While it's clear that the objectification of women is a prominent feature of Western society, it is far less clear what it actually means to be objectified. Philosophers, feminist scholars and psychologist agree that objectification involves a denial of humanity, however, the nature of this dehumanization has yet to be explained. Although existing research provides evidence that objectified women are associated both with objects and animals, no research has examined the conditions under which women are likely to be dehumanized by one form or another. Here, I propose that animalization, characterized by an association with animals, occurs when a woman is portrayed in a sexualized manner. In contrast, objectification, characterized by an association with objects, occurs when a woman is portrayed with a focus on her appearance. Two studies were designed to test this hypothesis. Study 1 found that when participants were primed with an image of a sexualized woman, they were more likely to animalistically dehumanize her (which is consistent with likening to animals). Conversely, when participants were primed with an image of a "beautified" woman, they were more likely to mechanistically dehumanize her (which is consistent with likening to objects). Study 2 attempted to make this link more directly by measuring implicit associations between women, objects, and animals as a function of the image prime, but failed to find the hypothesized result. This research provides the first empirical evidence that different portrayals of women (either sexualized or with a focus on appearance) implicate different forms of dehumanization.

Rectificatory justice for colonialism has been, in recent years, included in the discussion of global justice. The idea is that former colonial powers acknowledge, apologise and make reparations for the harms caused during colonialism. However, there are some objections to rectificatory justice for colonialism. This paper examines one of the main objections, the counterfactual argument. This objection has been found to have some plausibility due to the difficulty in estimating the effect of past injustice on present conditions, as well as the claim that African countries did indeed benefit from colonialism. However, due to the exploitative nature of colonialism, it is reasonable to argue for rectificatory justice based solely on the harm caused, without having to conceptualise a world without the occurrence of colonialism. The aim of this paper is to claim that the harms of colonialism are partly to blame for the current global inequality and that rectificatory justice will go a long way in decreasing this inequality.

Objectification theory (Fredrickson & Roberts, 1997) has been used to explain how mechanisms related to socialization, sexual objectification, and psychological variables interact to predict mental health difficulties. Among a sample of 626 undergraduate women (age 18-24), this study empirically tested components of Moradi and Huang’s (2008) model and extended it by including additional socialization experiences (i.e., sexual abuse, societal pressures regarding weight and body size). Structural equation modeling analyses suggested that the model provided a good fit to the data and the model was tested in the confirmatory sample. Across the two samples, high levels of Body Shame and low levels of Internal Bodily Awareness directly led and high levels of Societal Pressures Regarding Weight and Body Size, Internalization of Cultural Standards of Beauty, and Self-objectification indirectly led to increased Bulimic Symptomatology and accounted for 65 to 73% of the variance in Bulimic Symptomatology. A history of sexual abuse and sexual objectification were not consistently supported within the model and do not appear to be as salient as the experience of societal pressures regarding weight and body size in understanding women’s experience of bulimic symptomatology. Implications for practice and future research are discussed.

This study tested a model of objectification theory proposed by Fredrickson and Roberts (1997) as it applies to disordered eating in a sample of dancers and non-dancers. The methods in this study are based on a previous test of objectification theory done by Tiggeman and Slater (2001). Two samples of participants were given a survey to measure self-objectification and its anticipated consequences. The first sample included 155 women who participated in either ballet, modern, jazz, or hip-hop dance. The second sample included 199 women enrolled in undergraduate classes at the University of Central Florida during the fall semester of 2004. Participants in the two samples did not score differently on the measure of self-objectification. However, dancers scored significantly higher on the self-surveillance, body shame, appearance anxiety, flow, awareness of internal body states, and disordered eating measures than the non-dancers. None of the proposed mediating variables were found to mediate the relationship between self-objectification and disordered eating in either sample.

Sexual objectification has become a pervasive problem, negatively affecting the mental and physical health of many women. Understanding the influence of visual media, social-support networks and social interactions on young women's health is essential to addressing issues related to objectification. We do not have an in-depth understanding of how Black and White young adult women make meaning of objectification. Further, the existing literature suggests that experiences of objectification are likely different for Black and White women. The current research employed two studies, one qualitative and one quantitative, to address these particular gaps. Study 1 used focus groups to assess young Black and White women’s attitudes and experiences related to objectification. Four focus groups were conducted with university students, two with White women (N=11) and two with Black women (N=17). Results indicated that sexual objectification is a complex and unfortunate reality in the women’s daily lives; driven by the media, men and even other women. Participants’ immediate responses to objectifying experiences are multi-faceted and the potential consequences of long-term exposure can be detrimental to a woman’s well-being. Racial differences arose in relation to standards of beauty as well as examples of and reactions to objectifying experiences. Study 2 study assessed two different models of sexual objectification for White and Black women. Female, undergraduate and graduate students completed an online questionnaire about sources of objectification; 155 White women and 173 Black women were included in the analyses. The results suggest there are significant relationships between certain sociocultural sources of objectification, body image preoccupation and the associated consequences of depression, eating disturbances. Skin color dissatisfaction was an additional negative outcome for Black participants. The models for Black and White participants were not equivalent. Understanding how women experience sexual objectification and racial differences has implications for how objectification and related outcomes are measured. This information also has implications for developing appropriately tailored programming related to the objectification and psychological well-being of women. The information from these studies can hopefully be used to inform individuals of the risks associated with sexual objectification, as well as develop educational programs on college campuses.

