The Museum Studies thesis project represented by this document entailed the compilation of a board of directors orientation packet for the Gila River Indian Community's recently established Huhugam Heritage Center (HHC) in Chandler, Arizona. The packet, including an administrative history of the institution and an annotated bibliography of museological resources on issues relevant to tribal museums, provides current and future members of the HEZC Board of Directors with information needed to effectively carry out their duties. Research and preparation of the administrative history constituted a case study of Native American tribal museum development. The history supplies members of the HHC Board of Directors with information critical to their understanding and oversight of the institution. The annotated bibliography reviews and serves as a guide to a body of literature addressing practical, ethical and theoretical issues relevant to persons working for, with or on behalf of tribal museums.

A HISTORICAL CASE STUDY OF THE ARIKARA, HIDATSA, AND MANDAN INDIANS AT HAMPTON NORMAL AND AGRICULTURAL INSTITUTE, VIRGINIA, 1878-1911 By Nancy E. Jones-Oltjenbruns, Ph.D. A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. Virginia Commonwealth University, 2012 Director: Maike I. Philipsen, PhD Professor, School of Education Hampton Normal and Agricultural Institute played a role in the education of American Indians. This facet of American Indians education was examined through the lives of Arikara, Hidatsa, and Mandan students from the Fort Berthold Reservation in North Dakota. The Three Affiliated Tribes’ students attended Hampton between 1878 and 1911. The federal government generally viewed American Indians as a problem so efforts were made to assimilate them into the majority culture. Education was a component of that process. The lack of knowledge about the Plains Indians contributed to their selection for this study. Lesser known tribes do not have a prominent place in the scholarship on 19th century Indian education. This study contributes to the literature by providing historical evidence related to the Fort Berthold Reservation students. The majority of teachers who instructed Indian students were non-Indian, but it was important for them to understand the specifics of Indian culture. Early staff at Hampton thought of themselves as civilizers, missionaries, and teachers. When the doors of Hampton opened, it was the role of staff to instruct the African American students in those skills that would allow them to advance in the White world. This was the same mandate regarding American Indians. The staff was instrumental in every aspect of American Indian education. Although Indian students including the Fort Berthold students never gained equal standing with African Americans or Whites on campus, they acquired a level of acceptance by staff and students. Views of Indian students toward staff, their education, school, and fellow students varied. There were members of the Fort Berthold Reservation who appreciated their education at Hampton, while some students did not complete their educational endeavors. Generally, Fort Berthold students learned skills that would be useful upon their return home. The Indian students felt they had an obligation to their people and that education was more than groundwork for their own prosperity. While education could provide a respectable living, the Fort Berthold Reservation students had a responsibility to teach those back on the reservation.

This thesis reads the fiction and poetry of Spokane/Coeur d’Alene writer Sherman Alexie as predominantly urban Indian literature. The primary experience of the growing majority of American Indians in the twenty-first century consists in the various threats and opportunities presented by urban living, yet contemporary criticism of literature by (and about) American Indians continues to focus on the representations of life for those tribally enrolled American Indians living on reservations, under the jurisdiction of tribal governments. This thesis provides critical responses to Alexie’s contemporary literary representations of those Indians living apart from tribal lands and the communities and traditions contained therein. I argue that Alexie’s multifaceted representations of Indians in the city establish intelligible urban voices that speak across tribal boundaries to those urban Indians variously engaged in creating diverse Indian communities, initiating new urban traditions, and adapting to the anonymities and visibilities that characterise city living. The thesis takes a broadly linear chronological structure, beginning with Alexie’s first published collection of short stories and concluding with his most recent works. Each chapter isolates for examination a distinct aspect of Alexie’s urban Indian literature, so demonstrating a potential new critical methodology for reading urban Indian literatures. I open with a short piece explaining my position as a white, British scholar of the heavily politicised field of American Indian literary studies, before the introductory chapter positions Alexie in the wider body of Indian literatures and establishes the historical grounds for the aims and claims of my research. Chapter one is primarily concerned with the short story ‘Distances’, from The Lone Ranger and Tonto Fistfight in Heaven (1993), and the Ghost Dance religion of the late nineteenth century, reading Alexie’s representations of this phenomenon as explorations of the historical and political tensions that divide those Indians living on tribal lands and those living in cities. Chapter two discusses the difficulties of maintaining a tribal identity when negotiating this divide towards the city, analysing the politics of indigenous artistic expression and reception in Alexie’s first novel, Reservation Blues (1995). Alexie’s second novel, Indian Killer (1996), signals the relocation of his literary aesthetics to the city streets, and chapter three detects and unravels the anti-essentialist impulse in Alexie’s (mis)use of the distinctly urban mystery thriller genre. Grief, death and ritual are explored in chapter four, which focusses on selected stories from Ten Little Indians (2003), and explains Alexie’s characters’ need for new, urban traditions with reference to an ethics of grieving. Chapter five connects the politics of time travel to the representation of trauma in Flight (2007), and addresses Alexie’s representations of violence in Ten Little Indians and The Toughest Indian in the World (2000), proposing that it is the structural violences of daily life, rather than the murder and beatings found throughout his work, that leave lasting impressions on urban Indian subjectivities. My conclusion brings together my approaches to Alexie’s urban Indian literature, and suggests further areas for research.

