<p>The purpose of this thesis is to analyze how museums, seen as heterotopic places where time and space act simultaneously, can, with the help of museum educators and guides, integrate the foreign citizens in Sweden. The analysis is done with the help of three institutions: The Vasa Museum, the Royal Armory and The Great Synagogue in Stockholm.</p><p>The author of the thesis argues that recruiting trained personnel with foreign roots by museums would help significantly in the creation of a sense of collective identity and belonging among those citizens who are just adapting to the country. Through the use of Swedish, in conjunction with their mother tongue, as well as analogies, an important contribution can be attained in their integration.</p><p>In this work, concepts such as the accent, are treated in a categorical manner, as the author, with the assistance of other researchers, concluded that the accent should not influence the perception of the intellectual and work capability of a professional museum educator/guide.</p><p>History represents another key element in this thesis, as it discusses the way to find a new narrative form to channel history and refer to it, thus sharing historical roots with these new immigrants in Sweden.</p>

The purpose of this thesis is to analyze how museums, seen as heterotopic places where time and space act simultaneously, can, with the help of museum educators and guides, integrate the foreign citizens in Sweden. The analysis is done with the help of three institutions: The Vasa Museum, the Royal Armory and The Great Synagogue in Stockholm. The author of the thesis argues that recruiting trained personnel with foreign roots by museums would help significantly in the creation of a sense of collective identity and belonging among those citizens who are just adapting to the country. Through the use of Swedish, in conjunction with their mother tongue, as well as analogies, an important contribution can be attained in their integration. In this work, concepts such as the accent, are treated in a categorical manner, as the author, with the assistance of other researchers, concluded that the accent should not influence the perception of the intellectual and work capability of a professional museum educator/guide. History represents another key element in this thesis, as it discusses the way to find a new narrative form to channel history and refer to it, thus sharing historical roots with these new immigrants in Sweden.

Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2016-06-09T18:44:48Z No. of bitstreams: 2 Dissertação - Antonia Camila Alves Moreira - 2016.pdf: 1327251 bytes, checksum: 940c47c37b17cbaa43f2f815c8d5a6b9 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-06-10T13:09:50Z (GMT) No. of bitstreams: 2 Dissertação - Antonia Camila Alves Moreira - 2016.pdf: 1327251 bytes, checksum: 940c47c37b17cbaa43f2f815c8d5a6b9 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2016-06-10T13:09:50Z (GMT). No. of bitstreams: 2 Dissertação - Antonia Camila Alves Moreira - 2016.pdf: 1327251 bytes, checksum: 940c47c37b17cbaa43f2f815c8d5a6b9 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2016-03-01 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / In this reserach, the axis of discussion is the Art Museum Educator Formation. From the shared experience of Museum Studies Group, Museum in listen, and guided by the action-research principles, the research paths intertwine, intermingle and unfold on my journey of educator-researcher, in perspective of the experiences of participants of/in research - between conversations and listenings, and in line with the reflections on the role of education in exhibition spaces and art museums. The main objective of the research was to establish listening process between educators and concerned about Education in Museums, in order to build arguments on the concept of experience at the Art Museum Educator Formation and also on the role of Visual Culture in the process of formation. The Studies Group added Art Course undergraduate students and related areas, the Federal University of Goiás (UFG), and its activities developed in meetings at the Cultural Center of UFG, from period of September to December 2014. / Nesta pesquisa, o eixo de discussão é a Formação de Educadores de Museus de Arte. A partir da experiência compartilhada no Grupo de Estudos Museu na Escuta e orientados pelos princípios da pesquisa-ação, os caminhos de investigação entrelaçam, imbricam e se desdobram sobre o meu percurso de educadora-pesquisadora, em perspectiva das experiências dos participantes da/na investigação – entre conversas e escutas, e em consonância com as reflexões sobre o papel da Educação em espaços expositivos e Museus de Arte. O objetivo central da pesquisa foi instaurar processos de escuta entre Educadores e interessados sobre Educação em Museus, com o propósito de construir argumentos sobre o conceito de experiência na Formação de Educadores de Museus de Arte e também sobre o papel da Cultura Visual nesse processo de Formação. O grupo de estudo agregou estudantes de graduação do curso de Artes e áreas afins, da Universidade Federal de Goiás (UFG), e suas atividades desenvolveram-se em reuniões no Centro Cultural UFG, no período de setembro a dezembro de 2014.

This study focuses on the educational activities carried out in Swedish museums. Activity pedagogy is a concept that concerns learning with a combination of activities. The museums meet a new generation of museum visitors who want to experience and participate in the educational activities. As going from being passive participants to active actors becomes more natural, this could create a problem för the museums. The pedagogical tools that are available today for the museum educators are based on cultural-historical objectess and clothes that have a direct connection to the historical time period the museum manages. The museums act as an arena för knowledge, but it has been stated that there are shortcomings in the educational activities. The basis is the objects that are available in the museums exhibition and the educational offer is based o the exhibitions, but there is an opportunity to discuss and highlight other topics. Tactile spaces and digital tools have begun to become a more natural of the museum's activities, but there are pros and cons to it. The study is based on the educational activities carried out at Old Uppsala Museum and the Nordic Museum. A combination of observation and interview studies, but also current research of museum pedagogy has been the basis for this study. The result is that the tools available in today's museums have a basic idea, but that there is room for development. Offering visitors to participate and make suggestions for improvment is a step in the right direction. Activity pedagogy and object-based tours must be preformed for each visitor group, regardless of age. It has emerged in my study that objects incorporated in the displays increase the quality of the guided tour. This is a two years master's thesis in Museum and Cultural Heritage Studies.

