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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
61

Der Zusammenbruch der Pentarchie in Italien im diplomatischen Spiegel (1494-1500) Studien zur politischen Kommunikation italienischer Gesandter am Hof Maximilians I. /

Petzi, Nicole. January 2008 (has links)
Heidelberg, Universiẗat, Diss., 2007.
62

Die Gartenkultur am Münchner Hof unter Kurfürst Max Emanuel 1679 - 1726 ; Realisierung - Administration - Botanik

Bach, Utta January 2007 (has links)
Zugl.: München, Univ., Diss., 2007
63

Das königliche Hof- und Nationaltheater unter Max I. Joseph von Bayern : Vorgeschichte, Entwicklung und Wirkung eines öffentlichen Theaters /

Ulrich, Claudia. January 2000 (has links)
Univ., Diss.--München, 1998.
64

Via regia religiöse Haltung und Konfessionspolitik Kaiser Maximilians II. (1527 - 1576)

Birkenmeier, Jochen January 2005 (has links)
Zugl.: Berlin, Freie Univ., Diss., 2005
65

Concepts of freedom in the storm and stress dramas by Lenz and Klingef

Kitching, Juta Kovamees January 1967 (has links)
This thesis is based on eleven Storm and Stress dramas of Lenz and Kllnger. It discusses extensively the lack of freedom of their Storm and Stress characters in the society of the day, as seen in the dramas, and also examines these characters' search for freedom and the meaning they attribute to freedom. In addition, this investigation attempts to establish a concept of ultimate freedom and to show that some "Stürmer und Dränger" possess it and are thereby able to carry out their mission of social improvement while finding individual happiness and fulfillment. The term "Stürmer und Dränger" is used throughout the thesis to mean only the Storm and Stress characters in the plays discussed and does not refer to the writers of this period. / Arts, Faculty of / Central Eastern Northern European Studies, Department of / Graduate
66

Cirkushallen i Alby

Olsson, Maximilian January 2012 (has links)
Solidarisk Individualism, kvalitativ galenskap och uppkäftigtengagemang. Ledorden för Cirkus Cirkör berättar tydligt vad verksamhetenhandlar om. kreativitet uppstår i mötet mellan denhögra intuitiva hjärnhalvan och den vänstra rationella. Idéerna vivill förverkliga och förmågan att leverera föds i mötet mellan galenskapoch kvalitet.På samma sätt fungerar Cirkör. De vanliga kontorssysslorna,skolaktivitet, mötesrum och matplats blandas med avanceradscenkonst och akrobatik. Två vitt skilda aktiviteter som kan ochbör berikas av varandra. I dagsläget är lokalerna utformade förkunna förvara så mycket som möjligt, alltså inte för att uppleva ochutveckla konsten. Att skräddarsy den nya byggnaden efter de speciellakrav en cirkusskola har kan ett hus med en speciell karaktärsom passar nycirkus skapas. Genom att låta funktionerna lindasrunt cirkusens hjärta, träningen, skapas en kreativ miljö somspeglar den sprudlande skolan i Alby.
67

