatika, lidmate en pastore se houding en kennis in verband hiermee, en die ruimte vir en implementering van die pneumatika in die erediens. Fasiliterend tot hierdie interaktiewe proses is die doping in die Heilige Gees, opleidingsprogramme, en kleingroepe. Hierdie praktykteorie is oop vir toekomstige toetsing en verstelling - alles moet lei na die herstel van die funksionering van die pneumatika tot opbou van die gemeente en meerdere verheerliking van God. / A distinctive characteristic of the Pentecostal Movement (of which the AFM is a part), formed at the beginning of this century, was the functioning of the pneumatics (the spiritual gifts mentioned in 1 Corinthians 12:7-11) in the lives of members and in the liturgy of their worship service. The Charismatic Movement arising in the sixties brought this phenomenon under the attention of the church anew. Historically it seems that the pneumatics were a integral part of the activities of God with his people. Some of the pneumatics were already present in the Old Testament, were seen in the earthly ministry ofJesus, and were distinctive of the apostolic period. In the after-apostolic period there was a marked decline in the appearance thereof From the twelfth century onwards there was an increase in the appearance of the pneumatics that climaxed in the worldwide Pentecostal revival at the beginning of this century. The theoretical theological theory in the AFM presents the ideal that the pneumatics would still be operating, as in New Testament times (i.e. as interpreted by the AFM), in their worship services. An empirical survey with the aid of a situation analysis (yv allace' s model of deductive and inductive reasoning was used), shows that there is a marked difference between ideal and practice - the pneumatics are operating sporadically and on a limited scale in the worship services,
whilst the participation of the members and their knowledge in this regard are accordingly limited. An improved practice theory is suggested. It entails an interactive model that shows the interdependency and relation between Christ as head of the church and source of the pneumatics, church members and pastors whose attitude and knowledge in connection with this are of utmost importance, and the place for and implementing of the pneumatics in the worship service. Facilitating this interactive process is the baptism in the Holy Spirit, teaching programmes, and small groups. This practice theory is open for future testing and improvement - this must all lead to the restoring of the functioning of the pneumatics for the edification of the church and the greater glorifying of God. / Philosophy, Practical and Systematic Theology / Th. D. (Practical Theology)
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LITURGIA E IDENTIDADES CULTURAIS NAS PRÁTICAS LITÚRGICAS DA IGREJA PRESBITERIANA-REFORMADA EM CUBA NA PERSPECTIVA DA PRÁXIS RELIGIOSA / Liturgy and Cultural Identities within the Liturgical Practices of the Presbyterian-Reformed Church of Cuba from the Perspective of the Religious Praxis.Celorrio, Pedro Julián Jiménez 16 August 2010 (has links)
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Previous issue date: 2010-08-16 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This thesis tackles the relationship between liturgy and cultural identities manifested throughout the different liturgical practices displayed by the Reformed-
Presbyterian Church of Cuba (RPCC). The study is constructed from the perspective of the religious praxis. It refers to those activities developed by the Christian churches and institutions which convey creation, liberation and a radical transformation of individual, nature and society. The text tackles the social and cultural history of the country and the history of Cuban Presbyterianism, focusing on the period from 1967 to 2009. It takes into account four specific objectives: investigation of the cultural matrixes that formed
the Cuban culture, description of the protestant historical roots and streams within Cuban Presbyterianism until the organization of the RPCC, presentation of the liturgical
practices of the RPCC, and construction of guide lines for the celebration of hope throughout an inculturated liturgical praxis. These objectives were accomplished by
using a historical method, which investigates events and institutions from the past in order to verify its influences in society, and by means of a bibliographical methodology
that is supplemented by an investigation of the field and a questionnaire that covers twelve aspects of liturgy. Among other procedures, five specific actions were
developed to the elaboration of the final text: examination of literature produced by Cuban and non Cuban authors related to the theme of this dissertation, organization of
