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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 181 to 185 of 185 (0.025 seconds)Spelling suggestions: "subject:"show"" "subject:"sham""
| 181 |
Prophetisches Reden und Evangelisation: eine missiologische Untersuchung der über Berlin ausgesprochenen Prophetien (1980-2000) / Prophecy and evangelisation : a missiological study of prophecies regarding Berlin (1980-2000)Heim, Detlef Peter 31 October 2002 (has links)
Text in German / Prophetie und Evangelisation sind zentrale Themen der Bibel und wichtige Instrumente
Gottes. Biblische Berichte zeigen, dass Mission und Evangelisation oft erst durch ein
prophetisches Wort moglich wurde. Das erste Kapitel widmet sich diesen Themen.
Es ist das Anliegen dieser Studie, die in den Jahren 1980-2000 uber Berlin ausgesprochenen
Prophetien zu analysieren. Die Prophetien werden mit biblischen Aussagen verglichen,
gegeneinander ins Verhaltnis gesetzt und auf ihre missionstheoiogische Relevanz hin
untersucht. Eine Befragung einiger Berliner Leber chainsmatisch-gepragter Gemeinden liefert den praktischen Anteil dieser Studie. Die theoretischen Grundlagen werden im zweiten und
die Ergebnisse im dritten Kapitel behandelt.
Es ist zu betonen, dass sich die untersuchten Prophetien jeglicher objektiver Beurteilung
entziehen. Alle Angaben sind zeitlich nicht gebunden und sehr allgemein gehalten. Allen
gemeinsam ist jedoch ein geistlicher Quantensprang, der von einer flachendeckenden
Ausgiessung des Geistes Gottes uber Berlin handelt. Dieser Sachverhalt wird im vierten
Kapitel dargestellt und diskutiert. / Prophecy and evangelisation are central topics of the Bible and instruments of God, Biblical
reports show, that mission and evangelisation were mostly possible by a prophetic word
(Chapter one).
The concern of this study is to analyse the prophecies spoken out for Berlin between the years
1980 to 2000. The prophecies were compared with biblical statements, were proportionate to
one another and were analysed regarding their mission-theologicai relevance. A questioning
of few leaders of charismatic-embossed churches of Berlin gives the practical part of the
study (the theoretical part see chapter two, the results see chapter three).
It has to be articulated, that there is no objective judgement for the analysed prophecies. All
indications are not bound by time and were given in general sense. All prophecies deal with a
spiritual quantum leap, who speaks of an out-pouring of the Spirit of God over Berlin
covering the whole area (Chapter four). / Christian Spirituality, Church History and Missiology / M.Th. (Missiology)
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| 182 |
Prophetisches Reden und Evangelisation : Eine missiologische Untersuchung der uber Berlin ausgesprochenen Prophetien (1980-2000) / Prophecy and evangelisation : A missiological study of prophecies regarding Berlin (1980-2000)Heim, Detlef Peter 11 1900 (has links)
Prophetie und Evangelisation sind zentrale Themen der Bibel und wichtige Instrumente
Gottes. Bib'lische Berichte zeigen, dass Mission und Evangelisation oft erst durch ein
prophetisches Wort miiglich wurde. Das erste Kapitel widmet sich diesen Themen.
Es ist das Anliegen dieser Studie, die in den Jahren 1980-2000 iiber Berlin ausgesprochenen
Prophetien zu analysieren. Die Prophetien werden mit biblischen Aussagen verglichen,
gegeneinander ins Verhliltnis gesetzt und auf ihre missionstheologische Relevanz hin
untersucht. Eine Befragung einiger Berliner Leiter charismatisch-geprligter Gemeinden liefert
den praktischen Anteil dieser Studie. Die theoretischen Grundlagen werden im zweiten und
die Ergebnisse im dritten Kapitel behandelt.
Es ist zu betonen, <lass sich die untersuchten Prophetien jeglicher objektiver Beurteilung
entziehen. Aile Angaben sind zeitlich nicht gebunden und sehr allgemein gehalten. Allen
gemeinsam ist jedoch ein geistlicher Quantensprung, der von einer flachendeckenden
AusgieBung des Geistes Gottes iiber Berlin handelt. Dieser Sachverhalt wird im vierten
Kapitel dargestellt und diskutiert. / Prophecy and evangelisation are central topics of the Bible and instruments of God. Biblical
reports show, that mission and evangelisation were mostly possible by a prophetic word
(Chapter one).
The concern of this study is to analyse the prophecies spoken out for Berlin between the years
1980 to 2000. The prophecies were compared with biblical statements, were proportionate to
one another and were analysed regarding their mission-theological relevance. A questioning
of few leaders of charismatic-embossed churches of Berlin gives the practical part of the
study (the theoretical part see chapter two, the results see chapter three).
