At the beginning of the twenty-first century British costume museums were failing to attract audiences; consequently, all but the Gallery of Costume, Manchester and the Fashion Museum, Bath were closed to the public. This thesis has sought to examine the traditional display methodologies of historic costume museums, using the Gallery of Costume as its primary case study of practice. This investigation problematises the theoretical assumptions upon which the gallery’s display methodologies are founded and compares its approaches to those taken in contemporary displays of historic dress. The findings of this investigation have been used to propose new approaches to the display of historic dress that aim to engage contemporary audiences. Using the research methods of participant observation, interviews and archival research the first chapter of this thesis outlines the development of the Gallery of Costume’s display methodologies, highlighting the agency of individual curators. The next two chapters explore the ways in which curators of dress reconstruct the bodies and personalities that give form to worn dress in the museum. The thesis moves on to examine both the methods by which the Gallery of Costume’s constructed history in its displays of history and the theoretical assumptions underlying its historiography. This chapter is followed by an exploration of the performance of fashion within the museum, attending to the way in which exhibitions can express dress as ‘living’ concept within accepted conservation guidelines. Finally, this thesis outlines a framework upon which reflexive exhibitions of historic dress can be built.

On 6 May 1966 the ‘Trial of the Century’ came to an end. Chester Assizes court convicted Ian Brady and Myra Hindley for the murders of 12-year-old John Kilbride, 10-year-old Lesley Ann Downey, and 17-year-old Edward Evans. The court found Brady guilty on all three murder charges and sentenced him to three concurrent life sentences. Hindley received two life sentences for the murders of Downey and Evans, and a further seven years for being an after-the-fact accomplice in Brady’s murder of Kilbride. Following the description already given to the police investigation and trial, the newspapers gave Brady and Hindley the infamous label of the ‘Moors Murderers’ straight after the trial. The Moors murders have become a part of British folklore since the 1960s, but the case itself has hitherto received surprisingly little attention from academic historians. Following Martin Wiener’s injunction for historians to pay closer attention to murder stories, this doctoral thesis presents a cultural history of the Moors murders case. My study analyses the courtroom arguments, media coverage and post-trial books about the case, to interrogate broader themes of moral and cultural change in 1960s Britain. My thesis emphasises the multi-vocal nature of representations of both the case and the murderers in order to challenge the linear and progressive historiographies of the 1960s, associated in particular with Arthur Marwick. The thesis examines four major facets of the Moors murders story, dedicating a chapter to each. The first chapter explores how the news media (primarily the press, but also broadcast media) negotiated the story. The first detailed empirical analysis of newspaper coverage of the case reveals the limitations of studies structured primarily around social class. The thesis follows Stuart Hall and A.C.H. Smith in arguing that analyses of the press should not be reduced to a simple differentiation between popular, middle-brow and high-brow but should instead consider the ‘personalities’ of each publication and the moral relationships constructed with readers. Furthermore, the chapter engages with Adrian Bingham’s recent argument about the moral politics of the press, exploring his assertion that the popular press balanced commercial profits alongside a commitment to maintain their reputation as ‘family newspapers’. The chapter argues that content of the press coverage of the Moors murders case generated far greater concerns than the suspect practices of journalists. Chapters two and three focus in turn on the diverse representations of Ian Brady and Myra Hindley. Commentators debated the origins of the evil behind the murders, with some highlighting his illegitimacy, others his reading of ‘dangerous’ books, the writings of the Marquis de Sade especially. Hindley’s role was hotly contested: most commentators emphasised how she had changed under Brady’s influence, but disagreed over the extent of her own involvement in the murders. The thesis reveals for the first time how images of Nazi Germany shadowed the case. The thesis thus contributes to historical investigations of permissiveness in post-war England, engaging with debates about censorship, child-rearing, the changing role of women, and the popular memory of the holocaust. The fourth and final chapter analyses the tensions generated around a murder story which took place in urban settings, but which became indelibly associated with the rural locations of the moors. The story mobilised a distinctive combination of gothic imagery with a long literary heritage, and the more recent language of social realism.

