<p>Uppsatsen redogör för de teorier och diskussioner som bygger på att dagens Tv och data spel kan ha en berättande struktur som i filmer. Syftet är att genom undersökningen av strukturen i spel och film, samt karaktärernas funktioner för berättelsens drivkraft visa att dagens spel kan vara berättande och därför möjlig att analysera med narratologiska verktyg.</p><p>Frågeställningarna i uppsatsen är vilken funktion får karaktärerna för berättelsens drivkraft i spelet i jämförelse med filmen? Hur är berättelsen strukturerad i spelet i jämförelse med filmen? Den ena av de olika teorierna som jag kommer att använda mig av är narrationsanalytikern Christophen Vogler’s teori om berättelsens uppbyggnad. För att kunna analysera karaktärernas funktioner använder jag mig av Lee Sheldons tankar om karaktärer i dataspel.</p>

Uppsatsen redogör för de teorier och diskussioner som bygger på att dagens Tv och data spel kan ha en berättande struktur som i filmer. Syftet är att genom undersökningen av strukturen i spel och film, samt karaktärernas funktioner för berättelsens drivkraft visa att dagens spel kan vara berättande och därför möjlig att analysera med narratologiska verktyg. Frågeställningarna i uppsatsen är vilken funktion får karaktärerna för berättelsens drivkraft i spelet i jämförelse med filmen? Hur är berättelsen strukturerad i spelet i jämförelse med filmen? Den ena av de olika teorierna som jag kommer att använda mig av är narrationsanalytikern Christophen Vogler’s teori om berättelsens uppbyggnad. För att kunna analysera karaktärernas funktioner använder jag mig av Lee Sheldons tankar om karaktärer i dataspel.

This Thesis focuses on the topic of selected issues of the crime of Stalking according to Section 354 of the Criminal Code. The offence of Stalking affects the socially harmful phenomenon known under its English name "stalking", which represents a wide range of often unpredictable forms of behavior. In this Thesis, I aimed to analyze the constituent elements of the criminal offence of Stalking and to place it in a broader context. At the same time, the aim of the work is to provide de lege ferenda proposals for improving existing legislation, firstly by thoroughly analyzing the constituent elements of the offence, secondly, by looking at practical use of the provision of the law, and thirdly, by comparing it with foreign legal regulations. This Diploma Thesis is divided into four main sections, which are further divided into individual chapters and subchapters. These sections follow consecutively logically and give the reader the opportunity to gradually penetrate into the whole matter. I have proceeded from a more general explanations and descriptions of the issue of stalking to the detailed analysis of the crime of Stalking. A lot of practical examples and cases are provided in the Thesis, for better illustration and understanding of the issue. The introductory section describes the phenomenon of...

This thesis would like to inform the reader of a new crime in the Czech republic which is dangerous pursuit (stalking) and it aims at analysis of current legislation. It attemps to define dangerous pursuit, the emergence of this phenomenon from a historical point of view as well as its current interpretation. It also covers the penalties that can be imposed on the criminals. Moreover, it also looks at victims of dangerous pursuit and effective ways of helping the victims as well as the criminals.

This thesis deals with crime of dangerous harassement (stalking) in Czech Republic. It focuses on current legislation and possible future legislation changes. It deals with the most common types of harassement and its specific relationship to domestic violence. It focuses not just on the personality of offender but also on status of the victims and its possibilities of protection against stalking. It also deals with the penalties imposed for this crime under Czech law and performs comparative study of Czech and international regulations, especially of Austria, German and the United States of America.

The present research aims to think about the film Stalker, by the Russian director Andrei Tarkovski, from the concept of experience of the philosopher Walter Benjamin. The study was based on the analysis of the film's mise-en-scène, in order to think of it as a power to break the automatism and to perceive the images as a way of "feeling" life - a concept present in the reflection text of Viktor Chklovsky Art as procedure / Submitted by José Ricardo da Rocha Cacciari (jose.cacciari@unisul.br) on 2017-10-27T22:55:44Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Stalker, de Andrei Tarkovski, e a Mise-en-scène cono forma de experiência.pdf: 2448360 bytes, checksum: 90f377f87116b0361920f7cd899a0cf2 (MD5) / Approved for entry into archive by Karina Ramos Wagner (wagner.karina@unisul.br) on 2017-11-06T10:46:31Z (GMT) No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Stalker, de Andrei Tarkovski, e a Mise-en-scène cono forma de experiência.pdf: 2448360 bytes, checksum: 90f377f87116b0361920f7cd899a0cf2 (MD5) / Made available in DSpace on 2017-11-06T10:46:31Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Stalker, de Andrei Tarkovski, e a Mise-en-scène cono forma de experiência.pdf: 2448360 bytes, checksum: 90f377f87116b0361920f7cd899a0cf2 (MD5) Previous issue date: 2017 / A presente pesquisa tem como objetivo pensar o filme Stalker, do diretor russo Andrei Tarkovski, a partir do conceito de experiência do filósofo Walter Benjamin. O estudo se pautou pela análise da mise-en-scène do filme, de forma a pensá-la como potência de quebra do automatismo e de percepção das imagens como forma de “sentir” a vida - conceito presente no texto de reflexão de Viktor Chklovski A arte como procedimento.

