Este estudo investiga e recupera a trajetória sócio-econômica dos (i)migrantes japoneses e seus descendentes em Jacareí, a partir de 1927 até 1951. Caracteriza o contexto local e regional em que esses sujeitos se inseriram e o seu cotidiano durante o governo do Estado Novo e da Segunda Guerra Mundial por meio da bibliografia relacionada à imigração japonesa e à História do Brasil, dentre outras, e fontes documentais, como imprensa escrita local, depoimentos, estatísticas e fotografias. Os (i)migrantes japoneses deslocaram-se para Jacareí nesse período com o objetivo de melhorar suas condições de vida. Grande parte fixou-se na zona rural e dedicou-se à produção agrícola, principalmente de tomate, progrediu econômica e socialmente; criaram uma associação e se preocuparam, de alguma forma, em se inserir na sociedade local. O estudo mostra que o contexto do Estado Novo e a Segunda Guerra Mundial, embora trágico, não refletiu de maneira sistemática em relação aos japoneses que viviam em Jacareí; ao contrário - a não ser em casos isolados - a maioria não se abateu, permanecendo no município; continuou desenvolvendo suas atividades e produzindo, abriu depósitos de cooperativas e outros (i)migrantes japoneses continuaram chegando para Jacareí, tornando-o um lugar de perspectivas de mudanças. / This study investigates and recovers the economic social trajectory of Japanese (im) migrants and their descendants in Jacarei from 1927 until 1951. It features the local and regional context in which it operated these subjects and their daily life during the government of Estado Novo and the Second World War through the literature related to Japanese immigration and to the history of Brazil, among others, and documentary sources, such as print media Local, testimonials, statistics and photographs. The Japanese immigrants moved to Jacarei in that period with the objective of improving their living conditions. The most of them stayed in rural and devoted themselves to agricultural production, mainly of tomatoes, economic and social progress; created an association and have been concerned in some way, they fall in local society. The research shows that the context of the Estado Novo and Second World War, although tragic, not reflected in a systematic way for Japanese (im)migrants who lived in Jacareí; unlike - except in isolated cases - the majority do not hit and remained in the city, continued developing their activities and producing, opened cooperatives and other Japanese (im)migrants continued coming to Jacareí and making it a place of prospects for change.

Orientador: Antonio Carlos Rodrigues de Amorim / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-19T11:47:45Z (GMT). No. of bitstreams: 1 Carvalho_FabioReynolde_M.pdf: 7529586 bytes, checksum: fd58977b1e3e378dfbf2479ab8f2e2d9 (MD5) Previous issue date: 2011 / Resumo: Muito antes de uma guerra começar, uma outra fora construída no imaginário de leitores brasileiros. A guerra que ainda não começara era a Segunda Guerra Mundial. Aquela construída foi uma guerra mundial de contornos próprios gerada, principalmente, a partir dos efeitos provocados por imagens e por conjuntos imagem-texto publicados durante o ano de 1939 no almanaque Eu Sei Tudo, do Rio de Janeiro. Fotos, ilustrações e textos e o conjunto desses elementos distribuídos nas páginas da publicação proporcionaram interpretações, sensações, fantasias e movimentaram jogos de significação únicos e que vão além da lógica representacional formal e trazem novas visões e formam novos sujeitos. Reimaginar essas realidades e analisar os efeitos possíveis dessas matérias foram os eixos que guiaram este trabalho. Aproximar-se da potência e das potencialidades de uma fotografia e mergulhar nesse mar de significações fizeram parte da metodologia / Abstract: Well before starting the war, another one was built inside imagination of Brazilian readers. The not yet started war was the Second World War and the built one was a world war with its own contours generated due to effects of pictures and picture-text sets published during 1939 year at "Eu Sei Tudo" almanac, from Rio de Janeiro. Pictures, illustrations, texts and a set of these elements distributed on pages of that publication provided interpretations, sensations, fantasies and played unique games of significations which go beyond formal logic and bring new visions and form new subjects. Reimagining these realities and analyzing possible effects of the magazine stories were the base of this work and helped to guide it. Approaching the power and potentiality of a picture and diving into the sea of its significations made part of adopted methodology / Mestrado / Divulgação Científica e Cultural / Mestre em Divulgação Científica e Cultural