This thesis surveys the sounds of everyday street and work life to argue for a reassessment of the way historians have understood community, space, materiality and identity in late-nineteenth and early-twentieth-century Germany and Britain. It will demonstrate that sound played an important role in the organisation of urban space and social order. Furthermore it will show how the historical subject as listener emphasises the volatility of identity, place-making and community. Sounds either defined a community through positive responses or created conflict where one group heard the sounds of another group as noise. Sound helps to define the social groups that this thesis focuses on, such as experts, intellectuals, local administrators, immigrants or factory labourers. The ephemeral nature of sound and the subjectivity of listening, however, also pull apart such neat definitions and reveal the fractures within each of these social groups. Throughout this thesis, differing reactions to everyday sounds in the conurbations of Manchester and Düsseldorf will demonstrate how communities sought to define themselves and their environments through the production and reception of sound. What emerges is a re-composition of everyday life in the late-nineteenth and early twentieth century that challenges examinations of it based on images of class, sociability and culture. Düsseldorf and Manchester were substantial cities that grew during the period studied here and underwent similar processes of technological change that affected both the social order and the physical environment. This thesis demonstrates that the audibility of specific technologies, buildings and machines physically affected listeners, and that working classes, middle-class professionals and local administrators all created regimes of noise intent on controlling behaviour in streets and workplaces. One of the key tropes within studies of sound is that listening places the historical subject at the centre of their environment while seeing places them outside of it. Using this idea, this thesis will make an original contribution to a number of debates. First of all, sounds broke down visual boundaries between street and workplace and this dissertation examines how that changes historical notions of place and space. Secondly, this thesis establishes how sound exposes the lines of fracture and cohesion within and between social groups that historians of popular street culture have tried to emphasise through class relations. Thirdly, sound allows for a re-examination of the power structures in which factory labourers and immigrants worked and lived as it presents practices of listening and sound production that breathe new life into ‘histories from below’ and challenge the top-down approaches associated with governmentality. Finally, this thesis will challenge the notion of noise as unwanted sound, prevalent in the growing number of histories on urban noise by demonstrating the diversity of everyday and medical reactions to ‘noise’ and exploring the problem of ‘silence’ in negotiations of migrant and worker identity and the development of road technologies. Overall, this thesis will determine that the role of sound in the late-nineteenth and early twentieth-century complicates historical debates on the physical and social organisation of urban space. Different communities transformed their identities around shared listening practices and adapted their rhythms of everyday life to sounds that resonated between street and home, work and leisure.

This thesis investigates wave loading on bodies in the free surface using smoothed particle hydrodynamics (SPH). This includes wave loading on fixed bodies, waves generated by heaving bodies in still water and the heave response of a body in waves, representing a wave energy device. SPH is a flexible Lagrangian technique for CFD simulations, which in principle applies to steep and breaking waves without special treatment allowing us to simulate highly nonlinear and potentially violent flows encountered in a real sea. However few detailed tests have been undertaken even with small amplitude waves.This research uses the open-source SPH code SPHysics. First two forms of SPH formulation, standard SPH with artificial viscosity and SPH-Arbitrary Lagrange Euler (ALE) with a Riemann solver, are used to simulate progressive waves in a 2-D tank. The SPH-ALE formulation with a symplectic time integration scheme and cubic spline kernel is found to model progressive waves with negligible dissipation whereas with the standard SPH formulation waves decay markedly along the tank. We then consider two well-defined test cases in two dimensions: progressive waves interacting with a fixed cylinder and waves generated by a heaving semi-immersed cylinder. To reduce computer time in a simple manner a variable particle mass distribution is tested with fine resolution near the body and coarse resolution further away, while maintaining a uniform kernel size. A mass ratio of 1:4 proved effective but increasing to 1:16 caused particle clumping and instability. For wave loading on a half-submerged cylinder the agreement with the experimental data of Dixon et al. (1979) for the root mean square force is within 2%. For more submerged cases, the results show some discrepancy, but this was also found with other modelling approaches. For the heaving cylinder, SPH results for the far field wave amplitude and vertical force on the cylinder show good agreement with the data of Yu and Ursell (1961). The variable mass distribution leads to a computer run time speedup of nearly 200% in these cases on a single CPU. The results of the vertical force and wave amplitude are shown to be quite sensitive to the value of the slope limiter in the Riemann solver for the 2-D heaving cylinder problem. A heaving 2-D wedge or 3-D cone whose oscillatory vertical motion is prescribed as the elevation of a focused wave group is a precise test case for numerical free-surface schemes. We consider two forms of repulsive boundary condition (Monaghan & Kos, 1999, and Rogers et al., 2008) and particle boundary force (Kajtar and Monaghan, 2009) for the 2-D wedge case, comparing the result with the experimental data of Drake et al. (2009). The repulsive boundary condition was more effective than the particle boundary force method. Variable particle mass with different kernel sizes was then tested for 2-D problems for mass ratios of 1:4, 1:16 and 1:4:16 with satisfactory results without particle clumping and instability. For the 3-D cone case, SPH reproduces the experimental results very closely for the lower frequency tested where there is no separation from the bottom surface of the body but for the higher frequencies the magnitudes of force minima were underestimated. The mass ratios of 1:8 and 1:8:27 in two and three nested regions are tested for the 3-D cone problem where a computer run time speedup of nearly 500% is achieved on 16 processors for the mass ratio of 1:8.Finally, the floating body of a heaving wave energy device known as the Manchester Bobber is modelled in extreme waves without power take-off. The results for a single float are in approximate agreement with the experiment.

