This thesis re-examines the writing of Raymond Williams. It has two goals. Firstly, it explores Williams's concept of cultural materialism, which theorises the role played by cultural forms in the creation and contestation of a national political order. Secondly, it extrapolates Williams's implicit critique of the unitary British state, and his theory of how cultural forms relate to that state. In Chapter One, I argue that Williams developed his theory of culture by combining a theoretical critique of national literary traditions with an interest in the emergent drama of nineteenth-century Scandinavia and twentieth-century Ireland and Wales. This theme is developed in Chapter Two, where I suggest that certain cultural and political experiences in Wales helped Williams to develop a cultural theory that was more generally applicable. Central to Williams's political aspirations was an attempt to expand and democratise the education system. In Chapter Three, I argue that Williams's novels can be understood as university fiction, providing examples of the kind of university he wished to develop. Since universities arose as institutions generating a sense of unified national culture during the imperial period, to re-think the work of the university is also to re-think the political make-up of the nation. This theme is expanded in Chapter Four, where I argue that Williams related the break-up of the British empire to the break-up of the British state, via devolution in Scotland and Wales. Williams theorised the part played by fiction and other cultural forms in enabling those nations to develop their own voices. He also showed that fiction could provide an imaginative critique of the unitary British state from a series of other perspectives, notably feminism and ethnic subcultures. Finally, in Chapter Five I argue that Raymond Williams can be understood as a film theorist, and demonstrate that a similar renegotiation of British identities occurs in contemporary film. An interest in the political make-up of the British state, and an attempt to develop alternative political and cultural formations, spanned Williams's career. This aspect of his work has hitherto received little critical attention. By discussing Williams in relation to the political break-up of Britain, this thesis makes a significant contribution to our understanding of the Williams oeuvre.

Writers of the 1830s and 1840s sought to interpret their changing society in an explosion of new forms, developing an all-inclusive aesthetic that saw writing as a direct expression of individual experience, without boundary between life and page and without hierarchy of genre or subject matter. Analyses of social types and behaviour proliferated in which two current preoccupations stood out: the materialist motivation of an industrialising society with an expanding middle class, and the degree of theatricality involved in manoevring for a place in that society. Often groundbreaking, the analyses of August Lewald (1792–1871) were informed by his broad experience which included commerce and the theatre, and for which he was renowned. Contemporary reviews acknowledge the innovativeness of his writing and his sure eye for key issues of the day. In the new conditions after 1848, however, his popularity soon vanished, and he has been largely overlooked since then. My thesis aims to demonstrate that such a strong representative of the period in both his life and works calls for reinstatement as significant writer and personality. Three of Lewald’s works have been selected to support this aim. After an Introduction which tries to place Lewald within the experimental context of the Vormärz, Chapters 1–3 will offer a close reading of each work, contextualised by reference to other works, contemporary reviews, and biographical detail where it seems relevant. Sketches from Album aus Paris exemplify Lewald’s early and influential innovativeness in their humorous scrutiny of social behaviour through observation of its external manifestations, in the style of French Physiologies. Memoiren eines Banquiers exploits fictionalised life-writing as a cover behind which to confront controversial issues around money, Jewish emancipation and prejudice. Theater-Roman plays with the metaphor of society as theatre, conveying the ultimately futile illusoriness of contemporary society’s values, and foreshadowing Lewald’s own increasing rejection of his Vormärz life- and writing style after 1848. My Conclusion claims for Lewald’s life and writing individuality and originality as well as qualities that make him exemplary of his time. It proposes, as a project among other topics for further research, that a new edition of his sketches in particular, enjoyable in their own right, would be a valuable contribution to knowledge of the Vormärz period.

