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The philosophy of Lao Chang by Lao Shih 老張的哲學老舍著LIN, Chung Sau 01 January 1940 (has links)
No description available.
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A comparative study of Teahouse.January 1989 (has links)
by He Yongqing. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1989. / Bibliography: leaves 154-166.
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Humour in Lao She's prose Lao She san wen de you mo te dian' /Lam, Wing-lan. January 2008 (has links)
Thesis (M.A.)--University of Hong Kong, 2008. / Includes bibliographical references (p. 39-41)
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Verisimilitude in realist narrative Mao Tun's and Lao Shê's early novels /Wang, David Der-Wei. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1982. / Typescript. Vita. Description based on print version record. Includes bibliographical references (leaves 330-341).
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Yu Ta-fu and the Creation Society Yu Dafu yu Chuang zao she /Cheung, Sai-wai. January 1900 (has links)
Thesis (M.A.)--University of Hong Kong, 1980. / Also available in print.
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The origins of the Shanghai People's Commune of 1967Lubkeman, Lynn M. January 1978 (has links)
Thesis (M.A.)--University of Wisconsin--Madison. / Typescript. Title from title screen (viewed Nov. 15, 2007). Includes bibliographical references (leaves 170-177). Online version of the print original.
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Ke xue she tuan zai jin dai Zhongguo de ming yun yi Zhongguo ke xue she wei zhong xin = The science association and the change of society in modern China : a study on The science society of China /Zhang, Jian, January 2005 (has links)
Thesis (Ph.D.)--Hua dong shi fan da xue. / "Zhongguo ke xue yuan zhi shi chuang xin gong cheng xiang mu." 880-07 Includes bibliographical references (p. 413-426) and indexes.
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The origins of the Shanghai People's Commune of 1967Lubkeman, Lynn M. January 1978 (has links)
Thesis (M.A.)--University of Wisconsin--Madison. / Typescript. Includes bibliographical references (leaves 170-177).
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A Tale of Two Generations: Re-Establishing Young Adult Literature in the Contemporary ClassroomAllen, Erin Michelle 01 August 2013 (has links)
This thesis explores the history and current condition of contemporary young adult literature. It looks at why the genre has been marginalized, especially in relation to education and scholarly critique. Chapter one places Hawthorne's The Scarlet Letter alongside the contemporary fiction of Hilary Jordan, When She Woke. The discussion of Jordan's work points out the importance of the contemporary work and how it can be used to enhance learning and appreciation for it's canonical predecessor. Chapter two looks at the ghost story as written for the younger range of young adult literature, the crossover novel, and adult literature. Lisa McMann's Cryer's Cross explores how death and ghosts affect those left behind after a trauma and is targeted to a young adult audience. Laura Kasischke's novel The Raising addresses ghostly existences when a college student is supposedly killed by her boyfriend. This book bridges the gap between young adult literature and adult literature. The Lovely Bones by Alice Sebold looks at death and loss from the vantage point of the dead and it's subtlety puts it in the group of adult literature. All three novels help their targeted audiences in differing ways and allows for self-exploration of beliefs and values.
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THE MOST CHARMING MUSICAL EVER WRITTEN!: COSTUME DESIGNING SHE LOVES MESaylor, Haley Marie 01 May 2024 (has links) (PDF)
AN ABSTRACT OF THE THESIS OFHaley M. Hutchins, for the Master of Fine Arts degree in Theater, presented on April 12th, 2024, at Southern Illinois University Carbondale. TITLE: THE MOST CHARMING MUSICAL EVER WRITTEN!: COSTUME DESIGNING SHE LOVES MEMAJOR PROFESSOR: Wendi R. Zea This thesis is a collection of ideas and information surrounding the process of designing the costumes for the musical She Loves Me. The musical production took place in the McLeod Theater at Southern Illinois University from February 29th-March 3rd, 2024. The musical was published in 1963 and is third adaptation of Miklós László’s play Parfumerie. The book was by playwright Joe Masteroff, music was by composer Jerry Bock, and lyrics by lyricist by Sheldon Harnick. Chapter 1 focuses on the research surrounding Budapest, Hungary in the 1930s, as well as a look into the history of romantic comedies and an analysis of the characters in the musical. Chapter 2 follows the process of designing the costumes from conception to final renderings. Chapter 3 documents the build and rehearsal process. Chapter 4 contains my reflection and pieces of feedback from my peers and mentors. Lastly, the appendices cover all relevant research, renderings, paperwork, and show photos.
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