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In early Church history, several men were designated by the title of Assistant President, or Associate President, but only Oliver Cowdery, and later Hyrum Smith, held the actual office which is the subject of the present study. That office is properly titled Associate President. The office of Associate President fulfilled the requirements of the law of witnesses, and was a priesthood office. The Associate President assisted in bearing the keys of the last dispensation, and was acknowledged as the second ranking member of the First Presidency. The Associate President held the keys of the kingdom of God militant, and presided over the entire Church in the absence of the Prophet. It was the privilege and calling of the Associate President to act as a spokesman for the Prophet, in reflex of the same relationship that Aaron bore to Moses. Finally, the Associate President was appointed to succeed, by rank and by ordination, to the Presidency over the whole Church, in the event of the Prophet's death.

As an actor, it is absolutely imperative to resist the urge to pass judgment on the characters we portray. True, that as people, we sometimes judge ourselves, and deem our conduct as right or wrong, but usually after finding the justification in the action first. We understand why we do the things we do. Therefore, it is as important to find our character s point-of-view as well. When I was cast as Oliver de Boys in the Orlando Shakespeare Theater s mainstage production of William Shakespeare s As You Like It, I knew the biggest challenge before me was to avoid playing him as the villain. I had to discover the reasoning and the humanity behind his heinous actions. Most importantly, I had to try to understand why he would attempt to murder his brother Orlando. Growing up with three sisters whom I considered my best friends, I had no personal frame of reference for this extreme action. This thesis will examine the research and creation of Oliver de Boys. A thorough historical analysis will present the life of William Shakespeare, with specific focus on the relationship with his own siblings. Also included will be the production history of the As You Like It and the times in which it was written. Particular emphasis will be placed on the Elizabethan s preoccupation with primogeniture, the system of inheritance or succession by the firstborn, traditionally the eldest son ( Primogeniture 1). Finally, this section will contain a look at two literary figures that greatly influenced the evolution of Oliver: Saladyne, the eldest brother in Sir Thomas Lodge s Rosalynde, of which As You Like It is largely based on and Cain, the archetype of fratricide. The next chapter will explore Oliver s journey in As You Like It, from villain to lover to brother; ultimately, his conversion from evil to good. It will also document the director s concept for the production and his vision for the portrayal of Oliver. A comprehensive character analysis or character autobiography will examine the psychological motivations behind Oliver s actions, such as sibling rivalry, jealousy, resentment and greed. This thesis will culminate in a comprehensive rehearsal journal, which will document and address challenges, discoveries, failures and victories during the production process.

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L’essentiel de ce texte est une réflexion sur mon travail de création et les concepts théoriques qui le construisent. J’aborde plusieurs thèmes dont en particulier le paysage autour duquel je développe une réflexion sur l’habitation. Ma recherche est au confluent de ces deux éléments qui concernent les relations entre le paysage, l’habitation et l’appartenance. À travers ce projet de recherche-création, j’explore différentes facettes du paysage et je m’approprie ce concept à travers une quête identitaire puisque j’utilise ma ville natale, Lebel-sur-Quévillon, pour mener ma recherche. Les concepts mentionnés seront développés en relation avec les oeuvres produites tout au long de mon projet de recherche-création.