(in English): This diploma thesis deals with the literary image of Sicily by analysing characteristic works by four Sicilian authors in the historical period from the process of the Italian unification to the end of World War II. The authors are Giovanni Verga, Luigi Pirandello, Vitaliano Brancati and Leonardo Sciascia. This thesis is based primarily on the assumption that these writers are subjective and empiric authors and their works clearly reflect the fact that they hail from Sicily having been influenced by its societal norms and traditions. The author supports her arguments by the theoretical essays written by Leonardo Sciascia, who devoted his lifetime to the study of Sicily from the historical, social, political and anthropological perspective. The basic prerequisite for this work therefore consists of three theoretical publications: Pirandello e il pirandelismo (1953, Pirandello and the pirandellism), Pirandello e la Sicilia (1961, Pirandello and Sicily), La Sicilia come metafora (1979, Sicily as a metaphor). In this thesis the author attempts to trace the common attributes and linking motifs throughout selected characteristic works and their analysis. As a conclusion, the author summarizes her observations and intends to find more general parallels between the historical development of...

O transplante de células-tronco hematopoéticas (TCTH) consiste em um procedimento complexo e relacionado à ocorrência de diversas complicações, dentre elas os processos infecciosos decorrentes do longo período de imunossupressão vivenciado após a instituição do regime de condicionamento. Inúmeras medidas têm sido empregadas visando à prevenção e controle de infecções, porém, observam-se divergências em relação à utilização das mesmas; sendo que o emprego da prática baseada em evidências possibilita ao profissional tomar decisões em relação à sua prática fundamentadas em resultados de pesquisas científicas atuais. Esta revisão integrativa da literatura teve como objetivo identificar e avaliar as evidências disponíveis na literatura e publicadas nos últimos 20 anos em relação ao uso de três medidas de prevenção de infecção em pacientes submetidos ao TCTH durante o período de internação: uso de filtros de ar de alta eficiência, isolamento protetor e máscaras. Para a seleção dos artigos foram utilizadas as bases de dados LILACS, PUBMED, CINAHL, EMBASE e a Biblioteca Cochrane. A amostra foi composta por 15 estudos, sendo que apenas um apresentou nível de evidência forte (nível I), dois apresentaram nível de evidência moderado (nível IV e V) e doze consistiram em estudos com evidências fracas (nível VI e VII). Dez estudos abordaram a utilização dos filtros HEPA, sendo recomendado seu emprego para pacientes submetidos ao transplante alogênico durante o período de neutropenia. A necessidade de seu uso para pacientes submetidos ao transplante autólogo ainda é controversa. Nove trabalhos abordaram o uso do isolamento protetor e, embora alguns autores relatem que o emprego do mesmo parece apresentar benefícios quando não se dispõe de filtros HEPA, a utilização desta medida já não é mais indicada tanto pelos Centers for Disease Control and Prevention (CDC) quanto pela maioria dos estudos analisados. Em relação à utilização de máscaras por pacientes, profissionais de saúde ou visitantes dentro das unidades de internação para TCTH, não foram encontrados estudos com evidências fortes que justifiquem o seu uso. No entanto, recomenda-se que sejam seguidas as diretrizes dos CDC quanto ao uso de respiradores especiais (como as máscaras N95) pelos pacientes imunocomprometidos submetidos ao TCTH ao deixar a unidade de transplante provida de filtro HEPA quando próximo a ela houver áreas de construção/reforma ou atividades geradoras de poeira. Embora os dados evidenciados auxiliem na tomada de decisão para a implementação da assistência de enfermagem a estes pacientes, verificou-se a necessidade de realização de estudos com nível de evidência forte que comprovem ou refutem a efetividade destas medidas. / Hematopoietic stem cell transplantation (HSCT) is a complex procedure related to the occurrence of different complications, including infectious processes deriving from the long period of immunosuppression experienced after the establishment of the conditioning regimen. Countless measures have been used for infection prevention and control, but divergences are observed with regard to their use; evidence-based practice allows professionals to make decisions for practice based on current scientific research results. This integrative literature review aimed to identify and assess evidence available in literature and published in the last 20 years about the use of three infection prevention measures in patients submitted to HSCT during hospitalization: use of high-efficiency air filters, protective isolation and masks. LILACS, PUBMED, CINAHL, EMBASE and the Cochrane Library were used to select the articles. The sample comprised 15 studies, only one of which presented strong evidence (level I), while two presented moderate evidence (levels IV and V) and twelve were studies with weak evidence (levels VI and VII). Ten studies discussed the use of HEPA filters, recommended for patients submitted to allogeneic transplantation during the neutropenia period. It remains controversial whether these filters need to be used for patients submitted to autologous transplant. Nine studies addressed the use of protective isolation and, although some authors report that using this measure can be beneficial when HEPA filters are unavailable, neither the Centers for Disease Control and Prevention (CDC) nor by most of the studies under analysis indicate it any longer. With regard to the use of masks by patients, health professionals or visitors inside HSCT hospitalization units, no studies with strong evidence were found that justify its use. However, it is recommended that CDC recommendations be followed regarding the use of special respirators (like N95 masks) by immunocompromised patients submitted to HSCT when they leave the transplantation unit with a HEPA filter in case of nearby construction/reform areas or activities that generate dust. Although the evidenced data support decision making with a view to nursing care delivery to these patients, research with strong evidence is needed to prove or reject the efficacy of these measures.