This thesis sets out to explore the implications that transport infrastructures have on the production and perception of the urban built environment. Particularly, it focuses on the Victorian brick viaducts constructed to support the elevated railway in Manchester, England. It concentrates on Manchester’s post-industrial restructuring and re-imaging since the late 1960s, exploring how the presence of brick railway viaducts, as well as the uses beneath their arches, have impacted strategies for revalorisation in the wake of gradual deindustrialisation. In exploring the changing symbolic economy of landscapes dominated by railway infrastructure, as well as the shifting uses and images of railway arches, this thesis explores the interplay between political economy and the aesthetic and symbolic dimensions of urban regeneration. Upon establishing the mutually constituted history of Manchester’s elevated railways and its city centre and demonstrating how this 19th century process has shaped the form and character of the city, it excavates a cultural history of the infrastructural landscapes of the city. Special emphasis is placed on the uses and perceptions of railway arches, which have long served as symbols of dereliction and social disorder. These spatial and cultural histories act as a foundation for analysing how the city’s railway viaducts have been implicated in the re-imagining of Manchester as a post-industrial city. These histories and representations are explored in relation to property-led strategies of environmental improvement, industrial displacement, and heritage tourism along the southern fringe of Manchester city centre, focusing on three thematic and spatially bound case studies. These case studies rely on documentary data of planning and design strategies, interviews with elite actors involved in the re-imaging of Manchester city centre, and ethnographic observation. Using critical discourse analysis, the thesis unpacks the narrative relationship between dominant representations of these spaces and professional justifications for their material and symbolic reconfiguration.

This study is an investigation into sociolinguistic variation in a second language. More specifically, it is an investigation into the extent to which speakers of English as a second language acquire particular features of the variety of English they are exposed to. The speakers in question are Polish migrants, and the variety of English is that found in Manchester, a city in the North West of England.The research uses data gathered from 41 participants who have been in Manchester for various lengths of time and who came to the UK for a wide range of reasons. The aim was to explore the extent to which local accent features are acquired by second language English speakers, and the linguistic and social factors which influence this acquisition. Methodologically, the research draws on practices from variationist sociolinguistics, but by using them in a second language context, the study has the additional aim of developing the link between these two areas of study. Four linguistic features were identified, on the basis of them each exhibiting local variants that differ from any pedagogical model of English the speakers will have been exposed to in Poland. All four demonstrated some degree of change towards the local variants in the speech of many of the participants, but to greatly differing degrees. Multiple regression analyses helped to determine which factors might be influencing the patterns of variation, with the social constraints of length of residence, level of English, gender, attitude, and identity among those believed to be playing a part. The thesis ends with a discussion exploring the implications of the findings in terms of existing and future research, and looks at how they might usefully be applied to situations outside that of academic linguistics.

