La présence des Grecs en Asie Centrale et en Inde est la conséquence directe des expéditions d’Alexandre le Grand, lesquelles donneront naissance vers 250 avant J.-C. au royaume gréco-bactrien et vers 180 avant J.-C. au royaume indo-grec, séparés par l’Hindu Kush. 260 ans plus tard, le dernier souverain grec tombe sous les assauts indo-scythes. L’étude des monnaies frappées par les 45 rois de ces deux royaumes est fondamentale pour comprendre leur évolution économique et politique.A partir d’un corpus majoritairement inédit, fondé sur les monnaies issues du marché de l’art, nos travaux de thèse se sont focalisés sur six souverains présentant des problématiques intéressantes : la division du monnayage des souverains homonymes Diodote I et II, l’évolution typologique de l’Héraclès au revers des monnaies d’Euthydème I, les liens existants entre les monnayages d’Eucratide I et de Ménandre I, la place d’Hippostrate dans les souverains indo-grecs et indo-scythes.La méthodologie retenue, l’étude de coins, nous a permis d’apporter de nouvelles et précieuses informations sur les ateliers monétaires et le sens que l’on peut attribuer aux monogrammes. / The Graeco-Bactrian and Indo-Greek kingdoms find their origins in the consequences following Alexander the Great’s expeditions in Central Asia and India. Circa 250 BC, the Seleucid satrap seceded from the Seleucid kingdom and became king under the name Diodotus I; the Indo-greek kingdom appears circa 180 BC when the Greeks cross the Hindu Kush. 260 years later, the Indo-Scythians put an end to their presence. The coins struck by the 45 Graeco-Bactrian and Indo-Greek kings are the main data available to historians.Mostly based on unpublished coins sold on the art market, our PhD focuses on six kings, each of them offering a specific problematic: the coinages of Diodotus I and II, that presents the same title and typology; the evolution of the Heracles on the reverse of Euthydemus I’s coins; the links regarding especially the position of the legend on Eucratides I’s and Menander I’s coins; the position of Hippostratos among the last Indo-Greek kings in the West Panjab and the Indo-Scythians.The data provided by the die-studies allows us to dismiss or sustain the many hypotheses concerning the mints and their locations, as well as the meaning of monograms.

The kings of Norway issued coins on a regular basis starting in the mid-11th century, and probably conducted renovatio monetae whenever a new king came to power. As a privilege of bona regalia, the king could use coin production to serve his own interests. Economic factors are usually the main focus of discussions on coinage, but there were also political, religious and cultural dimensions that must have been important both for the production of coins and in the choice of motives, form and style. From the outset, manipulation of the coinage is visible in the debasement of silver content, followed by a reduction in weight to re-establish the silver level.  In the 12th century, the weights continued to drop and single-faced coins and bracteates became the standard; only a few biface coins are known. These small coins and bracteates from the 12th century carry little or no information concerning issuer, date or place of production. This lack of information has resulted in a gap in our knowledge about the role of these coins in medieval society in Norway. This role was dependent both on the intentions of the producer and on how the coins were perceived by the people, and their will to use them in certain ways. What were the reasons behind issuing the smallest coins ever produced in coin history, and what impact did this dramatic reduction in weight have on the understanding and use of the coin? To advance the discussion it has been vital to establish new knowledge about chronology, coin-issuing authority and mints. These areas have been addressed through two analyses using numismatic and archaeological methods. The results of the initial analyses are combined with an investigation of the size of the coin production and a study of archaeological contexts, in order to reveal how, where and when the bracteates were used.  The theoretical approach to understanding the role of coins is inspired by theories in anthropology and sociology about the many ways in which money can be incorporated in a society, emphasising the complex social component of coins in contrast to the traditional economic emphasis on their neutral qualities as a means of exchange. Central to this are the concepts behind formalism and substantivist and post-substantivist theory. The study concludes with a discussion that explores what can be said about economy and economic systems based on the 12th-century Norwegian coins.