Genealogische Herrschaftslegitimierung in Text und Bild

Webers, Linda Elise 08 November 2017 (has links) (PDF)
Im Zentrum der Dissertation steht die Untersuchung der 1518 fertig gestellten 'Fürstlichen Chronik' des Freiburger Juristen und Historiographen Jakob Mennel. Sein monumentales, fünfbändiges Werk berichtet auf mehr als 2600 Text- und Bildseiten von der Genese des Hauses Habsburg und verfolgt diese detailliert durch einen Zeitraum von 2700 Jahren. Die interdisziplinär angelegte Grundlagenarbeit an der Schnittstelle von Kunstgeschichte, Literatur- und Geschichtswissenschaft erfasst sämtliche Kodizes der Chronik erstmals vollständig in Form einer Inhalts- und Funktionsanalyse. Genealogie wird als Denk- und Argumentationsmuster erläutert, der politisch-gesellschaftliche Hintergrund verschiedener Habsburger-Genealogien ab dem 10. Jh. skizziert und in das gedechtnus-Werk Kaiser Maximilians I. (1459-1519) eingeführt, um darauf basierend den Aufbau, die Zielsetzung und Funktion der 'Fürstlichen Chronik' Jakob Mennels herauszuarbeiten. Gezeigt wird, dass Mennels Genealogie dem Kaiser nicht nur zur Legitimierung seiner Herrschaft, sondern auch zur Stabilisierung der stets prekären Macht diente: Dies funktioniert einerseits über Mennels genealogischen Entwurf, insbesondere dessen ungebrochene Linienführung und die Rückbindung an die Idoneität, Tugend und Potenz zahlreicher weiterer Adelsgeschlechter. Verbreitet wird das in der Chronik entworfene Wissen durch bedeutende Bildwerke maximilianischer gedechtnus, die als Ergebnisse einer medialen Transformation der genealogischen Formel beschrieben werden. Dieser Konnex bildet neben dem Einbezug der weiteren Verarbeitung und Rezeption der 'Fürstlichen Chronik' den zweiten großen Untersuchungsschwerpunkt der Dissertation. Zentrale Aussagen der Chronik nehmen als implizite politisch-territoriale Ansprüche, in Text und Bild der einzelnen Medien jeweils divers organisiert, konkrete Gestalt an. Sie trugen, so die These, mit der Verbreitung des genealogischen Wissens der 'Fürstlichen Chronik' entscheidend zur Legitimierung und Stabilisierung habsburgischer Herrschaft bei - die bis 1918 bestand.
68

O espelho de Clio : olhares em choque sobre o novo mundo

Silva, Danuzio Gil Bernardino da 01 August 2018 (has links)
Orientador : Olga Rodrigues de Moraes von Simson / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-01T23:22:46Z (GMT). No. of bitstreams: 1 Silva_DanuzioGilBernardinoda_M.pdf: 20204591 bytes, checksum: 07483e8995781c047ca86173e3067413 (MD5) Previous issue date: 2002 / Mestrado
69

O príncipe Maximiliano de Wied-Neuwied e sua viagem ao Brasil (1815-1817) / Prince Maximilian von Wied-Neuwied and his trip to Brazil (1815-1817)

Costa, Christina Rostworowski da 15 September 2008 (has links)
Esta dissertação de mestrado tem como enfoque o livro Viagem ao Brasil, escrito pelo Príncipe Maximiliano de Wied-Neuwied, bem como as imagens, gravuras e aquarelas produzidas pelo príncipe por conta da viagem. Entre 1815 e 1817, o príncipe percorreu os atuais estados do Rio de Janeiro, Espírito Santo, Minas Gerais e Bahia. Esta viagem resultou no diário publicado na Alemanha em 1820 e em diversos outros países e línguas nos anos subseqüentes. O diário de Maximiliano poderia ter sido relegado, como tantos outros diários produzidos no século XIX sobre o exótico Novo Mundo, mas sua descrição minuciosa da história natural do país e o tratamento pitoresco conferido à população que hora serve para confirmar os estereótipos de Maximiliano, hora para justificar a originalidade de seus escritos chamam a atenção do leitor através da presença de Guack, índio Botocudo que dispensa as funções de acompanhante, tradutor e, sobretudo, interlocutor indispensável no contato de Maximiliano com o território desconhecido e inexplorado. Contudo, por meio do papel de Guack na narrativa pode-se perceber que o território percorrido por Maximiliano é tudo menos desconhecido ou inexplorado, e sua população certamente não é virgem ou intocada. A análise concentra-se na criação da denominação Botocudo, nas estratégias usadas pelos nativos em seu constante contato com os portugueses, os escravos oriundos da África e mesmo entre os diversos grupos indígenas, e quão pouco consciente Maximiliano parece ser no que diz respeito à realidade que o cerca, na produção do diário, pinturas e aquarelas a serem apreciados pelos europeus. / This thesis focuses on the diary written by Prince Maximilian von Wied Neuwied, based on his journey in Brazil. Throughout the years of 1815 to 1817, the prince traveled across the current Brazilian states of Rio de Janeiro, Espírito Santo, Minas Gerais and Bahia. His two-year journey resulted in a diary, published in Germany in 1820 and in several other countries and languages during the following years. Even though it could have been yet another journal amidst the hundreds produced in the nineteenth century concerning the exotic New World, its thorough description of the countrys natural history and its picturesque approach to its population which at times are either brought about to confirm Maximilians stereotypes and previous readings on Brazil, and at other times, to justify the originality of his writings catches the readers eyes for the subtle presence of Guack, an Indian from the so-called Botocudo tribe who plays a crucial role in the journey both as Maximilians accompanier, translator, and above all, indispensable interlocutor in the acquaintance with what Maximilian refers to as this unknown, unexplored territory. Yet it is by means of Guacks role in the narrative that one is inevitably driven to see that the territory Maximilian visits is anything but unknown or unexplored, and its population is anything but virgin and untouched. The analysis focuses on the creation of the Botocudo label, which can be traced as early as the sixteenth century, the strategies used by the natives in their constant contact with the Portuguese, the African slaves and even amongst themselves, and how aloof Maximilian seems to be regarding the reality surrounding him while producing his diary, paintings and images for his European counterparts.
70