Master of Science / Department of Horticulture, Forestry, and Recreation Resources / Charles J. Barden / Due to health and nutritional disparities, prevalence of obesity and related diseases among American Indians is found to be higher than the U.S. general population. To promote a healthy lifestyle, the long term goal of this project is to increase fresh fruit and vegetable availability through gardening for the Prairie Band Potawatomi Nation (PBPN) tribe in Kansas. In achieving this ultimate goal, two studies were conducted with the objectives of: 1) Evaluate the nutritional and behavioral health indicators for the residential population of the tribe and identify key constraints of gardening activity in the reservation; and 2) Conduct vegetable cultivar trials comparing different open pollinated (OP) and hybrid cultivars of tomato (Lycopersicon lycopersicum), pepper (Capsicum annum) and eggplant (Solanum melongena var. esculentum) to identify best yielding cultivars. Three surveys were conducted to assess the residential population with respect to gardening activity, fruit and vegetable consumption, health status, physical activity and socioeconomic status, using convenience samples. Cultivar trials comparing 6 pepper, 3 eggplant, and 5 tomato cultivars were conducted in 2012 and 2013 growing seasons. PBPN respondent group revealed significant health disparities compared to the general U.S. and Kansas populations. A higher proportion of this group was in poverty which had strong correlations with land ownership, gardening experience, and attendance to gardening workshops. “No knowledge” and “no space” were identified as key gardening constraints. Hybrid Jetstar was the best tomato cultivar identified, while Cherokee Purple was the best yielding OP cultivar. No difference in performance was observed among the three eggplant cultivars tested. Sweet pepper hybrids Flamingo and Alliance outperformed OP California Wonder which was moderate in production. OP chili pepper cultivars Anaheim 118 and hybrid Chili G76 outperformed hybrid Charger. Identified best yielding cultivars could be distributed among tribal members to support in-place gardening initiatives. Gardening limitations of “no land” and “no knowledge” could be mitigated by increasing participation at the community garden and attendance for gardening workshops. Strategic approaches should be implemented to attract people in poverty to engage in gardening and increase gardening activity in the reservation for nutritional, health and economic benefits.

Doctor of Philosophy / Department of History / Bonnie Lynn-Sherow / American Indian material culture collections are protected in tribal archives and transnational museums. This dissertation argues that the Plains Indian people and Euroamerican people cross pollinated each other’s material culture. Over the last two hundred years’ interpretations of transnational material culture acculturation of the 19th - Century North American Plains Indians has been interpreted in venues that include arts and crafts, photography, museums, world exhibitions, tourism destinations, entertainments and literature. In this work, exhibit catalogs have been utilized as archives. Many historians recognize that American Indians are vital participants and contributors to United States history. This work includes discussions about North American Indigenous people and others who were creators of material culture and art, the people who collected this material culture and their motives, and the various types of collections that blossomed from material culture and oral history proffering. Creators included Plains Indian women who tanned bison hides and their involvement in crafting the most beautiful art works through their skill in quillwork and beadwork. Plains Indian men were also creators. They recorded the family’s and tribe’s histories in pictograph paintings. Plains Indian storytellers created material that was saved and collected through oral tradition. Euroamerican artists created biographical images of the Plains Indian people that they interacted with. Collections of objects, legends, and art resulted from those who collected the creations made by the creators. Thus today there exists fine examples of ethno-heirlooms that pay tribute to the transnational acculturation and survival of the American Indian people of the Great Western Northern American Plains. What is most important is the knowledge, and an appreciation for the idea that a transnational cross-pollination of cultures enriched and became rooted in United States history.

The purpose of this dissertation was to capture the voice of the Louisiana Native American students who attend Louisiana institutions of higher education. Native Americans are the least represented minority in colleges. More have entered college in recent years, yet they continue to leave college at a high rate. It is important to understand what motivates Native students to attend college and what keeps them in college. When an understanding of their persistence is achieved, strategies can be implemented to assist others. Research questions that prompted inquiry relate to a Louisiana Native American perspective. All of the research questions ask about the higher education experience and support the primary question: How can the higher education experiences of Native Americans be explained in models of persistence? This dissertation reviews the literature concerning persistence and departure of minority students. Development of ethnic identity is reviewed. The focus of this phenomenological qualitative research study was to examine the experiences of Native Americans during their collegiate journey. Twelve Native American students who attend five institutions of higher education in southern Louisiana were interviewed with open ended questions about their college experiences. Three participants were male and nine were female. Three tribal groups were represented: Choctaw-Apache, Coushatta and the United Houma Nation. Responses have been analyzed using the cultural model presented by Guiffrida (2006) and support the need for a cultural perspective, with the addition of the tribe as an influence. Students were satisfied overall with their experiences. Instances of stereotyping were present that made some students uncomfortable. Intrinsic motivation focused on competency and was frequently coupled with the sense of belonging. Extrinsic motivation came from tribal educational values which provided the cultural capital to pursue a degree. Intended application of the degree was most frequently tied back to the Indian community. Tribal influence was present from intention through to application of the degree. The responses of the participants in this study support a bicultural level and strong enculturation. A model of enculturation is proposed to address the participants' responses.