Canals have created grooves through the landscape of England and Wales for over 250 years, but they were dismissed by modernity, and narratives of disenchantment linger. Whilst visitor numbers grow as canals experience a ‘Second Golden Age’ and attempts are made to promote these waterways as ecological resources, they remain overlooked within conservation and their futures are precarious. The linearity of canals generates ecological connection and safe passage, whilst these environments also enable expressive territories and tranquil atmospheres. This research highlights the capacity for canals to enchant and support liveliness, and situates discussions of socio-ecological management within growing national concerns for connectivity as an effective response to climatic change and habitat fragmentation. The twin aims of this research were explored empirically through a case study of the Basingstoke Canal and sought to consider the position of such waterways within conservation and address a neglect of water within human geography. In accompanying practitioners and experimenting with creative methodologies this research begins by demonstrating the possibilities for wonder, surprise, and attachment after the ontological loss of Nature. Subsequent chapters draw upon fieldwork encounters, interdisciplinarity alliances, and a reworking of concepts within ecology and multinatural geography to exercise recombination as the central mode of address of this research. In inflecting the term’s ecological salience with a materialist regard for multiplicity, repetition, and emergence this research challenges the position of canals and the presentation of corridors within conservation. The beguiling simplicity of connectivity has enabled its ready incorporation within conservation discourse, despite a paucity of empirical attention; whilst contributing to work addressing this lacuna this research also introduces a more nuanced notion of complexity into discussions of connectivity and interrogates the apparent separation of corridors and sites. Encounters with the ecologies and publics assembling and disassembling through the Basingstoke Canal demonstrate that linearity does not preclude interested gatherings or absolve management of the obligation to respond, and highlights the need for biosecurity practices which are more articulate and attuned to difference. Recombinant ecologies invite and demand response, but conservation remains spatially cautious and this is further foregrounded as the challenges of incorporating the watery, connective, environments of canals are traced.

Drawing on Butler’s (1990, 1997) concept of performativity and the new materialist work of Barad (2007), Coole and Frost (2010), Pickering (1993), and others as a theoretical framework, this dissertation presents three articles that demonstrate the new ways to envisage the agency of human, nonhuman, and material bodies in the educational environment by examining the discursive, performative, and material practices of six Latina aspiring educational leaders. Guided by Gee’s (2014) critical discourse analysis methodology, the first article examines how my participants were constrained from moving toward their career goals and how they subverted constraints as they moved towards their goals. The second article aims to show how these women use performative, material, and discursive agency to position themselves as viable leaders in their school districts. The third article provides an argument for using posthumanist and new materialist concepts as a new way of understanding women’s leadership ontology by drawing on two examples from my broader study with aspiring Latina educational leaders.

This thesis draws upon modern consumption theory to provide an interpretive research framework for examining material culture and consumer behaviour in the Roman world. This approach is applied to data from twelve Pompeian households to identify patterns of consumption, materiality, and motivations for the acquisition of commodities. Analysis of the assemblage data is performed at multiple levels comprising weighted ranking of goods and the application of Correspondence Analysis, with investigation performed on both functional categories and artefact types. Setting the results against theories of consumption and rationality, consumer choice in the ancient world is examined. From this detailed examination of twelve Pompeian houses, ‘core’ and ‘fringe’ commodities and recurring suites of goods are identified. Non-luxury goods are given particular attention as they provide information concerning the consumption of everyday utility objects. This approach also allows the evaluation of statements about the state of occupation of houses in sites such as Pompeii. The results validate this form of analysis as an important tool for assessing the role of the consumer in economies of the ancient world, moving beyond concepts of conspicuous consumption and group values. This research provides a structured interpretive framework upon which varied archaeological data can be superimposed to interrogate the motivations behind commodity acquisition. This research also raises the potential for future consumption modelling using multivariate statistics. Through the application of consumer theory to Roman data, discussion of ancient economies is shifted away from a focus on production to one of demand, choice, and sites of consumption.

I argue that the resources for political change do not exist as already constituted entities, whether in the form of transcendent values or an already-given consensus. Instead, they must be created; constitutive political action is rooted in creativity, and requires the creation of new movements, new powers, and new values. This creativity, though, does not come from a transcendent outside, as though a bolt from the blue. Instead, political creativity, and the creativity which humans may use to transform politics are themselves rooted in the immanent creativity of the natural and material world. I bring the sciences of Complexity into relation with the philosophies of Spinoza and DeLanda in order to argue that the world is made up of only the one reality of matter-energy, but that this matter-energy is capable of creatively generating novel phenomena. This understanding of the creativity of matter-energy is then used in order to reconceptualise political creativity in materialist terms. Political orders are constituted by a set of capacities or powers in relation, but the field of powers and their possible relations vastly exceeds any one configuration that it enters, and this field of possible relations, and the possible powers that might be formed through these relations, provide boundless resources for constitutive political change.

