This essay is about reincarnation in Lurianic Kabbalah. This essay explains in detail what reincarnation is but also what the different levels of the soul is as well, according to Lurianic Kabbalah. The literature used in this essay uses books from the Antiquities until today. But the older literature is technically not Kabbalistic literature, but the Kabbalists are using these sources to confirm their ideas. The essay ends with analysing the thematic. The essay will focus on the five levels of the soul, and about what happens after death, according to the Kabbalistic sources.

En 1903, paraît le magnum opus de William Edward Burghardt Du Bois, The Souls of Black Folk. Ce dernier écrit cet ouvrage en poursuivant trois objectifs. Primo, il souhaite démontrer que Booker T. Washington et ses supporters font fausse route en défendant l’idée selon laquelle les Afro-américains pourront accéder à un avenir meilleur en échangeant leurs droits politiques contre des opportunités économiques. Secundo, Du Bois cherche à faire la lumière sur les talents distinctifs et les grandes réalisations de son peuple afin de convaincre les Blancs que les Noirs ne leur sont pas biologiquement ou moralement inférieurs et, par conséquent, que l’égalité raciale doit être totale et immédiate. Tertio, il veut persuader les Américains de devenir de meilleurs citoyens, en renouant avec les idéaux de leur République et en vivant en fonction de principes moraux élevés. L’écriture de Souls marque un tournant majeur dans la vie intellectuelle de son auteur, car il renonce à cette époque au discours conciliatoire qu’il avait tenu dans sa jeunesse. Les idées qu’il défend dans son livre ont germé quelques années plus tôt, au contact de certains de ses professeurs de l’Université de Berlin, d’Alexander Crummell et surtout, en effectuant une étude de terrain sur la communauté noire de Philadelphie. Du Bois réalise alors l’ampleur des injustices dont sont victimes les Noirs et contre lesquelles la bonne volonté et le travail acharné ne peuvent rien. / William Edward Burghardt Du Bois published The Souls of Black Folk in 1903. Du Bois pursued three different goals when he wrote his masterpiece. First, he argued that Booker T. Washington’s strategy of trading political rights for economic opportunities was not the best way to improve the condition of African Americans. Second, Du Bois highlighted the accomplishments and distinctive abilities of his people in order to undermine the pretended biological and moral superiority of Whites that often justified the pushback against equal rights for all. Third, Du Bois wished to inspire Americans to become better citizens by compelling his fellow countrymen to embrace the Founding Fathers’ ideals and higher moral standards. The writing of The Souls of Black Folk marks an important shift in Du Bois’ intellectual life because he recants the accommodationist rhetoric of his youth during this period. Some of the ideas introduced in The Souls of Black Folk can be traced back to the influence of Alexander Crummell and of Du Bois’ teachers at the University of Berlin. However, it is Du Bois’s field work in the black community of Philadelphia that made him realize both the degree of the inequalities faced by African Americans and the fact that hard work and enthusiasm are not enough to overcome such significant disparities.

Langston Hughes' novel Not Without Laughter works within the historically narrow framework of African American uplift ideology. Hughes implies Booker T. Washington's racial uplift ideology from Up From Slavery within Aunt Hager Williams. In addition, Hughes implies W.E.B. DuBois' racial uplift ideology from Souls of Black Folk within Tempy Siles. In both characters, he criticizes the ideologies. In addition, the ideologies work toward an initial construction of masculinity for Sandy, the protagonist, and ultimately undermine an argument for gender equality.

Over centuries, Hmong people have moved from mountain to mountain, home to home, country to country, crossing rivers and valleys in search of an escape from oppression. The Txiv Xaiv (Plig) ritual and chant has survived serial exodus and diaspora that Hmong people have experienced. This ritual encodes Hmong historical and cosmological understandings as an oral text, passed down from master to student, and performed at funerals to apply that understanding in the management of souls--ultimately to send them home. The Txiv Xaiv (Plig) serves as a glue, connecting the past generations to the generation of today and the generations of tomorrow. A funeral without a Txiv Xaiv is like a tree without its roots. Its ability to preserve Hmong history, morals, and traditions is unparalleled, but the dispersion of Hmong communities across a now global diaspora threatens the vitality of this oral text. An ethnographic film constitutes a critical and central empirical element of this thesis. This film, entitled Returning Home, draws on the affordances of visual and sonic mediums to both depict this oral text and the practices associated with it, and to unpack the cosmology of personhood encoded in the text, which Hickman (2014) calls "ancestral personhood". The film centers on a particular form of the Txiv Xaiv Plig that was preserved by a paramount Master, Shong Ger Thao, who passed down a critical version of the ritual to the director of Returning Home (and author of this thesis) before he passed away. This version of the ritual has the unique capacity to manage the soul of a person who did not receive a complete funeral and proper burial when they passed away, such as the post-1975 exodus from Laos, when Hmong families had to flee for their lives and many people were killed in the jungle along the way. By fate or coincidence (most Hmong would err on the side of fate), the first time that the director of this film was called upon to perform this Txiv Xaiv Plig was for an ex-post-facto funeral for Master Shong Ger's wife, Kia Yang, who had passed away during the lock-down phase of the Covid-10 pandemic, when large gatherings (necessary for a proper Hmong funeral) were not permitted. This film draws on this poetic circle of the passing down of knowledge and putting it into practice, in order to demonstrate the value of the knowledge that Master Shong Ger had preserved, specifically through the use of that knowledge to manage his own late wife's soul, thus completing the circle from one generation to the next in Master Shong Ger's family. This project--the written thesis in conjunction with the film--advances a "Hmong Oral Knowledge" approach that is critical to both understanding and preserving Hmong cosmology. This approach puts Hmong cosmology and philosophy into dialogue with scholarship being produced about Hmong communities across the world which tends to treat Hmong ideas as mere data-to-be-analyzed. The thesis focuses on the substance of Master Shong Ger Thao's philosophy (derived from Hmong oral ritual), in order to "look" and not just "see" (MacDougall 2019) human experience from a Hmong theoretical perspective. Given the primacy of oral and physically performative ritual practice, this thesis employs the medium of film in order to engage with Hmong ritual knowledge and practice in its own terms. The film provides a 'thick depiction' of these practices, and seeks to explicate the cosmology of the 'three souls' model of personhood that underpins these practices, while also focusing on the legacy of Master Shong Ger Thao, who cultivated and preserved the details of this cosmology and the oral texts that encode it.

