Coptic is the latest stage of the indigenous Egyptian language written in the Greek alphabet with some additional characters taken from the Demotic script. Due to climatic conditions many manuscripts have survived from Egypt. The bulk of Coptic manuscripts of the 1st millenium A. D. is preserved in fragmentary condition and the remains are scattered – often as single leaves or small groups of leaves – over collections on three continents. So a major aim of scholarly work is the virtual reconstruction of codices. Assigning a fragment to a specific manuscript is often not easy. It’s not only necessary to compare the script for similarities but also to take into account the contents in order to identify the manuscript of origin and the position of the leave therein. In the case of known texts which have been recorded in a manuscript as full texts a mathematical approach can be used to estimate the position of a fragment. Special problems arise with manuscripts of uncertain arrangement, e.g. liturgical codices that do not have one continuous text. They combine texts from the scriptures, hymns, prayers, or lifes of saints. In these cases reliable estimates can only be given by comparing the identified text / texts on a single leave with a representative amount of data: this means collecting and indexing as much known material as possible and arranging it according to liturgical usage. The lecture presents ways of assigning fragments by use of palaeography to known codices. An important tool is the “palaeography data base” developed in the Institut für Neutestamentliche Textforschung at Münster (INTF) as a base instrument for virtual reconstructions in the Virtual Manuscript Room (VMR) of the INTF. Furthermore, electronic tools will be shown that are a by-product of the lecturer’s PhD for identifying texts, the order of manuscripts as well as for further research.

Geonyong Lee, the composer of Mass for AILM, is a well-known composer in Asia whose main interest lies in choral music. He has composed numerous choral works which are highly diverse in their nature. This study introduces the choral composer Geonyong Lee to the West. The significance of Geonyong Lee's Mass for AILM is the display of Asian inflection in a traditional setting of the mass ordinary. Lee's Mass for AILM employs melodic and rhythmic aspects of traditional Philippine folk songs, a Japanese mode, traditional Korean music, and various Asian percussion instruments. This study explicates these Asian influences and how Lee utilized them in his Mass for AILM.

African Religion offers new images and symbols of reconciliation that may enhance existing Christian reconciliation metaphors and liturgies. Traditionally, Christians understood reconciliation through the images of either Augustine’s victory model, Anselm’s objective model or Abelard’s subjective model. While these images offered valuable insights, they are limited and increasingly difficult to understand in our modern context. Postmodern philosophy presents theologians with the possibility of deconstructing dominant discourses in order to consider new possibilities. This approach is eminently applicable to the traditional Christian reconciliation models. A comparative study of Western Christian and African reconciliation myths, rituals and concepts is used to deconstruct the accepted positions on the matter of reconciliation. Interviews with four African theologians, John Mbiti, Agrippa Khathide, Daniel Ngubane and Tinyiko Maluleke, reveal that African Christians have often understood reconciliation in more and different ways than those available in traditional Christian thought. They often derived their ideas from African Traditional Religion as well as the modern liberation struggle. In studying African Traditional Religion, it becomes clear that that African religion offers very different options to traditional Christianity with regard to its view on God, ancestors and spirits, life force, and of special importance for this study, shame, guilt and sin. African religion’s this-worldly focus views reconciliation as taking place on a mostly human level rather than between humans and God. African reconciliation rituals can be classified according to the purpose or the myths behind them. Some rituals are intended to create or restore community, while others are meant to propitiate or at least transfer guilt. A third grouping of rituals have the purpose of either expelling or accepting (and thus in a certain sense neutralising) evil (or perceived evil) in the community. Other rituals have a number of intentions, and can use unlikely rituals like open rebellion or dance to bring about reconciliation. A comparison between two religions should treat the religions equally. An investigation that examines both the integrating and transcending possibilities of religions can highlight the strengths and weaknesses of the various reconciliation models without reference to some sort of supernatural reality. The anthropological and social sciences also offer valuable insights into the possible structure of reconciliation. And the South African context demands some minimum requirements for reconciliation in this country. When all these criteria are used to evaluate African and Christian reconciliation models, new possibilities emerge. Different models show themselves to be useful in different contexts. Some African models can improve our understanding of reconciliation between humans and God, while others fit the social context of South Africa. It seems that African thought and religion has a lot to offer to the study of reconciliation. The African emphasis on this-worldliness and community, the use of rituals and symbols, as well as Africa’s still-coherent myths presents new and exciting perspectives. These insights and models can be incorporated into Christian liturgies and rituals that will deepen Christians’ understanding and celebration of reconciliation. / Thesis (DD (Science of Religion and Missiology))--University of Pretoria, 2005. / Science of Religion and Missiology / unrestricted