No description available.

Esta pesquisa teve como objetivo investigar, com base na Teoria Antropológica do Didático (TAD), como educadores de um museu de ciência planejaram uma atividade educativa cujo tema central é uma controvérsia científica. O estudo aconteceu no Museu de Microbiologia do Instituto Butantan (MMB) em um contexto em que o educativo do museu participou de um curso de extensão intitulado Temas controversos e museus de ciências, a partir de uma parceria entre o Grupo de Estudo e Pesquisa em Educação Não Formal e Divulgação Científica/GEENF da Faculdade de Educação da USP, e o referido museu. O objetivo do curso foi estimular o debate nos educadores do museu acerca das potencialidades e dos desafios de se trabalhar com controvérsias em museus e exposições. A avaliação final do curso consistiu na produção de roteiros educativos que versassem sobre uma controvérsia científica. Dentre os temas propostos, o planejamento do roteiro As diferentes abordagens sobre a vacina contra o HPV foi selecionado como objeto de estudo dessa pesquisa, uma vez que o mesmo serviu de modelo experimental para esse tipo de ação educativa no museu. Os dados foram coletados durante os encontros de planejamento do grupo e foram constituídos pelas falas dos integrantes. Para análise nos apoiamos nos conceitos de praxeologia, de Percurso de Estudo e Pesquisa (PEP) e de níveis de co-determinação propostos por Yves Chevallard e colaboradores no contexto da Teoria Antropológica do Didático/TAD. Esta teoria auxilia a descrever como determinadas tarefas destinadas ao ensino de diferentes áreas de conhecimento são organizadas pelo didático e, desse modo, realizamos a análise praxeológica do planejamento explicitando os elementos que compõem o bloco logos e o bloco práxis. Na discussão, utilizamos o conceito de Percurso de Estudo e Pesquisa (PEP) e níveis de co-determinação em que a ação do didático é sistematizada em momentos de estudo. Foram identificados os momentos de estudo do planejamento dos educadores, possibilitando a compreensão sobre a forma com que os saberes do bloco logos praxeológico são acessados por eles. Foi possível também verificar quais foram as condições e as restrições que permitiram ou não que os educadores acessassem o bloco lógico da praxeologia. Os resultados da investigação revelaram a importância de promover ações de formação na rotina dos educadores de museus, uma vez que verificamos que nos quatro momentos de estudo vivenciados por eles durante o PEP, as situações relacionadas diretamente ao curso de extensão foram as que mais permitiram que os educadores acessassem o bloco lógico sobre a controvérsia do HPV. Além disso, ficou evidente que também houve um ganho institucional para o MMB, pois ao possibilitar que os educadores trabalhassem com novas teorias e metodologias, o museu ampliou seu escopo de atividades oferecidas, assim como em novas maneiras de abordar a relação entre ciência e sociedade para o seu público. / This research meant to investigate, based on Anthropological Theory of the Didactic (ATD), how educators in a science museum planned an educational activity whose central theme is a scientific controversy. The study occurred at the Museum of Microbiology of Butantan Institute (MMB) in a context in which the educational part of the museum participated in an extension course called Controversial Themes and the science museum, together with Group of Study and Research in Non-Formal Education and Scientific Dissemination/GEENF of the School of Education USP and the museum mentioned previously. The goal of the course was to encourage the debate among the educators of the museum concerning the potentialities and challenges of working with controversies in museums and exhibitions. The final assessment of the course consisted in the production of educational scripts about a scientific controversy. Among the proposed themes, the planning of the script \"The different approaches to the HPV vaccine\" was selected as the object of study of this research, since it served as an experimental model for this type of educational action in the museum. The data were collected during the planning meetings and they were formed by the speeches of the participants. The analysis was supported by concepts of praxeology of Research and Study Courses (RSC) and the levels of co-determination proposed by Yves Chevallard and collaborators in the context of Anthropological Theory of the Didactic (ATD). This theory helps to describe how certain tasks aimed at different areas of knowledge are organized by the didactics. This way, we do a praxeology analysis and planning explain the elements which form the block logos and the block praxis. In the discussion the concept Research and Study Courses (RSC) and the levels of co-determination are used in which the didactic action is systematized during periods of study. The periods of study and planning by the educators were identified, enabling the understanding about the way in which the knowledge of the praxeological block logos are accessed by them. It was also possible to verify which conditions and restrictions allowed or not the educators to access the logical block of praxeology. The results of the research revealed the importance of promoting training actions in the routine of museum educators, since we found that in the four moments of study experienced by them during the RSC, the situations directly related to the course of extension were the ones that most allowed educators to access the logical block on the HPV controversy. Moreover, it was evident that there was also an institutional gain for the MMB, because by enabling educators to work with new theories and methodologies, the museum expanded its scope of activities offered, as well as in new ways of addressing the relationship between science and society for your public.

No description available.

No description available.