Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-09-19T12:06:00Z No. of bitstreams: 1 fabricioteixeiraviana.pdf: 11504803 bytes, checksum: 4273559783077d0a1ac66eb383f5f19d (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-09-22T15:02:02Z (GMT) No. of bitstreams: 1 fabricioteixeiraviana.pdf: 11504803 bytes, checksum: 4273559783077d0a1ac66eb383f5f19d (MD5) / Made available in DSpace on 2017-09-22T15:02:02Z (GMT). No. of bitstreams: 1 fabricioteixeiraviana.pdf: 11504803 bytes, checksum: 4273559783077d0a1ac66eb383f5f19d (MD5) Previous issue date: 2017-04-25 / As cidades contemporâneas vêm sofrendo grandes transformações, tanto urbanas quanto sociais, que incentivam o estudo da história urbana desses ambientes construídos. Nesse sentido, parte-se do pressuposto que a arte pública, entendida como representante da imaginária urbana, pode revelar conteúdos simbólicos sobre determinado espaço público. Dessa forma, esse estudo visa entender os desígnios da imaginária urbana de três objetos urbanos em Juiz de Fora, Minas Gerais, Brasil: o monumento ao Cristo Redentor, no Morro do Imperador; o Marco do Centenário de Juiz de Fora, na praça Pantaleone Arcuri; e a escultura contemporânea denominada “Releitura de Abaporu”, na praça Antônio Carlos. Obtêm-se, com isso, três recortes temporais da produção de arte pública na cidade, respectivamente os anos de 1906, 1951 e 2015. A metodologia utilizada busca analisar esses elementos como representantes da imaginária urbana de cada um desses tempos assinalados, além da trajetória de intervenções nesses lugares através das ações dos diversos agentes sociais envolvidos nestes processos de transformações urbanas. Assim, pretende-se demonstrar que esses objetos são sintetizadores da paisagem e revelam conteúdos da memória social e história urbana de Juiz de Fora. / Contemporary cities have undergone major transformations, both urban and social, that encourage the study of the urban history of these built environments. In this sense, based on the assumption that public art, here understood as a representative of the urban imaginary, can reveal the symbolic contents about a certain public space. Therefore, this study aims to understand the intentions of the urban imaginary in three urban objects of Juiz de Fora, Minas Gerais-Brazil: the monument to Christ the Redeemer, in the Emperor’s Hill; The landmark of the Centenary of Juiz de Fora, in the Pantaleone Arcuri square; and the contemporary sculpture called "Releitura de Abaporu", in the Antonio Carlos square. In this way, we obtain three temporal cuts of the public art production in the city, respectively in the years 1906, 1951 and 2015. The methodology used seeks to analyze these elements as representatives of the signed times, as well as the trajectory of interventions in these places through the actions of the various social agents involved in these processes of urban transformation. Thus, the intention is to demonstrate that these objects are synthesizers of the landscape and reveal contents of the social memory and urban history of Juiz de Fora.

Vår undersökning behandlar fenomenet POPS, Privately Owned Public Spaces.Offentliga platser har historiskt sett varit viktiga för en stad på grund av dessdemokratiska och sociala värden. Dessa värden riskerar att försvinna när stadensoffentliga platser privatiseras. Vi har gjort en fallstudie av Emporias takpark där viundersökt hur platsen används och kontrolleras. Analysen visar att privatägda offentligaplatser tenderar att kontrolleras med verktyg som övervakning och regler. Detta leder tillatt vissa grupper i samhället mer eller mindre exkluderas från dessa platser till förmånför en köpstark samhällsgrupp och i förlängningen stadens image. / Our study treats the phenomenon POPS, Privately Owned Public Spaces. Publicplaces have historically been important in cities because of their democratic andsocials values. There is a risk that these values disappear when public places of thecity are privatized. We have done a case study of Emporia rooftop park where weresearched how the space is used and controlled. Our analysis shows that privatelyowned public places tend to be controlled by tools such as surveillance and rules.This leads to certain groups in society getting more or less excluded from these placesin favor of a more well-funded social group and in extension the image of the city.

