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31	La psychologie aristotélicienne dans l'Islam classique : traduction et commentaire de l'Épître sur le retour d'Avicenne / Aristotle's psychology in Classical Islam : translation and commentary on Avicenna's Epistle on Return Lamrani, Lila 24 November 2014 (has links) La Risala al-adhawiya fi al-ma`ad d’Avicenne, portant sur la question du Retour à la vie une fois la mort survenue, présente un certain nombre de thèses originales par rapport aux autres écrits de ce philosophe. Le Retour ne peut concerner les corps : il est en effet réserver aux âmes dans la mesure où l’essence de l’homme réside dans son âme. Les corps se corrompent définitivement au moment de la mort. Le Coran n’a rien d’un texte démonstratif, il s’agit d’un texte rhétorique visant à susciter chez ses lecteurs le comportement moral approprié. On ne peut donc déduire de l’affirmation coranique répétée selon laquelle les corps reviendront à la vie que les corps seront effectivement ressuscités. Par ailleurs, si dans le monde physique il existe une pluralité d’âmes, c’est uniquement en raison de la multiplicité de la matière corporelle qui les accueille. Si les âmes doivent survivre indépendamment des corps qui assurent leur individuation, comment pourraient-elles exister individuellement ? Il n’y aura pas d’existence individuelle des âmes après la mort, mais un Retour de ces âmes au Principe (l’Intellect Agent, ou, en dernière instance, le Principe Premier, Dieu) dont elles émanent : les âmes se résorbent donc dans leur origine et n’ont plus d’existence séparée. Le Retour est absolu. / Avicenna’s Risala al-adhawiya fi al-ma`ad, dealing with the question of Return to life once death has occurred, comes up with various original theses that do not appear in Avicenna’s other writings. The Return cannot affect the body : it is indeed dedicated to souls inasmuch as the essence of man lies in his soul. Bodies get corrupted once and for all when death occurs. The Quran has nothing to do with a demonstrative text, it is a rhetorical text that aims at provoking in its readers the appropriate moral behaviour. It is therefore impossible to deduce from the repeated coranic assertion saying that bodies will come back to life that bodies will effectively resurrect. If in the physical world there is a plurality of souls, it is only because of the multiplicity of the corporeal matter that receives them. If souls have to survive independently from bodies that allow their individuation, how then could they individually exist ? There will not be any individual existence of souls in the hereafter, but a Return of these souls to the Principle (the Agent Intellect, or, at last, the First Principle, God) from which they emanate : therefore souls resorb in their origin and do not have any separate existence. It is an absolute Return. Épître sur le Retour Avicenne Retour (ma,¯ad) Aristote Âme Psychologie Anthropologie Eschatologie Moi Individuation Herméneutique coranique Rhétorique Kal¯am Rétribution Métempsycose Production des âmes Alpago Epistle on Return Avicenna Return (ma,¯ad) Aristotle Soul Psychology Anthropology Eschatology Self Individuation Coranic hermeneutics Rhetorics Kal¯am Retribution Metempsychosis Production of souls Alpago
32	Transliggaamlikheid, kriptosoölogie en dieresiele in Kikoejoe (Etienne van Heerden, 1996), Die olifantjagters (Piet van Rooyen, 1997) en Dwaalpoort (Alexander Strachan, 2010) Roothman, Linda 04 1900 (has links) Text in Afrikaans / In hierdie studie word die verbandhoudende teoretiese begrippe van trans-liggaamlikheid, kriptosoölogie en dieresiele ondersoek met verwysing na drie magies-realistiese Afrikaanse romans, naamlik Kikoejoe (Etienne van Heerden, 1996), Die olifantjagters (Piet van Rooyen, 1997) en Dwaalpoort (Alexander Strachan, 2010). Die gewaande dualisme tussen kultuur en natuur word in die tekste bevraagteken en vrye interaksie tussen biologiese, klimatologiese, ekonomiese en politieke magte vind plaas in die onderskeie romanruimtes. Die toenemende druk op die omgewing word uitgebeeld en in hierdie opsig sluit die romans aan by ŉ eietydse tendens in die (Afrikaanse) letterkunde waar die klem op ekologiese kwessies val. Hierdie drie kontemporêre romans reflekteer voorts die komplekse interaksie tussen menslike en niemenslike diere en kan beskou word as dierenarratiewe (met ’n mitiese onderbou) waar tradisionele beskouings oor diere in die samelewing deurentyd ondermyn word. / In this research report, related theoretical concepts such as transcorporeality, cryptozoology and animal souls will be explored with reference to the magic-realistic Afrikaans novels Kikoejoe (Etienne van Heerden, 1996), Die olifantjagters (Piet van Rooyen, 1997) and Dwaalpoort (Alexander Strachan, 2010). The perceived dualism of nature versus culture is undermined in the respective novels and the environment is exposed as a space where the interaction between biological, climatological, economical and political forces takes place