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Diploma thesis deals with detection of romantic and realistic components in three selected novels, traditionally placed on the border between romanticism and realism, and more closely examines if their ambiguity in terms of literary movement is from a contemporary point of view up-to-date and relevant, and what constitutes it. This main goal is preceded by the need to define the most complex concepts of literary romanticism and realism, including their specific characteristics, tendencies and distinct feautures. Particular analyses are developed according to a preselected warp whose individual items are universal aspects of a literary work such as subject matter, plot, narration, characters, space-time and language devices which are monitored, on the basis of conclusions rendered in a theoretical part of this thesis, for a particular degree of romantic and realistic heritage. Within each analysis we were able to decide which aspects of the work are fully or rather consistent with the principles of romanticism and which are conversely in accordance with realistic tradition. The subsequent summary analysis helped to answer the question whether the work as a whole is closer to romanticism or realism. Recognition of different forms of realationship between romantic and realistic principle that naturally...

This undergraduate thesis is an examination of the works of Odorannus (c. 985-c. 1046), a monk of the abbey of Saint Pierre-le-Vif in Sens, France. A prominent monk in his community, Odorannus was involved in constructing and celebrating his monastery's prosperity and identity. At times, however, he was at variance with his brethren, even experiencing a brief period in exile. This essay explores aspects of Odorannus' compilation, a collection which the monk himself gathered together in his old age, in terms of the dynamic relationship between self and community in a Benedictine monastery of the central Middle Ages.

This thesis examines the growing trend of cinematisation in computer and console games, where both visual styles and industrial practices are concerned. The ever-increasing runtime of cinematic cutscenes in games, and the stylization of game graphics in accordance with established film genres are of primary focus regarding the gaming industry's absorption and interpretation of cinematic visuals. Comparisons of film-game convergence are based on the proliferation of non-gameplay promotional trailers and their role in hype-generation; as well as game producer strategies of franchising, cross-promotion, and initial-sales business model. Comparison is thus accomplished with regards to a number of fundamental similarities in both industries' business and commercial tactics, as stemming from the risk and reward-based investment financing system prevalent in both industries. Finally, a selection of user and industry professional video responses to the aforementioned trends are examined, both for their value in counter-balancing the assumptions of success which often follow staggeringly high initial sales figures; and for their value in layering the depth of film-game convergence even further, as they respond to the recent, filmic trends in games using the very language of film.

Art of Jesuit Chapels of the Deceased The theme of this work is presentation of Jesuit Chapel of the Deceased in Bohemia in the Baroque period. The main idea of these chapels are the last idea of man and reminder to purgatory. The presence of purgatory was unquestionable for Baroque society and very often presentation in art. Purgatory was place, which gives hope to the Catholics for salvation and it was great occasional for using special symbols and emblems, it is a way how the remind a believer to the idea of the Last Judgment.

Indiana University-Purdue University Indianapolis (IUPUI) / Wharton’s heroines are ordinary women who fight to secure material comfort and create selves that satisfy their emotional and sexual needs. These women often find that the two goals are mutually exclusive, since society strictly dictates appropriate behavior. This code of behavior stems from their relation to men: as objects to be won, as wives, and as mothers. In many instances, women are not even aware of their prescriptive roles and confuse their search for self with a search for security. Material comfort does not nurture Wharton’s heroines’ inner selves and they feel a metaphysical dissatisfaction, often seeking to find contentment through divorce or affairs. What they find in either case is that the cure to their ennui is not material, but mental. Wharton’s women seek a transcendent self—a self that is not dependent upon popular notions of respectability; a spiritual state that is independent from any attachment to social imperatives.