This research investigates whether the implementation of a curbside recycling system has an effect on the behavior of households with regard to the recycling of packaging material in Sweden. Previous research presented in the literature points out that the decision to engage in recycling behavior, rather than free-riding on the contributions of others, is based on the perceived contribution of others. Complying with social norms and the experience of warm-glow constitute forms of utility that are derived from engaging in recycling behavior. The recyclable packaging materials glass, paper, plastic, and metal, as well as the total of these materials, are considered in this study. Recycling data from 247 municipalities for the years 2010-2020 are used to research this topic. The analysis is carried out using a difference-in-difference model with multiple time periods and a model presented by Callaway and Sant’Anna. A positive and significant change in household recycling was found for plastic packaging waste, amounting to an average increase of 1.57-2.92 kilograms per resident per year when the curbside recycling system was introduced. The change in recycling was also positive for paper, but this result was not robust to changes in the original model specification. Significant increases in recycling were found for total recycling, glass, and metal as well. However, it is considered uncertain whether the identifying assumptions that have to be fulfilled to establish causality of the results are satisfied. The introduction of a curbside recycling system increases household recycling because the time and effort that are required to recycle decrease. The results presented in this study are in line with this notion.

O livro de contos Notas de Manfredo Rangel, repórter (a respeito de Kramer), de Sérgio Sant\'Anna, foi publicado em 1973, no período historicamente marcado pela repressão institucionalizada da ditadura militar no Brasil. A leitura da obra indica influência desse contexto histórico, marcado pela opressão e pela violência, na composição e na atmosfera dos contos. A contribuição de filósofos que estudam a arte no mundo contemporâneo, como Theodor Adorno e Walter Benjamin, e cientistas da linguagem, como Mikhail Bakhtin, nos oferece subsídios para refletir sobre essa relação entre a história do período e a estrutura literária de Notas de Manfredo Rangel, repórter. O foco principal das reflexões são as tensões inerentes aos aspectos formais da obra, que guardam analogias e estabelecem possibilidades de mediação com a realidade do período em que o livro foi lançado. A análise dos contos oferece, ainda, no estudo das personagens, reflexões acerca da situação de impotência dos indivíduos diante de sistemas institucionais baseados no uso autoritário do poder, e do processo de fragmentação subjetiva relacionado a essa condição. / The book of tales Notas de Manfredo Rangel, repórter (Manfredo Rangels Notes, reporter) (about Kramer), from Sérgio SantAnna, was published in 1973, a period historically marked by the institutionalized repression of the military dictatorship in Brazil. Reading the book, we observe the influence of this historical context marked by the oppression and violence in the tales composition and atmosphere. The contribution of philosophers who study arts in the contemporary world, such as Theodor Adorno and Walter Benjamin, and language scientists, such as Mikhail Bakhtin, offers us subsidies to reflect about the relation between the history of the period and the literary structure of Manfredo Rangels Notes, reporter. The main focus of the reflection are the intrinsic tensions in the formal aspects on the book that keep analogies and establish possibilities of mediation with the reality of the period when the book was launched. The analysis of the tales also offers, for the study of the characters, reflections about the individuals disablement situation before institutional systems based on the subjective fragmentation of the process related to this condition.

O livro de contos Notas de Manfredo Rangel, repórter (a respeito de Kramer), de Sérgio Sant\'Anna, foi publicado em 1973, no período historicamente marcado pela repressão institucionalizada da ditadura militar no Brasil. A leitura da obra indica influência desse contexto histórico, marcado pela opressão e pela violência, na composição e na atmosfera dos contos. A contribuição de filósofos que estudam a arte no mundo contemporâneo, como Theodor Adorno e Walter Benjamin, e cientistas da linguagem, como Mikhail Bakhtin, nos oferece subsídios para refletir sobre essa relação entre a história do período e a estrutura literária de Notas de Manfredo Rangel, repórter. O foco principal das reflexões são as tensões inerentes aos aspectos formais da obra, que guardam analogias e estabelecem possibilidades de mediação com a realidade do período em que o livro foi lançado. A análise dos contos oferece, ainda, no estudo das personagens, reflexões acerca da situação de impotência dos indivíduos diante de sistemas institucionais baseados no uso autoritário do poder, e do processo de fragmentação subjetiva relacionado a essa condição. / The book of tales Notas de Manfredo Rangel, repórter (Manfredo Rangels Notes, reporter) (about Kramer), from Sérgio SantAnna, was published in 1973, a period historically marked by the institutionalized repression of the military dictatorship in Brazil. Reading the book, we observe the influence of this historical context marked by the oppression and violence in the tales composition and atmosphere. The contribution of philosophers who study arts in the contemporary world, such as Theodor Adorno and Walter Benjamin, and language scientists, such as Mikhail Bakhtin, offers us subsidies to reflect about the relation between the history of the period and the literary structure of Manfredo Rangels Notes, reporter. The main focus of the reflection are the intrinsic tensions in the formal aspects on the book that keep analogies and establish possibilities of mediation with the reality of the period when the book was launched. The analysis of the tales also offers, for the study of the characters, reflections about the individuals disablement situation before institutional systems based on the subjective fragmentation of the process related to this condition.

