Social media use is a pivotal driver for political engagement. The present study extended previous research by exploring the simple and serial mediating roles of narcissism, perceived anonymity, descriptive norms, and subjective norms in this relationship. Structural equation modeling (SEM) with bootstrapping estimation was conducted for hypothesis testing using data from 579 Hong Kong university students. Modeling results revealed that perceived anonymity, descriptive norms, and subjective norms are significant mediators of the relationship between social media use and political participation. Moreover, descriptive norms, together with perceived anonymity, were found to mediate the relationship. Likewise, narcissism combined with descriptive norms proved to be significant mediators of the relationship. Additionally, a distal mediation effect of descriptive norms and subjective norms proved to be significant. Based on these results, a subsequent parallel mediation analysis was conducted, revealing that perceived anonymity is the most influential indicator among perceived anonymity, subjective norms, and descriptive norms of the relationship of social media use and political participation. The study concluded by comparing male and female respondents in terms of political participation. The result showed that male respondents were generally more active than female respondents in both online and offline political activities, which agrees with prior research findings. Collectively, the current study provides a new perspective from which we can further understand the effects of social media use on political engagement.

Over the last two decades Bongo Fleva music has become a popular form of entertainment as well as a key cultural element among Tanzanian urban youth. The objective of this paper is to examine the role of pseudonyms in this musical genre in Tanzania. It focuses on how Bongo Fleva artists adopt their pseudonyms and discusses their role in identity formation among urban youths in contemporary Tanzania. The paper argues that pseudonyms in Bongo Fleva, as in various other fields, have an important role to play in portraying one’s identity, culture, characteristics, profile, actions, hope and imagination.

This thesis applies Søren Kierkegaard's understanding of irony as outlined in his master's thesis, The Concept of Irony, to the literary works of Fernando Pessoa. Recently Kierkegaardian scholarship has opened possibilities for non-traditional interpretation of Kierkegaard's dissertation and pseudonymous "aesthetic" texts by reading them in the ironic tone in which they were written. This paper offers a similar re-reading of the poetic and prose works Pessoa attributes to his heteronyms. Kierkegaard's presentation of Socrates as irony serves as a model for how Pessoa sustains the heteronymic project by balancing the use of rhetorical irony within the works of the heteronyms with simultaneous use of "Socratic" irony relating to both the heteronyms and their literary contributions. Pessoa "controls" irony by bringing his heteronyms into his historical reality whereby he posits subjectivities for them. The necessary element of eros as it is identified with Socrates and thereby with irony is defined negatively as the desire for that which one is lacking and is sustained by the distance inherent in desire. Irony-eros as desire is present in the works of each of Pessoa's poetic heteronyms, gains for them corporeality, and characterizes the relationship the reader has with those works. Pessoa, like Socrates, is unable to extend controlled irony to his personal life and remains in the negativity of desire. Bernardo Soares and O Livro do Desassossego challenge traditional notions of reality since Soares feels with equal intensity the reality of his actuality and that of his imagination. Kierkegaard holds that the imagination provides the thinker with various possibilities or ideals. The thinker must then actualize the ideal. Kierkegaard's pseudonyms offer possible life-views as do Pessoa's heteronyms. The distance of irony is essential, for in reflecting on the life-views, the reader must not be able to see the author in that reflection. Unlike Kierkegaard, Pessoa successfully distanced himself from his heteronyms by multiplying and deferring his identity. Adept in Socratic midwifery Pessoa establishes the subjectivity of other "Pessoas" through whom he offers his readers possibilities. Pessoa's ironic existence proves the self is indefinable and unassimilable to any System.

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Over the last two decades Bongo Fleva music has become a popular form of entertainment as well as a key cultural element among Tanzanian urban youth. The objective of this paper is to examine the role of pseudonyms in this musical genre in Tanzania. It focuses on how Bongo Fleva artists adopt their pseudonyms and discusses their role in identity formation among urban youths in contemporary Tanzania. The paper argues that pseudonyms in Bongo Fleva, as in various other fields, have an important role to play in portraying one’s identity, culture, characteristics, profile, actions, hope and imagination.

This study is a survey of war names adopted by guerrillas during the Zimbabwean conflict (1966-1979). The study collects, describes and analyses war names that were used by ZANLA guerrillas in the conflict. It explores onomastic patterns and processes that influenced these war names. Names collected from textual sources and from interviews of former guerrillas are analysed and classified into nine categories. One of the main findings is that the background of the namer influenced the naming patterns and processes identified in the study. Another finding is that most guerrillas named themselves and it was also observed that some guerrillas have retained their names. The findings, analysed within the theoretical framework developed earlier from the onomastic and identity theories, indicate that the war name plays a vital role not only in concealing the old identity of the guerrilla but also in creating new identities, which were used as weapons for challenging the enemy and contesting space. Onomastic erasure and resuscitation are proposed as partial explanation for the creation of some war names. The study contributes to onomastic research not only in that it has produced a large corpus of war names that can be used for further research in that it is a significant point of reference in onomastic research in Zimbabwe and in southern Africa, especially in the area of nicknames and war names. It also lays the foundation for further research on the role of naming patterns and processes in peace building and conflict resolution in Zimbabwe, on the southern African subcontinent and elsewhere. / Thesis (D. Litt et Phil.)

This study is a survey of war names adopted by guerrillas during the Zimbabwean conflict (1966-1979). The study collects, describes and analyses war names that were used by ZANLA guerrillas in the conflict. It explores onomastic patterns and processes that influenced these war names. Names collected from textual sources and from interviews of former guerrillas are analysed and classified into nine categories. One of the main findings is that the background of the namer influenced the naming patterns and processes identified in the study. Another finding is that most guerrillas named themselves and it was also observed that some guerrillas have retained their names. The findings, analysed within the theoretical framework developed earlier from the onomastic and identity theories, indicate that the war name plays a vital role not only in concealing the old identity of the guerrilla but also in creating new identities, which were used as weapons for challenging the enemy and contesting space. Onomastic erasure and resuscitation are proposed as partial explanation for the creation of some war names. The study contributes to onomastic research not only in that it has produced a large corpus of war names that can be used for further research in that it is a significant point of reference in onomastic research in Zimbabwe and in southern Africa, especially in the area of nicknames and war names. It also lays the foundation for further research on the role of naming patterns and processes in peace building and conflict resolution in Zimbabwe, on the southern African subcontinent and elsewhere. / Thesis (D. Litt et Phil.)