This thesis deals with deposition of GaN thin films and GaN selective growth utilizing pyrolyzed resist masks. Carbon masks were prepared on silicon substrates by electron-beam litography and resist pyrolysis. As a further step, Ga and GaN were deposited on the masked substrates by Moleculer Beam Epitaxy (MBE) method. A selective growth of Ga droplets was achieved. These results were used for preparation of GaN crystallites by pulse deposition. It is also shown that direct MBE deposition of GaN on the masked substrates leads to a selective growth of GaN thin films with GaN film growing only on the areas which are not covered by the carbon mask. The results are explained by enhanced surface diffusion of gallium atoms on the surface of the carbon mask.

Text in English / The destructive nature of conventional analytical techniques, coupled with the finite nature of ancient/historical artefacts, has long restricted technical examinations of museum collections, mainly due to ethical constraints. However, over the past few decades, the application of Non-Destructive Evaluation (NDE) techniques has become increasingly popular within the fields of archaeology and cultural heritage diagnostics. The application of such techniques has facilitated the examination of objects that have long remained uninvestigated. However, this positive development also held a slight drawback, in that researchers tend to now focus on technical analyses alone, while excluding more traditional means of analyses, such as comparative stylistic analysis and surface investigation. By employing a combination of stylistic analysis, visual surface investigation (by means of SLR photography and digital microscopy) and nuclear imaging (by means of Microfocus X-Ray Computed Tomography), the thesis sets out to justify the application of mixed methodologies as part of a more holistic integrated authentication approach. Thus stated, the thesis presents a mixed-methodological approach towards the analysis of selected metal objects from the Ditsong National Museum of Cultural History in Pretoria, South Africa. The objects under investigation include a small collection of ancient Egyptian bronze statuettes, a Samurai helmet (kabuto) and mask (menpó), a European gauntlet, and an Arabian dagger (jambiya/khanjar). While all the objects are curated as part of the museum‘s archaeology and military history collections, the exact production dates, manufacturing techniques and areas of origin remain a mystery. By using a combination of techniques, the thesis aims to identify diagnostic features that can be used to shed light on their relative age, culturo-chronological framework and, by extension, their authenticity. / Old Testament and Ancient Near Eastern Studies / D. Litt. et Phil.(Ancient Near Eastern Studies)

<p>This thesis argues that <i>Morituri</i> by Yasmina Khadra and <i>White Masks</i> by Elias Khoury use the genre of the detective novel as a pretext for social and political critique of Algeria and Lebanon respectively. This thesis links the generic (crime fiction) and the conceptual (Political and Social Critique in Modern Arab World). While the detective novel is traditionally thought of as a non-academic, entertaining part of popular culture, the use of the genre to critique the failure of nation building after colonization elevates the genre and transforms it from mere entertainment to a more serious genre. Both novels are emblematic of a shift in the use of the detective and crime novel to address the political disarray in their respective states and the Arab world as a whole. As modern examples of detective novels in the modern Arab world, <i>Morituri</i> and <i>White Masks</i> transform the genre through their complex interweaving of aspects of the popular genre of detective fiction with the more serious political novel. The historical and political context of both countries at the time of the novels’ settings are an intrinsic part of understanding the crimes and the obfuscation of the perpetrator. In both of these novels, the technical and generic aspects are connected to the thematic, and the detective novel structure is not just there for suspense and entertainment. Instead, this structure points to the neocolonial system, benefitting the most powerful and the most affluent at the expense of the weak, poor, and disadvantaged.</p>