O príncipe Maximiliano de Wied-Neuwied e sua viagem ao Brasil (1815-1817) / Prince Maximilian von Wied-Neuwied and his trip to Brazil (1815-1817)

Christina Rostworowski da Costa 15 September 2008 (has links)
Esta dissertação de mestrado tem como enfoque o livro Viagem ao Brasil, escrito pelo Príncipe Maximiliano de Wied-Neuwied, bem como as imagens, gravuras e aquarelas produzidas pelo príncipe por conta da viagem. Entre 1815 e 1817, o príncipe percorreu os atuais estados do Rio de Janeiro, Espírito Santo, Minas Gerais e Bahia. Esta viagem resultou no diário publicado na Alemanha em 1820 e em diversos outros países e línguas nos anos subseqüentes. O diário de Maximiliano poderia ter sido relegado, como tantos outros diários produzidos no século XIX sobre o exótico Novo Mundo, mas sua descrição minuciosa da história natural do país e o tratamento pitoresco conferido à população que hora serve para confirmar os estereótipos de Maximiliano, hora para justificar a originalidade de seus escritos chamam a atenção do leitor através da presença de Guack, índio Botocudo que dispensa as funções de acompanhante, tradutor e, sobretudo, interlocutor indispensável no contato de Maximiliano com o território desconhecido e inexplorado. Contudo, por meio do papel de Guack na narrativa pode-se perceber que o território percorrido por Maximiliano é tudo menos desconhecido ou inexplorado, e sua população certamente não é virgem ou intocada. A análise concentra-se na criação da denominação Botocudo, nas estratégias usadas pelos nativos em seu constante contato com os portugueses, os escravos oriundos da África e mesmo entre os diversos grupos indígenas, e quão pouco consciente Maximiliano parece ser no que diz respeito à realidade que o cerca, na produção do diário, pinturas e aquarelas a serem apreciados pelos europeus. / This thesis focuses on the diary written by Prince Maximilian von Wied Neuwied, based on his journey in Brazil. Throughout the years of 1815 to 1817, the prince traveled across the current Brazilian states of Rio de Janeiro, Espírito Santo, Minas Gerais and Bahia. His two-year journey resulted in a diary, published in Germany in 1820 and in several other countries and languages during the following years. Even though it could have been yet another journal amidst the hundreds produced in the nineteenth century concerning the exotic New World, its thorough description of the countrys natural history and its picturesque approach to its population which at times are either brought about to confirm Maximilians stereotypes and previous readings on Brazil, and at other times, to justify the originality of his writings catches the readers eyes for the subtle presence of Guack, an Indian from the so-called Botocudo tribe who plays a crucial role in the journey both as Maximilians accompanier, translator, and above all, indispensable interlocutor in the acquaintance with what Maximilian refers to as this unknown, unexplored territory. Yet it is by means of Guacks role in the narrative that one is inevitably driven to see that the territory Maximilian visits is anything but unknown or unexplored, and its population is anything but virgin and untouched. The analysis focuses on the creation of the Botocudo label, which can be traced as early as the sixteenth century, the strategies used by the natives in their constant contact with the Portuguese, the African slaves and even amongst themselves, and how aloof Maximilian seems to be regarding the reality surrounding him while producing his diary, paintings and images for his European counterparts.

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