Det ökade stödet för populistiska rörelser i västvärlden har blivit alltmer påtagligt. Två exempel är Storbritanniens utträde ur EU och Donald Trumps vinst i det amerikanska presidentvalet. I Sverige kan Sverigedemokraterna ses som en framgångsrik populistisk rörelse, då partiet erhållit ett allt starkare väljarstöd sedan grundandet år 1988. I den vetenskapliga litteraturen råder ingen konsensus om orsakerna till Sverigedemokraternas framgångar. Tydliga orsaker kan heller inte hämtas från den internationella forskningsfronten, då inte heller denna kan påvisa en klar linje om vad som förklarar populismens frammarsch i västvärlden. Den erkända statsvetaren Ronald Inglehart har bidragit med en förklaringsmodell och menar att populismens framgångar beror på en cultural backlash gentemot den framväxande dominansen av progressiva värderingar i västvärlden. Utifrån Ingleharts forskning och teori om värderingsförändringar, är syftet med denna uppsats att undersöka om hypotesen om en cultural backlash utgör en relevant förklaringsmodell för individers motiv till att sympatisera med Sverigedemokraterna. Studien utförs genom enkätdata från World Values Survey och SOM-institutet. Resultaten visar att sverigedemokratiska sympatisörer inte står för en cultural backlash i termer av att de sluter upp kring värden som står i motsats till progressiva postmateriella värderingar. Sympatisörerna präglas snarare av en oro över fysisk och ekonomisk otrygghet. Resultaten problematiserar antaganden om att det är sammanhållna reaktioner mot värderingar som driver populismens framgångar.

In this project I argue that trauma is a major component of society. Rather than positioning trauma as an event, I contend that it should be understood as an environmental force. To form this reorientation I look to an actual environment and the ways in which it remembers and responds to systemic violence. Specifically, I track the colonization and exploitation of Mount Baldy, and how natural occurrences such as floods and fires have consistently threatened human development on the mountain. If trauma is both monumentally impactful and an environmental force, then it merits a major rethinking of many of the aspects of human existence that are assumed to be stable. In chapter 1, I move trauma outside of the psychological definitions of the DSM and into a communal and systemic framework. In chapter 2, I use a case study of Mount Baldy to understand how environmental forces react to trauma, which provides a way to imagine how a society or community might collectively operate as a traumatized being. In chapter 3, I undertake a material research process using clay harvested from Mount Baldy. Clay, which mimics characteristics of the human body and is literally a part of the natural environment, connects the embodied nature of trauma for human to the ecological manifestations of trauma. This allows a glimpse at what it might mean to acknowledge trauma as a major component of the human experience.

Thesis advisor: Ronald K. Tacelli / This dissertation arose from concerns that the prevalent philosophy of materialism which reduces everything to matter has inadvertently contributed to the ecological destruction of the planet, and an impoverished understanding of human nature. Conceptual arguments and empirical data cry out for a philosophy beyond materialism (or its current avatar Physicalism) that moves us beyond 17th century classical science, making use of 20th century quantum science to better understand our world. Such a new philosophy would embed a new scientific paradigm that incorporates both the first person point of view and the third person "no point of view."The main issue I engage in this dissertation is whether consciousness can be explained by Physicalism. While functionalism, the dominant theory of Physicalism, answers many questions related to consciousness, it leaves major ones unanswered. I offer a critique of Physicalism using conceptual arguments and empirical data encompassing what I call the "chemistry of attention." I also offer innovative proposals toward a philosophical approach I term "Aspect Monism" that builds on earlier monist philosophies (Spinoza) while incorporating dualistic features, suggesting that this new approach would better account for consciousness. The proximate history of Physicalism to either explain the mind away or reduce it to the brain from Behaviorism through Identity Theory to Functionalism is laid out as well as the difficulty in establishing the boundaries of Physicalism.The project utilizes conceptual arguments to critique Physicalism in three areas of concern: What is left out? What is assumed? What is causing methodological confusion? The areas of qualia, cognition, intentionality, meaning and personhood are left out. This is demonstrated, in part, by various thought experiments like the inverted spectrum argument, the Chinese nation argument, the zombies' argument, the knowledge argument and the Chinese room argument. The problem of causal closure of the physical is that which is assumed. The ambiguity with respect to method is that which causes confusion.Empirical data from the neurosciences (EEG, ERP, fMRI experiments during meditation; OCD and phobia treatment; placebo and nocebo effect) are used to critically analyze Physicalism with respect to mental states and causation and the analysis of such data points to a close relationship between attention and changes in the brain, and subsequently to the collapse of Physicalism into Epiphenomenalism. Such a metaphysical approach to consciousness is suggested from, and provides a home for, the neurophysical approaches to the origins of consciousness. I present a neuro-quantum perspective using Stapp and Penrose-Hameroff who suggest these origins via neuroscience and quantum physics.As we search for a new scientific paradigm and consequently a new metaphysics that takes into consideration the objective and the subjective, and the inner and the outer, a new philosophy and a new scientific paradigm which incorporates both the first person point of view and the third person "no point of view" data is the need of the hour. / Thesis (PhD) — Boston College, 2011. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Philosophy.

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