The aim of this thesis is to examine changes in the status of traditional Egyptian religious culture during the Ptolemaic and Roman periods, from 331 BCE to 313 CE. Four distinct categories of material culture are examined: monumental construction of temples and civic buildings, traditional hard-stone sculpture, Alexandrian tombs, and Roman coins. These bodies of evidence were chosen because each offers a unique perspective, reflecting respectively the personal inclinations and official attitudes of both the culturally Hellenic and indigenous elites, which have not previously been studied in this context. Examined together for the first time, these categories reveal commonalities that show clearly the progression of the status of indigenous religious culture. From this, it is argued that, despite being economically disadvantaged by the Roman administration, the high status of this culture persisted in Egyptian society under both the Ptolemies and the Romans. Patterns of Egyptian temple and classical civic building show that Egypt's indigenous elite controlled the resources allocated for temple construction under the Ptolemies, but that the Romans gradually transferred this land into the management of the culturally Hellenic elite. This resulted in a decrease in Egyptian temple building after the first century CE and a corresponding increase in classical construction from then on. The production of hard-stone statues is shown for the first time to reveal that the indigenous elite had the resources and cultural confidence to continue and develop their traditions under the Ptolemies, while the sharp decrease at the start of the Roman period reflects their diminution in autonomy and prosperity under Roman rule. New analysis of traditional elements and motifs in the tombs of Alexandrian elites shows that this group respected and adopted indigenous religious customs and beliefs, with a higher incidence of indigenous imagery in the Roman period compared with the Ptolemaic period. In a similar way, well-informed Egyptian religious iconography rendered in a classical style on Alexandrian coins demonstrates the respect of the Roman authorities for Egyptian religious cults and institutions at an official level. In sum, it is argued that indigenous religious culture largely maintained its privileged economic and social status throughout the Ptolemaic period, despite political upheavals. Under Roman rule, the individuals and institutions representing Egyptian religious culture were disadvantaged economically; however, its social importance and standing were preserved and it continued to enjoy respect.

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Esta investigación tiene como objetivo analizar la construcción de la iconografía en las monedas de la serie numismática Riqueza y Orgullo del Perú y el rol que ejerce en el discurso de la identidad nacional. Se parte de la hipótesis de que la iconografía presente en las monedas de dicha serie construye una narrativa de herencia nacional a través de la síntesis gráfica de patrimonios culturales que representan hitos históricos de los departamentos del territorio peruano. La investigación se centró en el estudio cualitativo de diez monedas de la serie numismática bajo la aplicación de una segmentación temática, delimitación temporal y geográfica para abarcar mayor diversidad en la selección. Además, los resultados obtenidos en el análisis visual se contrastaron con las entrevistas realizadas a informantes claves. Los principales resultados indican que la iconografía presente en las monedas de la serie numismática Riqueza y Orgullo del Perú se ve aplicada mediante el uso de líneas geométricas y orgánicas para representar un alto grado de iconicidad que se aproxime a los patrimonios culturales. Asimismo, las monedas apelan a la representación de hitos históricos que, en su mayoría, recurren a la construcción de una narrativa acerca de las civilizaciones del Antiguo Perú para perpetuar la historia peruana. Por lo tanto, se concluye que la iconografía presente en las monedas de la serie numismática Riqueza y Orgullo del Perú construye una narrativa homogénea del discurso de identidad nacional apelando, en su mayoría, a la herencia cultural del Antiguo Perú. / This research aims to analyze the construction of the iconography in the coins of the numismatic series Riqueza y Orgullo del Peru and the role it plays in the discourse of national identity. It is based on the hypothesis that the iconography present in the coins of this series builds a narrative of national heritage through the graphic synthesis of cultural heritages that represent historical landmarks of the departments of the Peruvian territory. The research focused on the qualitative study of ten coins of the numismatic series under the application of a thematic segmentation, temporal and geographic delimitation to cover greater diversity on the selection. In addition, the results obtained in the visual analysis were contrasted with the interviews carried out with key informants. The main results indicate that the iconography present in the coins of the numismatic series Riqueza y Orgullo del Perú is applied through the use of geometric and organic lines to represent a high degree of iconicity that approximates cultural heritages. Also, the coins appeal to the representation of historical milestones that, for the most part, resort to the construction of a narrative about the civilizations of Antiguo Peru to prevail Peruvian history. Therefore, it is concluded that the iconography present in the coins of the numismatic series Riqueza y Orgullo del Perú constructs a homogeneous narrative of the national identity discourse, appealing, for the most part, to the cultural heritage of Antiguo Peru. / Trabajo de investigación

This diploma thesis deals with Czech portrait medals in the past and present. The aim was to map Czech medal portrait work from its origins in the Renaissance to the present. At the beginning, the work is focused on the precious metals from which the medals are made, gold and silver. The history of gold and silver is included in the theory. The concepts of numismatics or commemorative medals made of gold and silver as investment preservation of real value are clarified. We were interested in the overall artistic process of producing portrait medal into the final product. The historical development of medals in the Czech lands followed. In each period, important artists, medalists, and their work are mentioned. All chapters contain pictorial materials. The practical part is devoted to all existing mintages of Karel Gott, which is a unique medal investment. Along with him, contemporary medal artists are characterized in more detail. In the end, the first findings about the portrait medal are summarized. The work brings an overall view of portrait medal work. Medal making represents a specific area of fine and sculptural art. It is an artistic artifact that reflects our history. KEYWORDS medal, gold, silver, portrait medal, commemorative medal, numismatics, art mintage, collecting