Since the 1992 republication of On Our Own Ground: The Complete Writings of William Apess, a Pequot, most academic work on Apess has focused on his Methodism, his Native American identity, or the intersection between these two parts of his life and work. Dr. Tim Fulford is the only scholar to have written about Apess and Romanticism. In his book Romantic Indians: Native Americans, British Literature, and Transatlantic Culture, 1756-1830, Fulford illustrates the elegiac modes often present in the work of Apess. This thesis will examine William Apess’ Son of the Forest as an expression of early nineteenth century American Romanticism from a post-colonial standpoint. Apess uses Romantic rhetoric to define Native American identity and through that identity, argue for Native American political agency.

Historically, metric and morphological standards used in forensic anthropology and bioarcheology were derived from individuals of European and African descent and ancient Native Americans. However, it is unlikely that these standards can be accurately applied to modern Asian populations. Due to different population histories, it is hypothesized that ancient Native American and modern Thai individuals are metrically distinct. This study investigates the metric differences in sexual dimorphism between 102 Native American (American Museum of Natural History) and 100 modern Thai (Khon Kaen University) individuals 17 to 96 years of age. A total of 28 cranial, 9 mandibular and 58 postcranial measurements were compared between Native American and Thai individuals. Subsequently, select measurements were tested in Spradley and Jantz's (2011) American Black and White sex estimation equations to see how equations derived from non-Asian populations perform on Native American and Thai individuals and to ascertain if population differences exist in the expression of sexual dimorphism. Lastly, population-specific logistic regression equations were developed for both sample populations. Using logistic regression equations and discriminant function analyses - quasi-ordinary least squares, the Native American and Thai groups are significantly different in the expression of sexual dimorphism. Further, Spradley and Jantz's (2011) equations often fail to correctly classify Native American and Thai individuals. In particular, the equations derived from American Black and White individuals frequently classified modern Thai and Native American males as females. Conversely, three American White equations and eight American Black equations classified more females as males for both populations. Therefore, the metric sex estimation methods developed on non-Asian populations do not adequately classify Native American and Thai individuals. The application of sex estimation methods developed on non-Asian populations results in reduced discriminatory power because Native Americans and Thais are less sexually dimorphic than African and European American individuals. The equations developed on the modern Thai sample correctly classified 71.1 - 96.0% of the individuals, while those developed on the Native American samples correctly 78.1 - 97.8%.

This dissertation explores the entanglements of racialized histories and experiences in America with conceptions of animals and animality and examines how African American and Native American writers render these intersections in early-twentieth-century American literature. While animals, with their physical and behavioral features and subordinate status within Western cultural frameworks, were fundamental figures in the US racial imaginary, which relied on dehumanization as a weapon of control, animals (and conceptions about them) also curiously offered a way around and outside of the categorically demeaning declarations of “the human.” Through literary explorations of the nonhuman, the writers in this project reveal forms of interspecies affinity and understanding that affirm biotic connection and also make fantastically strange creatures with whom humans share domestic and proximal space. The figure of “the human” as separate, above, and radically distinct from other life becomes not only strange as well through these readings, but becomes visible as a prominent obstacle to social egalitarian and ecologically cooperative ways of living. I build on research in animal studies and critical race studies approaches to posthumanism to observe how race inflects literary animal representations while also tracking how animality interacts with various notions of personhood. While animalization often coincides with racialized and dehumanized personhood status, writers like Anita Scott Coleman and Zitkala-Ša rupture those associations and engage the animal (comparisons to it and becomings with it) as a fundamentally humanizing figure. On the flip side, Zora Neale Hurston’s Their Eyes Were Watching God demonstrates how a racialized animalization trope operates in the novel to defend the killing of a black man. These writers all collapse the binary between human and animal while demonstrating how that binary operates in concert with racial binaries in an American context that extols the human. Reading animals through a lens that acknowledges how race and animality intersect ultimately opens routes for rethinking what it means to be human and defining how we view the nonhuman.

One of the most understudied frontiers, the Kentucky frontier was also one of the most violent. For twenty years this region was affected by a bloody war that came to involve the new settler population, numerous Indian tribes, the British, and the American government. More than a border war, the battle for Kentucky and the trans-Appalachian west came to define the communities which grew up in its midst, altering world views, attitudes, and compounding prejudices. It is the purpose of this thesis to accomplish two goals: first, this work will tackle the lack of recent scholarship on this region by providing a detailed history of the Kentucky frontier during the American Revolution and its subsequent period. The second goal of this thesis is to study, analyse and understand how the violence generated by the war with the Indians helped to shape settler society. By thinking of violence not purely as the result of other, more potent social forces – racism, economic fears, competition for land – it is possible to study and understand its formative impact upon early American society. From the short term development of vendetta fuelled warfare to the long term impact this war had upon relations between white and Native America, the war for the trans-Appalachian west saw violence taking on a particularly important, particularly formative role.