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Au sortir de la Révolution, les collections du Garde-Meuble présentaient un aspect singulier : on avait dispersé bon nombre de chefs-d’œuvre du mobilier royal, et dans le même temps, saisi chez les émigrés et condamnés beaucoup de meubles et objets de grande valeur. Napoléon Ier dut compter sur cette dotation pour meubler les palais dont il prenait possession avec le faste adéquat. La valeur de ces remplois de mobilier évolua au fil des régimes: à une valeur purement utilitaire succédèrent bientôt d’autres qualités attribuées à cet héritage, sur les plans historique, artistique, et symbolique. Sous la Restauration, on ne prêta guère attention à ce patrimoine, pourtant quasi familial, et les ventes de rebuts organisées dans les années 1820 contribuèrent à disperser encore des meubles royaux du XVIIIe siècle. C’est sous la Monarchie de Juillet que se fit jour un intérêt historique pour ces collections, largement mises à profit pour les ameublements des palais. Dans le même temps, le Garde-Meuble initia une véritable politique d’acquisition de mobilier ancien, à l’effet de se procurer des modèles authentiques et de compléter les collections. Ce dernier aspect fut d’autant plus important sous le Second Empire. À l’initiative de l’impératrice Eugénie, qui érigea le style Louis XVI en quasi-style officiel, on racheta des pièces importantes du mobilier royal, dont la plupart servit à l’exposition consacrée à Marie-Antoinette au Petit Trianon en 1867. Finalement, l’étude de ces remplois aura conduit à définir un processus de patrimonialisation du mobilier au XIXe siècle, qui mena à la reconnaissance de la valeur historique de ces objets et à leur présentation au musée. / After the French Revolution, the collections of the Garde-Meuble were divided into two parts : on one hand, all pieces of royal furniture that were not sold at auction, and on the other hand, many objects confiscated from convicts and émigrés. By ascending the throne, Napoléon Ist used this endowment to furnish the palaces with all necessary ceremonial. This is considered as simply utility reuses of ancient furniture ; the same situation is to notice for the Restauration, although Louis XVIII and Charles X could have seen those collections as a familial heritage. When Louis-Philippe Ier came to power, the value of ancient furniture reuses evolved, due to a new interest in historic heritage. By creating historicist interiors in the palaces and by refurnishing historic appartements, the Garde-Meuble developed an acquisition policy on the art market to enrich its collections. This phenomenon was enhanced during the Second Empire, on the initiative of Empress Eugénie, a period that saw the first retrospective exhibitions, for instance the one hold at the Petit Trianon and dedicated to the Queen Marie-Antoinette in 1867. Last but not least, this study underlines the process of ̏ patrimonialization ̋ that characterized the fate of French royal furniture during the 19th-century, and led to its permanent exhibition in museums

A tese investiga a história do Palácio Velho de Ouro Preto, primeira residência de governadores instalada na antiga Vila Rica, sede política da capitania de Minas Gerais a partir de 1721. Foram analisadas, em especial, a biografia de Henrique Lopes de Araújo, capitão-mor de Vila Rica entre 1713-33 e benfeitor do Palácio; a história do conflituoso processo político consumado nas entradas, na fixação e na permanência de governadores no interior do território minerador ao longo das três primeiras décadas do século XVIII; e, por fim, a história do próprio complexo arquitetônico do Palácio Velho no intervalo entre 1717, data de sua construção, e 1734 (intervalo no qual serviu por residência dos governadores da capitania) e no período seguinte, quando a propriedade passou a ser administrada pela câmara (1734-1738) e, logo depois, pela Santa Casa de Misericórdia de Vila Rica (1738-1825). A pesquisa esmiuçou os interesses envolvidos na exploração da rica lavra de ouro existente no Palácio, relacionados, sobretudo, à irmandade de Nossa Senhora do Rosário dos Pretos do Alto de Padre Faria (ou Alto da Cruz), na freguesia de Antônio Dias. Os vínculos dessa confraria com o Palácio Velho estiveram na origem do mito de Chico Rei, também avaliado no trabalho. O contexto histórico que caracterizou a biografia de Henrique Lopes de Araújo e a trajetória do Palácio Velho marcou-se pelas especificidades da sociedade colonial. Dialeticamente interligadas ao mundo europeu de Antigo Regime, mas pautadas por relações sociais próprias do escravismo colonial, singularizadas ainda pela natureza da atividade mineradora, as Minas setecentistas propiciaram experiências sociais únicas. Ali, os mecanismos de ascensão social, de dominação senhorial e de resistência escrava adquiriram matizes particulares, parcialmente referenciados nas normas de Antigo Regime, porém também vinculados às relações sociais de tipo colonial impostas pela escravidão adotada em larga escala. / This thesis investigates the Ouro Preto Old Palace (Palácio Velho de Ouro Preto) history, first governors residence installed in the Vila Rica, the Minas Gerais capital from 1721. It was analyzed the Henrique Lopes de Araujo biography, Vila Rica main captain between 1713-33 and the Palace benefactor, also the conflicted historical process of the \"entries\", fixation and permanence of governors within the mining area over the first three decades of the eighteenth century; and finally, it was studied the Old Palace history between 1717, the construction date, and 1734 (when it served for captaincy governors residence) and in the following period, when the property became administered by the camera (1734-1738) and soon after by the Santa Casa de Misericordia de Vila Rica (1738-1825). The research discusses the interests involved in the exploitation of the rich gold mining in the Palace, related mainly to the Irmandade de Nossa Senhora do Rosário dos Pretos do Alto de Padre Faria or Alto da Cruz, a slave brotherhood in Antonio Dias district. The link of this brotherhood with the Old Palace gave rise to Chico Rei myth also rated at work. The historical context that characterized the Henrique Lopes de Araujo biography and the Old Palace trajectory was marked by the colonial society specifities. The eighteenth-century Minas given place to unique social experiences, dialetically linked to the european Ancien Régime, but guided by the colonial slavery social relations, singled even for the mining activities nature. There the social mobility, slaveholder´s domination and slave resistance acquired a particular format, partially referenced in the Ancien Régime standards, but also linked to social relations of colonial type imposed by slavery adopted on a large scale.