En el presente trabajo de investigación, se desarrolla el origen, significado y evolución de las máscaras de la diablada puneña, mediante la recopilación de diversas fuentes de información, en donde se rescata el testimonio de artesanos, bailarines y pobladores puneños. La investigación plantea el siguiente objetivo: Diseñar una colección de moda street wear femenina a partir del análisis teórico y visual de las máscaras de la diablada puneña. Respecto al desarrollo de antecedentes, solo se encontraron antecedentes nacionales. Esto se debe porque las máscaras de la diablada puneña, es un tema netamente local. De esta manera, el presente trabajado de investigación se desarrolla en base a artistas peruanos. En el estado del arte, se ha entrevistado a expertos en el tema de investigación propuesto, como mascareros y diseñadores para consolidar la información recogida, la cual ha aportado al desarrollo de definiciones y datos relevantes en el presente trabajo de investigación. Asimismo, en base a la teorización de las máscaras de la diablada puneña, se ha desarrollado un proceso visual con moodboards, prototipos de estructuras y volúmenes. En complemento, se realizo un perfil del usuario, lo que permitió realizar bocetos con la descripción analizada. El resultado final, evidencia una relación entre los elementos de las máscaras de la diablada puneña en el proceso creativo, plasmado en cada indumento propuesto. / In this research work, the origin, meaning and evolution of the masks of the diablada puneña are developed, through the compilation of various sources of information, where the testimony of artisans, dancers and residents of Puno is rescued. The research raises the following general objective: Design a collection of women's street wear fashion based on the theoretical and visual analysis of the masks of the devil from Puno. Regarding the development of antecedents, only national antecedents were found. This is because the masks of the diablada puneña, is a purely local theme. In this way, the present research work is developed based on Peruvian artists. In the state of the art, experts in the proposed research topic, such as mask makers and designers, have been interviewed to consolidate the information collected, which has contributed to the development of definitions and relevant data in this research work. Likewise, based on the theorization of the masks of the diablada puneña, a visual process has been developed with moodboards, prototypes of structures and volumes. In addition, a user profile was made, which allowed making sketches with the analyzed description. The final result shows a relationship between the elements of the masks of the diablada puneña in the creative process, embodied in each proposed outfit. / Trabajo de investigación

No description available.

Past, Present, Future is an immersive and interactive art installation that seeks to put displaced Congolese and African artwork - commonly displayed in world museums - into their original cultural context. The exhibit's immersive experience sheds light on the colonial exploitation of African peoples and their lifestyles: specifically the expropriation of lived African spiritual and artistic expressions. These artifacts - sometimes stolen outright, sometimes obtained through imbalanced terms of trade, and sometimes obtained by fair bargain - often appear in exhibits as disembodied objects devoid of explanation or reinterpreted through the conceptions of the exploiters. This phenomenon has historically supported the consciousness of colonialism and now of post- and neo-colonialism, maintaining its propagation through museums, schools, and other institutions worldwide. The exhibition is composed of a virtual environment in addition to projection mapping. The visual, aural, and interactive elements engage with and challenge the viewer's culturally conditioned ways of thought regarding artwork "consumption." This thesis, building on the exhibition, examines the possibilities of employing evolving technology and coding toward the long-term task of "softly" repatriating displaced artifacts while starting a conversation about physical repatriation and providing a model that Congolese scholars and artists can use to preserve and reclaim their cultural heritage. / Master of Fine Arts / Pieces of art from Congo and much of Africa are often perceived in the Western world as exotic objects to be looked at and photographed. To the Congolese people, those objects are an essential part of their ongoing life. It goes without saying that they are central to the collective spirit, sense of the world, cultural identity, and ancestral history. Past, Present, Future is an immersive art installation that takes displaced works from Congo and other settings in Africa and restores their living context through a Congolese artist's lens. This paper examines the process by which they were extracted from their home and found their way onto Western institutions, what they were and what was lost, and how through contemporary technology-integrated creative expression, they may be made whole for the enrichment of those from whom they came, their current hosts, and people everywhere.

La commedia dell'arte is a recognized, vibrant theatrical form that emerged in Italy during the Renaissance. However, while great attention has been given to the particulars of the genre (performance techniques, important troupes, leading players), there lacks a study behind the reasoning for its vast international popularity. In this thesis, I explore why this particular genre was able to cross cultural and linguistic boundaries, finding a dedicated and enthusiastic following in most European countries for over 200 years. After analyzing commedia dell'arte's original development in the Italian peninsula, examining the predominating Carnival ideology and the ability of the troupes to establish both regional and national symbols through the creation of specific stock characters, I will concentrate on the international tours and performances. By looking at the adaptive qualities of the troupes, and specifically their ability to play off of Europe's lack of national identity and Northern European's fascination with their exotic southern neighbor, I will discuss the reaction of Northern Europe with the Italian theatre, with a detailed look into the success of the troupes abroad. The popularity of the troupes will also be explored through the unique adaptation, assimilation and adoption of commedia dell'arte techniques and characters into developing national theatres of the other countries. I will conclude with a look of how commedia dell'arte has been and can continue to be effectively used in today's theatre. The examination of what drew both native and foreign audiences to the commedia dell'arte performances opens up possibilities for modern practitioners who wish to capitalize on the ability of the troupes to successfully play to a wide spectrum of people.

No description available.