Missing from the discussion surrounding the use of coinage in select burials within southern Italian Greek necropoleis in the fourth and third centuries BCE is an attempt to reconstruct the ancient conception of the ritualistic function of coinage. It is through a chronological survey of epigraphical evidence for temple finances that we can trace the concurrent developments of the recognition of a fiduciary value to money, on one hand, and the acceptance of a ritualistic function to coinage on the other. Both occur simultaneously in Magna Graecia where the earliest coins in burial have been found. The case study of Metaponto, an archaeological site around the Lucanian Apennines, reveals a correspondence between an Oscan assemblage of funerary equipment and the presence of coinage. One tomb in particular contains an old coin’s ceramic impression, a clear representation of a value above that of its monetary model. Indigenous Italian agency ought therefore be considered when explaining, not just the ritualistic deposition of bronze coinage in Italy, but also a broader recognition of the sacred and fiduciary value to coinage which led to its deposition. / Thesis / Master of Arts (MA) / When did humans start conceptualising the abstract notion of value which underpins modern paper money? The time of Socrates’ death was one of economic transition, when coins were first integrated into funerary rituals, used as religious dedicatory offerings, and minted in a new metal, bronze. These concurrent developments stemmed from the need for Greeks, using silver, to exchange with indigenous Italians who used bronze. This created a symbolic value for the bronze coins which was manifested in the contemporaneous acceptance of coinage in religious rituals. The case study of Metaponto, a Greek city founded in southern Italy, demonstrates the indigenous Italian impetus to include coinage in funerary assemblages, and by extension, their involvement in redefining the economic conception of money. A ceramic impression of an older coin found in one of these burials, is similar to paper money in that it represents a value abstracted from its silver model.

This thesis investigates representations of dynastic legitimacy and imperial power in the later Roman Empire (AD 284-337). It explores the continuity and change in expressions of dynastic legitimacy by, for and about the emperors of this period, which were presented in coinage, panegyrics, and other literary and material evidence. I argue that familial relationships were used throughout this period to make legitimation claims or to counter claims made by rivals, rejecting the notion of clear breaks between the third century, the Tetrarchy and the reign of Constantine. The Tetrarchy’s creation of familial links through adoption and marriage led to a web of inter-familial relationships that they and later emperors used in promoting their own claims to imperial legitimacy. At the same time, the presentation of these imperial colleges as harmonious co-rulership relied heavily on the adaptation of pre-existing strategies, which in turn would be adapted by the emperors of the early fourth century. This thesis proceeds roughly chronologically, focusing on the regimes of individual emperors and their collaborators when possible. Chapter 1 examines the creation of the Tetrarchy as an extended ‘family’ and the adaptation of ideologies of third-century co-rulership. Chapter 2 explores the changes in the Second Tetrarchy, with an especial focus on the ‘Iovian’ family of Galerius and Maximinus Daza. Chapter 3 looks at Maxentius’ claims to both ‘retrospective’ and ‘prospective’ dynastic legitimacy. Chapter 4 examines Licinius’ legitimacy both as a co-ruler and brother-in-law of Constantine, and as the beginning of a new ‘Iovian’ dynasty. Chapter 5 delves deeper into the different claims to dynastic legitimacy made by Constantine over the course of his thirty-year reign. Taken together, these chapters offer a new approach by arguing against the dichotomy between ‘dynasty’ and ‘collegiality’ that tends to dominate scholarship of this period. Instead they focus on the similarities and continuities between the representations of imperial families and imperial colleges in order to understand how perceptions of dynastic legitimacy evolved in the third and fourth centuries.

A study of the cultural and ideological effects of Roman citizenship on Greeks living in the first three centuries AD. The ramifications of the extension of citizenship to these Greeks illustrates that ideas such as 'culture' and 'identity' are not static terms, but constructions of a particular social milieu at any given point in time. Roman citizenship functioned as a kind of ideological apparatus that, when given to a non-Roman, questioned that individual's native identity. This thesis addresses, via an examination of four sources, all of whom were Greeks with Roman citizenship - Dionysius of Halicarnassus, Paul in the Acts of the Apostles, Ulpian, the minters of eastern civic coins - the extent to which one could remain 'Greek' while participating in one of the most Roman institutions of the Empire. Utilizing these sources with the aid of a number of theoretical bases (notably Louis Althusser and Pierre Bourdieu), this study attempts to come to a conclusion about the nature of 'Romanness' in the ancient world.

A study of the cultural and ideological effects of Roman citizenship on Greeks living in the first three centuries AD. The ramifications of the extension of citizenship to these Greeks illustrates that ideas such as 'culture' and 'identity' are not static terms, but constructions of a particular social milieu at any given point in time. Roman citizenship functioned as a kind of ideological apparatus that, when given to a non-Roman, questioned that individual's native identity. This thesis addresses, via an examination of four sources, all of whom were Greeks with Roman citizenship - Dionysius of Halicarnassus, Paul in the Acts of the Apostles, Ulpian, the minters of eastern civic coins - the extent to which one could remain 'Greek' while participating in one of the most Roman institutions of the Empire. Utilizing these sources with the aid of a number of theoretical bases (notably Louis Althusser and Pierre Bourdieu), this study attempts to come to a conclusion about the nature of 'Romanness' in the ancient world.