A tese investiga a história do Palácio Velho de Ouro Preto, primeira residência de governadores instalada na antiga Vila Rica, sede política da capitania de Minas Gerais a partir de 1721. Foram analisadas, em especial, a biografia de Henrique Lopes de Araújo, capitão-mor de Vila Rica entre 1713-33 e benfeitor do Palácio; a história do conflituoso processo político consumado nas entradas, na fixação e na permanência de governadores no interior do território minerador ao longo das três primeiras décadas do século XVIII; e, por fim, a história do próprio complexo arquitetônico do Palácio Velho no intervalo entre 1717, data de sua construção, e 1734 (intervalo no qual serviu por residência dos governadores da capitania) e no período seguinte, quando a propriedade passou a ser administrada pela câmara (1734-1738) e, logo depois, pela Santa Casa de Misericórdia de Vila Rica (1738-1825). A pesquisa esmiuçou os interesses envolvidos na exploração da rica lavra de ouro existente no Palácio, relacionados, sobretudo, à irmandade de Nossa Senhora do Rosário dos Pretos do Alto de Padre Faria (ou Alto da Cruz), na freguesia de Antônio Dias. Os vínculos dessa confraria com o Palácio Velho estiveram na origem do mito de Chico Rei, também avaliado no trabalho. O contexto histórico que caracterizou a biografia de Henrique Lopes de Araújo e a trajetória do Palácio Velho marcou-se pelas especificidades da sociedade colonial. Dialeticamente interligadas ao mundo europeu de Antigo Regime, mas pautadas por relações sociais próprias do escravismo colonial, singularizadas ainda pela natureza da atividade mineradora, as Minas setecentistas propiciaram experiências sociais únicas. Ali, os mecanismos de ascensão social, de dominação senhorial e de resistência escrava adquiriram matizes particulares, parcialmente referenciados nas normas de Antigo Regime, porém também vinculados às relações sociais de tipo colonial impostas pela escravidão adotada em larga escala. / This thesis investigates the Ouro Preto Old Palace (Palácio Velho de Ouro Preto) history, first governors residence installed in the Vila Rica, the Minas Gerais capital from 1721. It was analyzed the Henrique Lopes de Araujo biography, Vila Rica main captain between 1713-33 and the Palace benefactor, also the conflicted historical process of the \"entries\", fixation and permanence of governors within the mining area over the first three decades of the eighteenth century; and finally, it was studied the Old Palace history between 1717, the construction date, and 1734 (when it served for captaincy governors residence) and in the following period, when the property became administered by the camera (1734-1738) and soon after by the Santa Casa de Misericordia de Vila Rica (1738-1825). The research discusses the interests involved in the exploitation of the rich gold mining in the Palace, related mainly to the Irmandade de Nossa Senhora do Rosário dos Pretos do Alto de Padre Faria or Alto da Cruz, a slave brotherhood in Antonio Dias district. The link of this brotherhood with the Old Palace gave rise to Chico Rei myth also rated at work. The historical context that characterized the Henrique Lopes de Araujo biography and the Old Palace trajectory was marked by the colonial society specifities. The eighteenth-century Minas given place to unique social experiences, dialetically linked to the european Ancien Régime, but guided by the colonial slavery social relations, singled even for the mining activities nature. There the social mobility, slaveholder´s domination and slave resistance acquired a particular format, partially referenced in the Ancien Régime standards, but also linked to social relations of colonial type imposed by slavery adopted on a large scale.

The thesis consists of several parts discussing the issue of the supplying of aristocratic homes in the Baroque period. Everything was done on the example of the Schwarzenberg households between the years 1656 and 1683, during the reign of Jan Adolf I. of Schwarzenberg. The first part involves the organization of the servants in his household. The second part deals with looking at the residence of his wife Marie Justine from Schwarzenberg, born in Starhemberg, Prague, around 1658. On the basis of their personal accounts, the authors presented this reconstruction supplying her household in Prague and a wider analysis of potential internal view of the expenditures in the category of alms. The following chapter deals with food supplies for Jan Adolf I's wife's household at Trebon. The last part relates to the analysis of transport of food to Schwarzenberg households in Vienna in the third quarter of the 17th century, part of which is closer to the probe focused on local supply and consumption of alcohol.