Orientador: Edmundo Pacheco Hora / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-16T20:22:36Z (GMT). No. of bitstreams: 1 Abreu_AlexandreJosede_M.pdf: 3281072 bytes, checksum: 5500b7643758c917f2a8930d10890e1b (MD5) Previous issue date: 2010 / Resumo: A presente dissertação estuda a trajetória do maestro José Pedro de Sant?Anna Gomes (1834-1908), sua atividade como musico e regente na cidade de Campinas durante a segunda metade do século XIX, e sua importância para a atuação das bandas de música que se estabeleceram na cidade no mesmo período. A dissertação apresenta a inter-relação estabelecida entre o trabalho do maestro e a atividade das bandas, destacada pela larga esfera de atribuições do primeiro e a complexa extensão social da segunda. Fontes diversas foram utilizadas: relatos de cronistas, o repertório de Sant?Anna Gomes para a formação de bandas de música, além de dados referentes à atividade musical exercida na cidade de Campinas durante o século XIX. Primeiramente, o trabalho apresenta uma breve biografia do compositor e maestro Sant?Anna Gomes destacando aspectos representativos de sua atuação. Em seguida, o trabalho aborda assuntos relacionados à atividade das bandas na cidade, fazendo uma extensa análise de suas atribuições. Neste sentido, incluímos aspectos urbanísticos e sociais interpretados como mudanças que alteraram o caráter da cidade, assim como, destacamos os diversos segmentos sociais que contaram com a atividade das bandas. Por meio deste enfoque, sugerimos a importância do estabelecimento de um "gosto? comum, norteando o repertório das bandas e contribuindo para uma maior "permeabilidade? em meio a segmentos tão distintos. Finalmente, o trabalho apresenta as quatro obras originais de Sant?Anna Gomes para a formação de bandas: Valsa Club Campineiro, Quadrilha Club Semanal, Polka Sem Fim e Polka Filuta e estabelece sua importância dentro do momento histórico-cultural no qual se inserem. Como anexo, o trabalho inclui, igualmente, a edição das quatro obras apresentadas / Abstract: This dissertation aims at looking at the paths taken by conductor José Pedro de Sant?Anna Gomes (1834 - 1908); his activity as musician and conductor in the city of Campinas during the late nineteenth century, and at presenting the relevance of his work for the activity of music groups that were formed in the city during the same period. The investigation shows the inter-relationship established between the conductor?s work and the activities of the groups, highlighted by the wide scope of the former?s work, and the latter?s complex social environment. Several sources have been used: chronicles by travelling reporters, Sant?Anna Gomes?s repertoire for the formation of bands, besides data referring to the music activity in Campinas during the nineteenth century. In terms of organization, the paper first presents a brief biography of Sant?Anna Gomes underlining important aspects of his works. Secondly, this work focuses topics pertaining to band activities in the city, extensively analyzing several aspects. Here, we have included social and urban aspects that have been interpreted as relevant to the changes that the city underwent, as well as the several social sectors that had music bands. By following this line of thought, we suggest the importance of a common taste, directing the music band?s repertoire and contributing to greater "permeability? despite such different sectors. Lastly, this dissertation presents the four original pieces for band instrumentation by Sant?Anna Gomes: Valsa Club Campineiro, Quadrilha Club Semanal, Polka Sem Fim e Polka Filuta, and establishes their importance within the cultural-historical period in which they are set. As part of the appendix, the paper also includes the four pieces here studied / Mestrado / Mestre em Música