La création artistique autochtone est indissociable des luttes politiques. Dans un contexte colonial, les modes d’être, d’agir et de penser Autochtones sont profondément affectés. L’art est une arme puissante dans cette lutte pour la décolonisation. Cette étude s’intéressera ainsi au potentiel de transformation et de décolonisation de la création artistique autochtone, à travers la pratique artistique de l’artiste Algonquine Nadia Myre. Plusieurs de ses œuvres adressent la mixité identitaire et la violence coloniale subie par les Autochtones. Indian Act (fig.1) dénonce, à l’aide d’une réécriture perlée traditionnelle et participative, un texte de loi colonial qui a conduit à une injustice épistémique profonde. Pour adresser ces problématiques, nous nous ancrerons sur un objet particulier, le wampum. Dans cette recherche, nous le considérerons comme un vecteur de résurgence et de décolonisation profondes. La position socio-politique ancienne et contemporaine essentielle du wampum en fait un support didactique privilégié de résurgence. Grâce à l’utilisation du motif du wampum dans la pratique artistique de Nadia Myre, nous pourrons cheminer à travers ces luttes et comprendre comment les artistes Autochtones les engagent. Le wampum sera présenté comme une rhétorique discursive, matérielle et immatérielle, un hypertexte, un hyperlien (Haas 2007) entre tradition et modernité, oralité et écriture, qui sera supportée par la théorie de l’intermédialité. Jacques Derrida et la Déconstruction seront également convoqués pour examiner le travail de réécriture effectué par Myre dans Indian Act. Il s’agira également de comprendre comment la proposition participative de Nadia Myre pourrait permettre un engagement allochtone vers une justice épistémique décoloniale. / Aboriginal artistic creation is inseparable from political struggles. In a colonial context, Aboriginal ways of being, acting and thinking are deeply affected. Art is a powerful weapon in this struggle for decolonization. This study will therefore focus on the transformative and decolonizing potential of Aboriginal artistic creation through the artistic practice of Algonquin artist Nadia Myre. Several of her works address the mixed identity and colonial violence suffered by Aboriginal people. Indian Act (fig.1) denounces, through a traditional and participatory beaded rewriting, a colonial law that has led to a profound epistemic injustice. To address these issues, we will focus on a specific object, the wampum. In this research, we will consider it as a vector of deep resurgence and decolonization. The essential ancient and contemporary socio-political position of wampum makes it a privileged didactic support of resurgence. Through the use of the wampum motif in Nadia Myre's artistic practice, we will be able to walk through these struggles and understand how Aboriginal artists engage them. Wampum will be presented as a discursive rhetoric, material and immaterial, a hypertext, a hyperlink (Haas 2007) between tradition and modernity, orality and writing, which will be supported by the theory of intermediality. Jacques Derrida and the Deconstruction will also be convened to examine the rewriting work done by Myre in Indian Act. It will also be a question of understanding how Nadia Myre's participatory proposal could enable an allochtonous engagement towards decolonial epistemic justice.

This thesis is a study of nineteenth and twentieth century faith theology and praxis, seeking to determine a balanced, healthy faith that is both sound in theology and effective in practice, Part 1 presents a history and sources of Faith Teaching and Practices. It first looks historically at the roots of later faith teaching and practice by presenting a sampling of teachings on faith from early church fathers, reformers, mystics, and Pietists. These form the foundation for the movements of faith in the nineteenth and early twentieth centuries-the classic faith teaching, followed by the modern faith movement and leaders. Part 2 deals with the foundational issues of faith teaching and practice: the relationship of faith to the supernatural, the concept of the inheritance of the believer and the practice of claiming the promises of God, the nature of faith, and the authority of the believer and its inferences for faith praxis. Part 3 investigates seven major theological issues of faith teaching and practice: faith as a law and force, the object and source of faith, the relationship of faith and the will of God, distinguishing between a logos and a rhema word of God, the concepts of revelation and sense knowledge, the doctrine of healing in the atonement, the question of evidence of the baptism in the Holy Spirit. Part 4 examines major practical issues of faith teaching and practice about which controversy swirls: positive mental attitude and positive confession; issues of discernment in acting upon impressions, voices, revelations, and "words from the Lord;" questions of faith regarding sickness and healing, death, doctors and medicine; the relationships between sickness, suffering, healing, and sanctification; and prosperity. Part 5 reflects upon these issues and comes to final conclusions regarding: the role of hermeneutics in determining faith theology and praxis, how to handle unanswered prayers and apparent failures of faith, the seeming paradox and tension between claiming one's inheritance and dying to self, a summary of practical conclusions for exercise of healthy faith, and final conclusions and recommendations on developing a sound theology and practice of faith for the twenty-first century. / Philosophy, Practical & Systematic Theology / D.Th. (Practical Theology)

This thesis is a study of nineteenth and twentieth century faith theology and praxis, seeking to determine a balanced, healthy faith that is both sound in theology and effective in practice, Part 1 presents a history and sources of Faith Teaching and Practices. It first looks historically at the roots of later faith teaching and practice by presenting a sampling of teachings on faith from early church fathers, reformers, mystics, and Pietists. These form the foundation for the movements of faith in the nineteenth and early twentieth centuries-the classic faith teaching, followed by the modern faith movement and leaders. Part 2 deals with the foundational issues of faith teaching and practice: the relationship of faith to the supernatural, the concept of the inheritance of the believer and the practice of claiming the promises of God, the nature of faith, and the authority of the believer and its inferences for faith praxis. Part 3 investigates seven major theological issues of faith teaching and practice: faith as a law and force, the object and source of faith, the relationship of faith and the will of God, distinguishing between a logos and a rhema word of God, the concepts of revelation and sense knowledge, the doctrine of healing in the atonement, the question of evidence of the baptism in the Holy Spirit. Part 4 examines major practical issues of faith teaching and practice about which controversy swirls: positive mental attitude and positive confession; issues of discernment in acting upon impressions, voices, revelations, and "words from the Lord;" questions of faith regarding sickness and healing, death, doctors and medicine; the relationships between sickness, suffering, healing, and sanctification; and prosperity. Part 5 reflects upon these issues and comes to final conclusions regarding: the role of hermeneutics in determining faith theology and praxis, how to handle unanswered prayers and apparent failures of faith, the seeming paradox and tension between claiming one's inheritance and dying to self, a summary of practical conclusions for exercise of healthy faith, and final conclusions and recommendations on developing a sound theology and practice of faith for the twenty-first century. / Philosophy, Practical and Systematic Theology / D.Th. (Practical Theology)