This study aims to examine the differences and similarities between the propaganda used by the United states and the Nazis during the second world war. The object for the analysis are movies, and what expressions of propaganda that can be seen and deciphered. This study will also try to explain why there are similarities and differences between the two countries propaganda. The tool for the analysis of the movies is based on Ralph Donald’s method to interpret propaganda used in Hollywood movies. I have made some modifications to his method in order to apply it on Nazi movies as well. The movies used in this study are the American The Great Dictator and the German Die Rothschild’s. I have narrowed it down to two movies because of the time limit of this study. Furthermore, I have presented a small, but crucial part of the previous research in the field of propaganda to suit and to strengthen my arguments and conclusions in the analysis of the movies. The reason why the research is narrow is because of the immense field of propaganda. The results from this study shows that there are similarities and also differences between the propaganda used by the Americans and the Nazis, and that this in part can be explained by the propagandas purpose to dehumanize the enemy. It can also be explained by the fact that propaganda is used to boost the morale of the Homefront during wartime.

1 Abstract A renewal of the fundamental functions of parish in the contemporary society is one of the most discussed issues in the Czechoslovak Hussite Church. This thesis deals with a revitalization of parish. Analysing a process of renewal of three different parishes, it draws general rules for revitalization and proposes steps for its implementation. A particular attention is paid to institutional, economic and pastoral aspects of this process.

During the Second World War, Japanese Canadians were uprooted from their homes along the coast of British Columbia and forced to leave the province. In 1946, almost 4,000 individuals were exiled to Japan. The Canadian government deemed their departure ‘voluntary,’ and labelled them ‘disloyal’ to Canada. However, a close reading of the evidence illustrates that ‘loyalty’ had little to do with their departure, and exposes the intent of federal and provincial officials to forcefully remove Nikkei from B.C. For those exiled to occupied Japan, life was filled with hardship and many were forced into difficult or unfamiliar situations. Many longed to return to Canada, but faced numerous restrictions, while others prospered and stayed in Japan for the duration of their lives. This thesis examines the experiences of many of those exiled to Japan, and explores the process by which the Canadian government facilitated their forced removal from B.C. and Canada. / Graduate

Shortly after landing in France on D-Day, 6 June 1944, the British began a programme of care for the military dead of North-West Europe which would last for some seven years. The dead included not only the fatal casualties of the 1944-45 campaigns to liberate the occupied countries and conquer Germany, but also those who had died during the defeats in Norway and France in 1940. In addition, there the many thousands of missing RAF airmen who had been lost throughout the six years of the war. The Royal Navy, for obvious reasons, had few land-based dead, and thus it was the Army and the RAF who carried out the complex programme, ranging over vast areas of Europe and into Soviet territory as the Cold War began. The Army had the central role in registrations, exhumations, and the creation of the new military cemeteries, whilst the RAF’s focus was almost entirely upon the search for its missing airmen. The Services had different motivations and different agendas, but the ultimate goal of each was the honourable burial of the dead and the creation of registers of the long-term missing, who would later be commemorated on memorials. The British search and graves units, by the nature of their work, often discovered evidence of war crimes. The high cultural standing of the British dead was intrinsically related to the horrors of the Nazi regime, and revulsion against the nation responsible for so much suffering led to difficult policy decisions on servicemen’s graves in Germany. It was a matter of pride, however, that the German dead, many thousands of whom became the responsibility of the British, were treated in almost exactly the same way as their own servicemen.