It has to be articulated, that there is no objective judgement for the analysed prophecies. All
indications are not bound by time and were given in general sense. All prophecies deal with a
spiritual quantum leap, who speaks of an out-pouring of the Spirit of God over Berlin
covering the whole area (Chapter four). / Text in German / Titles in German and English / Keywords in German and English / M. Th. (Missiology)
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| 183 |
"Así me gustas gordita": Representaciones de la gordura en la música popular y la literatura del Caribe hispanoBraden, Emily 17 December 2007 (has links)
This thesis examines contemporary musical and literary representations of female fatness in the Hispanic Caribbean. Chapter I explores the stereotype of a greater acceptance and valorization of fatness within the African Diaspora using contemporary feminist scholarship on cultural aesthetics and the body. Fatness is discussed as being both sexually transgressive and traditionally feminine. Chapter II juxtaposes male representations of “la gorda” in the lyrics of popular music of from Cuba, the Dominican Republic and Puerto Rico with the feminist politics of underground hip hop. Chapter III analyzes Guillermo Cabrera Infante’s hyperbolic representation of La Estrella, his fictionalization of Cuban bolero singer Fredy Rodriguez, in Ella cantaba boleros y “Metafinal” (1996). The aquatic subtexts and grotesque characterization of La Estrella’s body construct her as an icon of musical authenticity and exceptionality as well as a symbol of strength and resistance.
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| 184 |
"Así me gustas gordita": Representaciones de la gordura en la música popular y la literatura del Caribe hispanoBraden, Emily 17 December 2007 (has links)
This thesis examines contemporary musical and literary representations of female fatness in the Hispanic Caribbean. Chapter I explores the stereotype of a greater acceptance and valorization of fatness within the African Diaspora using contemporary feminist scholarship on cultural aesthetics and the body. Fatness is discussed as being both sexually transgressive and traditionally feminine. Chapter II juxtaposes male representations of “la gorda” in the lyrics of popular music of from Cuba, the Dominican Republic and Puerto Rico with the feminist politics of underground hip hop. Chapter III analyzes Guillermo Cabrera Infante’s hyperbolic representation of La Estrella, his fictionalization of Cuban bolero singer Fredy Rodriguez, in Ella cantaba boleros y “Metafinal” (1996). The aquatic subtexts and grotesque characterization of La Estrella’s body construct her as an icon of musical authenticity and exceptionality as well as a symbol of strength and resistance.
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| 185 |
Beyond the electronic connection : the technologically manufactured cyber-human and its physical human counterpart in performance : a theory related to convergence identitiesSharir, Yacov January 2013 (has links)
This thesis is an investigation of the complex processes and relationships between the physical human performer and the technologically manufactured cyber-human counterpart. I acted as both researcher and the physical human performer, deeply engaged in the moment-to-moment creation of events unfolding within a shared virtual reality environment. As the primary instigator and activator of the cyber-human partner, I maintained a balance between the live and technological performance elements, prioritizing the production of content and meaning. By way of using practice as research, this thesis argues that in considering interactions between cyber-human and human performers, it is crucial to move beyond discussions of technology when considering interactions between cyber-humans and human performers to an analysis of emotional content, the powers of poetic imagery, the trust that is developed through sensory perception and the evocation of complex relationships. A theoretical model is constructed to describe the relationship between a cyber-human and a human performer in the five works created specifically for this thesis, which is not substantially different from that between human performers. Technological exploration allows for the observation and analysis of various relationships, furthering an expanded understanding of ‘movement as content’ beyond the electronic connection. Each of the works created for this research used new and innovative technologies, including virtual reality, multiple interactive systems, six generations of wearable computers, motion capture technology, high-end digital lighting projectors, various projection screens, smart electronically charged fabrics, multiple sensory sensitive devices and intelligent sensory charged alternative performance spaces. They were most often collaboratively created in order to augment all aspects of the performance and create the sense of community found in digital live dance performances/events. These works are identified as one continuous line of energy and discovery, each representing a slight variation on the premise that a working, caring, visceral and poetic content occurs beyond the technological tools. Consequently, a shift in the physical human’s psyche overwhelms the act of performance. Scholarship and reflection on the works have been integral to my creative process throughout. The goals of this thesis, the works created and the resulting methodologies are to investigate performance to heighten the multiple ways we experience and interact with the world. This maximizes connection and results in a highly interactive, improvisational, dynamic, non-linear, immediate, accessible, agential, reciprocal, emotional, visceral and transformative experience without boundaries between the virtual and physical for physical humans, cyborgs and cyber-humans alike.
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