Purpose: This study assessed effectiveness of five tools recommended by the US Preventive Services Task Force (USPSTF), designed to help primary care clinicians determine which unaffected patients to refer to genetics specialists for breast cancer risk assessment based on concerning family history. Design: This descriptive secondary analysis included 85 women aged 40-74. All participants had a first-degree female relative previously diagnosed with breast cancer who also had uninformative negative BRCA1/2 tests. Methods: Each pedigree was evaluated using the five tools including the Family History Screen-7 (FHS-7), Pedigree Assessment Tool (PAT), Manchester Scoring System, Referral Screening Tool (RST), and Ontario-Family History Assessment Tool (Ontario-FHAT). All five tools were applied to each study participant. Sensitivity, specificity, positive predictive value, and negative predictive value were calculated to describe each tool’s ability to identify women with elevated risk as calculated by the Claus model. Receiver operating curves (ROC) were also plotted. Differences between areas under the curve (AUCs) for all possible pairs of tools were estimated through logistic regression to assess for differences in tool performance. Results: Claus calculations identified 14 women out of 85 whose lifetime risk of breast cancer was elevated at > 15%. Only two tools, the Ontario-FHAT and FHS-7, identified all 14 women with elevated risk, a sensitivity of 100%. The FHS-7 tool flagged all 85 participants, meaning its specificity was zero. The Ontario-FHAT flagged 59 participants as needing referral (specificity 36.2%) and had a negative predictive value (NPV) of 100%, indicating that if a woman was not found to need a referral to a genetics professional, it is likely she did not have an elevated lifetime risk of developing breast cancer. AUC values were not significantly different between tools (all p values > .05), and thus were not helpful in discriminating between the tools. Conclusion: In this population, the Ontario-FHAT out-performed other tools in terms of sensitivity and negative predictive value; however, low specificity and positive predictive value must be balanced against these findings. Thus, the Ontario-FHAT can help determine which women would benefit from referral to a genetics specialist.

Bakgrund: Patientsäkerhet är ett relativt nytt begrepp, där patientsäkerhetskultur innebär de gemensamma och individuella synsätt och attityder organisationen har gentemot patientsäkerhet och risker. Vårdskador drabbar många, och boende på särskilda boenden för äldre (SÄBO) är en särskilt skör grupp med högre risk för vårdskador och allvarligare konsekvenser av dem. Specialistsjuksköterskan med sin fördjupade omvårdnadskompetens har en viktig roll för en positiv patientsäkerhetskultur vilket ger färre vårdskador och en högre vårdkvalité. Manchester patient safety framework (MaPSaF) är ett teoretiskt ramverk för diskussion kring patientsäkerhetskultur innehållandes nio olika dimensioner av kulturen. Syfte: Att beskriva sjuksköterskors upplevelse av patientsäkerhetskulturen på särskilt boende för äldre. Metod: Kvalitativ innehållsanalys med induktiv ansats, baserad på semistrukturerade intervjuer av sjuksköterskor som arbetar på SÄBO. Resultat: Ur sjuksköterskornas berättelser framkom fem olika kategorier av upplevelser; kommunikation om patientsäkerhet, organisationskultur, lärande organisation, teamsamverkan kring patientsäkerhet samt sjuksköterskans roll i patientsäkerhetskulturen, med totalt 14 subkategorier. Slutsats: Kommunikation, teamsamverkan och lärande är viktiga faktorer för patientsäkerhetskulturen, och ingår i MaPSaF’s dimensioner, där sjuksköterskorna uppger brister i samtliga. Mer kvalitativ forskning om patientsäkerhetskulturen på SÄBO behövs, och författarna ser ett behov av fortsatta satsningar inom SÄBO i området.

This study delves into the perceptions of Manchester City Football Club supporters regarding the club’s Corporate Social Responsibility activities post its 2008 acquisition by Abu Dhabi United Group. Interviews with Swedish MCFC supporters reveal an in-depth understanding of the evolution of their relationship with the club and their views on its CSR endeavors. The study addresses the supporters backgrounds, roles within the supporter association, experiences before and after the ownership change, and their perspectives on the club’s community engagements. A key theme is how these supporters perceive the club’s growing global CSR initiatives in the local community as well as on a global scale and their association with sportswashing allegations. The study presents a nuanced view of how supporters' loyalty and connection with the club intertwine with their perceptions of its social responsibility and global image.

No / The management of cross-sector social partnerships (CSSPs) among government, business, and not-for-profit entities can be complex and difficult. This article considers the importance of organizational experience and learning for the successful development of CSSPs. By analyzing the Manchester Super Casino, this research emphasizes the significant benefits of prior experience with CSSPs that enable partners to learn and develop relationships, skills, and capabilities over time, which then have positive influences on future performance. The result is a refined learning model of the CSSP process that includes key variables for CSSP success. As such, these findings provide a template for managing complex CSSPs from the perspective of the different partner organizations.