Many historians have presented the narrative of Canada’s Second World War experience as a “good” war. Individuals and communities came together in patriotism and a common purpose to furnish the national war effort with military manpower, labour, financial contributions, and voluntary efforts. As the dark years of the Great Depression gave way to unprecedented levels of industrial and economic growth, falling unemployment rates, increased urbanization, and a wealth of social programs, Canada’s future was bright. However, this optimistic picture is not representative of Canada as a whole. Some regions fared better than others, and industrial Cape Breton was one of those that benefited the least from the opportunities presented by the war. Glace Bay, Cape Breton’s largest mining town and long-time hotbed of industrial strife and labour radicalism, serves as an ideal case study of the region’s largely unprofitable and unchanging wartime experience. Long plagued by poverty, poor living conditions, and underdeveloped industry, and desperately seeking to break free of its destitution, Glace Bay tried and failed to take advantage of wartime opportunities for industrial diversification and local improvement.

Since its rise to prominence in the 1920s, Canadian radio drama has become a topic of growing interest among scholars in the fields of media studies, communications, and literature. During the Second World War, radio drama became an important medium of entertainment for home front civilians, and was utilized as propaganda by the CBC to garner support for the Canadian war effort. At this time, radio drama also became an important artistic outlet for wartime artists to express their political and social values and beliefs during the war. While scholars have examined the art of radio drama in light of its artistic, dramatic and literary value, few have yet to examine the music composed for these dramas. This thesis draws on these scholars as well as archival materials from the John Weinzweig fonds and the CBC Music Library fonds located at Library and Archives Canada, and the CBC radio drama script collection located at the Concordia Centre of Broadcasting and Journalism Studies to examine the incidental music written by John Weinzweig for CBC wartime radio dramas. By considering how composing for this artistic medium impacted his musical language at this time, this thesis examines his scoring for the series New Homes for Old. Specifically, I problematize the modification and simplification of the serial technique in his incidental works, and consider the challenges that informed Weinzweig’s approach to radio drama composition. I propose that Weinzweig’s simplification of his serial technique may be understood in relationship to the social and political climate of the 1930s and 1940s, and within the context of leftist socialist movements, notably the Popular Front. I argue that Weinzweig’s engagement with radical socialism during this period may have prompted him to adopt a simpler and more accessible musical language that reflected and embodied the cultural, political, and aesthetic ideals of the Popular Front. Le théâtre radiophonique canadien est devenu un sujet très prisé parmi les chercheurs dans les domaines des médias, des communications, et de la littérature. Pendant la Deuxième Guerre mondiale, le théâtre radiophonique est devenu une forme de divertissement populaire pour les Canadiens et était souvent utilisé comme un outil de propagande par la CBC. À cette même époque, le théâtre radiophonique est aussi devenu une forme d’expression pour les artistes du temps de guerre pour exprimer leurs valeurs sociales et politiques. Bien que plusieurs chercheurs aient examiné l’art du théâtre radiophonique sous l’angle de sa valeur artistique, dramatique, et littéraire, peu ont examiné la musique qui a été composée pour ces drames. En se servant des matériaux d’archives trouvés dans les fonds “John Weinzweig” et les fonds “CBC music library” situés à la Bibliothèque et Archives Canada (BAC), ainsi que la collection “CBC Radio Dramas” située au Centre for Broadcasting and Journalism Studies (CCJBS) à l’Université Concordia, cette thèse examine la musique de scène écrite par John Weinzweig pour les émissions de théâtre radiophoniques présentées par la CBC pendant la Deuxième Guerre mondiale. En considérant comment le genre radiophonique a influencé le langage musical de Weinzweig, cette thèse examine ses oeuvres pour la série New Homes for Old. Plus précisément, cette thèse examine la modification et simplification de la technique sérielle utilisé par Weinzweig dans ses oeuvres radiophoniques, et considère les défis qui ont influencé son approche compositionnelle. Je suggère que la simplification de la technique sérielle utilisée par Weinzweig peut être étudiée en fonction des conditions politiques des années 1930 et 1940, et aussi en fonction des mouvements politiques de gauche et plus particulièrement du Front populaire. Je soutiens que l’engagement de Weinzweig avec les valeurs socialistes lui a permis d’adopter un langage accessible qui reflète les idéaux culturels, politiques, et esthétiques du Front populaire.