ABSTRACT Syftet med uppsatsen är att undersöka Jacob de Wets porträttserie av skotska kungar som återfinns i Palace of Holyroodhouse i Edinburgh, Skottland. Uppsatsen är tematiskt disponerad där de två första kapitlen behandlar porträttserier i det tidigmoderna Europa, historiska texter om nationens mytologiska ursprung och det samhälleliga läget under de skotska restorationsåren mellan 1660 och cirka 1689. Detta diskuteras sedan tillsammans med Jacob de Wets porträtt vad gäller syfte, funktion och sedermera praktisk tillkomst. Bildanalyser med hjälp av Roland Barthes teori om myten som ett metaspråk fördjupar diskussionen om hur serien ska läsas och förstås. Undersökningen finner att serien har flera syften och funktioner sprungna ur diskurser om nationalitet och makt, grundat i kulturella och konstnärliga praktiker samt historiska händelser gällande politik och religion. Nyckelord: Jacob de Wet, restorationen, Stuart, porträtt, porträttserier, tidigmodern tid,Skottland, Palace of Holyroodhouse, semiotik, Roland Barthes.

This thesis is divided into the chapters (1-7), in which the theme of the thesis - the Trial of Jesus - is analyzed. The analysis is based on various sources. Chapter One is an overview of the published research about Jesus' trial. Chapter 2 presents to the reader the place of Jesus' last days, from the archaeological and historical perspective. Chapter 3 discusses the underlying historical sources and the relationships between the authors and the situation at the time of writing too. Chapter 4 is a largely exegetical chapter, and contains an analysis of the parts of Gospels of Jesus' trial. Chapter 5 discusses Jesus' trial from the perspective of sources: Josephus Flavius, Babylonian Talmud and Cornelius Tacitus. Chapter 6 provides the summary of the basic hypotheses of the principal researchers, and Chapter 7 contains the author's discussion about the trial. At the end of this thesis is the summary and the conclusion.

This diploma project deals with architectural study and functional use of the Uherčice castle grounds with regard to its character, location in the countryside and in the village, preservation of monuments and requirements of the inserted functions, as well as the creation of new opportunities for visitors and the reconnection to life of the inhabitants of the Uherčice village. And as a place of rest, education, employment and as a re-center of the area. A proposal of modification of the selected part of the castle and the park with the restoration of the French garden in its original place is a part of the project. The reconstruction of the former orangery and the new greenhouse building are proposed. Re-build greenhouse is attached with an apartment for the gardener. The second greenhouse complements one of the castle's axes and is designed for the world's largest water lily, Victoria Amazonica. In the selected part of the chateau, I mainly dealt with its use for cultural and social events that could take place here and the facilities that would be needed, including an apartment for short-term accommodation of visitors to these events. In addition, the entrance area and the operational facilities of the castle with a castellan apartment and accommodation for tourist guides are also solved.

京都大学 / 0048 / 新制・課程博士 / 博士(工学) / 甲第20698号 / 工博第4395号 / 新制||工||1683(附属図書館) / 京都大学大学院工学研究科建築学専攻 / (主査)教授 竹山 聖, 教授 山岸 常人, 准教授 田路 貴浩, 教授 三浦 研 / 学位規則第4条第1項該当 / Doctor of Philosophy (Engineering) / Kyoto University / DFAM

<p>This dissertation examines the fiction of three contemporary American writers – Joan Didion, Don DeLillo and Paul Auster – who interrogate the legacy of the American sublime in its contemporary configurations and reconfigurations. The texts that I have selected by each writer dramatize and question how and why the American sublime remains a fundamental way for American culture to conceptualize power as an expression of American identity and progress. In turn, what each text conveys is the destructive consequences that often follow with investing natural phenomena, technology, cultural sites and practices with power that elicits the particular qualities of awe and terror unique to the American sublime. Above all, these texts illuminate why American culture continues to produce, reproduce and popularize experiences and images of sublimity within cultural sites, practices, art and literature.</p> <p>Moreover, by emphasizing that these texts locate the American sublime as a culturally produced experience, my analysis develops from – but also departs from – the most recent book-length studies of the sublime and American fiction. The work of scholars such as Barbara Claire Freeman, Joseph Tabbi and Christope Den Tandt who have considered the sublime in relation to gender, technology and urban landscapes complement my approach to the cultural impact of the American sublime in the fiction of Didion, DeLillo and Auster. At the same time, my examination of the ways in which their fiction accounts for the dissemination of the American sublime through art and literature as well as popular culture, brings to the forefront an important feature each text shares – the possibility that art might contest – rather than reinscribe – traditional configurations or reconfigurations of American sublimity.</p> / Doctor of Philosophy (PhD)