freely. The novels portray the increasing demands on the environment and in this respect these texts become representative of a current trend in (Afrikaans) literature to reflect ecological issues. The three contemporary novels further reflect the complex interaction between human and nonhuman animals and can be described as animal narratives (underpinned by myths) where traditional perspectives on animals in society are constantly subverted. / Afrikaans and Theory of Literature / M.A. (Afrikaans) Afrikaans literature Van Heerden, Etienne. Kikoejoe (1996) Strachan, Alexander. Dwaalpoort (2010) Transcorporeality Cryptozoology Animal souls Magic realism 839.363509 Cryptozoology Soul in literature Human-animal relationships in literature Ecology in literature Magic realism (Literature)
33	Transliggaamlikheid, kriptosoölogie en dieresiele in Kikoejoe (Etienne van Heerden, 1996), Die olifantjagters (Piet van Rooyen, 1997) en Dwaalpoort (Alexander Strachan, 2010) Roothman, Linda 04 1900 (has links) Text in Afrikaans / In hierdie studie word die verbandhoudende teoretiese begrippe van trans-liggaamlikheid, kriptosoölogie en dieresiele ondersoek met verwysing na drie magies-realistiese Afrikaanse romans, naamlik Kikoejoe (Etienne van Heerden, 1996), Die olifantjagters (Piet van Rooyen, 1997) en Dwaalpoort (Alexander Strachan, 2010). Die gewaande dualisme tussen kultuur en natuur word in die tekste bevraagteken en vrye interaksie tussen biologiese, klimatologiese, ekonomiese en politieke magte vind plaas in die onderskeie romanruimtes. Die toenemende druk op die omgewing word uitgebeeld en in hierdie opsig sluit die romans aan by ŉ eietydse tendens in die (Afrikaanse) letterkunde waar die klem op ekologiese kwessies val. Hierdie drie kontemporêre romans reflekteer voorts die komplekse interaksie tussen menslike en niemenslike diere en kan beskou word as dierenarratiewe (met ’n mitiese onderbou) waar tradisionele beskouings oor diere in die samelewing deurentyd ondermyn word. / In this research report, related theoretical concepts such as transcorporeality, cryptozoology and animal souls will be explored with reference to the magic-realistic Afrikaans novels Kikoejoe (Etienne van Heerden, 1996), Die olifantjagters (Piet van Rooyen, 1997) and Dwaalpoort (Alexander Strachan, 2010). The perceived dualism of nature versus culture is undermined in the respective novels and the environment is exposed as a space where the interaction between biological, climatological, economical and political forces takes place freely. The novels portray the increasing demands on the environment and in this respect these texts become representative of a current trend in (Afrikaans) literature to reflect ecological issues. The three contemporary novels further reflect the complex interaction between human and nonhuman animals and can be described as animal narratives (underpinned by myths) where traditional perspectives on animals in society are constantly subverted. / Afrikaans and Theory of Literature / M.A. (Afrikaans) Afrikaans literature Van Heerden, Etienne. Kikoejoe (1996) Strachan, Alexander. Dwaalpoort (2010) Transcorporeality Cryptozoology Animal souls Magic realism 839.363509 Cryptozoology Soul in literature Human-animal relationships in literature Ecology in literature Magic realism (Literature)
34	Nine Lives: A History of Cat Women, Subversive Femininity, and Transgressive Archetypes in Film Barnett, Katrina 08 1900 (has links) The intention of this thesis is to identify and analyze the cat woman archetype as a contemporary extension of the transgressive witch archetype, which rampantly appears over the course of cinema history, working as a signifier of a patriarchal society's fear of autonomous and subversive women. The character of Catwoman is the ultimate representation for this archetype on grounds of her visibility, longevity, and ability to return again and again. More importantly, Catwoman and her sisterhood of cat women work against male creators as a means of female empowerment through trickery. Within this thesis, key films of varying genres are drawn from throughout cinema history and analyzed in order to demonstrate the intertextual network of characters that make up the cat woman archetype, and the importance of the Catwoman character in her many forms. Catwoman subversive women witches femme fatale female archetypes in film cats and women cat goddess female sexuality strong willed women female laughter womens laughter unruly women patriarchal storytelling batman returns bringing up baby war of the roses that darn cat bell book and candle cat people the dark knight rises batman television curse of the cat people tomb of ligeia the blue bird cat girl gale sondergaard michelle pfieffer anne hathaway eartha kitt julie newmar halle berry nastassja kinski paul schrader tim burton island of lost souls panther woman katharine hepburn cary grant christopher nolan female resurrection Cinema Gender Studies Women's Studies

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