This thesis seeks to portray how an objectifying intra-diegetic gaze influences and constructs the plot devices Frances Burney uses in her four novels: Evelina, Cecilia, Camilla, and The Wanderer. Burney creates a literary reality within her four novels’ narratives and breaks that reality down with the influence of the gazes and judgments of her novels’ characters upon each of her heroines. The gaze is an almost microscopic examination that objectifies and depersonalizes all of Burney’s heroines. Burney shows how the gaze shifts perspectives and manipulates that which it objectifies. Burney places her audience and her heroines into unfamiliar situations and then she shows the costs and benefits of reasserting one’s gaze. This thesis will show how Burney portrays the power of objectification in her novels upon her heroines, and the consequences that arise from the tensions of bombarding social gazes in all their duplicitous forms.

Thesis (M.A. (Clinical Psychology)) -- University of Limpopo, 2021 / The physical changes that a woman undergoes during pregnancy may affect her body image and consequently, her emotional and psychological well-being. The purpose of this study was to develop a comprehensive understanding of the lived experiences of pregnant women and the effect of pregnancy on their self-image and subsequent emotional and psychological experiences. Eight women who had previously given birth or were pregnant were recruited as participants by employing snowball sampling. Semi-structured interviews were conducted to collect data. Interpretive phenomenological analysis was employed to analyse the data. The findings revealed that the majority of the participants generally experienced overall body satisfaction. However, their experience was largely influenced by the phase of pregnancy and relevant physical changes associated with the particular phase. Furthermore, the social comments they received had an influence on their experiences. The findings were also related to the social comparisons in which the participants tended to engage. Finally, it is recommended that future research be conducted on the experience of body image of pregnant women within the context of their culture, ethnicity and unique demographics given that culture influences ideas about ideal body shape and size. Future studies should include a more diverse sample. Keywords: Body image, objectification, self-objectification, social comparison

Cette thèse de doctorat a pour objectif d’étudier l’influence du sexisme et de la compassion envers soi-même sur l’image du corps des hommes et des femmes. Le premier chapitre se penche d’abord sur la théorie de l’objectification, qui décrit l’influence des représentations omniprésentes et idéalisées de la beauté sur la santé mentale des femmes. Ensuite, dans une perspective de comparaison interculturelle, le deuxième chapitre démontre le rôle d’antécédent que peut jouer le sexisme ambivalent (bienveillant et hostile) sur la manière dont les femmes perçoivent leur image corporelle. Le troisième chapitre introduit alors le concept d’auto-compassion, à savoir la capacité à être bienveillant et compréhensif envers soi-même, comme facteur protecteur face aux conséquences néfastes liées à une image corporelle défavorable, à la lumière des différences liées au sexe et à la culture. Enfin, la discussion de ce travail offre une réflexion épistémologique sur les concepts étudiés, souligne les limites rencontrées et suggère une série de perspectives et d’implications à la fois théoriques et pratiques. / Doctorat en Sciences psychologiques et de l'éducation / info:eu-repo/semantics/nonPublished

This essay will compare Margaret Atwood´s dystopian novel The Handmaid’s Tale to the tv-adaptation of the novel by Bruce Miller. In the original work, the protagonist Offred narrates the story of her life in a patriarchal society called Gilead. In contrast, the viewers are guided by different sound and visual strategies in the series. One sound strategy is the use of voice-overs as the viewers can hear Offred´s thoughts in situations where she is being mistreated. In addition, visual strategies include the viewers watching the ceremony from a bird-view angle and reviewing the scene as outsiders looking in. I argue that the novel provides a deeper understanding of how it is to live in Gilead as a handmaid, as Offred, because of how the novel is told through first-person narration. Also, in both versions, Offred is objectified by the Gilead society, but in the tv-version, I believe that she is also objectified by specifics of the adaptation. The essay will focus on the objectifying treatment of Offred by comparing the novel and the series and the use of these strategies and discuss relevant terms from the story through the narrative of Offred. The analysis is divided into three passages from the novel and corresponding episodes from the series’ first season. They are chosen since the objectifying treatment of Offred is demonstrated within them. The theoretical framework is feminist theories of objectification to help me compare the novel and the series regarding this aspect, primarily, the objectification theory established by Barbara Fredrickson and Tomi-Ann Roberts. The essay, all in all, shows that the handmaids, as fertile women, in the patriarchal society of the Gilead are treated as mere objects whether through their sexuality or their reproductive function.

Implications surrounding body ownership prove to be an enduring struggle from their prevalence in ancient literary sources through more modern, contemporary works. I analyze the notions of body ownership and its lack thereof set forth in Ovid’s Metamorphoses and the Homeric “Hymn to Demeter” regarding the myth of Persephone. Then, I consider larger meanings through analysis of the following contemporary works, approached in terms of the narrators: Rita Dove’s Mother Love, Louise Glück’s Averno, A.E. Stallings’s “Hades Welcomes His Bride” and “Persephone Writes a Letter to Her Mother,” and D.M. Thomas’s “Pomegranate.” The complexities within the myth itself amplify the complications in the contemporary interpretations of the myth. There is a range of differing levels of accepting sentiments in the contemporary works about the idea that no one ever has complete ownership or control over his own body. Comparing the different lenses through with the contemporary authors (and ancient authors!) chose to incorporate the myth of Persephone into their works reveals overarching themes, enlightening the reader about the nuances of the arguably most famous abduction in history.