This research examines British intellectual debates on warfare throughout the mid-20th century. The thesis identifies different discourses that emerged as a result of the changes in international relations and military technology at this time. It posits that intellectual contribution on the whole had a more significant impact than many historians have previously accredited. The thesis examines the work of specific intellectuals that made significant and detailed input into these debates and identifies their role in framing these discourses, as individuals and as part of a larger intellectual community. It also highlights the involvement of these intellectuals within the state apparatus and links their intellectual contribution to their role in government. The subject of war and its perception by intellectuals is conspicuously absent in the historiography on British intellectuals. Some of the most important studies of British intellectuals, including Stefan Collini’s Absent Minds, have engaged only slightly or not at all with the intellectual discourse surrounding international relations and warfare. This thesis attempts to fill this gap for the middle of the 20th century and demonstrates that warfare became a prolific and highly visible part of the contribution of intellectuals to British life. Recent literature has attempted to discuss the British state as a warfare state, rejecting arguments on British declinism. The thesis engages with this debate, and while it focuses on Britain’s approach to warfare, it also challenges the interpretation of Britain as either a welfare or a warfare state. The study of intellectuals does not feature heavily within this historiography on British warfare. While historians, such as David Edgerton, engage with specific intellectuals and their writings, a discussion of intellectual discourse does not appear within these analyses. This thesis argues that intellectuals as a group developed ideas and arguments on warfare and the British state in conjunction with one another, creating an intellectual discourse which influenced political decision making and public opinion. The thesis also examines a more modern understanding of the intellectual: the expert. Using both scientific and military thinkers, the thesis explores how experts became intellectuals in response to the growing threat of warfare and the rise of a military-industrial complex. Using intellectuals that conform to the classic definition alongside expert intellectuals, the thesis highlights the importance of analysing both groups as part of the larger whole, and discusses the similarities and differences between the works generated by these intellectuals. The thesis spans the years from 1932 to 1963 and discusses the continuities between intellectual debates across this period. The post-war years and the nuclear conflict feature heavily within this analysis, but the thesis highlights the importance of the 1930s in influencing later intellectual perceptions of the nuclear age and the fight against communism. The majority of this research resulted from sources published within the public domain including monographs, newspaper and periodical articles, public speeches and radio broadcasts. The research also uses the personal archives of the individual intellectuals and political documents from the time, including papers from the Ministry of Defence located in the National Archives, Defence White Papers and the Hansard House of Commons official reports.

This dissertation explores Irish and English fiction before, during, and shortly after the Second World War, a period of complex change in the relations between England and Ireland as British imperial control in Ireland ended. Ireland's neutrality in response to England's declaration of war intensified the nations' apparent differences, yet as my study brings to light, the War also fostered new affinities between England and Ireland, despite each country's inclination to define itself against the other by contrast. Each country's tendency toward xenophobic self-definition gave rise to policies and perspectives that resemble thinking and life in a fascist state. The fiction that I discuss responds to those tendencies by revealing possibilities for collectives that are more dynamically constituted around forms of vision and engagement involving shared responsibility and individual freedom. Chapter 1 reads Virginia Woolf's novel Between the Acts (1941) as a working through of contrasting responses to dictators from a 1938 diary entry and her manifesto Three Guineas, published the same year. I argue that character interactions and self-reflection in response to a play performed in the novel allow characters to recognize fascist tendencies in their own thinking and discover collective visions contrary to the total allegiance prized in Nazi spectacle and English propaganda. Against the mostly ahistorical critical treatments of Flann O'Brien's The Third Policeman (written 1939-1940, published 1966), Chapter 2 traces affinities between the narrator's deluded belief in his own superiority in a milieu of suppressed violence and the psychological environment Irish neutrality created. Focusing on Elizabeth Bowen's novel The Heat of the Day (1948) and wartime short fiction, Chapter 3 argues that her characters' behavior challenges stereotypes about English and Irish residents promoted by the other country. Rather than offering the escape from the War that some English visitors desire, Ireland provides a vantage point for seeing their London lives in new ways. Chapter 4 takes Nazi narratives of German history as reference points for interpreting Samuel Beckett's Watt (written 1942-1945, published 1953) and Molloy (1955), in particular the narrators' attempts to hide their control over the narratives they shape and the collectives that surround them.