The construction business has a negative impact on the environment, where the biggest impact comes from construction of buildings, material production and transportation. It is inevitable for a city not to construct new buildings as it expands and develops new needs. However, it is not always necessary to demolish buildings with an outdated function, to build new ones. To maintain the identity of a city, it is important to preserve its historical character. This can be done by revitalising cultural historical valuable buildings and environments through adaptive reuse. The concept of adaptive reuse refers to the process of reusing a building for a new purpose rather than demolishing it. It gives new life to old buildings, offers them a chance to survive by changing their function and gives a greater understanding for future generations to relate with their history. Therefore, the aim of this study was to investigate how adaptive reuse of cultural historical values in the built environment can contribute to revitalisation of underutilised areas and create social and thriving places. To gain background knowledge to the subject, a literature review and document analysis was made. To investigate what factors contributes to success of a cultural historical project, a case study was done of the quarter of Artilleristallet in Gothenburg. Further, it is difficult to measure success through people’s perceptions and experiences of a place. Therefore, to help analyse and understand the case, a theoretical framework based on place theory was established. The framework was complemented by interviews and observations which helped lead to the results of the study. Two of the qualities that were found to contribute to the successfulness of Artilleristallet were preservation of its historical traits of character and its sense of place. Additionally, the businesses in the quarter complement and reinforce each other making it attractive and inviting for a wide range of people. Further, the preconditions found to be of importance for the successfulness of Artilleristallet were its cultural value and location. It was shown that having an extensive detailed development plan and good communication with and from the municipality was significant. Also, the close collaboration and communication between all actors involved in the project was shown to be important for the success. The qualities and preconditions found are all valuable but need the reinforcement of each other to create a social and thriving place. / Byggbranschen har en negativ påverkan på miljön, där den största påverkan kommer från uppförandet av byggnader, materialproduktionen och transporten. Det är oundvikligt för en stad att inte bygga nytt när den expanderar och utvecklar nya behov. Dock är det inte nödvändigt att riva byggnader med en utdaterad funktion för att bygga nya. För att bibehålla stadens identitet är det viktigt att bevara dess historiska karaktär. Detta kan göras genom vitalisering av kulturhistoriskt värdefulla byggnader och miljöer med hjälp av adaptive reuse. Begreppet adaptive reuse syftar till processen att återanvända en byggnad för en ny funktion istället för att riva den. Det ger nytt liv till gamla byggnader, erbjuder dem en chans att överleva genom att ändra deras funktion och ger en större förståelse för framtida generationer att relatera till deras historia. Därför är syftet med denna studie att undersöka hur adaptive reuse av kulturhistoriska värden i den byggda miljön kan bidra till vitalisering av outnyttjade områden och skapa sociala och blomstrande platser. För att erhålla bakgrundsinformation om ämnet, utförs en litteraturstudie och en dokumentanalys. För att undersöka vilka faktorer som bidrar till framgång i ett kulturhistoriskt projekt, utfördes en fallstudie i kvarteret Artilleristallet i Göteborg. Då det är svårt att mäta framgång genom människors upplevelser och erfarenheter, har ett ramverk tagits fram baserat på platsteori för att analysera och förstå fallet. Ramverket kompletterades med intervjuer och observationer vilket bidrog till studiens resultat. Två av kvaliteterna som bidrog till framgången av Artilleristallet var bevarandet av dess historiska karaktärsdrag och bevarandet av platskänslan. Dessutom kompletterar och förstärker kvarterets verksamheter varandra, vilket bidrar till att skapa en attraktiv och inbjudande miljö för olika typer av människor. Utöver dessa, identifierades även viktiga förutsättningar som bidrog till Artilleristallets framgång. Dessa var bland annat dess kulturella värde och placering. Att ha en utförlig detaljplan och god kommunikation med kommunen visade sig vara viktigt, samt ett nära samarbete mellan alla involverade aktörer i projektet. De identifierade kvaliteterna och förutsättningarna är alla viktiga men behöver samverka för att skapa en social och blomstrande plats.

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Brno has been considering moving the Main railway station for several decades. Countless urban plans have been done through several competitions, the new South District, which will be located north direction of today's Dolní nádraží station in the future. The architectural study, which was the subject of this diploma thesis, designs multifunctional object called Platform. The building could become part of the emerging South District. The base for the architectural study of the Platform was urban concept of South District designed by me as a pre-diploma thesis. The significance of the South District is comparable to the new Main Railway Station in Vienna surrounded by new district. Those opportunities were the foundation for designing compact urban structure with great variability of public spaces and buildings themselves. The new building is located on the Route of experiences, which is an alternative lane to the main boulevard from the Main Station to the centre of Brno. That starts at the railway station, leads through South District and its main square, the waterfront, through the islands of Svratka, to the park next to the river. Lane continues to the rediscovered railway viaduct and further to today's Main railway station. The viaduct was an inspiration for the architectural design, in the sense of material and shape. The mass of the building itself is divided horizontally into two parts. The lower, heavy masonry brick part of the market is visually separated from the upper objects that seem to levitate above the market. These three upper masses grow from the green roof of the market. Their function is already evident due to their facades. Upper part belongs to the two apartment buildings with a regular grid of south-west orientated windows and one coworking facility located in the northern corner of the Platform. The location of the building is significant. The views from the Platform are amazing - one side there is the Svratka River with island