Drömmars likhet med film har fascinerat människor sedan mediets uppkomst. Med ljus som avgörande princip för bildens innehåll, i kombination med något så subjektivt som hur drömmar ser ut, är det av intresse att se hur ljuset gestaltas när filmkaraktärers egna drömmar blir ett inslag i filmen. Uppsatsens syfte är att analysera huruvida ljus har betydelse för att generera en filmisk uppfattning av att det är en dröm. Ljuset undersöks i fyra filmer med utpräglade drömscener genom en kvalitativ jämförelsestudie. En semiotisk bildanalys har utförts av exempel från vaket tillstånd gentemot drömtillstånd i Spellbound (1945), Smultronstället (1957), Stalker (1979) och Scott Pilgrim vs The World (2010). Att utläsa av analysen uppvisas återkommande mönster i samtliga exempel av gestaltningen att förstärka intrycket av att det är en dröm. I jämförelse tenderar vaken verklighet att gestaltas med andra ljusestetiska principer.

This dissertation deals with today still actual phenomenon called stalking, not only with it's more serious form known as a dangerous stalking but even its less serious forms. The work is systematically divided into three key parts - the first one focuses on a term definition followed by the part dealing with criminal points of view and the last one concentrates on criminological aspects. The introductory chapter contains some of the most famous definitions trying to define a difference between a stalking and a dangerous stalking. The readers are as well informed about the history of stalking and its possible forms to make it easy to understand the problem on a common level. The second part is dedicated to a criminal level of stalking. It detailly focuses on a quite interesting process of incorporation of a dangerous stalking offence into a law system of the Czech Republic. It also provides a list of possible sanctions of a stalker before an antistalking legislation introduction (it means before the year 2009). The second part of my work deals with a complex analysis of facts of the case according to the enactment §354 of the Criminal Law that is compared with some foreign norms in which it has found an inspiration. Of course, the analysis of the Supreme Court judicature is not missing here. The...

Title: Influencing the shooting speed in football Objectives: The aim of my thesis was to record, evaluate changes and verify the effectiveness of the implemented intervention during the reference period in the development of shooting speed together with a rebound ability in a long jump in a football team which is operating in the 5th highest football competition in Germany. Methods: Quantitative research was carried out in the form of motor testing of a football team from a selected foreign football league during the autumn part of the competition. Two tests were selected to determine the development of the explosive force of the lower limbs. It was a specific test of the explosive force of the lower limbs - a kick from a one-step rhythm and a test of the general explosive force of lower limbs - jump. It was a so-called cross over study. Team was divided in two groups, where group A was doing implemented intervention in a different part of reference period than group B. Results: Based on the analysis of descriptive statistics, there was an increase in the statistics in the long jump and a decrease in the statistics in both monitored groups, while group A has the observations with the greatest improvement, but in the group B can be seen mostly an improvement across the whole group. For the second...

The main problem posed in this thesis is an epistemological one to do with what counts as knowledge in the organisation/management and management accounting areas of scholarship. This question arose regarding discrepancies between an original text, Burns and Stalker's The Management of Innovation (1961, 1966, 1994), and longstanding representations in the mainstream literature. The discrepancies were between the largely objectivist representations focussing on the relationship between organisation structure and environmental contingency, while omitting subjectivist factors and organisational processes, also significant in Burns and Stalker's analysis. The analysis in this thesis is concerned with two main questions: the similarities and differences between The Management of Innovation and mainstream representations; and explanations for these, particularly for the differences. The analytical framework is critical realist theory underpinned by an Hegelian dialectical methodology, looking at phenomena from different perspectives with inconsistencies addressed by a more holistic analysis. This thesis is based on a non-linear, multi-angled approach, which examines each of the two questions from different perspectives through two dialectical circles. A detailed analysis of Burns and Stalker's work and mainstream representations enabled clarity regarding the different foci in the two sets of texts. The absenting of human factors and organisational processes in much mainstream scholarship was found to extend beyond representations of Burns and Stalker's work to orthodox scholarship more widely, despite strong and persistent critiques from within the field. The dialectical opposition constructed between objectivist and subjectivist factors was investigated further and linked to attitudes regarding the commensurability of different approaches in the social sciences, particularly in the organisation/management and management accounting fields. It is suggested that this opposition is based on a particular view of science and scientific method. A broader interpretation however shows that science is also influenced by researchers' subjectivities. This has led to an argument for the complementary, more holistic approaches already present in the field becoming more widespread in the interests of more sustainable and emancipatory knowledge.