the texts, application of the interviews and evaluation of the results. In this thesis the author seeks to provide answers to a particular problem: the society changes, however, the church does not develop an efficient dialogue with it, nor
does it follow the social changes that are occurring in its midst. This leads to the question: What can be done so that the Church could adjust its liturgical praxis to the
socio-cultural context in which it is acting? The proposals raised at the end are not presented as a rigid pattern, but as a guide or map which must constantly be revised and
adapted. / A presente tese aborda a relação entre liturgia e identidades culturais nas práticas litúrgicas da Igreja Presbiteriana Reformada em Cuba (IPRC). Tal estudo realiza-se à
luz da práxis religiosa, que abrange o conjunto de atitudes criadoras, reflexivas,libertadoras e radicais desenvolvidas pelas igrejas e instituições cristãs. O texto remete
tanto à história sócio-cultural do país quanto à história do presbiterianismo cubano, embora focalize o período de 1967-2009, e se desenvolve a partir de quatro objetivos
específicos: pesquisar as matrizes culturais constitutivas da cultura cubana; apresentar as raízes históricas dos protestantes e as vertentes seguidas pelo presbiterianismo
cubano até a conformação da IPRC; verificar as práticas litúrgicas da IPRC; e oferecer pistas para construir e celebrar a esperança por meio de uma práxis litúrgica
inculturada. Para alcançar os objetivos desta pesquisa, usou-se o método histórico, que pressupõe a investigação de acontecimentos, processos e instituições do passado para
verificar sua influência na sociedade. A metodologia foi de natureza bibliográfica, auxiliada pela pesquisa de campo através de um questionário de doze perguntas. As
entrevistas foram feitas com pessoas pertences à IPRC. As ações se desenvolveram da seguinte maneira: revisão de textos produzidos por cientistas cubanos acerca da
temática em questão; levantamento bibliográfico de literatura de autores não cubanos para complementar o tema escolhido; análise do teor compilado; aplicação de entrevistas; e avaliação dos resultados obtidos. O problema para o qual a presente pesquisa procura respostas é que por um lado a sociedade mudou e, por outro lado, a Igreja não consegue dialogar eficazmente com a mesma, nem acompanhar as mudanças sociais. Diante de tal situação a pergunta é: O que fazer para desenvolver uma práxis litúrgica adequada ao contexto sócio-cultural no qual a Igreja está inserida? As respostas a esta questão não se erguem como um padrão rígido, mas como guia, ou mapa, que constantemente deverá ser revisado e adequado.
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A LITURGIA DE HEBREUS: Uma análise de como as mudanças sociais influenciam as formas de culto / The Liturgy of Hebrews: An analysis of how social changes influence the style of worship services.Fernandes, Celso Eronides 07 March 2006 (has links)
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Previous issue date: 2006-03-07 / What influential power does social change have over types of worship services? The truth is that religion is not exempt from receiving influences from social and political changes. This research analyzes and compares two moments that Christianity suffered influences from changes that occurred in society. The first moment is based upon the Epistle of Hebrews, in the first century of the Christian age, when it dismembered itself out of the Jewish liturgy and formed a liturgical speech for itself. The other moment is the present day, where the worship services have received strong influences from changes that society has suffered. It is
possible in both of these instances to find a struggle between Traditionalism and Modernism, between what is new and what is old, between what is established and what struggles in order to be established / Qual o poder de influência das mudanças sociais nos estilos de cultos? A realidade é que a Religião não é isenta de sofrer influências das mudanças políticas e sociais. Esta pesquisa analisa e compara dois momentos em que o Cristianismo sofreu influências das mudanças ocorridas na sociedade. O primeiro momento está baseado na Epístola de Hebreus, ainda nos primeiros séculos da era cristã, quando conseguiu se desvincular da Liturgia Judaica e formar um discurso litúrgico próprio. O outro momento estudado é a época atual, onde os
cultos têm recebido grande influência das mudanças que a sociedade vem sofrendo. Em ambas as épocas é possível apontar uma luta entre a Tradição e a Modernidade, entre o velho e o novo, entre o que esta estabelecido e o aquilo que
quer espaço a fim de se estabelecer
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