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151	Oteiza-Newman-Mies van der Rohe: espacios compartidos. Una hermenéutica de la desocupación del espacio en escultura, pintura y arquitectura Mena Palacín, Raúl 06 July 2012 (has links) El propósito de este estudio es abordar el concepto de espacio y, en particular, su desocupación, a través de tres obras: Caja Vacía/Metafísica de Jorge Oteiza, Who´s afraid of red, yellow and blue de Barnett Newman y el Pabellón de Alemania de Ludwig Mies van der Rohe. El discurso se construye a través de un transitar sobre la banda de Moebius y en su vaivén y en su doblez aparecen y desparecen imágenes, ideas y textos sobre los que fluye la voluntad de construir una interpretación nueva sobre el objeto descrito. Martin Heidegger, Gilles Deleuze y Gaston Bachelard son los tres sostenes teóricos de esta estructura. Y más cerca y más lejos de este texto siempre se mantiene la difícil tarea de entender cuál es la forma de habitar y de ser (Ich bin) del hombre en la tierra. / The purpose of this study is to address the concept of space and, in particular, its disoccupation through three different pieces of work: Empty/Metaphysical Box by Jorge Oteiza, Who´s afraid of red, yellow and blue by Barnett Newman and German Pavilion by Ludwig Mies van der Rohe. The discourse is constructed through a move on the Moebius band, its swing and double apparition and disappearance of images, ideas and texts which build a new interpretation of the subject matter. Martin Heidegger, Gilles Deleuze and Gaston Bachelard are the three theorists of this structure. The difficult task of understanding what is the way of living and being of man (Ich bin) on earth always remains what is closer and further away from this text. Jorge Oteiza Barnett Newman Ludwig Mies van der Rohe Caja Vacía Caja Metafísica Who´s afraid of red yellow and red Pabellón de Alemania Desocupación Espacio Devenir Devenir imperceptible Nada Vacío Nómada Banda de Moebius Estaciones de la Cruz Friso de los apóstoles Empty Box Metaphysical Box German Pavilion Disoccupation Space Becoming Becoming imperceptible Nothing Vacuum Nomad Moebius band The Stations of the Cross Frieze of the Apostles 73
152	Aggressive Flesh: The Obese Female Other Broom, Hannah January 2005 (has links) My visual art practice explores the point at which a sense of bodily humour and revulsion may intersect in the world of the monstrous-feminine: the female grotesque, presented as my own obese (and post-obese) body. This exegesis is a written elucidation of my visual art practice as research. As an artist I create performative photographic images featuring taboo or otherwise 'inappropriate' subject matter, situations, materials and behaviours including bodily fluids, offal, internal organs and my own post-obese body. Through these modes of working, I establish and investigate the subjectivity of flesh: Why are we repulsed by the female grotesque? How can this flesh be used to subvert readings of the female body? My research is informed by those understandings of the female body, sexuality and difference described in the work of feminist theorists including Julia Kristeva, Helene Cixous, Ruth Salvaggio and Elizabeth Grosz. I explore the work of influential artists such as Eleanor Antin, Carolee Schneeman, Cindy Sherman and Sarah Lucas. In this context, I present my own visual art practice as a point from which the monstrous-feminine can be given voice as sentient, intelligent flesh. Visual Art Practice-Led Research Obesity Fat Monstrous-feminine She-Monster Female Grotesque Other Feminism Psychoanalysis Autobiography Subjectivity Abjection Carnivalesque Photography Performance art The Uncanny Trauma Identity Trickster Vampire Young British Art Sarah Lucas Hayley Newman Carolee Schneeman Eleanor Antin Ruth Salvaggio Julia Kristeva Sigmund Freud Helene Cixous
153	Aplikace marketingu v činnosti politických stran a osobností / Political marketing tools and their use in election campaigns in the elections to the Chamber of Deputies in Czech Republic in year 2013 Novák, Martin January 2013 (has links) This thesis focuses on the use of political marketing during elections to the Chamber of Deputies in Czech Republic in 2013. Aim of the thesis is both to analyze political campaigns and their impact on voters, but also what kind of influence they had on the final outcome of the election. The work is divided into a theoretical part, which describes the evolution of political marketing both in the world and in the Czech Republic. Furthermore, the analytical part, which is currently focused on the analysis of political campaigns before the elections. And lastly, the thesis contains practical part, which focuses on research of current situation and the political perception of voters and their current electoral preference.

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