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[pt] O tema da presente pesquisa é a influência do pensamento de Romano Guardini na construção e desenvolvimento da teologia litúrgica de Joseph Ratzinger. Está inserida nas atividades de pesquisa do Programa de Pós-Graduação em Teologia da PUC-Rio, área de concentração Teologia Sistemático-Pastoral, linha de pesquisa Fé e Cultura, projeto de pesquisa A Teologia de Joseph Ratzinger e o Magistério de Bento XVI. Seu principal objetivo é investigar a existência de uma coerência interna entre o pensamento do intelectual veronese com o do teólogo bávaro de tal maneira que se possa verificar se a teologia litúrgica de Joseph Ratzinger está em continuidade com o pensamento de Romano Guardini sobre a sagrada liturgia. Assim sendo, após uma primeira reflexão, que busca reaver a personalidade e o pensamento de Romano Guardini a partir a apresentação de dados biográficos, do contexto histórico/teológico e da exposição e análise de sua clássica obra litúrgica O Espírito da Liturgia, o estudo se desenvolve em duas abordagens sucessivas: a apresentação e análise do princípios abordados no famoso escrito ratzingeriano O Espírito da Liturgia. Uma introdução e a análise comparativa entre os textos teológicos já citados, a fim de descobrir pontos de contato entre os pensamentos de ambos os autores, que examinam a hipótese de que parte do pensamento litúrgico de Joseph Ratzinger está construído sobre bases lançadas por Romano Guardini. O escopo desta pesquisa é contribuir para uma melhor divulgação e compreensão da teologia litúrgica de Joseph Ratzinger. / [en] The theme of this research is the influence of Romano Guardini s thought on the construction and development of Joseph Ratzinger s liturgical theology. It is part of the research activities of the Postgraduate Program in Theology of PUC-Rio, Area of Concentration Systematic-Pastoral Theology, research line Faith and Culture, research project Joseph Ratzinger s Theology and the Magisterium of Benedict XVI. The main objective is to investigate the existence of an internal coherence between the thinking of the veronese intellectual and that of the bavarian theologian in such a way that it can be verified whether Joseph Ratzinger s liturgical theology is in continuity with Romano Guardini s thinking about the sacred liturgy. Thus, after a first reflection that seeks to recover the personality and thinking of Romano Guardini from the presentation of biographical data, the historical / theological context and the exposition and analysis of his classic liturgical work The Spirit of the Liturgy, the study develops in two successive approaches: the presentation and analysis of the principles addressed in the famous ratzingerian writing The Spirit of the Liturgy; and the comparative analysis of the theological texts already cited, in order to discover points of contact between the thought of both authors, which examine the hypothesis that part of Joseph Ratzinger s liturgical thought is built on foundations laid by Romano Guardini. The scope of this research is to contribute to a better dissemination and understanding of the liturgical theology of Joseph Ratzinger.

A major motivation for this thesis is the creation of an exchange between the resources of the queer theology of the 2020s and the feminist liturgical movement in the 1990s, specifically regarding the theological consequences of the intersection of theologies of gender/sex with talk to and about God in the context of inclusive liturgical reform work.   This thesis conducts an analysis of the discourse regarding inclusive language in the motivational volume accompanying the never accepted handbook proposal for the Swedish church from year 2000. First by applying a reconfigured version of a method borrowed from analytical philosophy, excavates the views of gender/sex underlying the argumentation regarding inclusive language reform and gender-based discrimination. From these results a systematic reconstruction of the motivational volumes theology of gender/sex carried out. Finaly this reconstructed theology is critically evaluated by subjecting it to both the queer theology of Linn Tonstad and the feminist theology of Anne-Louise Eriksson  regarding the construction and meaning of gender/sex as well as of liturgical language and its oppressive and liberating functions.    This thesis concludes that the theology of gender/sex that follows from the motivational volume’s argumentation, is theologically problematic for the following reasons: The strict gender essentialism and dichotomic understanding om men and women are counterproductive to its emancipatory goal. By situating its argumentation in the patriarchal symbolic imaginary, its efforts to counteract patriarchal dominance becomes entangled in what Tonstad calls “the affective lives of binaries”. This suggests that every theology with an intention of inclusion and the combating of discrimination needs to commit itself to rigorous systematic examination of its theological premises’.       Finaly, not only does the lack of such a theology counteract any emancipatory attempt, it also risks when applied in liturgy to severely limit the God that the liturgy speaks to and of.

This doctoral thesis claims the vital significance of music in mission work, particularly from the Lutheran point of view. It, therefore, calls for a liturgical missiology which would positively affect missionary efforts, especially in the African mission context. After giving a theological foundation - the doctrine of the Trinity - and the concept of the missio Dei as its missiological basis, the thesis investigates its topic from different angles: Luther and music, music in the work of the Hermannsburg Mission in the region of the ELCSA-Western Diocese, the role of music in African culture and spirituality, some qualities of music relevant to mission and a few musical steps to approach the future of music in mission. These analyses corroborate music's importance in future Lutheran mission designed for the African context. Examining Luther's stance towards music, a strong affinity to music is recognised, both theoretically and practically. While interpreting music theologically, Luther employs music in his liturgical, educational and reforming efforts. However, the example of the Lutheran Hermannsburg Mission shows a usage of music without a proper theoretical foundation, as well as only partial efforts at contextualisation. In Africa, music plays a prominent role in the interpretation and expression of life and religion indicated in the Tswana choruses; music represents the wholeness of African existence symbolising the paradigm of harmony. Further, in mission, music's qualities, such as its cultural-social, symbolic, ritualistic and community-building qualities, support the integration of the convert into a fundamental relationship between the missio Dei and the missiones ecclesiae. With the help of a musica missionis, which includes missiological music and missionary music, the practice of future mission can be approached successfully; for instance, through the Africanisation of the Lutheran mission liturgy based on a context-musicology. Thus, a liturgically orientated theology of mission, meditating deeply on music's qualities (music being one essential element of Lutheran worship), has the potential to develop into a future liturgical missiology. This musical-liturgical approach to mission is encouraged by this thesis. / Christian Spirituality, Church History and Missiology / D.Th. (Missiology)